Lou Rawls, who learned of gospel music through his grandmother in Chicago, became a successful singer, primarily from the 1950s through the 1980s. He was a high school classmate of music giant Sam Cooke, and they sang together in the Teenage Kings of Harmony, a '50s gospel group.
After graduating from Chicago's Dunbar Vocational High School, he sang briefly with Cooke in the Teenage Kings of Harmony, a local gospel group, and then with the Holy Wonders. In 1951, Rawls replaced Cooke in the Highway QC's after Cooke departed to join The Soul Stirrers in Los Angeles. Rawls was soon recruited by the Chosen Gospel Singers and himself moved to Los Angeles, where he subsequently joined the Pilgrim Travelers
After graduating from Chicago's Dunbar Vocational Career Academy, Rawls enlisted in the U.S. Army as a paratrooper in the 82nd Airborne Division. He left the "All-Americans" three years later as a sergeant, and hooked up with The Pilgrim Travelers as he traveled to Los Angeles. In 1958, while touring the South with the Travelers and Sam Cooke, Rawls was in a serious car crash. Rawls was pronounced dead before arriving at the hospital, where he stayed in a coma for five and a half days. It took him months to regain his memory, and a year to fully recuperate. Rawls considered the event to be life-changing.
Alongside Dick Clark as master of ceremonies, Rawls was recovered enough by 1959 to be able to perform at the Hollywood Bowl. He was signed to Capitol Records in 1962, the same year he sang the soulful background vocals on the Sam Cooke recording of "Bring it on Home to Me." Rawls himself charted with a cover of the song in 1970 (with the title shortened to "Bring It On Home").
Rawls' first Capitol solo release was Stormy Monday (a.k.a. I'd Rather Drink Muddy Water), a jazz album. On August 21, 1966, he opened for The Beatles at Crosley Field in Cincinnati.
Though his 1966 album Live! went gold, Rawls would not have a star-making hit until he made a proper soul album, appropriately named Soulin', later that same year. The album contained his first R&B #1 single, "Love Is a Hurtin' Thing". In 1967 Rawls won his first Grammy Award for Best R&B Vocal Performance, for the single "Dead End Street."
In 1969, the singer was co-host of NBC's summer replacement series for the Dean Martin Show along with Martin's daughter, singer Gail Martin.
After leaving Capitol in 1971, Rawls joined MGM, at which juncture he released his Grammy-winning single "Natural Man." He had a brief stint with Bell Records in 1974, where he recorded a cover of Hall & Oates' "She's Gone." In 1976, Rawls signed with Philadelphia International Records, where he had his greatest album success with the million-selling All Things in Time. The album produced his most successful single, "You'll Never Find Another Love Like Mine", which topped the R&B and Adult Contemporary charts and went to number two on the pop side, becoming Rawls' only certified million-selling single in the process.
Subsequent albums, such as 1977's When You've Heard Lou, You've Heard It All yielded such hit singles as "Lady Love". Other releases in the 1970s included the classic album Sit Down And Talk To Me.
In 1982, Rawls received a star on the Hollywood Walk of Fame.
On the night of September 29, 1977, Rawls performed the national anthem of the United States prior to the Earnie Shavers-Muhammad Ali title fight at Madison Square Garden. He would be requested to sing the anthem many times over the next 28 years, and his final performance of it came on October 23, 2005. The crowd at that performance may not have known that Rawls was extremely ill with cancer, but he reportedly delivered an electrifying performance to kick off Game Two of the 2005 World Series between the Chicago White Sox and Houston Astros.
In 1980, Rawls began the "Lou Rawls Parade of Stars Telethon" which benefits the United Negro College Fund. The annual event, known since 1998 as "An Evening of Stars: A Celebration of Educational Excellence", consists of stories of successful African-American students who have benefited from and/or graduated from one of the many historically black colleges and universities who receive support from the UNCF, along with musical performances from various recording artists in support of the UNCF's and Rawls' efforts. The event has raised over US$200 million in 27 shows for the fund through 2006.
