Little Walter (born Marion Walter Jacobs in Marksville, Louisiana; May 1, 1… Read Full Bio ↴Little Walter (born Marion Walter Jacobs in Marksville, Louisiana; May 1, 1930; died on February 15, 1968 in Chicago, Illinois) was an American blues singer, harmonica player, and guitarist, whose revolutionary approach to the harmonica earned him comparisons to Charlie Parker and Jimi Hendrix for innovation and impact on succeeding generations. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica. He was inducted into the Rock and Roll Hall of Fame in 2008 in the "sideman" category, making him the first and only artist ever to be inducted specifically for his work as a harmonica player.
Tired of the generic electric guitar blues of the mid-1940s, Little Walter introduced to blues a new sound by simply combining the use of a guitar amp, mic, and a harmonica; a technique used among harmonica musicians to this day. He made his first released recordings in 1947 for Bernard Abram's tiny Ora-Nelle label, which operated out of the back room of the Abrams' Maxwell Radio and Records store in the heart of the Maxwell Street market area in Chicago. Little Walter thus became the first musician to use electric distortion on purpose. Little Walter is widely regarded as the best harmonica player ever, and you can hear much of his talent accompanying Muddy Waters's repertoire from the 50's, as well as his own numerous and successful recordings of that time.
Jacobs is generally included among blues music greats: his revolutionary harmonica technique has earned comparisons to Charlie Parker and Jimi Hendrix in its impact: There were great musicians before and after, but Jacobs' virtuosity and musical innovations reached heights of expression never previously imagined, and fundamentally altered many listeners' expectations of what was possible on blues harmonica. His body of work earned Little Walter a spot in The Rock and Roll Hall of Fame in the sideman category on March 10, 2008, making him the only artist so honored specifically for his work as a harmonica player.
Jacobs made his first released recordings in 1947 for Bernard Abrams' tiny Ora-Nelle label, which operated out of the back room of Abrams' Maxwell Radio and Records store in the heart of the Maxwell Street market area in Chicago. These and several other early Little Walter recordings, like many blues harp recordings of the era, owed a strong stylistic debt to pioneering blues harmonica player Sonny Boy Williamson I (John Lee Williamson). Little Walter joined Muddy Waters' band in 1948, and by 1950, he was playing acoustic (unamplified) harmonica on Muddy's recordings for Chess Records. The first appearance on record of amplified harmonica was Little Walter's performance on Muddy's "Country Boy" (Chess 1452), recorded on July 11, 1951. For years after his departure from Muddy's band in 1952, Chess continued to hire Little Walter to play on Waters' recording sessions, and as a result his harmonica is featured on most of Muddy's classic recordings from the 1950s.[8] As a guitarist, Little Walter recorded three songs for the small Parkway label with Muddy Waters and Baby Face Leroy Foster (reissued on CD as "The Blues World of Little Walter" from Delmark Records in 1993), as well as on a session for Chess backing pianist Eddie Ware; his guitar work was also featured occasionally on early Chess sessions with Muddy Waters and Jimmy Rogers.
Jacobs had put his career as a bandleader on hold when he joined Muddy's band, but stepped back out front once and for all when he recorded as a bandleader for Chess's subsidiary label Checker Records on 12 May 1952. The first completed take of the first song attempted at his debut session became his first hit, spending eight weeks in the number-one position on the Billboard R&B chart – the song was "Juke", and it is still the only harmonica instrumental ever to become a number-one hit on the Billboard R&B. (Three other harmonica instrumentals by Little Walter also reached the Billboard R&B top 10: "Off the Wall" reached number eight, "Roller Coaster" achieved number six, and "Sad Hours" reached the number-two position while Juke was still on the charts.) "Juke" was the biggest hit to date for Chess and its affiliated labels, and one of the biggest national R&B hits of 1952, securing Walter's position on the Chess artist roster for the next decade.
Little Walter scored fourteen top-ten hits on the Billboard R&B charts between 1952 and 1958, including two number-one hits (the second being "My Babe" in 1955), a level of commercial success never achieved by his former boss Waters, nor by his fellow Chess blues artists Howlin' Wolf and Sonny Boy Williamson II. Following the pattern of "Juke", most of Little Walter's single releases in the 1950s featured a vocal performance on one side, and a harmonica instrumental on the other. Many of Walter's vocal numbers were originals which he or Chess A&R man Willie Dixon wrote or adapted and updated from earlier blues themes. In general, his sound was more modern and uptempo than the popular Chicago blues of the day, with a jazzier conception and less rhythmically rigid approach than other contemporary blues harmonica players.
