In 1957, a doo-wop group known as The Chesters existed with members Clarence Collins, Tracy Lord, Nathaniel Rodgers, and Ronald Ross. Anthony Gourdine, a former member of The Duponts, joined as lead vocalist. Ernest Wright took over for Ross, and the group recorded shortly for Apollo Records.
Changing their name to The Imperials, they signed with End Records in 1958. Their first single was "Tears On My Pillow", which was an instant hit. (While playing this song, D.J. Alan Freed dubbed the name "Little Anthony".) The B side, "Two Kinds of People" was also a hit. The group followed up with "Shimmy, Shimmy, Ko Ko Bop" in 1960. When their success dwindled in 1961, Little Anthony left to attempt a solo career. Some members left, and the line-up then became Collins, Wright, Sammy Strain, and George Kerr. Kerr was replaced by Kenny Seymour after a short time. This line-up had little success.
Little Anthony returned in 1963, replacing Seymour. With the help of record producer/songwriter Teddy Randazzo, the group found success on the new DCP label with the dramatic pop-soul records "I'm On The Outside Looking In" (1964), "Goin' Out Of My Head" (1964), "Hurt So Bad" (1965), "I Miss You So" (1965), "Take Me Back" (1965), and "Out of Sight, Out Of Mind" (1969).
Ernest Wright left in 1971 to join Tony Williams' Platters. He was replaced by the returning Kenny Seymour, who was again replaced after a short time by Bobby Wade. Strain left in 1972 to join The O'Jays, and was replaced by Harold Jenkins (who had already been functioning as the group's choreographer). Jenkins and Seymour had previously performed together in The Impacts. Little Anthony left for a second (more successful) attempt at a solo career. The trio of Collins, Wade, and Jenkins continued as "The Imperials".
Clarence Collins left in 1988 and was replaced by Sherman James. They toured as "Bobby Wade's Imperials". James left in 1992, and was replaced by Ron Stevenson. That same year, Collins, Wright, Strain, and Little Anthony reunited for a concert at Madison Square Gardens. When the decision was made for the foursome to tour together again, Wade relinquished the Imperials name, with his group becoming "Bobby Wade's Emperors". They became the house band at Caesar's Palace in Las Vegas.
Little Anthony, Collins, Wright, and Strain continued touring as "Little Anthony and the Imperials". Strain retired in 2004, and Harold Jenkins returned to take his place.
They were inducted into the Long Island Music Hall of Fame on October 15, 2006.
Shimmy Shimmy Ko-Ko-Bop
Little Anthony & the Imperials Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh Oh oh oh oh oh oh oh ah
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Sittin' in a native hut
All alone and blue
Wonderin' what to do
Along came a native girl
Did a native dance
It was like in paradise
Put me in a trance
Going
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Joined her in her dancin' spree
Felt my spine a-tingle
Held her tight and close to me
Man I'm glad I'm single
Then she showed me what to do
First I was amazed
Soon I learned a step or two
Put me in a daze
Going
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
You can do the ko-ko-bop
Now's no time to stop
Left foot forward right one back
Bring them side by side
Uh syncopate your last two steps
Now you're going to glide
Keep along the rhythm track
Girls please show 'em how
Now you start to arch your back
Man you got it now
Going
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
Shimmy Shimmy Ko-Ko-Bop
Shimmy Shimmy Bop
The song "Shimmy Shimmy Ko-Ko-Bop" by Little Anthony & the Imperials is a catchy tune that tells the story of a man who is feeling lonely and blue while sitting in a native hut. Suddenly, a native girl appears and performs a mesmerizing dance that puts him in a trance. The man joins her in her dancing spree, feeling his spine tingling and holding her close. He's amazed by her moves but soon learns a step or two and continues to dance along with the rhythm. The lyrics encourage the listener to learn the ko-ko-bop and keep dancing along with the rhythm track.
