Sacco was born in Glenwillard, Pennsylvania[1] and raised in suburban Pittsburgh, Pennsylvania. Sacco traveled to New York after graduating from Moon Area High School and found work as a session vocalist.
His sister Susan Christie had a minor hit with the novelty song "I Love Onions", which peaked at #63 on the Hot 100 in 1966.
Robbee and Roulette: 1961-1963
Sacco also recorded a few unsuccessful discs of his own for various record labels in both New York and Pittsburgh, most notably "The Jury" (as by "Lugee & The Lions") on the Pittsburgh-based Robbee label, which achieved local success. "The Gypsy Cried" features the vocal style that would characterize all of Christie's biggest hits: verses sung in his normal register, and then a dramatic shift to his falsetto on the choruses. That song was released in 1962 on the tiny C&C label and unexpectedly credited to 'Lou Christie' without Sacco's permission. Sacco had been working on a list of potential stage names, and he has stated that he hated the name for decades afterwards: "I was pissed off about it for 20 years. I wanted to keep my name and be a one-named performer, just 'Lugee'."
After the C&C release became a Pittsburgh hit, "The Gypsy Cried" was picked up by Roulette Records and charted nationwide, peaking at #24, selling over one million copies, and receiving a gold disc. "The Gypsy Cried" was the first of numerous songs Christie co-wrote with his songwriting partner Twyla Herbert, a self-described eccentric and mystic, who was over twenty years older than Christie but also shared his love of classical music. The two struck up a working relationship after Christie auditioned for her at the age of 15 and began a lifelong friendship which ended only with her death in 2009.
Christie's follow-up single, "Two Faces Have I" in March 1963, was an even bigger hit, peaking at #6 and also selling over a million copies. He joined Dick Clark's Caravan of Stars Tour. A third Roulette release, "How Many Teardrops" (written by Milan), stalled at #46 as Christie's career was temporarily derailed by his induction into the U.S. Army. (A copy of "How Many Teardrops" is included on the Milan compilation album Hell Bent for Leather.) Christie would not have another charting single for two and a half years.
Re-establishment and Rhapsody: 1965-1966
While a stint in the military might have ended the careers of many musicians, Christie's career was quickly re-established after his discharge when he signed with the MGM label. MGM reportedly disliked Christie's first single for the label, with MGM's president reportedly throwing the tape into a wastepaper basket. But Christie's new management promoted the record in California, and when it gained some traction (eventually reaching #2 on KHJ the last two weeks of 1965), MGM released it. "Lightnin' Strikes" reached #1 in the U.S. on Christie's 23rd birthday on February 19, 1966; entered the UK Top 20, becoming his first hit in that country; and peaked at number one in Canada.
But Christie's next release would ignite a firestorm of controversy and censorship. Released in the spring of 1966, "Rhapsody In The Rain" featured a haunting melody inspired by Tchaikovsky's "Romeo and Juliet", telling of a teenager's regret over his sexual experience in the back seat of a car during a rainstorm as the windshield wipers made a rhythmic sound of "together, together".[citation needed] Later after the romance ends, the wipers seem to say "never, never".[citation needed] Many radio stations banned the song, and MGM insisted on a re-recorded version that toned down the lyrical content.[citation needed] Despite the edited version, many stations instead played two older songs re-released by other labels Christie had once recorded for: "Outside the Gates of Heaven" (on Co & Ce Records, a successor to C&C) peaked at #45, while "Big Time" (on Colpix Records) managed to hit #95. All three singles hit nationally within three weeks of one another, in March 1966, while "Lightnin' Strikes" was falling off.
Whether it was the controversial lyrics or competition from the other singles released simultaneously, "Rhapsody" only managed to hit #16 in the U.S. and #37 in the UK. Christie's career seemed to be derailed once again as his followup for MGM, "Painter", which also borrowed a melody from classical music - this time from Puccini's opera Madame Butterfly - stalled at #81. Two further MGM releases (produced by Jack Nitzsche) from 1966 missed the Billboard Hot 100 entirely, even though "If My Car Could Only Talk" (peaking at #118) seemingly revisits the ill-fated lovers from Rhapsody.
Resurgence and Romeo: 1969-1970
After being dropped by MGM and an unfruitful stint with Columbia Records in the late 1960s, Christie teamed up with Buddah Records (a move prompted by his business manager Stan Polley) and bubblegum music record producer Tony Romeo and had a surprise Wall of Sound constant uptempo hit "I'm Gonna Make You Mine" (which Romeo wrote) in the early autumn of 1969. Helped by two promotional videos distinctly different from each other, the song peaked at #10 in the U.S. but across the Atlantic climbed to #2 on the UK Singles Chart and thus became his biggest hit there. A follow up, "She Sold Me Magic" charted only in the UK, peaking at #25, and was later covered by Elton John. Conversely, "Are You Getting Any Sunshine?" only charted in America, where it reached #73.
