Lloyd Cole (born in Buxton on 31 January 1961) is an English-born singer an… Read Full Bio ↴Lloyd Cole (born in Buxton on 31 January 1961) is an English-born singer and songwriter, known for his role as lead singer of Lloyd Cole and the Commotions from 1984 to 1989 and for his subsequent solo work.

Born in Buxton, Derbyshire, Cole grew up in nearby Chapel en le Frith and went to New Mills Grammar School. After failing in law at University College London, he later attended (but did not graduate from) the University of Glasgow where he studied philosophy and English and met the other members of band that would become The Commotions. Their 1984 debut, Rattlesnakes, contained numerous literary and pop culture references to figures like Norman Mailer, Grace Kelly, Eva Marie Saint, Truman Capote and Joan Didion. The group produced two more albums, Easy Pieces and Mainstream, before disbanding in 1989, when Cole re-located to New York to record with legendary musicians like Fred Maher and Robert Quine (as well as a then largely unknown Matthew Sweet).

This solo setting produced two acclaimed albums, Lloyd Cole in 1990 and 1991's Don't Get Weird on Me Babe. The latter was recorded in two parts: one side continued the New York rock mastered on his first solo album, while the other side featured a session orchestra, much in the style of Burt Bacharach or Scott Walker. Although some reviewers have claimed Don't Get Weird on Me Babe (the title being a quote from the American neo-realism poet Raymond Carver) to be a creative peak, it produced significantly lesser record sales, and the contract with Capitol Records ended.

Subsequently signed by Rykodisc, Cole continued redefining his sound with Bad Vibes (1993), a collaboration with producer/remixer Adam Peters using a harder, grunge and psychedelica inspired sound. Love Story (1995) established stripped-down, largely acoustic sound landscapes with the help of Stephen Street (famous for his work with Blur and The Smiths) and former Commotions Neil Clark and Blair Cowan; the album produced a minor hit with the song "Like Lovers Do".

In 2000, after years without a contract, Cole recorded a disc with the New York band The Negatives, featuring Jill Sobule and Dave Derby of the Dambuilders. He has since released solo albums on smaller independent labels. Sanctuary Records, the company responsible for the revival of Morrissey, released Music in a Foreign Language (2003) in the U.K. Recorded largely by Cole himself (including tracks recorded directly into a Mac), the songs had a stark, folk-inspired singer-songwriter style. One Little Indian, home of Björk, released Music in a Foreign Language in the U.S.; they also collected a number of outtakes (recorded from 1996 to 2000) on 2004's Etc. and released an instrumental ambient electronica album, Plastic Wood, the same year.

Cole continued to tour, playing intimate club venues in a one-man acoustic setting. In 2004, to mark the 20th anniversary of the release of Rattlesnakes, Lloyd Cole and the Commotions reformed to perform a one-off, sell-out tour in the U.K. and Ireland. An avid golfer, he is also known for playing concerts in towns suspiciously close to famous golf courses. He also shares a passion for this sport with Alice Cooper who is said to introduce the song "Only Women Bleed" claiming "not even Lloyd Cole has written a song about menstruation" when playing live.

Cole's album "Antidepressant" was released in 2006 featuring the former Commotions guitarist Neil Clark on some tracks.

The follow-up Broken Record, released in September 2010, marked a departure from his solo recordings, as it was performed by a band of longstanding friends and working partners, including Fred Maher, Joan Wasser, Rainy Orteca, Dave Derby and Blair Cowan – as well as two musicians, Matt Cullen (guitar; banjo) and Mark Schwaber (guitar; mandolin).

An album co-funded by fans, Standards, was released in June 2013.

A studio album – Guesswork – was released on July 26, 2019 by earMUSIC.

Mannish Girl
Lloyd Cole Lyrics

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I used to be content to frown
But anything for money now
I'd rather be a mannish kind of girl

I used to get drunk on spanish wine
Well now I'm drunk most all the time
I guess I've been too grateful for too long
So I sit around and wait

And watch the grass grow green
And count the cars
Feeling lost, alone, misunderstood
So I wait, hey hey
Yes I wait, hey hey

Well I had a girl in London town
She picked me up and she spun me round
I guess she was a mannish kind of girl

I went away and I still don't know why
Six feet under is where my bloody heart lies
I'm just afraid I can't forget her now
So I sit around and wait
And watch the grass grow green
And count the cars
Feeling lost, alone, misunderstood
So I wait, hey hey
So I wait, hey hey
Hey hey

I used to be too big to crawl
Now I don't give a damn at all
I'd rather be a mannish kind of girl

Yeah I used to get drunk on that Spanish wine
But now I'm drunk most all the time
I guess I'm just afraid I can't forget her now
And so I'll sit around and wait
And watch the grass grow green
And count the cars
Feeling lost, alone, misunderstood
So I wait, hey hey
Yeah I wait, hey hey
Yes I wait, hey hey

Yeah I wait, hey hey
Hey hey

Overall Meaning

The lyrics of Lloyd Cole's song Mannish Girl appear to describe a person who is going through a tough time in life. They seem to be struggling with their own identity and their efforts to fit in with society's expectations. The song highlights this struggle through the repeated phrase "I'd rather be a mannish kind of girl," which seems to suggest that the singer does not fit into the conventional mold of femininity. This could be interpreted as a desire to break away from gender norms and expectations.

The song also touches on themes of loss and heartbreak. The singer refers to a past relationship with a woman in London, describing her as a "mannish kind of girl" as well. The line "six feet under is where my bloody heart lies" suggests that the singer is heartbroken and struggling to move on. They sit around and wait, feeling lost and alone, unable to forget their past lover.

In conclusion, the song Mannish Girl is a poignant reflection on identity, loss, and heartbreak. The repeated refrain "I'd rather be a mannish kind of girl" suggests a desire to break free from societal expectations and embrace individuality. The song's themes of heartbreak and loss are relatable and add depth to the singer's struggles.

Mannish GirlLloyd Cole Lyrics

Mannish Girl
Lloyd Cole Lyrics