Lloyd Cole (born in Buxton on 31 January 1961) is an English-born singer an… Read Full Bio ↴Lloyd Cole (born in Buxton on 31 January 1961) is an English-born singer and songwriter, known for his role as lead singer of Lloyd Cole and the Commotions from 1984 to 1989 and for his subsequent solo work.
Born in Buxton, Derbyshire, Cole grew up in nearby Chapel en le Frith and went to New Mills Grammar School. After failing in law at University College London, he later attended (but did not graduate from) the University of Glasgow where he studied philosophy and English and met the other members of band that would become The Commotions. Their 1984 debut, Rattlesnakes, contained numerous literary and pop culture references to figures like Norman Mailer, Grace Kelly, Eva Marie Saint, Truman Capote and Joan Didion. The group produced two more albums, Easy Pieces and Mainstream, before disbanding in 1989, when Cole re-located to New York to record with legendary musicians like Fred Maher and Robert Quine (as well as a then largely unknown Matthew Sweet).
This solo setting produced two acclaimed albums, Lloyd Cole in 1990 and 1991's Don't Get Weird on Me Babe. The latter was recorded in two parts: one side continued the New York rock mastered on his first solo album, while the other side featured a session orchestra, much in the style of Burt Bacharach or Scott Walker. Although some reviewers have claimed Don't Get Weird on Me Babe (the title being a quote from the American neo-realism poet Raymond Carver) to be a creative peak, it produced significantly lesser record sales, and the contract with Capitol Records ended.
Subsequently signed by Rykodisc, Cole continued redefining his sound with Bad Vibes (1993), a collaboration with producer/remixer Adam Peters using a harder, grunge and psychedelica inspired sound. Love Story (1995) established stripped-down, largely acoustic sound landscapes with the help of Stephen Street (famous for his work with Blur and The Smiths) and former Commotions Neil Clark and Blair Cowan; the album produced a minor hit with the song "Like Lovers Do".
In 2000, after years without a contract, Cole recorded a disc with the New York band The Negatives, featuring Jill Sobule and Dave Derby of the Dambuilders. He has since released solo albums on smaller independent labels. Sanctuary Records, the company responsible for the revival of Morrissey, released Music in a Foreign Language (2003) in the U.K. Recorded largely by Cole himself (including tracks recorded directly into a Mac), the songs had a stark, folk-inspired singer-songwriter style. One Little Indian, home of Björk, released Music in a Foreign Language in the U.S.; they also collected a number of outtakes (recorded from 1996 to 2000) on 2004's Etc. and released an instrumental ambient electronica album, Plastic Wood, the same year.
Cole continued to tour, playing intimate club venues in a one-man acoustic setting. In 2004, to mark the 20th anniversary of the release of Rattlesnakes, Lloyd Cole and the Commotions reformed to perform a one-off, sell-out tour in the U.K. and Ireland. An avid golfer, he is also known for playing concerts in towns suspiciously close to famous golf courses. He also shares a passion for this sport with Alice Cooper who is said to introduce the song "Only Women Bleed" claiming "not even Lloyd Cole has written a song about menstruation" when playing live.
Cole's album "Antidepressant" was released in 2006 featuring the former Commotions guitarist Neil Clark on some tracks.
The follow-up Broken Record, released in September 2010, marked a departure from his solo recordings, as it was performed by a band of longstanding friends and working partners, including Fred Maher, Joan Wasser, Rainy Orteca, Dave Derby and Blair Cowan – as well as two musicians, Matt Cullen (guitar; banjo) and Mark Schwaber (guitar; mandolin).
An album co-funded by fans, Standards, was released in June 2013.
A studio album – Guesswork – was released on July 26, 2019 by earMUSIC.
Born in Buxton, Derbyshire, Cole grew up in nearby Chapel en le Frith and went to New Mills Grammar School. After failing in law at University College London, he later attended (but did not graduate from) the University of Glasgow where he studied philosophy and English and met the other members of band that would become The Commotions. Their 1984 debut, Rattlesnakes, contained numerous literary and pop culture references to figures like Norman Mailer, Grace Kelly, Eva Marie Saint, Truman Capote and Joan Didion. The group produced two more albums, Easy Pieces and Mainstream, before disbanding in 1989, when Cole re-located to New York to record with legendary musicians like Fred Maher and Robert Quine (as well as a then largely unknown Matthew Sweet).
This solo setting produced two acclaimed albums, Lloyd Cole in 1990 and 1991's Don't Get Weird on Me Babe. The latter was recorded in two parts: one side continued the New York rock mastered on his first solo album, while the other side featured a session orchestra, much in the style of Burt Bacharach or Scott Walker. Although some reviewers have claimed Don't Get Weird on Me Babe (the title being a quote from the American neo-realism poet Raymond Carver) to be a creative peak, it produced significantly lesser record sales, and the contract with Capitol Records ended.
Subsequently signed by Rykodisc, Cole continued redefining his sound with Bad Vibes (1993), a collaboration with producer/remixer Adam Peters using a harder, grunge and psychedelica inspired sound. Love Story (1995) established stripped-down, largely acoustic sound landscapes with the help of Stephen Street (famous for his work with Blur and The Smiths) and former Commotions Neil Clark and Blair Cowan; the album produced a minor hit with the song "Like Lovers Do".
