Lugee Alfredo Giovanni Sacco (born February 19, 1943), known professionally… Read Full Bio ↴Lugee Alfredo Giovanni Sacco (born February 19, 1943), known professionally as Lou Christie, is an American singer-songwriter best known for three separate strings of pop hits in the 1960s, including "Two Faces Have I" and "Lightnin' Strikes" and his incredible 3 octave vocal range.
Sacco was born in Glenwillard, Pennsylvania[1] and raised in suburban Pittsburgh, Pennsylvania. Sacco traveled to New York after graduating from Moon Area High School and found work as a session vocalist.
His sister Susan Christie had a minor hit with the novelty song "I Love Onions", which peaked at #63 on the Hot 100 in 1966.
Robbee and Roulette: 1961-1963
Sacco also recorded a few unsuccessful discs of his own for various record labels in both New York and Pittsburgh, most notably "The Jury" (as by "Lugee & The Lions") on the Pittsburgh-based Robbee label, which achieved local success. "The Gypsy Cried" features the vocal style that would characterize all of Christie's biggest hits: verses sung in his normal register, and then a dramatic shift to his falsetto on the choruses. That song was released in 1962 on the tiny C&C label and unexpectedly credited to 'Lou Christie' without Sacco's permission. Sacco had been working on a list of potential stage names, and he has stated that he hated the name for decades afterwards: "I was pissed off about it for 20 years. I wanted to keep my name and be a one-named performer, just 'Lugee'."
After the C&C release became a Pittsburgh hit, "The Gypsy Cried" was picked up by Roulette Records and charted nationwide, peaking at #24, selling over one million copies, and receiving a gold disc. "The Gypsy Cried" was the first of numerous songs Christie co-wrote with his songwriting partner Twyla Herbert, a self-described eccentric and mystic, who was over twenty years older than Christie but also shared his love of classical music. The two struck up a working relationship after Christie auditioned for her at the age of 15 and began a lifelong friendship which ended only with her death in 2009.
Christie's follow-up single, "Two Faces Have I" in March 1963, was an even bigger hit, peaking at #6 and also selling over a million copies. He joined Dick Clark's Caravan of Stars Tour. A third Roulette release, "How Many Teardrops" (written by Milan), stalled at #46 as Christie's career was temporarily derailed by his induction into the U.S. Army. (A copy of "How Many Teardrops" is included on the Milan compilation album Hell Bent for Leather.) Christie would not have another charting single for two and a half years.
Re-establishment and Rhapsody: 1965-1966
While a stint in the military might have ended the careers of many musicians, Christie's career was quickly re-established after his discharge when he signed with the MGM label. MGM reportedly disliked Christie's first single for the label, with MGM's president reportedly throwing the tape into a wastepaper basket. But Christie's new management promoted the record in California, and when it gained some traction (eventually reaching #2 on KHJ the last two weeks of 1965), MGM released it. "Lightnin' Strikes" reached #1 in the U.S. on Christie's 23rd birthday on February 19, 1966; entered the UK Top 20, becoming his first hit in that country; and peaked at number one in Canada.
But Christie's next release would ignite a firestorm of controversy and censorship. Released in the spring of 1966, "Rhapsody In The Rain" featured a haunting melody inspired by Tchaikovsky's "Romeo and Juliet", telling of a teenager's regret over his sexual experience in the back seat of a car during a rainstorm as the windshield wipers made a rhythmic sound of "together, together".[citation needed] Later after the romance ends, the wipers seem to say "never, never".[citation needed] Many radio stations banned the song, and MGM insisted on a re-recorded version that toned down the lyrical content.[citation needed] Despite the edited version, many stations instead played two older songs re-released by other labels Christie had once recorded for: "Outside the Gates of Heaven" (on Co & Ce Records, a successor to C&C) peaked at #45, while "Big Time" (on Colpix Records) managed to hit #95. All three singles hit nationally within three weeks of one another, in March 1966, while "Lightnin' Strikes" was falling off.
Whether it was the controversial lyrics or competition from the other singles released simultaneously, "Rhapsody" only managed to hit #16 in the U.S. and #37 in the UK. Christie's career seemed to be derailed once again as his followup for MGM, "Painter", which also borrowed a melody from classical music - this time from Puccini's opera Madame Butterfly - stalled at #81. Two further MGM releases (produced by Jack Nitzsche) from 1966 missed the Billboard Hot 100 entirely, even though "If My Car Could Only Talk" (peaking at #118) seemingly revisits the ill-fated lovers from Rhapsody.