In January 2004, Rawls was honored by the United Negro College Fund for his more than 25 years of charity work with the organization. Instead of hosting and performing as he usually did, Rawls was given the seat of honor and celebrated by his performing colleagues, including Stevie Wonder, The O'Jays, Gerald Levert, Ashanti, and many others. His final television performance occurred during the 2005-2006 edition of the telethon, honoring Stevie Wonder in September 2005, just months before entering the hospital and after having been diagnosed with cancer earlier in the year. This program, aired in January, 2006, contains his final public television performance, where he performed two classics, "You Are the Sunshine of My Life," and a final ode to Frank Sinatra with, "It Was A Very Good Year."
At the time of Rawls' death, news and UNCF figures noted the significance of Rawls' final performance, "It Was a Very Good Year." The song is a retrospective of one's life and its lyrics include, "When I was seventeen, it was a very good year. It was a very good year for small town girls and soft summer nights...And now those days grow short, it is the autumn of years, and now I think about life as vintage wine from fine old kegs, from the brim to the dregs, it pours sweet and clear, it was a very good year."
Rawls appeared in a segment of the first season of Sesame Street, to sing the alphabet. He dismissed the concept of using cue cards for the performance, but reversed such decision when he forgot the order of the letters.
Throughout Rawls' singing career, he had the opportunity to appear in many films, television shows, and commercials. He can be seen in such films as Leaving Las Vegas, Blues Brothers 2000, and Angel, Angel, Down We Go. He had a supporting role in the Baywatch spin-off, Baywatch Nights. He also appeared in the western television series, Big Valley, (starring legend Barbara Stanwyck, along with Lee Majors and Linda Evans) where he played a hired hand. Here, he delivered the memorial line: "Ain't a horse that can't be rode; ain't a man that can't be throwed".
Rawls lent his rich baritone voice to many cartoons, including Hey Arnold! as the voice of Harvey The Mailman, Garfield, and The Proud Family. For many of the Film Roman Garfield specials, Rawls would often compose songs for them, which he would then sing usually doing a duet with Desiree Goyette. He also was famously in American sitcom The Fresh Prince of Bel Air.
For many years, he was a spokesperson for the Colonial Penn Life Insurance Company. He was also a spokesman for Budweiser, helping promote the brand on radio and TV to African-American markets much as Ed McMahon did for the white audience. Budweiser was a key sponsor for the Rawls telethon and UNCF.
Rawls was also a regular guest host on "Jazz Central", a program aired on the BET Jazz cable channel.
He appears as "Dr. Rawls" in a dream on an episode My Wife and Kids, where he breaks into a parody version of "You'll Never Find", which a frightened Damon Wayans is afraid of having a colonoscopy the following day. Rawls uses the scope as a microphone in the scene. Rawls appears as a commentator in the second half of the unrated commentary of Anchorman: The Legend of Ron Burgundy.
Rawls was also a guest star during the second season of The Muppet Show. He also made a brief appearance on the series finale of Martin. (The show's character Tommy is excited to see Lou Rawls at Nipsey's and mentioned that his favorite song is "Natural Man." Lou replied that he received a letter from a female claiming that she and her boyfriend broke up because of the song. This eludes to the episode where Tommy and Pam decide to move in together, but winded up fighting and ultimately breaking up because Tommy played the song "Natural Man" so much that it drove Pam crazy.)
The following is a list of Lou Rawls singles that made the top 50 on the Billboard Hot 100. His first Hot 100 entry was "Three O'Clock in the Morning" in 1965, and his final was "Wind Beneath My Wings" in 1983. In addition to those two, nine other singles peaked at positions below the top 50 on the Hot 100, and additional singles reached the R&B, Adult Contemporary and Bubbling Under charts.
