Baby
Los Super Seven is a predominantly Latin American supergroup which debuted … Read Full Bio ↴Los Super Seven is a predominantly Latin American supergroup which debuted in 1998. Organized by manager Dan Goodman, the collective has issued three albums to date, with wildly varying personnel; no one player features on all three releases with the exception of Ruben Ramos, (aka El Gato Negro, an American Tejano music performer).
The group won a Grammy Award for Best Mexican/Mexican-American Album in 1999 for its self-titled album. Their musical style has changed with each incarnation, blending sounds from Tejano, mariachi, Cuban, Afro-Peruvian, Brazilian, blues, rhythm and blues, country, jazz and rock. The personnel included the members of The Texas Tornados, Los Lobos, Calexico, Ozomatli, and other famed musicians.

Los Super Seven is a studio album released by supergroup Los Super Seven. It was released in September 15, 1998 by RCA Nashville. Freddy Fender and Flaco Jiménez, both from Texas Tornados, formed Los Super Seven, along Joe Ely, Rick Trevino, David Hidalgo and Cesar Rosas (of the Los Lobos' fame), and Tejano vocalist Ruben Ramos. The album peaked at number-one in the Billboard Regional Mexican Albums chart and reached top ten in the Billboard Top Latin Song chart. Los Super Seven earned them the Grammy Award for Best Mexican-American Performance at the 41st Grammy Awards. A portion of the proceeds of the album were destined to the National Council of La Raza a non-profit organization that represents Latino interests and causes.

Discography
Los Super Seven (1998)
Canto (2001)
Heard It on the X (2005)


Members on Los Super Seven
Joe Ely – guitar, vocals
Freddy Fender – vocals
David Hidalgo (of Los Lobos) – guitar, vocals
Flaco Jimenez – accordion, vocals
Ruben Ramos – vocals
Cesar Rosas (of Los Lobos) – guitar, vocals
Rick Treviño – guitar, vocals
Doug Sahm – vocals
Max Baca – bajo sexto, vocals
Joel Guzman – accordion, vocals
Steve Berlin (of Los Lobos) – Producer
Rick Clark – Music consultant
Dan Goodman – Executive producer
Dave McNair – Engineer/mixer

Members on Canto
Wil-Dog Abers (of Ozomatli) – bass
Susana Baca – vocals
David Hidalgo – bass, guitar, percussion, arranger, drums, vocals, requinto
Raul Malo (of the Mavericks) – vocals
Ruben Ramos – vocals
Rick Treviño – vocals
Cesar Rosas – bass, guitar, vocals, guitarron, jarana
Alberto Salas – piano, arranger
Caetano Veloso – guitar, vocals
Conrad Lozano (of Los Lobos) – guitarron
Louie Perez (of Los Lobos)
Cougar Estrada (of Los Lobos) – percussion, drums
Steve Berlin – (of Los Lobos) Producer
Rick Clark – Music consultant
Dan Goodman – Executive producer
Dave McNair – Engineer/mixer

Members on Heard It on the X
Clarence "Gatemouth" Brown – guitar, vocals
Rodney Crowell – vocals
Joe Ely – vocals
Freddy Fender – vocals
John Hiatt – vocals
Lyle Lovett – vocals
Raul Malo – vocals
Ruben Ramos – vocals
Delbert McClinton – vocals
Rick Trevino – vocals
Joey Burns (of Calexico) – nylon-string acoustic guitar, electric bass, upright bass, piano, arranger
John Convertino (of Calexico) – drums, percussion
Paul Niehaus (of Calexico) – pedal steel guitar, baritone electric guitar, 6-string bass guitar
Jacob Valenzuela (of Calexico) – trumpet
Martin Wenk (of Calexico) – trumpet, vibes, claves
Volker Zander (of Calexico) – upright bass
Flaco Jimenez – accordion
Denny Freeman – electric guitar, piano
John Contreras – acoustic guitar, vihuela
Max Baca – bajo sexto, backing vocals
Augie Meyers – piano
Hunt Sales – drums
Redd Volkaert – electric guitar
Charlie Sexton – guitars, lap steel guitar, piano, percussion, producer
Rick Clark, Dan Goodman, Charlie Sexton – Producers
Dave McNair – Engineer/mixer
Texas Treefort Studios – Recording complex, Austin TX

Baby
Los Super Seven Lyrics


We have lyrics for these tracks by Los Super Seven:


Compay Gato Ay adios compay gato Cuantas veces me ha dicho El muy sinver…
El Canoero Yo soy el canoero que rema, rema y que rema,…
Heard It On The X Do you remember Back in 1966? Country Jesus, hillbilly blu…
La Sirena Navegando en alta mar, oí cantar una sirena navegando en alt…
Me Voy Pa'l Pueblo Me voy pa'l pueblo Hoy es mi dia Voy a alegrar toda…
Piensa en Mí Si tienes un hondo pesar Piensa en mi Si tienes ganas de…
Qualquer Coisa Esse papo já tá qualquer coisa Você já tá pra lá…
Río de Tenampa I sat at a table and wrote a good song About…
The El Burro Song My love has fallen and can′t get up Still hung-over and…





The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Most interesting comment from YouTube:

