Hailing from York, Pennsylvania, the group is comprised of Ed Kowalczyk (lead vocals & guitar), Chad Taylor (lead guitar), Patrick Dahlheimer (bass) and Chad Gracey (drums). Since approximately 1999, Live has toured with Ed’s younger brother, Adam Kowalczyk as a rhythm guitarist, and, previously, British keyboardist Michael “Railo” Railton.
Kowalczyk, Taylor, Dahlheimer, and Gracey first came together for a middle-school talent show in the Pennsylvania blue-collar town of York. The group remained together throughout high school, going through a handful of band names and new-wave covers before settling on the moniker Public Affection and recording a self-released cassette of originals, The Death of a Dictionary, in 1989. Frequent trips into New York to play at CBGB helped net the band a deal with Radioactive Records in 1991. With the new name Live, the band entered the studio with former Talking Heads keyboardist Jerry Harrison that year and began recording the EP Four Songs. The single “Operation spirit (the tyranny of tradition)” went to #9 on the Modern Rock chart, and paved the way for the band’s Harrison-produced, full-length debut, 1991’s Mental Jewelry (#73). The album lyrics, penned by Kowalczyk, were heavily inspired by Indian guru Jiddu Krishnamurti.
Fueled by heavy touring (including billing at Woodstock ‘94 and Peter Gabriel’s WOMAD tour) and a string of hit singles (“I Alone”, “All Over You” and the #1 Modern Rock hits “Selling the drama” and “Lightning crashes”), their next album, Throwing Copper, went to #1 in 1994. It is their best-selling, and often most highly regarded by fans and critics, album to date. The band was even asked to perform on Saturday Night Live where they performed their hits “I Alone” and “Selling the Drama” and to this day, they are the only band to receive a standing ovation at the party after the broadcast.[citation needed]
The momentum continued long enough to help 1997’s Secret Samadhi (coproduced by the band and Jay Healey) debut at #1. Deriving its name from a state of Hindu meditation, the album spawned four Modern Rock hit singles, but failed to match its predecessor’s success, with sales topping off at 2 million. The band performed “lakini’s juice” and “Heropsychodreamer” from this album on NBC’s Saturday Night Live.
Harrison came back on board as coproducer for 1999’s The Distance to Here, which debuted at #4 and featured the minor US hit single “The Dolphin’s Cry.”
In September 2001, the more experimental V (originally scheduled to be titled “Ecstatic Fanatic”) was issued to mixed reviews, preceded by “Simple creed” as the first single. However, with the events of 9/11—which occurred a week before V ‘s release—the melancholic “Overcome” began receiving significant airplay, superseding “Simple Creed” and becoming V’s selling point. Unfortunately, Live’s commercial stock—compounded by their petering radio airplay—had fallen further since The Distance to Here, with V merely reaching #22 at home, failing to reach gold status.
Birds of Pray appeared in May 2003, bolstered by the unexpected success of “Heaven”, Live’s first US Hot 100-placing since “The Dolphin’s Cry.” Reaching #28, Birds of Pray ultimately outsold V, although it too received mixed reviews and failed to reach gold status.
In November 2004, Live released Awake: The Best of Live, a career-spanning compilation that included “We deal in dreams”, a previously unreleased song from the Throwing Copper sessions, and a cover of Johnny Cash’s “I Walk The Line”, as well as Birds of Pray’s “Run Away”, re-imagined with Shelby Lynne on co-lead vocals.
In 2005, Live signed with Sony BMG Music Entertainment’s Epic label, and released a new album entitled Songs From Black Mountain in June 2006, preceded by “The river” as lead single. Thus far, while the album has achieved international success, it has proven Live’s lowest-seller yet domestically, only reaching #52 in the US before quickly disappearing from the charts.
While Live remain only moderately popular in terms of record sales in the United States, much of their current sales come from places in Europe, South Africa, Australia and New Zealand. Ed Kowalczyk has said that “Holland is the center of the Live universe” [citation needed].
The group made news in January 2006 as three band members (Chad Taylor, Patrick Dahlheimer and touring rhythm guitar Adam Kowalczyk) and two members of the band’s road crew were on a United Airlines flight when smoke filled the cabin, requiring the pilot to make an emergency landing.
On season 5 of American Idol, finalist Chris Daughtry was accused of performing Live’s rendition of Johnny Cash’s “I Walk the Line” and calling it his own. This angered some Live fans, but one week later Daughtry acknowledged it was not his own rendition, even saying Live was one of his favorite bands. In May 2006, Live appeared on The Howard Stern Show and addressed this issue.
On May 24, 2006, the band and Chris Daughtry performed “Mystery” on the season finale of American Idol, and on June 7, a new version of “Mystery” was released on the Friends of Live website featuring Chris Daughtry on guest vocals.
The members of Live announced in June 2009 that the band would be taking a two-year hiatus as they work on other projects. On November 30, 2009, guitarist Chad Taylor confirmed that the hiatus of the band was most likely a permanent rift. See the Wikipedia page for more. During the first European tour of the new band of Taylor, Gracey and Dahlheimer (The Gracious Few), Taylor commented both on stage and in post-show discussions that he believes Live may still come back together, though he also stated that the chances of Kowalczyk joining them in this effort may be very small. In an exclusive blogpost[1] on website The Comet, Taylor confirmed that the remaining members of the band would be working on new material for Live in Nashville early July 2011.
