1) Low is a German indu… Read Full Bio ↴There are at least seven artists with this name:
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is an American indie rock/slowcore band from Duluth.
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is a slowcore band formed in Duluth, Minnesota, United States in 1993, by Alan Sparhawk (guitar and vocals), Mimi Parker (drums and vocals) and original bassist John Nichols (bass guitar). Zak Sally replaced Nichols after Low's first album and tour. In 2005, Sally quit the band; Matt Livingston replaced him shortly thereafter. In 2008 Steve Garrington took over on bass creating the current lineup of Sparhawk, Parker and Garrington.
Their music is commonly described as "slowcore," a subgenre characterised by slow tempos and minimalist arrangements. They are one of the earlier bands to adopt and popularize the style, making them considerable contributors to the slowcore movement. (It is worth noting that the band dislikes this label. In an interview Alan Sparhawk says of descriptions of their music: "What's the cheesiest? Slow-core. I hate that word. The most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that") Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element.
History
The band formed in the spring of 1993. Sparhawk had been playing in the Duluth, Minnesota, band Zen Identity. That band needed a new bassist, and Nichols was recruited. At that time, Nichols was a senior at Superior Senior High School in nearby Superior, Wisconsin, and bassist in the band Lorenzo's Tractor. Sparhawk was called upon to teach Zen Identity songs to Nichols. During practices, the two started improvising with some very modest, quiet themes. As a joke, they wondered what would happen if they played such quiet music in front of Duluth crowds, which at that point focused around the loud, grunge, "post-punk" sound. Soon, the joke became a serious thought. Sparhawk disbanded Zen Identity, and he and Nichols recruited Sparhawk's wife Mimi Parker to play a very modest drum kit composed of a single cymbal and a single floor tom. She used brushes almost exclusively.
Low's debut album, I Could Live in Hope, was released on Virgin Records' Vernon Yard imprint in 1994. It featured Nichols on bass, though he was replaced by Sally, who joined for the recording of the band's next album Long Division. Long Division and its similar follow-up, 1996's The Curtain Hits the Cast, established the band as critical darlings; extensive touring helped them to develop a highly devoted fan base. "Over the Ocean," a single drawn from The Curtain Hits the Cast, also became something of a hit on college radio.
Low experienced considerable difficulties during their tenure with Vernon Yard, and by the time of their next full-length (1999's Secret Name) they had moved to the influential independent label Kranky. In between, they released several singles and EPs. In 1999, Low joined forces with Dirty Three to record an In The Fishtank session for Konkurrent records. All Music Guide called the six-song disc "some of the best material either unit has produced." Of particular note is the disc's lengthy cover of Neil Young's "Down by the River." 2001 saw the release of Things We Lost in the Fire.
The following year saw the release of the band's final full-length on Kranky, Trust. All three of the band's full-length releases on Kranky featured superstar producers: Secret Name and Things We Lost in the Fire feature the work of "recordist" Steve Albini (best known for producing abrasive noise rock and punk groups), who proved surprisingly sympathetic to capturing the band's strengths; while Trust was recorded with Duluth engineer Eric Swanson and mixed by Tchad Blake.
In April 2003, Peter S. Scholtes of the Twin Cities weekly paper City Pages posted in his weblog that Sally had left Low. The following month, the band posted an update to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with Radiohead, Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label Sub Pop. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.
Beginning with Secret Name, the band have diversified their sound. The band use subtle electronic music touches to augment their sound, reflective of their tenure with Kranky and their exposure to the Midwest's post-rock scene. Adding a more overt rock element to their aesthetic, the band has used fuzz bass from Things We Lost on the Fire onward, and began using distorted lead guitar on Trust. The band's latest album, The Great Destroyer, nods even further in the direction of rock. Recorded with producer Dave Fridmann and released by Sub Pop in January 2005, The Great Destroyer has received mostly positive reviews; the Village Voice described the record's "comparatively thunderous verve." One notable exception to the critical applause is Pitchfork Media, which rated the album 5.5 out of 10 and panned its lead single "California."
Low cancelled the second leg of their extensive tour in support of The Great Destroyer in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former Red House Painters frontman Mark Kozelek. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.
Performance
Low are known for their impressive live performances. Rock club audiences typically watch the band while seated on the floor (due to the difficulty of standing for long periods while listening to such slow and quiet music). During their early career, the band often faced unsympathetic and inattentive audiences in bars and clubs, to which they responded by bucking rock protocol and turning their volume down.
Their shows often feature drastically reinterpreted cover versions of famous songs by the likes of Joy Division and The Smiths, in addition to their own original material. Live, Low shows a sense of humor not necessarily found on their recordings; a tour in early 2004 featured a cover of OutKast's hit song "Hey Ya." At a gig in Los Angeles on Halloween 1998, the band took the stage as a Misfits tribute act, complete with corpse paint and black clothing.