The song's lyrics are telling a simple story about dancing and falling in love but the use of words like "native," "paradise," and "single" can be interpreted in multiple ways. The use of the word "native" can raise questions about cultural appropriation and the song's colonial undertones. The word "paradise" might refer to the native girl's dance, showcasing how people can be enchanted by different cultures. Additionally, the line "Man I'm glad I'm single" could also suggest the man's desire for a more carefree lifestyle or simply enjoying his time dancing and having fun. Overall, the song is a fun, upbeat tune that encourages people to let loose and get their groove on.
Line by Line Meaning
Oh Oh oh oh oh oh oh oh ah
The singer is starting the song with some vocalizations before beginning the lyrics.
Shimmy Shimmy Ko-Ko-Bop
The title of the song, which refers to a dance move.
Shimmy Shimmy Bop
A repeated line meant to reinforce the dance move and rhythm of the song.
Sittin' in a native hut
The singer is setting the scene for a story that is about to unfold.
All alone and blue
The singer is feeling sad and lonely.
Wonderin' what to do
The singer is unsure of how to pass the time in their current situation.
Along came a native girl
A woman entered the hut and caught the singer's attention.
Did a native dance
The woman performed a dance that was characteristic of her culture.
It was like in paradise
The singer was enthralled with the woman's beauty and skill in dancing.
Put me in a trance
The singer was so captivated by the woman's performance that they felt hypnotized.
Joined her in her dancin' spree
The singer decided to join the woman in dancing.
Felt my spine a-tingle
The singer was exhilarated by the physical sensation of dancing.
Held her tight and close to me
The singer felt a romantic connection to the woman and held her closely.
Man I'm glad I'm single
The singer is enjoying the freedom of being unattached.
Then she showed me what to do
The woman began to teach the singer new dance moves.
First I was amazed
The singer was impressed by the woman's ability to dance and teach.
Soon I learned a step or two
The singer picked up on the new dance moves quickly.
Put me in a daze
The singer was so taken with the experience of learning new dance moves that they felt disoriented.
You can do the ko-ko-bop
The singer is encouraging the listener to try the dance move.
Now's no time to stop
The singer is urging the listener to keep dancing.
Left foot forward right one back
Instructions for one of the dance moves.
Bring them side by side
Instructions for another dance move.
Uh syncopate your last two steps
Instructions for a more complex dance move involving a change in timing.
Now you're going to glide
Instructions for a smooth transition between dance moves.
Keep along the rhythm track
The singer is emphasizing the importance of staying in sync with the music.
Girls please show 'em how
The singer is asking female dancers to demonstrate the moves for the benefit of others.
Now you start to arch your back
Instructions for another move that involves body positioning.
Man you got it now
The singer is complimenting the listener on their dancing.
Lyrics Β© Kanjian Music, Spirit Music Group
Written by: BOB SMITH
Lyrics Licensed & Provided by LyricFind
@Hamlet12341
I haven't done a cartwheel since I was nine
I haven't seen my mother in a long, long time
I mean, look at me, look at the length of my hair
My face, the shape of my body
Do you really think I give a damn what I do
After years of just hearing them talking?
I say I live in Rosemead
Really, I'm at the Ramada
It doesn't really matter
Doesn't really, really matter
Call him up, come into my bedroom
Ended up, we fuck on the hotel floor
It's not about havin' someone to love me anymore
This is the experience of bein' an American whore
Called up one drunk, called up another
Forensic Files wasn't on
Watching Teenage Diary of a Girl
Wondering what went wrong
I'm a princess, I'm divisive
Ask me why, why, why I'm like this
Maybe I'm just kinda like this
I don't know, maybe I'm just like this
I say I live in Rosemead
Really, I'm at the Ramada
It doesn't really matter
Doesn't really, really matter
Call him up, he comes over again
Yeah, I know I'm over my head, but, oh
It's not about havin' someone to love me anymore
No, this is the experience of bein' an American whore
I mean, look at my hair
Look at the length of it and the shape of my body
If I told you that I was raped
Do you really think that anybody would think I didn't ask for it?
I didn't ask for it
I won't testify, I already fucked up my story
On top of this, so many other things you can't believe
Did you know a singer can still be
Lookin' like a side piece at thirty-three?
