Born in Tallahassee, Florida, Lavoie was raised by his mother in Winter Haven, Florida with his six siblings. He began his musical career in 1961 as a member of a local band, The Rumours. The band included Gram Parsons and Jim Stafford, as well as drummer Jon Corneal, who later joined Parsons' International Submarine Band.
In 1964, while attending the University of South Florida, Lavoie joined a band called the Sugar Beats and met producer Phil Gernhard. He recorded a regional hit for the band, a cover of Johnny Rivers' song, "What Am I Doing Here".
During the 1960s, Lavoie performed with many other bands, including US Male, The Uglies, and Me and the Other Guys. It was in the latter band that he met musician Billy Aerts, who became a member of Lobo's touring band in the early 1970s and produced Lobo's comeback album in 1989.
Again working with Gernhard, his first solo record was released in 1969, the single "Happy Days In New York City" backed with "My Friend Is Here". Both were original tracks. It was released on Laurie Records.
By 1971, Lavoie had started calling himself Lobo (Spanish for wolf). Gernhard was an executive for Big Tree Records, and the company released his first single, "Me and You and a Dog Named Boo". The first major hit for the label, it reached number 5 in the US and launched a successful series of singles. The song also reached number 4 in the UK.
His debut album, Introducing Lobo, followed that May. In June his second single, "She Didn't Do Magic", was released. In September, "California Kid And Reemo" was released. Another single was The Albatross. It was around this time that Big Tree Records was merged with Bell Records. In the confusion, Lobo's second album Close Up was lost and never released.
Maintaining the Lobo alias, he released Of a Simple Man in 1972, which yielded back-to-back Top 10 hits, including "Don't Expect Me To Be Your Friend", which reached #8 in the US charts, and "I'd Love You to Want Me". "I'd Love You To Want Me" was Lobo's biggest hit, climbing to #2 on the Billboard charts in 1972, and later reached #1 in Germany and in mid-1974, #5 in the United Kingdom.
With the release of Calumet in 1973, Lobo had three more Top 40 hits: "It Sure Took a Long, Long Time," "How Can I Tell Her" and "Standing at the End of the Line." He made an appearance on American Bandstand that year and also released a fourth single from Calumet, "There Ain't No Way." A fifth, "Standing At The End Of The Line" was released in 1975.
In June 1974 Lobo's fourth album Just A Singer. It was the first album by Lobo to contain tracks not written by Lobo. The only single from the album was "Rings".
His last Top 30 single for Big Tree, "Don't Tell Me Goodnight", was released in 1975. Lobo also released the album, A Cowboy Afraid Of Horses and his last single for Big Tree, "Would I Still Have You", was released. The label followed up with a compilation that year, "The Best Of Lobo".
In 1976, Lobo started to break from Big Tree and Phil Gernhard, releasing the album Come With Me in Europe on the Philips label. "At First Sight" was the single. Neither were released in US.
1977 Lobo signed with Curb Records in 1977 and released the single "Afterglow", which was co-produced by Lobo and Gernhard. Another single, "You Are All I Ever Need" was released in 1978. It was last single to have Gernhard as producer.
In 1979, Lobo resurfaced on MCA Records, where he was paired with producer Bob Montgomery and released the single "Where Were You When I Was Falling In Love", which reached #23. He also released his first US album in four years, Lobo. Other singles for Curb were "Holding On For Dear Love", "With A Love Like Ours" and "Fight Fire With Fire".
Dissatisfied with the production of his records, Lobo sought a release from his Curb contract. He moved to Nashville and in 1981 he started his own label, Lobo Records, and released several singles including "I Don't Want To Want You", written by his brother, Roger Lavoie, "Come Looking For Me" and "Living My Life Without You". All making the country charts.
NOTE: The 1981 Disco Single by LOBO - "The Caribbean Disco Show" (Mercury - 1981) is not the same person as this Lobo.