The band returned from their nearly three-year hiatus on March 12, 2012, with Chris Shinn, formerly of Unified Theory, as their new lead singer. The new line-up performed before an invited audience at the Strand-Capitol Performing Arts Center in York. The band performed as a six-piece with The Gracious Few's Sean Hennesy on guitar and Alexander Lefever on keyboards
[1]: http://thecomet.com/posts/exclusive_blog_chad_taylor_talks_the_gracious_few_and_live
There's another band with the same name:
2. Live was a 70s-era Progressive Rock group from Germany. Formed in 1971, the outfit appeared to be a strangely named band indeed.
In October 1972 their guitarist Martin Knaden went to Curly Curve. Throughout their history only one member has remained, the multi-talented keyboards and flute player Norbert Aufmhof. Although in existence for a decade Live never got to record a proper studio album, or gain a contract, which surely they should have. Maybe the band name was a bit of a jinx?!
Their earlier history was originally just documented by a single. Only more recently did an LP surface collecting 1974 recordings. Quite obviously a collection of rehearsal session tapes, the LP reveals a band with promise albeit rather grottily recorded with often barely understandable muffled lyrics in English. Musically, there are nods to early Satin Whale and Jane, but with lots of classical touches, notably Grieg and Bach, and a penchant to meander rather nicely during the instrumentals.
Based on the ROCK OFFERS track "Sea Fever", they had blossomed and changed focus somewhat, as a much more sophisticated symphonic progressive of the Pancake and Jane type, typical of the mid/late-1970's.
In all, during their history, three different versions of Live existed, but eventually the band split in 1976. A full history of the band is included in the GEVELSBERG CD, which documents other oddments, sessions, and a live recording!
Unsheathed
Live Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
the singer's not singing enough
ramana's not breathing to us
behold the unsheathing it's love
the blade is not ready to cut
it's dull from our thinking it's rough
Free love is a world I can't linger too long in
"free love" was just another party
behold the unsheathing it's love
Free love is a knife through the jugular vein son
Free love I can't afford to add up what you fuckers are made of
The lyrics to Live's song "Unsheathed" may initially appear to be somewhat cryptic and difficult to interpret. However, with some careful consideration and analysis, their meaning can become clearer. The lyrics seem to be addressing the concept of love, and how it can be both a powerful and destructive force. The first two lines of the song suggest that there is not enough intense emotion being expressed - the baby is not screaming enough, and the singer is not singing enough. This could be interpreted as a call to action, a plea for people to let their emotions out and express themselves more fully.
The mention of Ramana not breathing seems to suggest that there is a sense of somberness or melancholy present - perhaps a sense of loss or separation. However, this is juxtaposed with the idea of "unsheathing" - a term which suggests a sudden and violent release of energy. This energy is described as being "love" - and it is this love that is being unsheathed, or unleashed upon the world.
The next two lines of the song - "the blade is not ready to cut / it's dull from our thinking it's rough" - reinforce the idea that love can be both a powerful force and a dangerous one. The blade - or love - is not yet sharp enough to cut through the obstacles and challenges that it will encounter. It has become dull and rough from our thinking, suggesting that our own preconceptions and biases may be hindering its power.
The final two lines of the song seem to be a warning against the dangers of "free love" - a term which was popularized in the 1960s as a way of describing a philosophy of sexual liberation and the rejection of traditional values. The singer suggests that free love is akin to a knife through the jugular vein - a deadly and destructive force that can tear apart relationships and undermine the very foundations of society. The singer declares that they cannot "afford to add up what you fuckers are made of", suggesting a sense of frustration and disillusionment with those who embrace free love as a way of life.
Line by Line Meaning
the baby's not screaming enough
The situation is not intense or serious enough to evoke an emotional response.
the singer's not singing enough
The musician is not putting enough passion or meaning into their performance.
ramana's not breathing to us
The absence of a spiritual guide or mentor is noticed and felt.
behold the unsheathing it's love
Love is being revealed or exposed.
the blade is not ready to cut
The potential for change or growth is present, but not yet activated or utilized.
it's dull from our thinking it's rough
The lack of creativity or fresh perspective is hindering progress or success.
Free love is a world I can't linger too long in
The culture or lifestyle of casual sex and non-monogamous relationships is not sustainable or fulfilling.
"free love" was just another party
The idea or movement of free love was just a passing trend or fad.
Free love is a knife through the jugular vein son
The consequences of engaging in free love can be severe or deadly.
Free love I can't afford to add up what you fuckers are made of
The negative impacts of free love are too great and not worth the risk.
behold the unsheathing it's love
Love is being revealed or exposed.
behold the unsheathing it's love
Love is being revealed or exposed.
Lyrics © Universal Music Publishing Group
Written by: CHAD ALAN GRACEY, CHAD DAVID TAYLOR, EDWARD JOEL KOWALCZYK, PATRICK DAHLHEIMER
Lyrics Licensed & Provided by LyricFind