Los Prisioneros was a Chilean rock band formed in San Miguel, Santiago, Chi… Read Full Bio ↴Los Prisioneros was a Chilean rock band formed in San Miguel, Santiago, Chile in 1982 by Jorge González (bass & vocals), Claudio Narea (guitar) and Miguel Tapia (drums). They began as a local band during the early 1980s, playing small shows in their neighborhood and high school. After selling a limited press number of their first album in Chile under the independent Fusión producciones label, they signed to EMI in 1985, re-releasing the same album on an LP record and Cassette. From that point on they reached mainstream success in Chile, then Peru, Ecuador and Colombia. Eventually in the early 90's their albums were re-released completely in remastered Compact Disc form, this is when Chile was no longer run by a military regime which oppressed their music in the late 1980s. Throughout the 1990s their music spread out, reaching all of South and Central America as well as some parts of the U.S., Canada and Europe.
The band started when Jorge González and Miguel Tapia decided to start their own band while being high school students. They were inexperienced but enthusiastic, after many practices and writing songs, they asked Claudio Narea if he would like to join them, and impressed by the music they were making, he accepted. Towards the early 80's they went through some name changes and before settling on "Los Prisioneros" they had the name "Los Vinchukas" as their original name. In 1983, they had played a number of local shows and that's when they met Carlos Fonseca, their future manager. Through him, they managed to score a record deal with Fusión Producciones.
In 1984, the band's debut album was released, with the hit song "La Voz De Los '80" (which was never a single). They reached acclaim in the radio and by the next year they would be touring. In 1986, their long awaited second album "Pateando Piedras" went double Platinum album in Chile. By that time, the group was invited to perform at Argentina's Chateau Rock Festival and later to a similar event in Montevideo, Uruguay. They continued touring and they became more successful mainstream wise.
The band disbanded in 1992, then as a quartet with additional members Cecilia Aguayo (keyboards) and Robert Rodríguez (guitar), since Claudio Narea had left the band earlier in 1990.
The original lineup of the band decided to get back together in 2001, offering two massive concerts in the National Stadium of Santiago, and then releasing "Los Prisioneros", their first original studio album in 13 years. However, internal problems between González and Narea led again to the departure of the guitarist in 2001. Los Prisioneros continued working as a duet with guest members like Álvaro Henríquez whom with they released a cover album. In 2004 two additional musicians joined the band: Sergio "Coty" Badilla and Gonzalo Yáñez, releasing their sixth album Manzana the same year. A little while after the release of the album band members decided to establish themselves in Mexico, attempting to get more international exposure. Yáñez decided not to leave Chile and left the band. After touring through several locations in North and South America, they finally disbanded in 2006.
The band started when Jorge González and Miguel Tapia decided to start their own band while being high school students. They were inexperienced but enthusiastic, after many practices and writing songs, they asked Claudio Narea if he would like to join them, and impressed by the music they were making, he accepted. Towards the early 80's they went through some name changes and before settling on "Los Prisioneros" they had the name "Los Vinchukas" as their original name. In 1983, they had played a number of local shows and that's when they met Carlos Fonseca, their future manager. Through him, they managed to score a record deal with Fusión Producciones.
In 1984, the band's debut album was released, with the hit song "La Voz De Los '80" (which was never a single). They reached acclaim in the radio and by the next year they would be touring. In 1986, their long awaited second album "Pateando Piedras" went double Platinum album in Chile. By that time, the group was invited to perform at Argentina's Chateau Rock Festival and later to a similar event in Montevideo, Uruguay. They continued touring and they became more successful mainstream wise.
The band disbanded in 1992, then as a quartet with additional members Cecilia Aguayo (keyboards) and Robert Rodríguez (guitar), since Claudio Narea had left the band earlier in 1990.
The original lineup of the band decided to get back together in 2001, offering two massive concerts in the National Stadium of Santiago, and then releasing "Los Prisioneros", their first original studio album in 13 years. However, internal problems between González and Narea led again to the departure of the guitarist in 2001. Los Prisioneros continued working as a duet with guest members like Álvaro Henríquez whom with they released a cover album. In 2004 two additional musicians joined the band: Sergio "Coty" Badilla and Gonzalo Yáñez, releasing their sixth album Manzana the same year. A little while after the release of the album band members decided to establish themselves in Mexico, attempting to get more international exposure. Yáñez decided not to leave Chile and left the band. After touring through several locations in North and South America, they finally disbanded in 2006.
Una Mujer Que No Llame la Atenci%C3%B3n
Los Prisioneros Lyrics
Que cuando suba al tren nadie la mire ni la quiera ayudar
Que no le hagan descuentos, que le gruñan, que la atiendan mal
No voy a oír silbidos
Ni cruces de mirada
Mi vida es ordenada
Nada de igualdades entre mi damita y su señor
Ella en la casa y yo en el trabajo eso es lo mejor
Tú no seras estrella
Que no te vean bella
Lo que de ti me guste escóndelo
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
Tu hablarás despacio y bajando la mirada ante mi
Te vestirás de forma que la gente no comente por ahi
Yo soy tan miserable
A todos ojos despreciable
Al menos en mi casa me impondré
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
No cruces de mirada mi vida tan ordenada
Un candado, un candado en mi corazón
Miserable, miserable sin final perdón
Necesito que no llame, llame la atención
Necesito relaciones fuera de tensión
Fuera de tensión
Que no le hagan descuentos, que le gruñan, que la atiendan mal
No voy a oír silbidos
Ni cruces de mirada
Mi vida es ordenada
Nada de igualdades entre mi damita y su señor
Ella en la casa y yo en el trabajo eso es lo mejor
Tú no seras estrella
Que no te vean bella
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
Tu hablarás despacio y bajando la mirada ante mi
Te vestirás de forma que la gente no comente por ahi
Yo soy tan miserable
A todos ojos despreciable
Al menos en mi casa me impondré
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
Necesito una mujer que no llame la atención
No cruces de mirada mi vida tan ordenada
Un candado, un candado en mi corazón
Miserable, miserable sin final perdón
Necesito que no llame, llame la atención
Necesito relaciones fuera de tensión
Fuera de tensión
Lyrics © SADAIC LATIN COPYRIGHTS, INC.
Written by: JORGE HUMBERTO GONZALEZ RIOS
Lyrics Licensed & Provided by LyricFind
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