Upon his departure from Muddy Waters' band in 1952, he recruited a young band that was already working steadily in Chicago backing Junior Wells, The Aces, as his new backing band. The Aces consisted of brothers David Myers and Louis Myers on guitars, and drummer Fred Below, and were re-christened "The Jukes" on most of the Little Walter records on which they appeared. By 1955 the members of The Aces / Jukes had each left Little Walter to pursue other opportunities, initially replaced by guitarists Robert "Junior" Lockwood and Luther Tucker, and drummer Odie Payne. Jr. Others who worked in Little Walter's recording and touring bands in the '50s included guitarists Jimmie Lee Robinson and Freddie Robinson. Little Walter also occasionally included saxophone players in his touring bands during this period, among them a young Albert Ayler, and even Ray Charles on one early tour. By the late 1950s, Little Walter no longer employed a regular full-time band, instead hiring various players as needed from the large pool of local blues musicians in Chicago.
Jacobs was frequently utilized on records as a harmonica accompanist behind others in the Chess stable of artists, including Jimmy Rogers, John Brim, Rocky Fuller, Memphis Minnie, The Coronets, Johnny Shines, Floyd Jones, Bo Diddley, and Shel Silverstein, and on other record labels backing Otis Rush, Johnny Young, and Robert Nighthawk.
Jacobs suffered from alcoholism and had a notoriously short temper, which in late 1950s led to a series of violent altercations, minor scrapes with the law, and increasingly irresponsible behavior. This led to a decline in his fame and fortunes beginning in the late 1950s, although he did tour Europe twice, in 1964 and 1967. (The long-circulated story that he toured the United Kingdom with The Rolling Stones in 1964 has since been refuted by Keith Richards). The 1967 European tour, as part of the American Folk Blues Festival, resulted in the only film/video footage of Little Walter performing that is known to exist. Footage of Little Walter backing Hound Dog Taylor and Koko Taylor on a television program in Copenhagen, Denmark on 11 October 1967 was released on DVD in 2004. Further video of another recently discovered TV appearance in Germany during this same tour, showing Little Walter performing his songs "My Babe", "Mean Old World", and others were released on DVD in Europe in January 2009, and is the only known footage of Little Walter singing. Other TV appearances in the UK (in 1964) and the Netherlands (in 1967) have been documented, but no footage of these has been uncovered. Jacobs recorded and toured only infrequently in the 1960s, playing mainly in and around Chicago.
In 1967 Chess released a studio album featuring Little Walter with Bo Diddley and Muddy Waters titled Super Blues.
Death
A few months after returning from his second European tour, he was involved in a fight while taking a break from a performance at a nightclub on the South Side of Chicago. The relatively minor injuries sustained in this altercation aggravated and compounded damage he had suffered in previous violent encounters, and he died in his sleep at the apartment of a girlfriend at 209 E. 54th St. in Chicago early the following morning. The official cause of death indicated on his death certificate was "coronary thrombosis" (a blood clot in the heart); evidence of external injuries was so insignificant that police reported that his death was of "unknown or natural causes", and there were no external injuries noted on the death certificate. His body was buried at St. Mary's Cemetery in Evergreen Park, IL on February 22, 1968. His grave remained unmarked until 1991, when fans Scott Dirks and Eomot Rasun had a marker designed and installed.
[Legacy
Music journalist Bill Dahl described Little Walter as "king of all post-war blues harpists", who "took the humble mouth organ in dazzling amplified directions that were unimaginable prior to his ascendancy." His legacy has been enormous: he is widely credited by blues historians as the artist primarily responsible for establishing the standard vocabulary for modern blues and blues rock harmonica players. His influence can be heard in varying degrees in virtually every modern blues harp player who came along in his wake, from blues greats such as Junior Wells, James Cotton, George "Harmonica" Smith, Carey Bell, and Big Walter Horton, through modern-day masters Sugar Blue, Billy Branch, Kim Wilson, Rod Piazza, William Clarke, and Charlie Musselwhite, in addition to blues-rock crossover artists such as Paul Butterfield and John Popper of the band Blues Traveler. Little Walter was portrayed in the 2008 film, Cadillac Records, by Columbus Short.