In 2000, after years without a contract, Cole recorded a disc with the New York band The Negatives, featuring Jill Sobule and Dave Derby of the Dambuilders. He has since released solo albums on smaller independent labels. Sanctuary Records, the company responsible for the revival of Morrissey, released Music in a Foreign Language (2003) in the U.K. Recorded largely by Cole himself (including tracks recorded directly into a Mac), the songs had a stark, folk-inspired singer-songwriter style. One Little Indian, home of Björk, released Music in a Foreign Language in the U.S.; they also collected a number of outtakes (recorded from 1996 to 2000) on 2004's Etc. and released an instrumental ambient electronica album, Plastic Wood, the same year.
Cole continued to tour, playing intimate club venues in a one-man acoustic setting. In 2004, to mark the 20th anniversary of the release of Rattlesnakes, Lloyd Cole and the Commotions reformed to perform a one-off, sell-out tour in the U.K. and Ireland. An avid golfer, he is also known for playing concerts in towns suspiciously close to famous golf courses. He also shares a passion for this sport with Alice Cooper who is said to introduce the song "Only Women Bleed" claiming "not even Lloyd Cole has written a song about menstruation" when playing live.
Cole's album "Antidepressant" was released in 2006 featuring the former Commotions guitarist Neil Clark on some tracks.
The follow-up Broken Record, released in September 2010, marked a departure from his solo recordings, as it was performed by a band of longstanding friends and working partners, including Fred Maher, Joan Wasser, Rainy Orteca, Dave Derby and Blair Cowan – as well as two musicians, Matt Cullen (guitar; banjo) and Mark Schwaber (guitar; mandolin).
An album co-funded by fans, Standards, was released in June 2013.
A studio album – Guesswork – was released on July 26, 2019 by earMUSIC.
Violins
Lloyd Cole Lyrics
The missile leaves the car
Flies through the window pane
The mother and the child
Flee the ball of flame
And then we hear the siren song
Again, again, again
So we put on our headphones
And complete our retreat
I might just stop breathing
I might just stop keeping time
With the violins
Or I might come out swinging
And what if I sang out of key
With the violins?
They’re marching to to your door
They’re waltzing through your firewall
They’re dancing to the beat
Of the Infernal Machine
They want to make a deal, they say
You know you can’t refuse
So we put on our make-up
And get down on the floor
I might just stop breathing
I might just stop keeping time
With the violins
I might just break dancing
I might just I break out of line
With the violins
And after the violins
Only more violins
No peace for the wicked
We know what needs to be done
But we’re frightened
And we don’t know
Are we strong enough?
The missile leaves the drone
Flies through the window pane
The mother and the child
Join the wall of flame
And then we hear the siren song
Again, again, again
So we put on our headphones
And complete our retreat
I might just stop breathing
I might just stop keeping time
With the violins
Or I might come out swinging
And what if I sang out of key
Because the violins?
Because the violins
Flies through the window pane
The mother and the child
Flee the ball of flame
And then we hear the siren song
Again, again, again
So we put on our headphones
And complete our retreat
I might just stop breathing
With the violins
Or I might come out swinging
And what if I sang out of key
With the violins?
They’re marching to to your door
They’re waltzing through your firewall
They’re dancing to the beat
Of the Infernal Machine
They want to make a deal, they say
You know you can’t refuse
So we put on our make-up
And get down on the floor
I might just stop breathing
I might just stop keeping time
With the violins
I might just break dancing
I might just I break out of line
With the violins
And after the violins
Only more violins
No peace for the wicked
We know what needs to be done
But we’re frightened
And we don’t know
Are we strong enough?
The missile leaves the drone
Flies through the window pane
The mother and the child
Join the wall of flame
And then we hear the siren song
Again, again, again
So we put on our headphones
And complete our retreat
I might just stop breathing
I might just stop keeping time
With the violins
Or I might come out swinging
And what if I sang out of key
Because the violins?
Because the violins
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
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MR
And after the violins
Only more violins
No peace for the wicked
We know what needs to be done
But we're frightened
And we don't know
Are we strong enough?
Are we strong enough?
Are we strong enough?
Are we strong enough?
Gregg Shelor
Fantastic song! Sounds like Lloyd singing with Ultravox. Very 80s. Can't wait to hear the entire album.
john bambury
I was thinking Erasure soon as I heard it . .
Rangi Dalglish
Agreed. Runs off to dig out his Ultravox vinyl. Ahhhh Midge and Lloyd.
PositiveLastAction
With the drum machine, sounds more like a collar with Yaz to Pet Shop Boys. Still a great song though!
Sônia Cardoso
De uma delicadeza fabulosa... 😍 amo pra sempre Lloyd 💜 thanks, thanks, thanks...
Brian Andersen
Wonderful tune - simpel and with a touch of the 80s, but perfect for Lloyd's voice !
Thanx for it!
Wally Salem
Love it - Brilliant!
Looking forward to the new album
Hector Del Cid
love it!! great song Lloyd
&LoveForAll
Utterly brilliant , best thing i've heard in ages . What a tune.
Adriano Sousa
Wonderful song!