In 1996 they decided to go to Buenos Aires. In the previous winter León Gieco (one of the most eminent musicians from Argentina) had discovered them and invited them to produce a record under his management. During the year 1997 they started a tour and presented their first release "Los Tipitos".
Their second album "Cocrouchis" was produced in 1999 together with Edelmiro Molinari, Carlos García López and others. The CD was a success, later released by Tocka Discos (Popart).
The year 2000 could be decribed as their big success. Supported by the "Secretaría de Cultura de la Municipalidad de Villa Gesell" (Ministry of Education and the Arts in Villa Gesell) Los Tipitos managed to come up with an impressive show during the summer season, which brought them on the path to fame. 2001 they released the album "Vintage", which was produced by Pablo Romero and Eduardo Schmit (members of the band Árbol). With this record, as well as "Quién va a garpar todo esto? I&II", they proved their firm position in the Argentinian rock scene.
2002 they worked on the album "Contra los molinos" on which all tracks were recorded live. In the summer they went on tour to the most popular seaside resorts on the coast of Argentina.
Right after their return to Buenos Aires, Los Tipitos started preparing for their most important performance: in the cultural theater ND Ateneo. What was a success for the band, was soon well known across the country: both concerts had been completely sold out. In the summer 2004 they returned on their tour along the coast of Argentina, while they prepared for the recording of their seventh release. The production of "Armando Camaleón" was done by Pablo Guyot. In the same year they released "Primera grabación", 14 songs which had been originally recorded on audio tape.
During the year 2005 they released a few video clips, such as "Brujería" (the top-hit of the album "Armando Camaleón"), "Campanas en la noche" and "Algo", which was strangely enough recorded in a swimming pool. "Silencio" came out as well, which was performed live in April 2005 in the Gran Rex, Buenos Aires.
"TipitoRex Vivo" was produced in 2006, a collection of the best live recordings from the Gran Rex theater in Buenos Aires. The album was sold as CD-DVD. In the same year they recorded their own version of "Mil Horas", which was released on CD as tribute to Andrés Calamaro, Cantando al Salmón.
In 2006 they were nominated for the Gardel Prices and won in the category "Best Pop Album".
The latest album "Tan Real" was produced with Tweeny Gonzáles in 2007. It was recorded in June/July 2007 in the Circo Beat and El Pie studios and remastered in the USA under the management of Leos Zervos. The CD features guest stars like David Lebón, Claudio O’Connor, Javier Malosetti and "el Negro” García López.
With their new record they went again on tour within Argentina as well as along the Atlantic Coast of South America. The new album is supposed to be presented on 11th and 12th of April 2008 in the Opera Theater, Buenos Aires.
On February 20th 2008 the Gardel Prices were announced with Los Tipitos as nominees for the awards as "Best Pop Group" and "Best Production of the Year" of which they won the first one on March 26th 2008 in a ceremony in the Gran Rex Theater, Buenos Aires.
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Members:
* Federico Bugallo: bass, harmonica und background vocalist
* Pablo Tévez: drums and background vocalist
* Raúl Ruffino: guitar and singer
* Wálter Piancioli: piano, keyboard, guitar and vocalist
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Discography
1. Los Tipitos (1996)
2. Quién va a Garpar Todo Esto (Volúmen 1) (1998)
3. Jingle Bells (EP) (1998)
4. Cocrouchis (1999)
5. Vintage (2001)
6. Contra los Molinos (2002)
7. Quién va a Garpar Todo Esto (Volúmen 2) (2002)
8. Armando Camaleón (2004)
9. Primera Grabación (2004)
10. TipitoRex (2006)
11. Tan Real (2007)
DVD's
TipitoRex_DVD (2006)
El sueño de la mujer
Los Tipitos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Y mente débil
La loca me dice
Hagamos el amor de nuevo
Y muchos creerán que yo estoy
Parado al mil de Rivadavia
Cama la muerte de mi vida
Y claro que éstas cosas
No pasan siempre así
Porque al despertar del sueño del alcohol
Todo sigue igual.
El flaco se viste
Con telas que pervierten
A sus mujeres
Y me hubiera gustado
Que vengas a llorar acá a mi casa
Y muchos creerán que yo estoy
De fisura en esta mañana
The lyrics to Los Tipitos's song "El sueño de la mujer" describe a woman who is physically attractive but mentally weak. She asks the singer to have sex with her again, and although he doesn't explicitly say so, it's implied that they've already had a sexual encounter. The singer then comments on how people would perceive him, assuming that he's standing on the busiest boulevard in Buenos Aires, Rivadavia. The song then transitions to a new verse where the singer discusses how the day is returning, and it marks the end of his life. He comments that things like the encounter with the woman don't happen often and that everything returns to normal after the drunken dream. The final lines of the song describe another character, a man who likes to dress in provocative clothes, and how the singer wishes he would come to the singer's home to cry. The final line, like the first, describes how people would judge him if they knew what was happening in his life.
The lyrics of "El sueño de la mujer" reveal the complicated and messy nature of relationships, especially sexual ones. The singer seems to have an ambiguous relationship with the woman he describes, and it's unclear if he wants to continue the relationship or if he's just reflecting on a past encounter. Throughout the song, there is a dream-like quality to the narrative, and it's suggested that the singer is not in total control of his thoughts or actions. The lyrics seem to suggest that love and sex can be confusing, and it's often challenging to sort out emotions and desires.
Line by Line Meaning
Hay una mujer de cuerpo viril
There is a woman with a strong body but weak mind.
Y mente débil
And a feeble mind.
La loca me dice
She tells me crazily.
Hagamos el amor de nuevo
Let's make love again.
Y muchos creerán que yo estoy
And many will believe that I am
Parado al mil de Rivadavia
Standing at the mile of Rivadavia.
Vuelve el día
The day comes back.
Cama la muerte de mi vida
I lay in bed, feeling like dead.
Y claro que éstas cosas
And of course, these things
No pasan siempre así
Don't always happen like this.
Porque al despertar del sueño del alcohol
Because after waking up from the alcohol-induced sleep.
Todo sigue igual.
Everything remains the same.
El flaco se viste
The thin man dresses.
Con telas que pervierten
With fabrics that pervert.
A sus mujeres
His women.
Y me hubiera gustado
And I would have liked
Que vengas a llorar acá a mi casa
For you to come here to cry.
Y muchos creerán que yo estoy
And many will believe that I am
De fisura en esta mañana
High on drugs this morning.
Contributed by Austin A. Suggest a correction in the comments below.