Recoveries and Remakes: 1971 to present
Christie spent the early 1970s in London, largely outside of the music industry and battling drug addiction. In 1971 he released a concept album called Paint America Love and was married in London to former UK beauty queen Francesca Winfield. In 1974, Christie would try another new musical style, going country on his Beyond The Blue Horizon album. The title track, a remake of a hit song from 1930, written for the film Monte Carlo, features one of Christie's strongest non-falsetto vocal performances.[citation needed] The song missed the Country charts entirely, and only made #80 on the pop chart, but managed a respectable showing at #12 on the Adult Contemporary chart. The song has been used in several film soundtracks, most notably in 1988's Rain Man.
After getting clean at a London drug rehabilitation clinic, he dropped out of the music industry, working variously as a ranch hand, offshore oil driller and carnival barker.[1]
Christie became active on the oldies circuit starting in the early 1980s, even scoring a final U.S. chart hit, credited as "Summer '81 medley" by The Cantina Band (featuring Lou Christie), in 1981 - and, coincidentally, peaking at #81, performing a medley of Beach Boys classics. In 1999 Christie recorded his first all-new album since the 1970s entitled Pledging My Love. In 2004 Christie released his first concert album, Greatest Hits Live From The Bottom Line, which featured studio recording "Christmas In New York" as a bonus track. In addition to the occasional new release, Christie remains a popular concert act on the oldies circuit in the U.S. and UK. He has also hosted a series of programs on SiriusXM radio for the 60's channel.
Tears On My Pillow
Lou Christie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
day light at the end of all your tears.
Get loving you this way
I just can't win
Let the heart ache begin .
Can't you feel the rhythm of the music
Can't you feel it deep inside
Can't you feel the tears of emotion
Tears are falling like rain.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
If you try hard enough you'll see
day light at the end of all your tears
Get loving you this way
I just can't win
Let the heart ache begin .
Can't you feel the rhythm of the music
Can't you feel it deep inside
Can't you feel the tears of emotion
coming on like a railway train
Tears are falling like rain.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
Bring my baby back to me
Lord knows I want to see
that the love I'm giving her
she's gonna give back to me
Can't you feel the tears of emotion
coming on like a railway train
Tears are falling like rain.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you
Lou Christie's hit song "Tears On My Pillow" is about the pain and heartache of unrequited love. The lyrics suggest that the singer is deeply in love with someone who does not return his feelings. The lines "Get loving you this way, I just can't win, Let the heartache begin" highlight the singer's realization that his love is not reciprocated and his heartbreak has started.
The song's chorus, "There's always tears on my pillow, for you," symbolizes the heartache and sadness the singer feels even when he is alone. The verse "Can't you feel the tears of emotion, coming on like a railway train, Tears are falling like rain" describes the intensity of the singer's emotions and the overwhelming feeling of sadness that he experiences. However, in the end, the singer remains hopeful that he can win back the love of his life by pleading for her to come back to him in the lyrics "Bring my baby back to me, Lord knows I want to see, that the love I'm giving her she's gonna give back to me."
Overall, the lyrics of "Tears On My Pillow" showcase the pain of unrequited love, the intensity of human emotion, and the hope for reconciliation.
Line by Line Meaning
If you try hard enough you'll see
With enough effort, you can find hope in even the darkest moments.
day light at the end of all your tears.
Eventually, your pain will subside and happiness will return.
Get loving you this way
I am incapable of loving you in the way you desire.
I just can't win
I am constantly losing in this situation.
Let the heart ache begin .
Painful emotions are about to consume me.
Can't you feel the rhythm of the music
The beat of the music is pulsing through my body.
Can't you feel it deep inside
The feeling is so profound that it is felt in one's soul.
Can't you feel the tears of emotion
The overwhelming emotions bring tears to one's eyes.
coming on like a railway train
The emotions are approaching with an unstoppable force.
Tears are falling like rain.
The tears continue to flow uncontrollably.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
I cannot escape the pain this situation causes me.
Bring my baby back to me
I long for the return of my loved one.
Lord knows I want to see
I desperately desire to be reunited with my love.
that the love I'm giving her
I am offering all of my love to her.
she's gonna give back to me
I hope that she will reciprocate my love.
There's always tears on my pillow, tears on my pillow, tears on my pillow for you.
My love for you is causing me constant sorrow.
Writer(s): A. LEWIS, S. BRADFORD
Contributed by Landon W. Suggest a correction in the comments below.