In 1996 they decided to go to Buenos Aires. In the previous winter León Gieco (one of the most eminent musicians from Argentina) had discovered them and invited them to produce a record under his management. During the year 1997 they started a tour and presented their first release "Los Tipitos".
Their second album "Cocrouchis" was produced in 1999 together with Edelmiro Molinari, Carlos García López and others. The CD was a success, later released by Tocka Discos (Popart).
The year 2000 could be decribed as their big success. Supported by the "Secretaría de Cultura de la Municipalidad de Villa Gesell" (Ministry of Education and the Arts in Villa Gesell) Los Tipitos managed to come up with an impressive show during the summer season, which brought them on the path to fame. 2001 they released the album "Vintage", which was produced by Pablo Romero and Eduardo Schmit (members of the band Árbol). With this record, as well as "Quién va a garpar todo esto? I&II", they proved their firm position in the Argentinian rock scene.
2002 they worked on the album "Contra los molinos" on which all tracks were recorded live. In the summer they went on tour to the most popular seaside resorts on the coast of Argentina.
Right after their return to Buenos Aires, Los Tipitos started preparing for their most important performance: in the cultural theater ND Ateneo. What was a success for the band, was soon well known across the country: both concerts had been completely sold out. In the summer 2004 they returned on their tour along the coast of Argentina, while they prepared for the recording of their seventh release. The production of "Armando Camaleón" was done by Pablo Guyot. In the same year they released "Primera grabación", 14 songs which had been originally recorded on audio tape.
During the year 2005 they released a few video clips, such as "Brujería" (the top-hit of the album "Armando Camaleón"), "Campanas en la noche" and "Algo", which was strangely enough recorded in a swimming pool. "Silencio" came out as well, which was performed live in April 2005 in the Gran Rex, Buenos Aires.
"TipitoRex Vivo" was produced in 2006, a collection of the best live recordings from the Gran Rex theater in Buenos Aires. The album was sold as CD-DVD. In the same year they recorded their own version of "Mil Horas", which was released on CD as tribute to Andrés Calamaro, Cantando al Salmón.
In 2006 they were nominated for the Gardel Prices and won in the category "Best Pop Album".
The latest album "Tan Real" was produced with Tweeny Gonzáles in 2007. It was recorded in June/July 2007 in the Circo Beat and El Pie studios and remastered in the USA under the management of Leos Zervos. The CD features guest stars like David Lebón, Claudio O’Connor, Javier Malosetti and "el Negro” García López.
With their new record they went again on tour within Argentina as well as along the Atlantic Coast of South America. The new album is supposed to be presented on 11th and 12th of April 2008 in the Opera Theater, Buenos Aires.
On February 20th 2008 the Gardel Prices were announced with Los Tipitos as nominees for the awards as "Best Pop Group" and "Best Production of the Year" of which they won the first one on March 26th 2008 in a ceremony in the Gran Rex Theater, Buenos Aires.
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Members:
* Federico Bugallo: bass, harmonica und background vocalist
* Pablo Tévez: drums and background vocalist
* Raúl Ruffino: guitar and singer
* Wálter Piancioli: piano, keyboard, guitar and vocalist
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Discography
1. Los Tipitos (1996)
2. Quién va a Garpar Todo Esto (Volúmen 1) (1998)
3. Jingle Bells (EP) (1998)
4. Cocrouchis (1999)
5. Vintage (2001)
6. Contra los Molinos (2002)
7. Quién va a Garpar Todo Esto (Volúmen 2) (2002)
8. Armando Camaleón (2004)
9. Primera Grabación (2004)
10. TipitoRex (2006)
11. Tan Real (2007)
DVD's
TipitoRex_DVD (2006)
Algo
Los Tipitos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tengo miedo que pasó
Algo inesperado el centro
Siempre es impredecible
Tengo miedo que pasó
Lo que no puedo decir
Si tan sólo cruzarás
Delante de este fuego
Que miro sin remedio
Hay una llama que te llama
Sin parar.
Una vela es para mí
Otra vela es pa'l Señor
Y pa' María Santísima
Que el Señor y María
Te cuiden también hoy
Que no estoy cerca y te dejé llevar por otros manos
Mirando como un niño
Dejé caer la arena tristemente entre
Los dedos ah, ah, ah.