Commercial success
The band's mainstream exposure has been limited: their best-known song is arguably a hymnal version of "The Little Drummer Boy," which was featured in a Gap television ad that depicted a snowball fight in slow-motion to match the song's glacial tempo. A remix of their "Halflight" was featured in the Mothman Prophecies motion picture.
However, because of their minimal overhead expenses (the band makes very little use of professional recording facilities), Low have managed to develop a reasonably comfortable career.
Personal lives
Sparhawk and Parker are married, have two children, and are practicing members of the Mormon faith. (Sparhawk was born into an LDS family in Seattle, and for some time lived in Utah before moving to Minnesota at age nine; he also briefly attended Brigham Young University. Parker is a convert.)
Lyrical references: Christianity and Mormonism
Low are hardly a Christian rock group, however, at least in the usual sense: neither Sally's religious affiliation (or lack thereof) nor Parker and Sparhawk's faith is mentioned in their latest press kit. Low have often toured with other "Christian, not Christian rock" acts such as Pedro the Lion and the Danielson Famile.
However, there are occasional lyrical references (usually subtle and/or indirect) to Parker and Sparhawk's religion. Sometimes these references are traditional Christian themes. The song "If You Were Born Today," on both the live album One More Reason to Forget and on the Christmas album, quietly suggests what might happen if Jesus were born in contemporary times. On Things We Lost in the Fire, the song "Whore" includes Parker's haunting chorus "you will get your reward", while Sparhawk asks "is it so wrong to think there's more?" Disc one of A Lifetime of Temporary Relief includes the song "David & Jude," while disc two includes two versions of "Joan of Arc" and the Spacemen 3 cover "Lord, Can You Hear Me?" Many references draw specifically on themes from the Church of Jesus Christ of Latter-day Saints. These include "Weight of Water" and "Missouri" on Secret Name, whose title itself refers to an LDS naming ritual; this album also contains the song "Lion/Lamb." The Trust track "The Lamb," at least partially concerns the death of Joseph Smith.
The Christmas album's religious content is generally more direct, including in addition to "If you were born today" an original song about the Three Wise Men's subversion of Herod to protect Jesus ("Long way around the sea"), as well as traditionals ("Silent night," "Little drummer boy," the Elvis song "Blue Christmas") and original secular, seasonal songs ("Just Like Christmas," "Taking down the tree," "One special gift,").
Lyrical references: Duluth, Minnesota, and elsewhere
Low lyrics also subtly and indirectly reference geography. Very often, these geographic references center on their home in Duluth, Minnesota. Sparhawk has said that the song "Sea," from I Could Live in Hope, is about Duluth. The lyrics say, "The sea is a long, long way / from me . . . I'd go there if I had the time / but lying here will do just fine." To any Duluthian, this inevitably summons up Lake Superior, the largest of the Great Lakes, at whose western tip Duluth rests. Lake Superior is not salt water, but it is a very, very large body of water, certainly as large as many bodies of water that are called "seas." In fact, Lake Superior is sometimes called "the Inland Sea." The EP Songs for a Dead Pilot, was reportedly dedicated to a pilot who crashed near Duluth in the late 1990s. On Things We Lost in the Fire, the song "Sunflower" may refer to a notorious murder up the North Shore of Lake Superior some time in the late 70s or early 80s. On Trust, cold Minnesota winters emerge in the lyrics, "when we were young / we wanted to die / but the sound of a drum / and the words of a child / brought different light / now no one can tell / the winter was nice... the ground was so hard / the nights were so long / but we suffered the dark / and we wrote all those songs / still i was a fool / i covered my ears / no i would not face the last snowstorm of the year." (These lyrics also of course indulge both Low's repeating, dark, self-destructive / murderous / suicidal theme as well as their theme about having children.)
Other lyrics have referred elsewhere. Secret Name includes the song "Missouri," which may refer to the LDS community's travels westward. Songs for a Dead Pilot's last track is "Hey Chicago," which says "Hey Chicago, I'm leaving." On Trust, the song "Canada," says "you can't take that stuff to Canada," which inescapably suggests advice to people attempting to take drugs across the border from the U.S. to Canada. (As Minnesota sits along the border of Ontario and Manitoba, this can also be seen as a reference to Minnesota.) Songs on The Great Destroyer frequently reference geography. "California," says "Though it breaks your heart / We had to sell the farm / Back to California where it's warm." This possibly refers to Sparhawk's own mother selling the family farm upon which Sparhawk had grown up (compare the lyrics for "Mom says" on The Curtain Hits the Cast: "mom says / a farm's the best place to call home / but I don't know.") "Broadway (so many people)" refers very specifically to the intersection of Broadway and East 4th Street in New York City: "Last night just north of Houston / Broadway so many people / Through your third story window / I see my favorite record store [most likely Other Music on 4th, a noted independent record store]. At a February 2004 show at "Dante's" in Portland, Ore., Sparhawk told the crowd that the song "Walk into the Sea" was about "a guy who used to live here that we got know pretty well. He's gone now..." in what many fans believe was a reference to Academy Award-nominated singer-songwriter Elliott Smith, a long-time Portland resident. Smith had died just months earlier in October 2003. On the Murderer EP is the song, "From Your Place on Sunset," which refers to many locations in the Los Angeles area.
