The group's first single was "Corazón de Sandía", a summer hit from the first album "Mama Funk" with sixteen songs, released in 1995 under the EMI label. Two years later a second big hit "Cha cha cha" was released as a single, featuring Juan Sativo a rap artist from Chilean band Tiro de Gracia. Also in 1997 another album with fifteen songs, called "La Medicina", was released under the EMI Odeon label. This album is recognized by a lot of latin artists as one of the best latin-american funk works ever.
Los Tetas introduced a new member "Tata", who eventually took the place of Pepino on drums, but also made a huge impact on vocals and musical adjustments. With the participation of a lot of artists from local scene, such as Boomer (DJ and Raggamuffin), Zaturno and Juan Sativo from Tiro de Gracia and Anita Tijoux from Makiza, they made a solid and fun album with big influences from James Brown and Parliament funkadelic. Among the songs recorded in this perieod were "Papi... donde esta el Funk", "Bola Disco", "La Medicina" and "Primavera".
In 1998 after some dissagreements within the band, they dissolved, to reunit again in 1999 with a new formation: Tata (drums), Toly Ramirez Jr. (Bass), C-Funk (Guitar, keyboard and vocals) and Tea Time (scratch and vocals). With this band, they made their fourth album, "Independiente" containing ten songs. This album was edited and distributed by CAPITALUX Discos label. It wasn't as big a success as former albums, but they survive in the local scene with a lot of live gigs. They also made the transition to the north and begin to make some contacts to work in Mexico and USA.
In late of 2002 their last album "Tómala!", with 14 songs (including "I like", "Fiesta Funk", "Underground side" and "Sistemas"), made the band to take a huge jump to a lot of countries in Latin America, including Argentina, Perú, Bolivia, Colombia, Venezuela and especially México. They also started to perform in the USA. Later they shared the stage with Red Hot Chili Peppers in a concert at the Chilean Estadio Nacional.
In 2004 they dissolved for good, after one of the co-founder members C-Funk, decided to make the transition to a solo career. The remaining artists of the band changed the name to T-Funk and a few months after to FunkAttack, because C-Funk sued them for the similar name.
La Eternidad
Los Tetas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
destino se construye y el sentido se destruye y eso se ve en los gestos que
cubren las generaciones poseídas por las anteriores que despiertan en
soluciones, lo que trato es de descifrar los jeroglíficos para llevarme a mi
mismo a una respuesta y poder entender la destrucción, la que el hombre a
creado en su evolución. El fin está siempre cerca del principio en cada
respirar nacen y mueren hijos, quién es el próximo, será tu vida, la mía o
la nuestra, nadie lo sabe nadie contesta.
que disfrutar; es inútil continuar viviendo igual, cada instante es la
eternidad, la que hay que disfrutar.
Es difícil seguir viviendo igual sin respuesta alguna de lo que puede pasar,
me proyecto al futuro, viendo lo que atrás hubo y aparece un límite
embrumado y confuso, es un horizonte al que me trato de acercar y cada vez
que comienzo se empieza a alejar como la historia sin fin chin chin o estar
sin dinero pa' comer, la cuestión es volver a la búsqueda; errrr, busco como
un sabueso su hueso busca hasta encontrar la respuesta, se lame y despierta
y a eso apuesta por mientras disfruto de cada minuto, hora, día, semana y
año de la cuna a la tumba es como viajamos.
Es inútil continuar viviendo igual, cada instante es la eternidad, la que hay
que disfrutar; es inútil continuar viviendo igual, cada instante es la
eternidad la que hay que disfrutar.
Tenemos tanto por hacer, tenemos tanto por hacer, tenemos tanto por hacer,
tenemos tanto por hacer.
>Nela<
The lyrics to Los Tetas's song La Eternidad reflect on the nature of existence and the passage of time. The first verse describes the lack of control we have over our lives, as destiny is constructed and meaning is destroyed. The lyrics suggest that this lack of control is evident in the gestures and actions of each generation, as they are possessed by the previous ones. The singer is attempting to decipher the hieroglyphics of life in order to find answers and understand the destruction that man has created in his evolution. The verse concludes by emphasizing the uncertainty of life and the inevitability of death.