Algo que viene y que pega y que duele,
Que algo me tiene que despabilar,
Algo que despabilar
La suerte va a cambiar
Hace cuánto no ganás.
Algo me tiene que despabilar, algo que despabilar
La suerte va a cambiar
Hace cuánto no ganás una.
The song "Algo" by Los Tipitos speaks of the fear of the unexpected that comes with waiting for something. The opening lines, "Ya no quiero esperar más, tengo miedo que pasó algo inesperado el centro," express this feeling of apprehension towards what might have happened during the wait. The lyrics suggest that the center, in this case, represents the unknown, and it's always unpredictable.
The chorus of the song speaks of a flame that keeps burning and calling out to someone. The lines, "Hay una llama que te llama sin parar," portray this notion of a desire or longing for something or someone that is incessant. The verses also mention a candle for the singer and one for the Lord and the Virgin Mary, reminding the listener that there's always light in the darkness.
The ending of the song switches focus to the idea that something needs to wake the singer up and change their luck. The lyrics state, "Algo que viene y que pega y que duele, que algo me tiene que despabilar," indicating that something strong, painful, and awakening is required to change their circumstances.
Overall, the song expresses a mixture of emotions: fear, longing, faith, and hope for something new to come.
Line by Line Meaning
Ya no quiero esperar más
I don't want to wait any longer
Tengo miedo que pasó
I'm afraid of what happened
Algo inesperado el centro
Something unexpected happened at the center
Siempre es impredecible
It's always unpredictable
Lo que no puedo decir
What I can't say
Si tan sólo cruzarás
If only you would cross
La puerta en ese instante
The door at that moment
Delante de este fuego
In front of this fire
Que miro sin remedio
That I uncontrollably watch
Hay una llama que te llama
There is a flame that calls you
Sin parar
Nonstop
Una vela es para mí
One candle is for me
Otra vela es pa'l Señor
Another candle is for the Lord
Y pa' María Santísima
And for Holy Mary
Que el Señor y María
May the Lord and Mary
Te cuiden también hoy
Take care of you today
Que no estoy cerca y te dejé llevar por otros manos
Because I'm not close and I let you be taken by other hands
Mirando como un niño
Looking like a child
Dejé caer la arena tristemente entre
I sadly dropped the sand between
Los dedos ah, ah, ah.
The fingers ah, ah, ah.
Algo que viene y que pega y que duele,
Something that comes and hits and hurts
Que algo me tiene que despabilar,
That something has to wake me up
Algo que despabilar
Something to wake up to
La suerte va a cambiar
Luck is going to change
Hace cuánto no ganás.
How long has it been since you won.
Contributed by Andrew P. Suggest a correction in the comments below.
@christopheralvez4633
Ya no quiero esperar más
Tengo miedo que pasó
Algo inesperado el centro
Siempre es impredecible
Tengo miedo que pasó
Lo que no pedo decir
Si tan sólo cruzarás
La puerta en ese instante
Delante de este fuego
Que miro sin remedio
Hay una llama que te llama
Sin parar.
Una vela es para mí
Otra vela es pa'l Señor
Y pa' María Santísima
Que el Señor y María
Te cuiden también hoy
Que no estoy cerca y te dejé llevar por otros manos
Mirando como un niño
Dejé caer la arena tristemente entre
Los dedos ah, ah, ah.
Algo que viene y que pega y que duele,
Que algo me tiene que despabilar,
Algo que despabilar
La suerte va a cambiar
Hace cuánto no ganás.
Algo me tiene que despabilar, algo que despabilar
La suerte va a cambiar
Hace cuánto no ganás una.
@chrisn4579
Himno para los que tenemos mala suerte... Pero tenemos perseverancia.
@Sar4h_
...ø·ø ̈ùšù„ø© ... ø£øoù†ùšø© ù„ù„ø£ø·ù ø§ù„ ... ù„ùšø ̈ùšø§
@joaquinyance2380
Jajajaja mal
@zetita5616
Amén
@salvador2462
amen tio! joder!👏👏👏🤞🤞🤞
@danielaperon6525
Jajaja un suspiro de esperanza este tema
@jorgebrizuela7779
Se acuerdan cuando la música se tocaba con instrumentos y las voces eran naturales.
@patovichssj701
NO BRO CON SERIEDAD
@samuelrueda2464
No como ahora
@lapostalcorreo6507
Los vientos cambian bro!