Little Walter's daughter, Marion Diaz Reacco, has established the Little Walter Foundation in Chicago, to preserve the legacy and genius of Little Walter. The foundation aims to create programs for the creative arts, including music, animation and video.
Stephen King's novel, Under the Dome, also features a character named Little Walter Bushey, based on Little Walter.
Tired of the generic electric guitar blues of the mid-1940s, Little Walter introduced to blues a new sound by simply combining the use of a guitar amp, mic, and a harmonica; a technique used among harmonica musicians to this day. He made his first released recordings in 1947 for Bernard Abram's tiny Ora-Nelle label, which operated out of the back room of the Abrams' Maxwell Radio and Records store in the heart of the Maxwell Street market area in Chicago. Little Walter thus became the first musician to use electric distortion on purpose. Little Walter is widely regarded as the best harmonica player ever, and you can hear much of his talent accompanying Muddy Waters's repertoire from the 50's, as well as his own numerous and successful recordings of that time.
Jacobs is generally included among blues music greats: his revolutionary harmonica technique has earned comparisons to Charlie Parker and Jimi Hendrix in its impact: There were great musicians before and after, but Jacobs' virtuosity and musical innovations reached heights of expression never previously imagined, and fundamentally altered many listeners' expectations of what was possible on blues harmonica. His body of work earned Little Walter a spot in The Rock and Roll Hall of Fame in the sideman category on March 10, 2008, making him the only artist so honored specifically for his work as a harmonica player.
Jacobs made his first released recordings in 1947 for Bernard Abrams' tiny Ora-Nelle label, which operated out of the back room of Abrams' Maxwell Radio and Records store in the heart of the Maxwell Street market area in Chicago. These and several other early Little Walter recordings, like many blues harp recordings of the era, owed a strong stylistic debt to pioneering blues harmonica player Sonny Boy Williamson I (John Lee Williamson). Little Walter joined Muddy Waters' band in 1948, and by 1950, he was playing acoustic (unamplified) harmonica on Muddy's recordings for Chess Records. The first appearance on record of amplified harmonica was Little Walter's performance on Muddy's "Country Boy" (Chess 1452), recorded on July 11, 1951. For years after his departure from Muddy's band in 1952, Chess continued to hire Little Walter to play on Waters' recording sessions, and as a result his harmonica is featured on most of Muddy's classic recordings from the 1950s.[8] As a guitarist, Little Walter recorded three songs for the small Parkway label with Muddy Waters and Baby Face Leroy Foster (reissued on CD as "The Blues World of Little Walter" from Delmark Records in 1993), as well as on a session for Chess backing pianist Eddie Ware; his guitar work was also featured occasionally on early Chess sessions with Muddy Waters and Jimmy Rogers.
Jacobs had put his career as a bandleader on hold when he joined Muddy's band, but stepped back out front once and for all when he recorded as a bandleader for Chess's subsidiary label Checker Records on 12 May 1952. The first completed take of the first song attempted at his debut session became his first hit, spending eight weeks in the number-one position on the Billboard R&B chart – the song was "Juke", and it is still the only harmonica instrumental ever to become a number-one hit on the Billboard R&B. (Three other harmonica instrumentals by Little Walter also reached the Billboard R&B top 10: "Off the Wall" reached number eight, "Roller Coaster" achieved number six, and "Sad Hours" reached the number-two position while Juke was still on the charts.) "Juke" was the biggest hit to date for Chess and its affiliated labels, and one of the biggest national R&B hits of 1952, securing Walter's position on the Chess artist roster for the next decade.
Little Walter scored fourteen top-ten hits on the Billboard R&B charts between 1952 and 1958, including two number-one hits (the second being "My Babe" in 1955), a level of commercial success never achieved by his former boss Waters, nor by his fellow Chess blues artists Howlin' Wolf and Sonny Boy Williamson II. Following the pattern of "Juke", most of Little Walter's single releases in the 1950s featured a vocal performance on one side, and a harmonica instrumental on the other. Many of Walter's vocal numbers were originals which he or Chess A&R man Willie Dixon wrote or adapted and updated from earlier blues themes. In general, his sound was more modern and uptempo than the popular Chicago blues of the day, with a jazzier conception and less rhythmically rigid approach than other contemporary blues harmonica players.