The second verse reflects on the difficulty of living without knowing what will happen in the future. The singer visualizes a future that is obscured by a foggy and confusing horizon. With each attempt to move closer to that horizon, it seems to move further away. This struggle is likened to that of a dog searching for a bone, seeking answers until they are found. Despite this struggle, the singer encourages the listener to enjoy every moment of life, as each moment is eternal and should be cherished.
Line by Line Meaning
Uno: en uno se descurre
One: in one it flows
Dos: no hay control
Two: there is no control
Tres: de las manos huye el destino se construye y el sentido se destruye y eso se ve en los gestos que cubren las generaciones poseídas por las anteriores que despiertan en soluciones
Three: from the hands destiny escapes, it is built and the meaning is destroyed and it can be seen in the gestures of the generations possessed by the ones before them, awakening to solutions
Lo que trato es de descifrar los jeroglíficos para llevarme a mi mismo a una respuesta y poder entender la destrucción, la que el hombre a creado en su evolución
What I try to do is decipher the hieroglyphics to take myself to an answer and to be able to understand the destruction that man has created in his evolution
El fin está siempre cerca del principio en cada respirar nacen y mueren hijos, quién es el próximo, será tu vida, la mía o la nuestra, nadie lo sabe nadie contesta
The end is always close to the beginning, with every breath children are born and die; who is next, will it be your life, mine or ours, no one knows, no one answers
Es inútil continuar viviendo igual, cada instante es la eternidad, la que hay que disfrutar; es inútil continuar viviendo igual, cada instante es la eternidad, la que hay que disfrutar
Continuing to live the same way is futile, each moment is eternity, which must be enjoyed; continuing to live the same way is futile, each moment is eternity, which must be enjoyed
Es difícil seguir viviendo igual sin respuesta alguna de lo que puede pasar, me proyecto al futuro, viendo lo que atrás hubo y aparece un límite embrumado y confuso, es un horizonte al que me trato de acercar y cada vez que comienzo se empieza a alejar como la historia sin fin chin chin o estar sin dinero pa' comer, la cuestión es volver a la búsqueda; errrr, busco como un sabueso su hueso busca hasta encontrar la respuesta, se lame y despierta y a eso apuesta por mientras disfruto de cada minuto, hora, día, semana y año de la cuna a la tumba es como viajamos
It's difficult to keep living the same without any answer of what may happen, I project myself into the future, seeing what was before and a misty and confusing limit appears, it's a horizon that I try to approach and every time I start, it begins to move away like the never-ending story or being without money to eat, the question is to return to the quest; I search like a hound searching for its bone until I find the answer, I lick it and wake up and that's what I bet on while enjoying every minute, hour, day, week and year from cradle to grave is how we travel
Tenemos tanto por hacer, tenemos tanto por hacer, tenemos tanto por hacer, tenemos tanto por hacer
We have so much to do, we have so much to do, we have so much to do, we have so much to do
Lyrics © Warner Chappell Music, Inc.
Written by: CAMILO CASTALDI LIRA, CRISTIAN SOL MORAGA FARIAS, DAVID JOSE EIDELSTEIN CENDOYA, FRANCISCO JOSE HERNAN GONZALEZ CARRION, LUIS ALBERTO BIGORRA MU#OZ
Lyrics Licensed & Provided by LyricFind
Marcos Perez
Temazo!
Pablo Valderrama
Gracias por subirlo compadre! el otro que había en youtube se escucha muy bajo :/
ICE WIZARD 97
Es de la mierda esa wea. 92khz
Marcelo Castro Caniulef
Que buen tema loco!!
Isa
Temon !!
Míster Funke
La base desde el 4:06 es muy inspirada por el tema de Parliament de 1975 "Supergroovalisticprosifunkstication" del álbum "Mothership Connection" . Busquen y chequéenlo 😉
Primavera Groove
♥️♥️♥️
phedericho mercurio
Fucking keyboarder is a fucking maestro!!
Gruvabongh
mi tema favorito de estos locos funky as fuck
Eliana Barría
lo mejor de lo mejor