* "Love Is a Hurtin' Thing" - 1966, #13 (also #1 R&B)
* "Dead End Street" - 1967, #29
* "Show Business" - 1967, #45
* "Your Good Thing (Is About to End)" - 1969, #18
* "A Natural Man" - 1971, #17
* "You'll Never Find Another Love Like Mine" - 1976, #2 (also #1 R&B and #1 Adult Contemporary); certified Gold for sales of one million copies
* "Lady Love" - 1978, #24
Snap Your Fingers
Lou Rawls Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Back to you-ou on bended knee
Snap your fingers (doo-doo), I'll come runnin' (doo-doo)
I'll be true (doo-doo-doo), take a chance on me (doo-doo-doo)
Let your light turn green, baby, I've gotta know
Give me some kind of clue, should I stay or go?
Let me love you like a lover, un-huh, that you used to know
(wah-wah-wah-wah)
I had it but I lost it
Now I've got a broken heart to mend
I don't care what the cost is
I know I got to find my way back in
Snap your fingers, baby, I'll come runnin'
I'll do anything to get back again
(wah-wah-wah-wah)
I had it but I lost it
Now I've got a broken heart to mend
I don't care what the cost is
I've got to find my way back in
The song "Snap Your Fingers" by Lou Rawls is a romantic ballad about a man who is willing to do anything to win back the love of his life. He asks her to snap her fingers and he will come running back to her on bended knee. He wants her to give him a sign of whether he should stay or go and promises to love her like he used to. He has a broken heart that he needs to mend, but he doesn't care about the cost, he just wants to make things right.
The imagery of snapping fingers is a powerful metaphor for the power that the woman has over the man. It suggests that she has control over him and can make him do whatever she wants. He is willing to be submissive and admit his mistakes in order to win her back. The line "Let your light turn green, baby, I've gotta know" suggests that he is waiting for her to make the first move and give him a sign that she still loves him.
The line "I'll do anything to get back again" shows the desperation and sincerity of the man's feelings. He is willing to do whatever it takes to make her happy again and regain her trust. This is a classic theme in many love songs, but Rawls' smooth, soulful voice and the catchy melody make it feel fresh and genuine.
Overall, "Snap Your Fingers" is a timeless love song that captures the yearning, vulnerability, and determination that often comes with romantic relationships. Its message is simple but powerful: love is worth fighting for.
Line by Line Meaning
Snap your fingers, I'll come runnin'
I will come to you whenever you call me, no matter where I am or what I'm doing.
Back to you-ou on bended knee
I will come back to you with humility and devotion.
Snap your fingers (doo-doo), I'll come runnin' (doo-doo)
Your call is so powerful that it grabs my immediate attention and sends me running towards you.
I'll be true (doo-doo-doo), take a chance on me (doo-doo-doo)
I promise to be faithful to you and I'm hoping you'll take a risk on me and give me another chance.
Let your light turn green, baby, I've gotta know
I need a clear signal and indication from you that you want me back.
Give me some kind of clue, should I stay or go?
I need your help in deciding what to do next in our relationship.
Let me love you like a lover, un-huh, that you used to know
Help me revive our passion and intimacy that we used to share in the past.
Turn the key and let me in through that same old door
Open your heart to me and let me back into your life just like before.
(wah-wah-wah-wah)
Instrumental break
I had it but I lost it
I had your love before but I lost it due to my actions or circumstances.
Now I've got a broken heart to mend
I'm suffering from the pain of a broken relationship, and I need to heal myself.
I don't care what the cost is
I'm willing to do whatever it takes to win you back, even if it means sacrificing my pride and ego.
I know I got to find my way back in
I'm determined to find a way to repair our relationship and make things right between us.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: ALEX ZANETIS, GRADY MARTIN
Lyrics Licensed & Provided by LyricFind
Marc Lietha
I always enjoyed working with Mr. Millsap. Very much a class act.
Daniel Burns
this song went to #1 on the country charts in 1987!!!
Marryann Lamb
Fantastic song Bill thanks.