She began gospel singing with her mother in the Holloway Community Singers and she has also recorded with Albertina Walker in The Caravans gospel group. Holloway was also a cast member of the Chicago troupe of Don't Bother Me I Can't Cope.
Holloway found moderate disco success when she placed eighteen songs on the Hot Dance Music/Club Play chart, including four Number ones, and was featured on Dan Hartman's disco classic, "Vertigo / Relight My Fire". In the early 1980s, she had another dance hit with "Crash Goes Love", before she had her first Number one in the UK with "Ride On Time" by Black Box, which featured vocal samples from her own Salsoul recording, "Love Sensation". This happened again in 1991 when Marky Mark and the Funky Bunch featured her vocals in the chart topping cover version of the song "Good Vibrations". Although both songs were notorious for initial copyright infringements (see: white label), they did help elevate Holloway to legendary status in the dance music/disco community.
A more recent dance chart entry was "Relight My Fire" (credited to Martin featuring Loleatta Holloway), which hit #5 in 2003.
Her latest hit "Love Sensation '06" peaked at #22 in the Dutch Top 40[1] and reached #37 on the UK Singles Chart as well as #49 in Australia.
Holloway died on March 21, 2011 from heart failure. She was 64 years old. She is survived by her four children.
Ride On Time
Loleatta Holloway Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Uhh, uhh, doin' the ride on
Put a hump in your back
Shake your sacroiliac
And ride on
Let's take a ride
Ride onBaby do the ride on
Mama do the ride on
Ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Doin' the ride on
Ooh, oww doin' the ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
It ain't what you know, it's what you feel
Don't worry about being right, just be for real
We're gonna do it to the max, when we do it
We're gonna do it, do it good, when we do it
Put a hump in your back
And ride on
Let's take a ride
Ride on
Baby do the ride on
Mama do the ride on
Ride on
It ain't what you know, it's what you feel
Don't worry about being right, just be for real
We're gonna do it to the max, when we do it
We're gonna do it, do it good, when we do it
Put a hump in your back
Shake your sacroiliac
And ride on
Let's take a ride
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Ride on (put a hump in your back)
Baby do the ride on (shake your sacroiliac)
Mama do the ride on (let's take a ride)
Ride on
Ride on (It ain't what ya know)
Baby do the ride on (it's what ya feel)
Mama do the ride on (Don't worry about being right just be for real)
Ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Ride on
Baby do the ride on
Mama do the ride on
Ride on
Loleatta Holloway's "Ride On Time" is an exuberant celebration of movement, freedom, and an unapologetic embrace of one's body. The recurring phrase "doin' the ride on" invites listeners to join in a communal experience, setting the tone for a vibrant, dance-oriented atmosphere. This repetition creates a rhythmic, almost hypnotic quality that encourages the audience to engage physically with the music. The lyric "Put a hump in your back / Shake your sacroiliac" serves as an invitation to let go of inhibitions and fully immerse oneself in the joy of dance. The mention of the sacroiliac, a joint in the lower back, underscores the physicality of movement, reinforcing the idea that dancing is not just an art form but a celebration of bodily expression. Overall, the song promotes a sense of liberation, urging individuals to express themselves through their movements.
As the song progresses, the lyrics delve deeper into the notion of authenticity versus societal expectations. The lines "It ain't what you know, it's what you feel / Don't worry about being right, just be for real" suggest a rejection of conventional standards and a call to embrace one’s instincts. This empowers listeners to prioritize feelings over knowledge or correctness, reinforcing the central idea that genuine experiences are rooted in emotion rather than intellectual constructs. This philosophy aligns well with the dance culture that permeates the song, where personal expression and spontaneity take precedence over rigid frameworks. By advocating for realness and emotional truth, Holloway encourages her audience to find individuality and joy in their movements rather than conforming to external pressures.
The repetitive structure of the chorus, where "Baby do the ride on / Mama do the ride on" emphasizes inclusivity, inviting people from all walks of life to partake in the experience of dancing and feeling free. The reference to "Mama" expands the audience beyond the young and liberates the dance from generational barriers, suggesting that everyone, regardless of age, can participate in this shared experience of joy and movement. Holloway's use of familial language indicates a nurturing and communal approach to dance; it’s not just about individual expression but also about building bonds within a community united by music and movement. This focus on togetherness adds a dimension of warmth to the song, transforming it into an anthem for collective celebration.
Finally, the concept of the ride as a metaphor for life’s journey resonates throughout the song. The phrase "let's take a ride" signifies not only an invitation to dance but also an invitation to embrace life’s experiences, both exhilarating and challenging. The exuberance encapsulated in the repetition of the phrase encourages listeners to be fully present and engaged with their own journeys. The metaphorical ride symbolizes exploration, emotional discovery, and the importance of enjoying the process rather than fixating on specific outcomes. In this way, Holloway's "Ride On Time" emerges as a potent anthem of freedom, authenticity, and the celebratory nature of dance, offering a timeless message about the power of movement to uplift and connect individuals across diverse backgrounds and experiences.
