The musicologist Robert Palmer, writing in Rolling Stone, stated, "His music is witty, soulful and ferociously energetic, brimming with novel harmonic turnarounds, committed vocals and simply astonishing guitar work." Jon Pareles, a music critic for the New York Times, wrote, "He sings in a rowdy baritone, sliding and rasping in songs that celebrate lust, fulfilled and unfulfilled; his guitar solos are pointed and unhurried, with a tone that slices cleanly across the beat. Wearing a cowboy hat, he looks like the embodiment of a good-time bluesman."
Brooks was born in Dubuisson, St. Landry Parish, Louisiana. He learned to play blues from his banjo-picking grandfather but did not think about a career in music until he moved to Port Arthur, Texas, in the early 1950s. There he heard live performances by Clarence "Gatemouth" Brown, T-Bone Walker, B.B. King, Long John Hunter and others and began to think about making money from music. Clifton Chenier heard Brooks strumming his guitar on his front porch in Port Arthur and offered him a job in his touring band.
Embarking on a solo career, he began calling himself Guitar Jr. and signed with the Goldband label, based in Lake Charles, Louisiana. His singles for the label included the regional hit "Family Rules", which remains a favorite of the swamp pop idiom in southern Louisiana and southeast Texas. Other Goldband singles included "Made in the Shade" and "The Crawl" (both of which were later recorded by the Fabulous Thunderbirds).
In 1960, he moved to Chicago, Illinois, where he adopted the stage name Lonnie Brooks (Luther Johnson was already using the name Guitar Junior there). Brooks found regular work in clubs on the West Side of Chicago, in nearby Gary and East Chicago, Indiana, and occasionally in the Rush Street entertainment area on Chicago's North Side. He recorded numerous singles for various labels, including Chess, Chirrup, Mercury, Midas and USA Records, receiving some local radio airplay. He also supported other artists on record and live, including Jimmy Reed. In 1961 he played guitar on the double album Jimmy Reed at Carnegie Hall.
In 1969, he recorded his first album, Broke an’ Hungry, for Capitol Records. It was produced by Wayne Shuler, son of Eddie Shuler, who had founded Goldband Records in Louisiana.
In 1974, Brooks participated in a multi-artist tour of Europe and recorded an album, Sweet Home Chicago, for the French label Black & Blue. When he returned to Chicago, he began playing regularly at Pepper’s Hideout on the South Side. There he attracted the attention of Bruce Iglauer, head of the fledgling Alligator Records, who had previously seen him at the Avenue Lounge on the city’s West Side.
In 1978, Iglauer included four of Brooks’s songs (including three originals) in the anthology series Living Chicago Blues, released by Alligator. He was signed to the label, which released his album Bayou Lightning the following year. The album won the Grand Prix du Disque Award from the 1980 Montreux Jazz Festival. While in Montreux, Brooks befriended the country music star Roy Clark, who arranged for him to appear on the country music television program Hee Haw.
Since that time, Brooks has recorded exclusively for Alligator, releasing seven albums in his own name and contributing to shared recordings and compilation appearances. His style, sometimes described as "voodoo blues", includes elements of Chicago blues, Louisiana blues, swamp pop and rhythm and blues. Other labels have issued pre-1978 recordings by Brooks and compilations of his singles.
Following the release of Bayou Lightning, Brooks began touring in the U.S. and also returned to Europe. A 1982 trip to Germany resulted in an hour-long live performance on German television. His next album, Hot Shot, was released in 1983. His album Wound Up Tight, released in 1986, featured his most famous fan, Johnny Winter, on guitar. Rolling Stone took notice of the album, running a six-page feature on Brooks. In 1987, BBC Radio broadcast an hour-long live performance by him.
By this time, his teenage son Ronnie Baker Brooks was touring with the band. He made his recording debut on his father's album Live from Chicago—Bayou Lightning Strikes.
Brooks’s 1991 release, Satisfaction Guaranteed, received much coverage in the press, including features and articles in the Washington Post, the Village Voice, the Chicago Tribune, the Los Angeles Times, Guitar World, Living Blues, Blues Revue, and other publications.
Brooks went on a national concert tour with B.B. King, Buddy Guy, Koko Taylor, Junior Wells and Eric Johnson in the summer of 1993. Eric Clapton, performing in Chicago as part of his "From the Cradle" tour, honored Brooks by inviting the bluesman on stage for an impromptu jam at the blues club Buddy Guy's Legends.
