Alfonzo "Lonnie" Johnson (February 8, 1894 – June 6, 1970) was a pioneering… Read Full Bio ↴Alfonzo "Lonnie" Johnson (February 8, 1894 – June 6, 1970) was a pioneering blues and jazz singer/guitarist born in New Orleans, Louisiana. There is some dispute over the year of his birth, but 1894 is what appears on his passport.
Lonnie Johnson's early recordings are the first guitar recordings that display a single-note soloing style with use of string bending and vibrato. While it cannot be proven that this contains the influence of earlier players who did not record, it is the origin of Blues and Rock solo guitar. Johnson's influence is obvious in Django Reinhardt, T-Bone Walker and virtually all electric blues guitar players.
[citation needed] Raised in a family of musicians, Johnson studied violin and guitar as a child, but concentrated on the latter throughout his professional career. A 1917 tour to England with a revue may have saved his life, for he returned to New Orleans in 1919 to find that most of his family had died in the 1918 influenza epidemic.
In the early 1920s, Johnson worked with the orchestras of Charlie Creath and Fate Marable on riverboats, but he made St. Louis his home in 1925. There he entered and won an Okeh Records blues contest that resulted in his making a series of memorable recordings for the label between 1925 and 1932, including guitar duets with Eddie Lang and vocal duets with Victoria Spivey. In the 1920s, Johnson also made guest appearances on records by Louis Armstrong and his Hot Five, the Duke Ellington orchestra, and The Chocolate Dandies, playing 12-string guitar solos in an extraordinary, pioneering single-string style that greatly influenced such future jazz guitarists as Charlie Christian and Django Reinhardt, and gave the instrument new meaning as a jazz voice.
Lonnie Johnson's career was a rollercoaster ride that sometimes took him away from music. In between great musical accomplishments, he found it necessary to take menial jobs that ranged from working in a steel foundry to mopping floors as a janitor. He was working at Philadelphia's Benjamin Franklin Hotel in 1959 when WHAT-FM disc jockey Chris Albertson happened upon him. Albertson succeeded in securing for Johnson a Chicago engagement at the Playboy Club, which launched yet another comeback. Johnson subsequently performed with Duke Ellington and his orchestra and with an all-star folk concert, both at Town Hall, New York City.
He also toured Europe and recorded several albums for the Prestige Bluesville label, some with Elmer Snowden, and one with his Okeh vocal partner, Victoria Spivey. To his great regret, Johnson was always tagged as a blues artist, and he found it difficult to be regarded as anything else. "I had done some singing by then," he explained when asked why he entered the Okeh contest, "but I still didn't take it as seriously as my guitar playing, and I guess I would have done anything to get recorded--it just happened to be a blues contest, so I sang the blues."
Johnson died in Toronto, Ontario, Canada, June 16, 1970 of complications resulting from a 1969 auto accident. He was posthumously inducted into the Louisiana Blues Hall of Fame in 1997.
One of Elvis Presley's earliest recordings was Johnson's blues ballad, "Tomorrow Night", which was also recorded by LaVern Baker
Bob Dylan wrote about the performing method he learned from Johnson in Chronicles, Vol. 1. Dylan thinks Robert Johnson had learned a lot from Lonnie.
Lonnie Johnson's early recordings are the first guitar recordings that display a single-note soloing style with use of string bending and vibrato. While it cannot be proven that this contains the influence of earlier players who did not record, it is the origin of Blues and Rock solo guitar. Johnson's influence is obvious in Django Reinhardt, T-Bone Walker and virtually all electric blues guitar players.
[citation needed] Raised in a family of musicians, Johnson studied violin and guitar as a child, but concentrated on the latter throughout his professional career. A 1917 tour to England with a revue may have saved his life, for he returned to New Orleans in 1919 to find that most of his family had died in the 1918 influenza epidemic.
In the early 1920s, Johnson worked with the orchestras of Charlie Creath and Fate Marable on riverboats, but he made St. Louis his home in 1925. There he entered and won an Okeh Records blues contest that resulted in his making a series of memorable recordings for the label between 1925 and 1932, including guitar duets with Eddie Lang and vocal duets with Victoria Spivey. In the 1920s, Johnson also made guest appearances on records by Louis Armstrong and his Hot Five, the Duke Ellington orchestra, and The Chocolate Dandies, playing 12-string guitar solos in an extraordinary, pioneering single-string style that greatly influenced such future jazz guitarists as Charlie Christian and Django Reinhardt, and gave the instrument new meaning as a jazz voice.
Lonnie Johnson's career was a rollercoaster ride that sometimes took him away from music. In between great musical accomplishments, he found it necessary to take menial jobs that ranged from working in a steel foundry to mopping floors as a janitor. He was working at Philadelphia's Benjamin Franklin Hotel in 1959 when WHAT-FM disc jockey Chris Albertson happened upon him. Albertson succeeded in securing for Johnson a Chicago engagement at the Playboy Club, which launched yet another comeback. Johnson subsequently performed with Duke Ellington and his orchestra and with an all-star folk concert, both at Town Hall, New York City.
He also toured Europe and recorded several albums for the Prestige Bluesville label, some with Elmer Snowden, and one with his Okeh vocal partner, Victoria Spivey. To his great regret, Johnson was always tagged as a blues artist, and he found it difficult to be regarded as anything else. "I had done some singing by then," he explained when asked why he entered the Okeh contest, "but I still didn't take it as seriously as my guitar playing, and I guess I would have done anything to get recorded--it just happened to be a blues contest, so I sang the blues."
Johnson died in Toronto, Ontario, Canada, June 16, 1970 of complications resulting from a 1969 auto accident. He was posthumously inducted into the Louisiana Blues Hall of Fame in 1997.
One of Elvis Presley's earliest recordings was Johnson's blues ballad, "Tomorrow Night", which was also recorded by LaVern Baker
Bob Dylan wrote about the performing method he learned from Johnson in Chronicles, Vol. 1. Dylan thinks Robert Johnson had learned a lot from Lonnie.
Sweet Woman You Can't Go Wrong
Lonnie Johnson Lyrics
I'm lonesome as I can be, baby please come home to me.
Because you know I love you, and how come we can't agree?
You been gone the whole night long, I b'lieve to my soul something goin' on wrong.
But there will come a day, and I will know you will be glad to stay.
I've tried to please your mind, and you keep me worryin' all the time.
You will either run me crazy, or I'll lose my mind.
You know you don't treat me right, when you stay out both day and night.
And I must stop you now, ‘cause you got to consider somehow.
You know I love you now, and I loved you all along.
I'll show you my sweet woman, and I mean you can't go wrong.
Because you know I love you, and how come we can't agree?
You been gone the whole night long, I b'lieve to my soul something goin' on wrong.
But there will come a day, and I will know you will be glad to stay.
I've tried to please your mind, and you keep me worryin' all the time.
You will either run me crazy, or I'll lose my mind.
You know you don't treat me right, when you stay out both day and night.
You know I love you now, and I loved you all along.
I'll show you my sweet woman, and I mean you can't go wrong.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found