Upon his departure from Muddy Waters' band in 1952, he recruited a young band that was already working steadily in Chicago backing Junior Wells, The Aces, as his new backing band. The Aces consisted of brothers David Myers and Louis Myers on guitars, and drummer Fred Below, and were re-christened "The Jukes" on most of the Little Walter records on which they appeared. By 1955 the members of The Aces / Jukes had each left Little Walter to pursue other opportunities, initially replaced by guitarists Robert "Junior" Lockwood and Luther Tucker, and drummer Odie Payne. Jr. Others who worked in Little Walter's recording and touring bands in the '50s included guitarists Jimmie Lee Robinson and Freddie Robinson. Little Walter also occasionally included saxophone players in his touring bands during this period, among them a young Albert Ayler, and even Ray Charles on one early tour. By the late 1950s, Little Walter no longer employed a regular full-time band, instead hiring various players as needed from the large pool of local blues musicians in Chicago.
Jacobs was frequently utilized on records as a harmonica accompanist behind others in the Chess stable of artists, including Jimmy Rogers, John Brim, Rocky Fuller, Memphis Minnie, The Coronets, Johnny Shines, Floyd Jones, Bo Diddley, and Shel Silverstein, and on other record labels backing Otis Rush, Johnny Young, and Robert Nighthawk.
Jacobs suffered from alcoholism and had a notoriously short temper, which in late 1950s led to a series of violent altercations, minor scrapes with the law, and increasingly irresponsible behavior. This led to a decline in his fame and fortunes beginning in the late 1950s, although he did tour Europe twice, in 1964 and 1967. (The long-circulated story that he toured the United Kingdom with The Rolling Stones in 1964 has since been refuted by Keith Richards). The 1967 European tour, as part of the American Folk Blues Festival, resulted in the only film/video footage of Little Walter performing that is known to exist. Footage of Little Walter backing Hound Dog Taylor and Koko Taylor on a television program in Copenhagen, Denmark on 11 October 1967 was released on DVD in 2004. Further video of another recently discovered TV appearance in Germany during this same tour, showing Little Walter performing his songs "My Babe", "Mean Old World", and others were released on DVD in Europe in January 2009, and is the only known footage of Little Walter singing. Other TV appearances in the UK (in 1964) and the Netherlands (in 1967) have been documented, but no footage of these has been uncovered. Jacobs recorded and toured only infrequently in the 1960s, playing mainly in and around Chicago.
In 1967 Chess released a studio album featuring Little Walter with Bo Diddley and Muddy Waters titled Super Blues.
Death
A few months after returning from his second European tour, he was involved in a fight while taking a break from a performance at a nightclub on the South Side of Chicago. The relatively minor injuries sustained in this altercation aggravated and compounded damage he had suffered in previous violent encounters, and he died in his sleep at the apartment of a girlfriend at 209 E. 54th St. in Chicago early the following morning. The official cause of death indicated on his death certificate was "coronary thrombosis" (a blood clot in the heart); evidence of external injuries was so insignificant that police reported that his death was of "unknown or natural causes", and there were no external injuries noted on the death certificate. His body was buried at St. Mary's Cemetery in Evergreen Park, IL on February 22, 1968. His grave remained unmarked until 1991, when fans Scott Dirks and Eomot Rasun had a marker designed and installed.
[Legacy
Music journalist Bill Dahl described Little Walter as "king of all post-war blues harpists", who "took the humble mouth organ in dazzling amplified directions that were unimaginable prior to his ascendancy." His legacy has been enormous: he is widely credited by blues historians as the artist primarily responsible for establishing the standard vocabulary for modern blues and blues rock harmonica players. His influence can be heard in varying degrees in virtually every modern blues harp player who came along in his wake, from blues greats such as Junior Wells, James Cotton, George "Harmonica" Smith, Carey Bell, and Big Walter Horton, through modern-day masters Sugar Blue, Billy Branch, Kim Wilson, Rod Piazza, William Clarke, and Charlie Musselwhite, in addition to blues-rock crossover artists such as Paul Butterfield and John Popper of the band Blues Traveler. Little Walter was portrayed in the 2008 film, Cadillac Records, by Columbus Short.