In 1996, Brooks released Roadhouse Rules. The album was produced in Memphis by Jim Gaines, who also produced Luther Allison, Stevie Ray Vaughan and Santana. Ronnie Baker Brooks also played on this album. With fellow Gulf Coast blues veterans Long John Hunter and Phillip Walker (both of whom he had known and played with in the 1950s in Port Arthur), Brooks released Lone Star Shootout in 1999.
Brooks continues to tour in the U.S. and Europe. His sons, Ronnie Baker Brooks and Wayne Baker Brooks, are also full-time blues entertainers, fronting their own bands and touring extensively in the U.S. and abroad. Wayne Baker Brooks also plays in his father's band. The Brookses are frequent guest performers at each other's shows and have booked appearances as the Brooks Family.
Besides his live and recorded performances, Brooks appeared in the films Blues Brothers 2000 and The Express and in two UK television commercials for Heineken beer. His song "Eyeballin'" was used in the film Forever LuLu. "Got Lucky Last Night", featuring Johnny Winter, was used in the film Masters of Menace. Brooks also co-authored the book Blues for Dummies, with Wayne Baker Brooks and the music historian, guitarist, and songwriter Cub Koda.
Brooks was an influence on the soul artist Reggie Sears.
Discography
Lone Star Shootout, with Long John Hunter and Phillip Walker (Alligator, 1999)
Deluxe Edition (Alligator, 1997)
Roadhouse Rules (Alligator, 1996)
Let’s Talk It Over (1977 sessions released by Delmark, 1993)
Satisfaction Guaranteed (Alligator, 1991)
Live from Chicago: Bayou Lightning Strikes (Alligator, 1988)
Wound Up Tight (Alligator, 1986)
Live at Pepper’s (Black Magic, 1985; reissued by Black Top, 1996)
The Crawl, as Guitar Jr. (Goldband singles reissued by Charly, 1984)
Hot Shot (Alligator, 1983)
Turn On the Night (Alligator, 1981)
Blues Deluxe (Alligator/WXRT, 1980)
Bayou Lightning (Alligator, 1979)
Living Chicago Blues, vol. 3 (Alligator, 1978)
Sweet Home Chicago (Black & Blue, 1975; reissued by Evidence Records, 1994)
Broke an' Hungry, as Guitar Jr. (Capitol, 1969)
In The Dark
Lonnie Brooks Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Kissin' another fella, and you know it wasn't me
That ain't right, no no no, that ain't right
What goes on in the dark, will soon come to light
They say you whispered low, an' spendin' all of my dough
You told that fella things, you never told me before
That ain't right, no no no, that ain't right
One of these days, just you wait and see
Baby you'll realize, the way you're treating me
That ain't right, no no no, that ain't right
What goes on in the dark, will soon come to light
The song "In the Dark" by Lonnie Brooks is about a man who has heard rumors that his lover is cheating on him. He heard that she was out getting high and kissing another man who was not him. He knows that this is wrong and that what goes on in the dark will soon come to light. He also hears that she has been spending his money and telling this other man things that she never told him before. He knows that this is not right and that everything that happens in secret will eventually be revealed.
The lyrics suggest that the man is hurt by his lover's actions and that he knows that eventually she will realize how poorly she has been treating him. The repetition of the phrase "that ain't right" emphasizes the man's disbelief and disappointment with his lover's behavior. The song is ultimately a warning to the woman that she cannot continue to deceive her partner and that her secrets will not remain hidden forever.
Overall, "In the Dark" is a poignant song about deception and the eventual uncovering of the truth. It showcases Lonnie Brooks' powerful vocals and blues guitar skills, making it a standout track in the blues genre.
Line by Line Meaning
I heard you was out, high as you could be
I heard that you were out, getting high as you possibly could
Kissin' another fella, and you know it wasn't me
I heard that you were kissing another guy, and you know it wasn't me
That ain't right, no no no, that ain't right
That's not okay, not at all
What goes on in the dark, will soon come to light
The things that happen in secret will eventually come to light
They say you whispered low, an' spendin' all of my dough
I heard that you were whispering to someone and spending all of my money
You told that fella things, you never told me before
You were telling that guy things that you never told me before
That ain't right, no no no, that ain't right
That's not okay, not at all
What goes on in the dark, will soon come to light
The things that happen in secret will eventually come to light
One of these days, just you wait and see
One day, you will see
Baby you'll realize, the way you're treating me
You'll realize how you're treating me
That ain't right, no no no, that ain't right
That's not okay, not at all
What goes on in the dark, will soon come to light
The things that happen in secret will eventually come to light
Contributed by Maria Y. Suggest a correction in the comments below.