Resurgence and Romeo: 1969-1970
After being dropped by MGM and an unfruitful stint with Columbia Records in the late 1960s, Christie teamed up with Buddah Records (a move prompted by his business manager Stan Polley) and bubblegum music record producer Tony Romeo and had a surprise Wall of Sound constant uptempo hit "I'm Gonna Make You Mine" (which Romeo wrote) in the early autumn of 1969. Helped by two promotional videos distinctly different from each other, the song peaked at #10 in the U.S. but across the Atlantic climbed to #2 on the UK Singles Chart and thus became his biggest hit there. A follow up, "She Sold Me Magic" charted only in the UK, peaking at #25, and was later covered by Elton John. Conversely, "Are You Getting Any Sunshine?" only charted in America, where it reached #73.
Recoveries and Remakes: 1971 to present
Christie spent the early 1970s in London, largely outside of the music industry and battling drug addiction. In 1971 he released a concept album called Paint America Love and was married in London to former UK beauty queen Francesca Winfield. In 1974, Christie would try another new musical style, going country on his Beyond The Blue Horizon album. The title track, a remake of a hit song from 1930, written for the film Monte Carlo, features one of Christie's strongest non-falsetto vocal performances.[citation needed] The song missed the Country charts entirely, and only made #80 on the pop chart, but managed a respectable showing at #12 on the Adult Contemporary chart. The song has been used in several film soundtracks, most notably in 1988's Rain Man.
After getting clean at a London drug rehabilitation clinic, he dropped out of the music industry, working variously as a ranch hand, offshore oil driller and carnival barker.[1]
Christie became active on the oldies circuit starting in the early 1980s, even scoring a final U.S. chart hit, credited as "Summer '81 medley" by The Cantina Band (featuring Lou Christie), in 1981 - and, coincidentally, peaking at #81, performing a medley of Beach Boys classics. In 1999 Christie recorded his first all-new album since the 1970s entitled Pledging My Love. In 2004 Christie released his first concert album, Greatest Hits Live From The Bottom Line, which featured studio recording "Christmas In New York" as a bonus track. In addition to the occasional new release, Christie remains a popular concert act on the oldies circuit in the U.S. and UK. He has also hosted a series of programs on SiriusXM radio for the 60's channel.
Sacco was born in Glenwillard, Pennsylvania[1] and raised in suburban Pittsburgh, Pennsylvania. Sacco traveled to New York after graduating from Moon Area High School and found work as a session vocalist.
His sister Susan Christie had a minor hit with the novelty song "I Love Onions", which peaked at #63 on the Hot 100 in 1966.
Robbee and Roulette: 1961-1963
Sacco also recorded a few unsuccessful discs of his own for various record labels in both New York and Pittsburgh, most notably "The Jury" (as by "Lugee & The Lions") on the Pittsburgh-based Robbee label, which achieved local success. "The Gypsy Cried" features the vocal style that would characterize all of Christie's biggest hits: verses sung in his normal register, and then a dramatic shift to his falsetto on the choruses. That song was released in 1962 on the tiny C&C label and unexpectedly credited to 'Lou Christie' without Sacco's permission. Sacco had been working on a list of potential stage names, and he has stated that he hated the name for decades afterwards: "I was pissed off about it for 20 years. I wanted to keep my name and be a one-named performer, just 'Lugee'."
After the C&C release became a Pittsburgh hit, "The Gypsy Cried" was picked up by Roulette Records and charted nationwide, peaking at #24, selling over one million copies, and receiving a gold disc. "The Gypsy Cried" was the first of numerous songs Christie co-wrote with his songwriting partner Twyla Herbert, a self-described eccentric and mystic, who was over twenty years older than Christie but also shared his love of classical music. The two struck up a working relationship after Christie auditioned for her at the age of 15 and began a lifelong friendship which ended only with her death in 2009.
Christie's follow-up single, "Two Faces Have I" in March 1963, was an even bigger hit, peaking at #6 and also selling over a million copies. He joined Dick Clark's Caravan of Stars Tour. A third Roulette release, "How Many Teardrops" (written by Milan), stalled at #46 as Christie's career was temporarily derailed by his induction into the U.S. Army. (A copy of "How Many Teardrops" is included on the Milan compilation album Hell Bent for Leather.) Christie would not have another charting single for two and a half years.