Side projects
Low owns a record label, Chairkickers' Union, which releases material by other musicians such as Rivulets and Haley Bonar, as well as some of their own material. Sparhawk is notably active in Duluth's small but vibrant independent music scene; he operates a recording studio in the town, in a deconsecrated church that naturally provides the lush reverb characteristic of Low's sound. The Chairkickers label offers another outlet for Duluth musicians, as most groups on the label are from that city, or at least from Minnesota and surrounding areas.
Sally has toured as a bassist with Dirty Three, and Sparhawk has devoted considerable time and energy to his Black Eyed Snakes project, a blues-rock revival band quite far removed from the Low aesthetic. Recently Sparhawk has also been seen with a new side project called The Retribution Gospel Choir. Matt Livingston, who became Low's new bassist in late 2005, played in The Retribution Gospel Choir until early 2008 at which time Steve Garrington became the bassist for both this band and Low. On Retribution's first tour (fall 2005), they played the Low song "From Your Place on Sunset." (Similarly, Low and the Black-Eyed Snakes have played some overlapping songs, such as "Lordy".)
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
Lullaby
Low Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"Don't let yourself get in over your head," he said.
Alone and far from home we'll find you
Dead like a candle you burned out;
Spill the wax over the spaces left in place of angry words.
Scream to be heard, like you needed any more attention;
Throw the bottle, break the door, and disappear.
Sing me to sleep, I'll see you in my dreams, waiting to say, "I miss you. I'm so sorry."
Forever's never seemed so long as when you're not around it's like a piece of me is missing.
I could have learned so much from you but what's left now?
Don't you realize you brought this family a world of pain?
Can't you see there could have been a happy ending we let go?
Sing me to sleep, I'll see you in my dreams, waiting to say, "I miss you. I'm so sorry."
Sing me to sleep (You've taken so much with you)
I'll see you in my dreams, (But left the worst with me),
Waiting to say, "I miss you. I'm so sorry."
The song "Lullaby" by Low is a deeply emotional and poignant piece that deals with themes of loss, regret, and grieving. The lyrics themselves are very evocative, and take the listener on a painful journey through the aftermath of a tragic event. The song opens with the despairing lines, "Make it a sweet, sweet goodbye - it could be for the last time and it's not right". This sets the tone for the rest of the song, as it becomes clear that the singer is struggling to come to terms with a devastating loss.
The second verse, which begins with "Dead like a candle you burned out", is particularly heart-wrenching, as it describes the sense of emptiness and loss that comes after the death of a loved one. The chorus reinforces this feeling with the lines "Forever's never seemed so long as when you're not around it's like a piece of me is missing". The singer is clearly struggling to cope with the fact that their loved one is gone, and is struggling to find a way to move on.
The final verse of the song is perhaps the most devastating, as the singer reflects on all the things they could have learned from their loved one, and wonders if things might have turned out differently if they had only been able to see the signs of their pain. The final line, "Waiting to say, 'I miss you. I'm so sorry'", is a haunting one, and speaks to the idea that sometimes, even when we know we are going to lose someone, there is so much left unsaid.
Overall, "Lullaby" is a powerful and deeply affecting song that deals with some very heavy themes. It speaks to the idea that sometimes, even in the face of overwhelming loss, all we can do is hold on to our memories and our love for those who are no longer with us.
Line by Line Meaning
Make it a sweet, sweet goodbye - it could be for the last time and it's not right.
Let's say goodbye in a sweet way, even though it feels wrong because it might be the last time we see each other.
"Don't let yourself get in over your head," he said.
He warned me not to get involved in something too complicated.
Alone and far from home we'll find you
You'll be alone and away from home, but we'll still come looking for you.
Dead like a candle you burned out;
You died quietly, like a candle that ran out of wax.
Spill the wax over the spaces left in place of angry words.
Rather than filling the silence with angry words, let's pour out wax over the silence.
Scream to be heard, like you needed any more attention;
You're screaming to get attention, as if you didn't have enough already.
Throw the bottle, break the door, and disappear.
Throw a bottle and break something, then leave without a trace.