Lobo Records became Evergreen Records in 1985. It released two singles, "Am I Going Crazy" and "Paint The Town Blue", a duet with Robin Lee.
Meanwhile, Lobo's popularity was growing in Asia, fanned by the release of his greatest hits compilations in 1987 and 1988.
In 1989, Lobo released his first new album in 10 years, Am I Going Crazy, made in Taiwan on UFO/WEA records and produced by Billy Aerts.
With his popularity in Asia sustained by the reissue of all his albums on CD, he signed a multi-album deal with PonyCanyon Records in Singapore, releasing Asian Moon (repackaging of tracks from Am I Going Crazy along with newly recorded tracks) in 1994, Classic Hits (re-recorded Lobo hits and some cover versions other artists' hits) in 1995 and in 1996 Sometimes (all new original songs). On another Asian label, Springroll Entertainment, he released You Must Remember This in 1997, an album of pop standards that was released in two formats, one with vocals and the other with instrumental tracks.
The East Asian financial crisis in 1997 drove his record labels out of business and Lobo retired to his home in Florida.
Retirement was short-lived, however, as in 2000 Lobo signed with a German record company, Gmbh Entertainment, and recorded a few tracks for various Hits CD's. He also co-wrote two Christmas songs with Billy Aerts, "A Big Kid's Christmas" and "Late Christmas Eve", which have been released on various Christmas compilations from 2000 to present.
Singles recorded during this period include "Caribbean Disco Show", "Let It Be Me", "Who'll Stop The Rain" and "Different Drum". These were all available on different "Greatest Hits" releases.
His popularity in Asia is having a resurgence, and in 2006 he toured in Southeast Asia.
Strangely, his music has been sampled by Melbourne experimental band Kooties, although they paid little respect to Lobo's original intentions.
In 2008 Lobo released his first new album in over 10 years. Out of Time features some new songs as well as the old favorites. Out of Time represents a step back to the original era of these recordings, revisiting his old songs the same way he wrote them; by doing all the instruments himself, they are Out of Time. It refers to the classic nature of the old songs, how they are still favorites, even though they don’t follow the norm of today’s songs.
Lay Me Down
Lobo Lyrics
Jump to: Overall Meaning ↴
Let me down slow
Let me down easy
If you're gonna go
Bring me down slowly
Then let me off low
Let me down easy
If you're gonna go.
You had me way up in the air
But you were there to see me through
You had me way above the trees
Now you're leaving me
But I ask of you
I could do without you here
If I had a year before you go
Like the wind I'll drift around
Until I've found a way to show, that you must
let me down easy.
The lyrics of Lobo's song 'Let Me Down Easy' speak about a breakup where the singer pleads with their partner to break up in a gentle manner. They ask the person to do it slowly so that they can emotionally prepare themselves for the end of the relationship. The chorus repeats this request, emphasizing the importance of being let go with kindness. The song's protagonist reflects on the time they spent together, how they were once above the trees, but now are falling. The song's final verse suggests that the singer would move on with time, but they would need to be treated with tenderness as they do.
The lyrics are poignant and relatable to those who have experienced a relationship's end. It speaks of the need for compassion, empathy, and communication in such situations. Choosing to let go of someone with grace and kindness could be easier said than done, but it's necessary to understand that it is the right thing to do. It's crucial to remember that the way we end things shows the kind of people we are.
Lyrics © Sony/ATV Music Publishing LLC
Written by: LAVOIE, SANDLIN, WINSLOW
Lyrics Licensed & Provided by LyricFind
michael0750
Thank you for posting this rare track. Do you have Heart To Heart (Person To Person), Spendin' Time..., Gus The Dancing Dog, and California Kid and Reemo? Once again, thanks for the Lobo posts.
Jon Blund
A Kenny Everett Radio show on Capitol Radio from 1977 brought me here. This one's not bad, but the version I was looking for by Rogue is far superior.