God's a charlatan, don't look back, babe
Puts the shower on while he calls me
Slips out the back door to talk to me
I'm invisible, look how you hold me
I'm invisible, I'm invisible
I'm a ghost now, look how you hold me now
It's not about havin' someone to love me anymore (oh, okay)
No, this is the experience of bein' an American whore
It's not about havin' someone to love me anymore
No, this is the experience of bein' an American whore
This is the experience of bein' an American whore
This is the experience of bein' an American whore
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high (oh, my God)
Love me, if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her you're fucking up big time
Your mom called, I told her you're fucking up big time
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high
Love me, if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her, you're fucking up big time
Jimmy, you should switch it up, maybe light it up (yeah)
Jimmy, if you leave the house, find me in the club (like)
Jimmy, if you switch it up, you should light it up
Jimmy, if you leave the house, find me in the club (surf's up)
Your mom called, I told her you're fucking up big time
But I don't care, baby, I already lost my mind
If you light it up, find me in the club
Your mom called, I told her you're fucking up big time
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high
Love me if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her you're fucking up big time
@kimtinte84
Oh, oh oh oh oh oh oh oh β ah
Oh, oh oh oh oh oh oh oh β ah
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop (ahh)
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop (ahh)
Sittin' in a native hut
All alone and blue
Sittin' in a native hut
Wonderin' what to do
Along came a native girl
Did a native dance
It was like in paradise
Put me in a trance
Goin' shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Joined her in her dancin' spree
Felt my spine a-tingle
Held her tight and close to me
Man, I'm glad I'm single
Then she showed me what to do
First I was amazed
Soon I learned a step or two
Put me in a daze
Goin' shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop
You can do the ko-ko bop
Now's no time to stop
Left foot forward
Right one back
Bring them side by side
Syncopate your last two steps
Now you're gonna glide
Keep along the rhythm track
Girls please show 'em how
Now you start to arch your back
Man, you got it now
Goin' shimmy shimmy ko-ko-bop
Shimmy shimmy bop, oh
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Shimmy shimmy ko-ko-bop
Shimmy shimmy bop
Shimmy shimmy ko-ko-bop
Shimmy shimmy ahhhhhh
@Hamlet12341
For all the people running here saying Lana used lyrics from this song for A&W read the lyrics. She paid homage to this song and several others but never said Shimmy
I haven't done a cartwheel since I was nine
I haven't seen my mother in a long, long time
I mean, look at me, look at the length of my hair
My face, the shape of my body
Do you really think I give a damn what I do
After years of just hearing them talking?
I say I live in Rosemead
Really, I'm at the Ramada
It doesn't really matter
Doesn't really, really matter
Call him up, come into my bedroom
Ended up, we fuck on the hotel floor
It's not about havin' someone to love me anymore
This is the experience of bein' an American whore
Called up one drunk, called up another
Forensic Files wasn't on
Watching Teenage Diary of a Girl
Wondering what went wrong
I'm a princess, I'm divisive
Ask me why, why, why I'm like this
Maybe I'm just kinda like this
I don't know, maybe I'm just like this
I say I live in Rosemead
Really, I'm at the Ramada
It doesn't really matter
Doesn't really, really matter
Call him up, he comes over again
Yeah, I know I'm over my head, but, oh
It's not about havin' someone to love me anymore
No, this is the experience of bein' an American whore
I mean, look at my hair
Look at the length of it and the shape of my body
If I told you that I was raped
Do you really think that anybody would think I didn't ask for it?
I didn't ask for it
I won't testify, I already fucked up my story
On top of this, so many other things you can't believe
Did you know a singer can still be
Lookin' like a side piece at thirty-three?