Re-establishment and Rhapsody: 1965-1966
While a stint in the military might have ended the careers of many musicians, Christie's career was quickly re-established after his discharge when he signed with the MGM label. MGM reportedly disliked Christie's first single for the label, with MGM's president reportedly throwing the tape into a wastepaper basket. But Christie's new management promoted the record in California, and when it gained some traction (eventually reaching #2 on KHJ the last two weeks of 1965), MGM released it. "Lightnin' Strikes" reached #1 in the U.S. on Christie's 23rd birthday on February 19, 1966; entered the UK Top 20, becoming his first hit in that country; and peaked at number one in Canada.
But Christie's next release would ignite a firestorm of controversy and censorship. Released in the spring of 1966, "Rhapsody In The Rain" featured a haunting melody inspired by Tchaikovsky's "Romeo and Juliet", telling of a teenager's regret over his sexual experience in the back seat of a car during a rainstorm as the windshield wipers made a rhythmic sound of "together, together".[citation needed] Later after the romance ends, the wipers seem to say "never, never".[citation needed] Many radio stations banned the song, and MGM insisted on a re-recorded version that toned down the lyrical content.[citation needed] Despite the edited version, many stations instead played two older songs re-released by other labels Christie had once recorded for: "Outside the Gates of Heaven" (on Co & Ce Records, a successor to C&C) peaked at #45, while "Big Time" (on Colpix Records) managed to hit #95. All three singles hit nationally within three weeks of one another, in March 1966, while "Lightnin' Strikes" was falling off.
Whether it was the controversial lyrics or competition from the other singles released simultaneously, "Rhapsody" only managed to hit #16 in the U.S. and #37 in the UK. Christie's career seemed to be derailed once again as his followup for MGM, "Painter", which also borrowed a melody from classical music - this time from Puccini's opera Madame Butterfly - stalled at #81. Two further MGM releases (produced by Jack Nitzsche) from 1966 missed the Billboard Hot 100 entirely, even though "If My Car Could Only Talk" (peaking at #118) seemingly revisits the ill-fated lovers from Rhapsody.
Resurgence and Romeo: 1969-1970
After being dropped by MGM and an unfruitful stint with Columbia Records in the late 1960s, Christie teamed up with Buddah Records (a move prompted by his business manager Stan Polley) and bubblegum music record producer Tony Romeo and had a surprise Wall of Sound constant uptempo hit "I'm Gonna Make You Mine" (which Romeo wrote) in the early autumn of 1969. Helped by two promotional videos distinctly different from each other, the song peaked at #10 in the U.S. but across the Atlantic climbed to #2 on the UK Singles Chart and thus became his biggest hit there. A follow up, "She Sold Me Magic" charted only in the UK, peaking at #25, and was later covered by Elton John. Conversely, "Are You Getting Any Sunshine?" only charted in America, where it reached #73.
Recoveries and Remakes: 1971 to present
Christie spent the early 1970s in London, largely outside of the music industry and battling drug addiction. In 1971 he released a concept album called Paint America Love and was married in London to former UK beauty queen Francesca Winfield. In 1974, Christie would try another new musical style, going country on his Beyond The Blue Horizon album. The title track, a remake of a hit song from 1930, written for the film Monte Carlo, features one of Christie's strongest non-falsetto vocal performances.[citation needed] The song missed the Country charts entirely, and only made #80 on the pop chart, but managed a respectable showing at #12 on the Adult Contemporary chart. The song has been used in several film soundtracks, most notably in 1988's Rain Man.
After getting clean at a London drug rehabilitation clinic, he dropped out of the music industry, working variously as a ranch hand, offshore oil driller and carnival barker.[1]
Christie became active on the oldies circuit starting in the early 1980s, even scoring a final U.S. chart hit, credited as "Summer '81 medley" by The Cantina Band (featuring Lou Christie), in 1981 - and, coincidentally, peaking at #81, performing a medley of Beach Boys classics. In 1999 Christie recorded his first all-new album since the 1970s entitled Pledging My Love. In 2004 Christie released his first concert album, Greatest Hits Live From The Bottom Line, which featured studio recording "Christmas In New York" as a bonus track. In addition to the occasional new release, Christie remains a popular concert act on the oldies circuit in the U.S. and UK. He has also hosted a series of programs on SiriusXM radio for the 60's channel.