Paula Priscila

Baby
Caetano Veloso

Você precisa
Saber da piscina
Da margarina
Da Carolina
Da gasolina
Você precisa
Saber de mim
Baby, baby
Eu sei
Que é assim
Baby, baby
Eu sei
Que é assim
Você precisa
Tomar um sorvete
Na lanchonete
Andar com gente
Me ver de perto
Ouvir aquela canção
Do Roberto
Baby, baby
Há quanto tempo
Baby, baby
Há quanto tempo
Você precisa
Aprender inglês
Precisa aprender
O que eu sei
E o que eu
Não sei maist
E o que eu
Não sei mais
Não sei
Comigo
Vai tudo azul
Contigo
Vai tudo em paz
Vivemos
Na melhor cidade
Da América do Sul
Da América do Sul
Você precisa
Você precisa...
Não sei
Leia
Na minha camisa
Baby, baby
I love you
Baby, baby
I love you...

Composição: Caetano Veloso



All comments from YouTube:

Marcos Ct

Artista completo, desde a concepção à execussão!

Paula Priscila

Baby
Caetano Veloso

Você precisa
Saber da piscina
Da margarina
Da Carolina
Da gasolina
Você precisa
Saber de mim
Baby, baby
Eu sei
Que é assim
Baby, baby
Eu sei
Que é assim
Você precisa
Tomar um sorvete
Na lanchonete
Andar com gente
Me ver de perto
Ouvir aquela canção
Do Roberto
Baby, baby
Há quanto tempo
Baby, baby
Há quanto tempo
Você precisa
Aprender inglês
Precisa aprender
O que eu sei
E o que eu
Não sei maist
E o que eu
Não sei mais
Não sei
Comigo
Vai tudo azul
Contigo
Vai tudo em paz
Vivemos
Na melhor cidade
Da América do Sul
Da América do Sul
Você precisa
Você precisa...
Não sei
Leia
Na minha camisa
Baby, baby
I love you
Baby, baby
I love you...

Composição: Caetano Veloso

KING9SOUND

thanks

Lívia Lakomy

My favorite thing about “Baby” is how open it is for us to project meaning into it. Personally, I like to listen to it as a love letter in a time capsule. It’s a long shot of an interpretation, to be sure, but it only makes me love it more. 
The song exists thanks to singer Maria Bethânia – Caetano Veloso’s sister – who urged him to stop fixating on the old sounds of Bossa Nova and looking instead to the present and future. “You have to buy an electric guitar”, she told him at one point, “listen to what Roberto Carlos is doing”. Caetano listened to her and, thanks to that advice, wrote some of the best music ever to come out of such a culturally rich country like Brazil. In my opinion, he loses only to Bob Dylan in his capacity to knock down the listener with his emotional and intellectual punches. “Baby” is one of those songs that are born classics. It is easy to interpret it as homage to his sister, since she was the one to urge him and even made suggestions to the lyrics. Think about it: two artist siblings writing and singing this song back to each other. 
Maria Bethânia, however, did not wish to associate herself with any movement, but rather remain artistically independent. Due to this, the song was passed to Gal Costa, Caetano’s long time friend. Once she takes over, she knows she is singing this song not only to her friend and composer, but also to his sister (one who sparkled a movement and chose not to be a part of it); to a larger audience, to an entire country. There is awareness that, with this song, she becomes part of something bigger. 
The interpretation of the song as a love letter might very well end here, but somehow it doesn’t feel right. It feels like the song should go both backwards and forwards in time in order to fulfill its destiny. So let’s think about this: the year after the song is released, Caetano is sent into exile, but Gal stays in Brazil. He is away from home and everything he knows, relying on his basic English to survive. She has to cope with being left as the standard bearer of a dead movement; a hit singer when her composer friends are being silenced by the government. So, whenever the song plays is like she is singing it to him, Caetano, far away in London. But though it is Gal’s voice, the words are all his own.
 It is as if, in 1968, he wrote a song unknowingly aimed at his future self. Back then he could not imagine the AI-5, his months in prison, his enforced distance from family, friends and culture. It is in exile that he hears the love letter he wrote thinking about others, but that now fits his own condition. The song telling him about all the things he needs to know from back home, the one that tells him “it’s been such a long time”, the one who tells him “baby, I love you” in the English that takes him in and that he must conquer. It’s letter both that is both from home and from a different universe. 

http://nabagua.blogspot.com/2014/04/normal-0-false-false-false-en-us-ja-x.html

Felipe Mateus

Caetano como sempre um grande cantor e compositor de todos os tempos.
Traz canções críticas maravilhosas.

Paulo Barros

Caetano não ´o Bob Dylan do Brasil. Ele é o Caetano Veloso do Brasil. Visão colonizada essa nossa de de se comparar com americanos. Caetano is not the Bob Dylan of Brazil. He is the Caetano Veloso fo Brazil. He is original.

Aline Savi

Eu preciso dizer que te amo, Caetano. <3

Lenir CORRÊA

Amo Caê Veloso!

Pmutley

caetano não é uma referencia musical no brasil a toa, muito FODA!!!

Pancho Ghio

eterno Caetano, Gracias!!

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