Line by Line Meaning
Ooh, doin' the ride on
An expression of excitement as one engages in a joyful journey of self-exploration.
Uhh, uhh, doin' the ride on
A reaffirmation of the pleasure derived from this exhilarating experience.
Put a hump in your back
Encouraging movement and rhythmically engaging your body.
Shake your sacroiliac
Inviting awareness and motion in your lower back, promoting physical freedom.
And ride on
Emphasizing the continuous, liberating journey of life.
Let's take a ride
Inviting everyone to join in on this joyful adventure of self-expression.
Ride on
A call to embrace the spirit of liberation and joy.
Baby do the ride on
Encouragement for a partner to join in the fun and exuberance.
Mama do the ride on
Inviting maternal figures to also join in the joyous celebration.
Ride on
Reiterating the call to reconnect with the rhythm of life.
Ride on
Reinforcing the idea of shared joy and communal experience.
Baby do the ride on
Further encouraging loved ones to partake in this blissful ride.
Mama do the ride on
Continuing to include the nurturing force in our joyful journey.
Ride on
A reminder to keep moving forward with enthusiasm.
Doin' the ride on
Participating actively in this celebratory experience.
Ooh, oww doin' the ride on
A playful acknowledgment of the thrill and freedom derived from this adventure.
Ride on
Another call to embrace the journey.
Baby do the ride on
Encouraging intimate connections through shared joy.
Mama do the ride on
Acknowledging the strength and influence of maternal figures in our lives.
Ride on
Sustaining the momentum of joyous experiences.
It ain't what you know, it's what you feel
Emphasizing that true understanding comes from emotional experiences rather than just knowledge.
Don't worry about being right, just be for real
Encouraging authenticity and honesty over conforming to societal expectations.
We're gonna do it to the max, when we do it
Pledging to fully embrace and enjoy every moment of this journey.
We're gonna do it, do it good, when we do it
Commitment to strive for excellence in our expressions and experiences.
Put a hump in your back
Reiterating encouragement for movement and rhythm.
Shake your sacroiliac
Reinforcing the call for physical expression and freedom.
And ride on
Continuing to embark on this journey of joy.
Let's take a ride
A reiteration of the invitation to embrace shared experiences.
Ride on
A further call to celebration and connection.
Baby do the ride on
Encouraging loved ones to join in the happiness.
Mama do the ride on
Inviting maternal figures to share in joy.
Ride on
A final reminder to continue the journey of life with enthusiasm.
Ride on (put a hump in your back)
Encouragement to move joyfully through life.
Baby do the ride on (shake your sacroiliac)
Inviting partners to express themselves freely.
Mama do the ride on (let's take a ride)
Recognizing the importance of maternal support in our journey.
Ride on
A final affirmation of the joyous journey we are undertaking.
Ride on (It ain't what ya know)
Reinforcing that true wisdom lies in emotional experience.
Baby do the ride on (it's what ya feel)
Stressing the importance of feeling over knowing.
Mama do the ride on (Don't worry about being right just be for real)
Encouraging genuine expression without the pressure of correctness.
Ride on
A declaration to keep moving into joy and celebration.
Ride on
A final call for embodied joy and connection.
Baby do the ride on
An ending charge for intimacy and shared bliss.
Mama do the ride on
Reaffirming the role of matriarchal love within our jubilant experience.
Ride on
Closing with an emphasis on keeping the momentum of joy alive.
Lyrics © Sony/ATV Music Publishing LLC, PFIVE Entertainment Mexico, Warner Chappell Music, Inc.
Written by: Daniel Hartman, Daniele Davoli, Mirko Limoni, Valerio Semplici
Lyrics Licensed & Provided by LyricFind
@justlove7736
So many people got rich off this woman’s vocals. It’s happened to other singers too.
Snap! got rich off of Jocelyn Brown for “The Power”.
C+C Music Factory got rich off of Martha Wash for “Everybody Dance Now”.
Black Box got rich off of Martha Wash for “Everybody Everybody” and other songs.
Phil Spector and The Crystals got rich off of Darlene Love for “He’s a Rebel”.
@marmary5555
I only have ❤ for this woman. i wish i could thank her for all those lonely and sad years of my life where her music gave me a reason to live and be happy. still to this day, there is no other voice like Mrs Holloway. It's incredibly shameful that she did not receive the credits and praise she deserves.
@cabeloDoPardal2
She is awesome. But kittens are not better than human babies.
@marmary5555
@@MizterB it's my user name.
@marmary5555
@@cabeloDoPardal2 yes they are. Kittens are way cuter than babies
@Norma-Arte-y-Ventas
Is this the same model in the video Everybody everybody?
Damn! that's unfair
@miguelmusicajw
@@Norma-Arte-y-Ventas yes
@Ninaxross85
This woman deserved millions for that beautiful voice, R.I.P Loleatta
@alexbergmann2817
indeed
she is a true artist
@VernalScott
I love you Loleatta. Your soulful voice lives on.
@enzovolpicelli7165
https://youtu.be/BHCQ0TLj73g