Beyond the Blue Horizon
Lou Christie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Beyond the blue horizon
Waits a beautiful day
Goodbye to things that bore me
Joy is waiting for me
I see a new horizon
My life has only begun
Beyond the blue da-dum, dee-dum
Beyond the blue horizon
Waits a beautiful day
Goodbye to things that bore me
Joy is waiting for me
I see a new horizon
My life has only begun
Beyond the blue horizon
Lies a rising sun
Beyond the blue horizon
Waits the beautiful day
Goodbye to things that bore me
Joy is waiting for me
I see a new horizon
My life has only begun
Beyond the blue horizon
Lies a rising sun
Beyond the blue horizon
Lies a rising sun
Beyond the blue horizon
Waits a beautiful day
Da-da, bum, da, bum
Joy is waiting for me
I see a new horizon
Waits a beautiful day
Goodbye to things that bore me
Joy is waiting for me
I see a new horizon
My life has only begun
Beyond the blue da-dum, dee-dum
Beyond the blue horizon
Waits a beautiful day
Goodbye to things that bore me
Joy is waiting for me
I see a new horizon
My life has only begun
Beyond the blue horizon
Lies a rising sun
Beyond the blue horizon
Waits the beautiful day
Goodbye to things that bore me
Joy is waiting for me
I see a new horizon
My life has only begun
Beyond the blue horizon
Lies a rising sun
Beyond the blue horizon
Lies a rising sun
Beyond the blue horizon
Waits a beautiful day
Da-da, bum, da, bum
Joy is waiting for me
I see a new horizon
Lou Christie's "Beyond the Blue Horizon" is an uplifting song about leaving behind the mundane and boring and embracing a new chapter in life. The lyrics evoke a sense of possibility and excitement about what lies ahead, promising a fresh start filled with joy and beauty. The repeated phrase "beyond the blue horizon" suggests that the future is vast and limitless, full of potential and promise.
The opening lines set the scene for the rest of the song, painting a picture of a bright new day just waiting to be discovered. The singer bids farewell to the things that once held him back, declaring that he is ready for a new adventure. The repetition of the phrases "waits a beautiful day" and "joy is waiting for me" emphasize the hopefulness and optimism of the lyrics.
The chorus drives home the message of the song, with the repeated line "I see a new horizon, my life has only begun." The singer is eager to leave the past behind and embrace the future, which he envisions as a magical place where anything is possible. The rising sun metaphorically represents a new beginning, a chance to start over and make things right. Overall, "Beyond the Blue Horizon" is a song about hope and possibility, reminding us that no matter how things may seem, there is always a bright future waiting just beyond the horizon.
Line by Line Meaning
Beyond the blue horizon
Looking forward to what lies ahead
Waits a beautiful day
There is a bright future ahead
Goodbye to things that bore me
Leaving behind all things that were not fulfilling
Joy is waiting for me
Happiness is eagerly anticipatd
I see a new horizon
A whole new world is opening up
My life has only begun
Opportunities are only just starting to present themselves
Lies a rising sun
A bright tomorrow is dawning
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: Leo Robin, W. Franke Harling, Richard Whiting
Lyrics Licensed & Provided by LyricFind
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@danielbeilke1373
3 years ago I retired and when I left my retirement party I had this song played. It was so fitting for me to play this and to let them know that now my life has begun in the great state in the great city of Key Largo Florida
@nylesjohnson3740
My instructions are to have this played at my Celebration Of Life, I’ll be joining my Spouse who passed in 2014. I miss him terribly after six and a half years..
@petesacco3255
What's a celebration of life
@nylesjohnson3740
@Pete Sacco A Celebration Of Life is like a Funeral but less formal, it’s a gathering of friends and family to share stories of the person who had passed away, there usually no Coffin at these Celebrations, they are more festive than sad..
@LovesMike33
Anyone listening in 2023? I Love this. ❤
@nylesjohnson3740
This song will be one of three songs to be played at my Celebration Of Life. Because I will be joining my husband..
@none7405
I love this song!! I love how western cowboy like it is and it sounds like he’s on his way somewhere singing a tune. You can hear him faintly in the distance and he stops to sing you his song then finally rides off and you hear his tune fade! :D it’s truly a lovely song that teaches you to enjoy things and better days will come, I sing every time 🤠
@LovesMike33
This Song and Scenery is my Happy Place. ❤ I want to wake up to this Song every day.
@viqrisatria7242
Unintentionally found this beautiful song on Rain Man movie. Became one of my fav song ever!
@7322449609
I think of my mother who passed in 2011; she loved to sing, how she would have loved this song. I miss every day.