God's a charlatan, don't look back, babe
Puts the shower on while he calls me
Slips out the back door to talk to me
I'm invisible, look how you hold me
I'm invisible, I'm invisible
I'm a ghost now, look how you hold me now
It's not about havin' someone to love me anymore (oh, okay)
No, this is the experience of bein' an American whore
It's not about havin' someone to love me anymore
No, this is the experience of bein' an American whore
This is the experience of bein' an American whore
This is the experience of bein' an American whore
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high (oh, my God)
Love me, if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her you're fucking up big time
Your mom called, I told her you're fucking up big time
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high
Love me, if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her, you're fucking up big time
Jimmy, you should switch it up, maybe light it up (yeah)
Jimmy, if you leave the house, find me in the club (like)
Jimmy, if you switch it up, you should light it up
Jimmy, if you leave the house, find me in the club (surf's up)
Your mom called, I told her you're fucking up big time
But I don't care, baby, I already lost my mind
If you light it up, find me in the club
Your mom called, I told her you're fucking up big time
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high
Love me if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her you're fucking up big time
@ignaciaibanez2916
Lana once again showing us she still a vintage queen
edit: 500 likes omg! stan lanita<3
@naomi369
Iβm here tooβ€ she teaching us all the great vintage song π
@lianyla
@Naomi very interesting calling a song βVintageβ
@bpradaaa
β@lianyla something more than 20+ years old is considered vintage :). Fun fact.
@lianyla
@B Prada well. Calling a record vintage. But calling a song βVintageβ is just weird
@lianyla
@B Prada and no. If something is at least 20 years old. It is in fact. Not vintage
@m2m340
Who is here after listening A&W?? My God, i am knowing a lot of 60's artists because of herβ¦ πβ€οΈβ€οΈπ₯π₯
@roaniwhent4005
Yesss πππ
@Hamlet12341
I haven't done a cartwheel since I was nine
I haven't seen my mother in a long, long time
I mean, look at me, look at the length of my hair
My face, the shape of my body
Do you really think I give a damn what I do
After years of just hearing them talking?
I say I live in Rosemead
Really, I'm at the Ramada
It doesn't really matter
Doesn't really, really matter
Call him up, come into my bedroom
Ended up, we fuck on the hotel floor
It's not about havin' someone to love me anymore
This is the experience of bein' an American whore
Called up one drunk, called up another
Forensic Files wasn't on
Watching Teenage Diary of a Girl
Wondering what went wrong
I'm a princess, I'm divisive
Ask me why, why, why I'm like this
Maybe I'm just kinda like this
I don't know, maybe I'm just like this
I say I live in Rosemead
Really, I'm at the Ramada
It doesn't really matter
Doesn't really, really matter
Call him up, he comes over again
Yeah, I know I'm over my head, but, oh
It's not about havin' someone to love me anymore
No, this is the experience of bein' an American whore
I mean, look at my hair
Look at the length of it and the shape of my body
If I told you that I was raped
Do you really think that anybody would think I didn't ask for it?
I didn't ask for it
I won't testify, I already fucked up my story
On top of this, so many other things you can't believe
Did you know a singer can still be
Lookin' like a side piece at thirty-three?
God's a charlatan, don't look back, babe
Puts the shower on while he calls me
Slips out the back door to talk to me
I'm invisible, look how you hold me
I'm invisible, I'm invisible
I'm a ghost now, look how you hold me now
It's not about havin' someone to love me anymore (oh, okay)
No, this is the experience of bein' an American whore
It's not about havin' someone to love me anymore
No, this is the experience of bein' an American whore
This is the experience of bein' an American whore
This is the experience of bein' an American whore
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high (oh, my God)
Love me, if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her you're fucking up big time
Your mom called, I told her you're fucking up big time
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high
Love me, if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her, you're fucking up big time
Jimmy, you should switch it up, maybe light it up (yeah)
Jimmy, if you leave the house, find me in the club (like)
Jimmy, if you switch it up, you should light it up
Jimmy, if you leave the house, find me in the club (surf's up)
Your mom called, I told her you're fucking up big time
But I don't care, baby, I already lost my mind
If you light it up, find me in the club
Your mom called, I told her you're fucking up big time
Jimmy, Jimmy, cocoa puff, Jimmy, Jimmy ride
Jimmy, Jimmy, cocoa puff, Jimmy, get me high
Love me if you love enough, you can be my light
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Jimmy only love me when he wanna get high
Your mom called, I told her you're fucking up big time
@ReyMarMusic
Same! I love how tapped in Lana is. Also, this came out 1959