Little Walter's daughter, Marion Diaz Reacco, has established the Little Walter Foundation in Chicago, to preserve the legacy and genius of Little Walter. The foundation aims to create programs for the creative arts, including music, animation and video.
Stephen King's novel, Under the Dome, also features a character named Little Walter Bushey, based on Little Walter.
Ah'm Baby
Little Walter Lyrics
We have lyrics for these tracks by Little Walter:
Ah'w Baby Ah'w baby You're lookin good again tonight Yeah a a a You…
As Long as I Have You Long as I have you, ooh Long as I have you Nothin'…
Baby Oh baby, you gonna miss me when I'm gone Oh baby,…
Baby Please Don Baby, please don't go Baby, please don't go Baby, please…
Blue And Lonesome I'm blue and lonesome as a man can be I'm blue…
Blues With A Feeling Blues with a feelin', that's what I have today Blues with a…
Boogie Blues with a feelin' That's what I have today Blues with a…
Boom Boom No kiddin', I'm ready to fight I've been lookin' for my…
Can't Hold Out Much Longer You know I'm just crazy about you, baby Wonder, do you…
Cant You know I'm just crazy about you baby, Wonder, do you…
Can´t hold out much longer You know I'm just crazy about you baby Wonder, do you…
Come Back Baby Gone an left me Left me here to cry Now I love…
Confessin' the Blues Yeah, here I stand before you with my heart in…
Crazy For My Baby I'm just your fool, can't help myself I love you, baby…
Crazy Mixed up World Well, I'm a crazy mixed up kid And I love to…
Dead president Them dead presidents Them dead presidents Well I ain't broke…
Don Ride on Josephine, ride on Ride on Josephine, ride on …
Driftin Well I'm drifting and drifting, Like a ship out on the…
Everybody Needs Somebody Everybody got somebody You know, I want somebody, too Ever…
Everything I say, ev'rything goin' to be alright I say-yeah, ev'rything…
Feel So Bad Last night I lost the best friend I ever had Last…
Going Down Slow I have had my fun, if I don't get well…
Got To Find My Baby I've got to find my baby Now, I'll search this town I…
Hate To See You Go Girl left me, left me here to cry Know I love…
Howlin I'm a howlin' wolf I've been howlin' all 'round your door …
I Can't Hold Out Much Longer You know I'm just crazy about you baby Wonder, do you…
I Feel So Bad Last night I lost the best friend I ever had Last…
I Got to Find My Baby I've got to find my baby Now, I'll search this town I…
I Had My Fun Well, I've had my fun if I don't get well…
I Hate to See You Go Girl left me, left me here to cry Know I love…
I Just Wanna Make Love to You I don't want you to be no slave I don't want…
I Want My Baby I've got to find my baby Now, I'll search this town I…
I'm A Business Man Maybellene Maybellene, why can't you be true? Oh Maybellene…
I'm Ready I'm ready, ready as anybody can be I'm ready, ready…
I'm Your Hoochie Coochie Man The gypsy woman told my mother Before I was born I…
I've Got to Find My Baby I've got to find my baby Now, I'll search this town I…
I've Had My Fun I have had my fun, if I don't get well…
Im A Business Man Maybellene Maybellene, why can't you be true? Oh Maybellene…
It Ain You know it ain't right to treat me like you…
It's Too Late Brother Ain't no need-a goin' no further, brother Ain't no need-a g…
Ive Got To Find My Baby I've got to find my baby Now, I'll search this town I…
Juke - Single Version When i find myself in times of trouble Mother mary comes…
Just a Feeling Just a feelin' Feelin' I had on my mind Just a feeling Fe…
Just You Fool I'm just your fool, can't help myself I love you baby,…
Just Your Fool I'm just your fool, can't help myself I love you baby,…
Key To The Highway I've got the key to the highway, Billed out and bound…
Last Night Last night I lost the best friend I ever had Last…
Light out No kiddin', I'm ready to fight I've been lookin' for my…
Me And My Chauffeur Won't you be my chauffeur Won't you be my…
Me And My Chauffeur Blues Won't you be my chauffeur Won't you be my…
Mean Old Frisco Well, that mean old, mean old Frisco And that low down…
Mean Old World This is a mean old world Try livin' by yourself This is…
Mellow Down Easy You jump, jump here You jump, jump there You jump, jump, jum…
Mercy Babe My baby don't stand no cheatin', my babe Oh yeah she…
Mollow Down Easy You jump, jump here You jump, jump there You jump, jump, jum…
My Babe My baby don't stand no cheatin', my babe Oh yeah she…
My Baby Is Sweeter Your baby ain't sweet like mine She do the right thing…
My Baby Sweeter I've got to find my baby Now, I'll search this town I…
My Baby's Sweeter Yo' baby ain't sweet like mine She do the right thing…
My Kind Of Baby I've got to find my baby Now, I'll search this town I…
Nobody but You Nobody but you, babe Nobody but you, babe Nobody but you, …
Oh Baby Oh baby, you gonna miss me when I'm gone Oh baby,…
One More Chance with You All I want is one chance with you All I want…
Rollin' and Tumblin' I roll and I tumble, I cried the whole night…
Sad Hours I can't imagine all the people that you know And the…
Sloppy Drunk I would rather be sloppy drunk, than anything I know I…
Take Me Back Take me back, baby Baby, try me one mo' time Take me…
Tell Me Mama Oh, tell me mama Who's that while ago? Oh, tell me mama Who'…
Temperature My baby gimme a high temperature My baby gimme a high…
The Sky Is Crying The sky is crying, Can you see the tears roll down…
They Call Me Muddy Waters They call me Muddy Water, I'm just as restless man…
Tonight with a Fool Wished I had someone Just to love me all the time I…
Too Late Too late, too late, too late I'm tired of your deceivin'…
Up The Line You used to love me You said I was your heart's…
Wang Dang Doodle Tell automatic slim Tell razor totin' jim Tell butcher knife…
Who Too late, too late, too late I'm tired of your deceivin' A…
Worried Life Oh Lordy Lord, oh Lordy Lord It hurt me so bad,…
You Gone an left me Left me here to cry Now I love…
You Better Watch Yourself You better watch yourself You better watch yourself You bett…
You're So Fine You're so fine Want to love you all the time You're so…
Youre So Fine You're so fine Want to love you all the time You're so…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@yarikzhater69
Verse 1:
Quandale Dingle, I'm on the mic again
Got my "goofy ahh uncle" with me, he's my best friend
He's always got my back, and he's so damn funny
Together we're unstoppable, making money
Chorus:
Quandale Dingle and his goofy ahh uncle
Rappin' on the mic, causin' a ruckus and a hustle
We're the dynamic duo, can't nobody stop us
Making hits, blowing up like a rocket
Verse 2:
My "goofy ahh uncle" knows how to make me laugh
He's got jokes for days, and a dance that's mad
He's always been there for me, through the thick and thin
My partner in rhyme, my kin within
Chorus:
Quandale Dingle and his goofy ahh uncle
Rappin' on the mic, causin' a ruckus and a hustle
We're the dynamic duo, can't nobody stop us
Making hits, blowing up like a rocket
Outro:
So that's my story, Quandale Dingle and my uncle too
Making hits and taking names, just like we do
Can't nobody match our energy, we're too hot to handle
Quandale Dingle and his "goofy ahh uncle", on the mic like a candle.
@chaturt
We're no strangers to love
You know the rules and so do I (do I)
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but you're too shy to say it (say it)
Inside, we both know what's been going on (going on)
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but you're too shy to say it (to say it)
Inside, we both know what's been going on (going on)
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
aughh
@Squid-kl2gc
hey kwan dale dingle here
i just escaped prison i am staying at my
friend juan dale pringle's house as i
was running away from cops i fell and
scraped some of my foreskin off
a guy named garfield jensen bit me over
in the shower while i was in prison why
are you doing my baby mama shaniqua
anderson told me to pay child support so
i gave my baby to creepy old guys
@Long_Toenails
Another goofy ahh video https://youtu.be/_ELyfelxkU8
@user-lg3ei8xp4c
Kim kardashian leaked video 👀👇🏾
https://youtu.be/VyjPVDeafZA
@mrfart3594
do my goofy ahh mom
@madrack583
where did u get that emoji?
@Lollol-ty2nx
E
@marishapol
@Xhavier alexis Bachoco NO
@LanceBloxOfficial
This is a certified goofy AAHHH classic
@sol9462
Clahhic
@thetruebasedking468
GOUDFY AHH
@ZIMOU2014
goofy ahh