Sing me to sleep, I'll see you in my dreams, waiting to say, "I miss you. I'm so sorry."
Sing me a lullaby so I can sleep, and in my dreams I'll wait to hear you say 'I miss you. I'm sorry.'
Forever's never seemed so long as when you're not around it's like a piece of me is missing.
When you're not here, time seems to drag on and I feel incomplete.
I could have learned so much from you but what's left now?
I feel like there was so much I could have learned from you, but now I don't know what's left.
Don't you realize you brought this family a world of pain?
Do you not understand that your actions caused a lot of pain for our family?
Can't you see there could have been a happy ending we let go?
Don't you see that there was potential for a happy ending, but we let it slip away?
Sing me to sleep (You've taken so much with you)
Sing me to sleep even though you've taken so much with you.
I'll see you in my dreams, (But left the worst with me),
I'll see you in my dreams but the worst parts of our relationship are still with me.
Waiting to say, "I miss you. I'm so sorry."
I'll be waiting to hear you say 'I miss you. I'm sorry.'
Lyrics © Universal Music Publishing Group
Written by: MARCO FRISINA, PADDY MOLONEY
Lyrics Licensed & Provided by LyricFind
@boubi1530
hey i'm truly sorry to hear that, I bet your brother was an incredible person full of qualities and pretty things , just like you.
just know that you are not alone , i promise you. This song helped you once and will always be an
important point in your life. I knwo it's hard but i also know how hard you are trying everyday and i'm so proud of you!
you're always doing such a good job and your efforts and work will always pay.
This low , no matter how long it last will bring you to some high again and moments of joy i know it, you deserve it.
I send you sm joy , strenght and you have all my support , i believe in you.
⭐
@radres.
Zack Hemsey - "The Way (Instrumental)"
Einaudi - Experience (Cover)
Ludovico Einaudi - Nuvole Bianche
Estas Tonne - The Song of the Golden Dragon
Tom Day - Who We Want To Be
Zack Hemsey - "Vengeance"
Balmorhea - Remembrance
Hans Zimmer - Interstellar - Main Theme (Piano Version) + Sheet Music
Crystallize - Lindsey Stirling (Dubstep Violin Original Song)
Dark Piano - Black World
Sleep Dealer - The Way Home
Low - Lullaby
Intouchable-Intouchables Soundtrack
Evgeny Grinko - Valse
Lilium - sleeping inside
Balmorhea _ The Winter
Evgeny Grinko - Once Upon A Time
Gustavo Santaolalla - Babel
Vangelis - Alpha
Some Sand
No man no cry - Jimmy Sax (live)
"Broken Hearts" (Extended Orchestral Version) by Michael Ortega
"Cold" - Jorge Méndez (Sad Piano & Violin Instrumental)
Ólafur Arnalds - Fyrsta
Comptine d'Un Autre Été- Die fabelhafte Welt der Amélie Piano
Max Richter - November
Thurisaz - Endless
nuages - closer
@halofdeathh
(Hikayem epey uzun dostlar, çok kafa ütülememek adına fazla detaya girmemeye çalıştım.)
Şarkı anasayfamda belirene kadar varlığından habersizdim.
Her geçen saniye kalbime daha da sert saplanan bu zehirli melodi, artık içimde mühürlemeye gücümün yetmediği bazı ağır duyguları dışa vuracak gibi görünüyor.
Hem; burada ne kimseler beni, ne de ben kimseleri tanıyorum..
Sene 2016, 12 yaşındaydım, Ortaokul 2'nin ikinci dönemi sınıfıma sağ kolu kırık, dört bir yanı sessizliğe bürülü bir kız transfer olmuştu.
Başlarda fazla kafaya takmayıp herkes gibi görmeye çalışsam da içimdeki bir his bunun önüne geçiyordu.
Çok kısa süre içinde arkadaş olduk, onunla geçirdiğim iki yıl boyunca; bu hayatta yer alan hiçbir insana bu kadar derinden bağlanamayacağımı anlamış gibiydim.
Sene 2018, okulun son demleri. Ona aşık olduğumu hissediyordum, evet bundan hiç olmadığım kadar emindim artık.
O zamana kadar kimseyi umursamayan Yalın, ilk kez bir insanı bu kadar sakınır olmuştu.
Okul bitmeden 4/5 ay önce aynı Lise üzerine çalışacağımız konusunda epey bir plan yapmıştık. :)
Nihayetinde okul bitmişti, sınav sonuçlarının açıklandığı gün konuştuğumuz okulu kazanabildiğimi görünce havalara uçmuştum.
Bunu ona bildirmek için binbir heyecanla mesaj atmıştım, ve; sonucunu tahmin edebiliyor olmalısınız zaten..
Artık bambaşka yerlerde olsak dahi arayı olabildiğince açmamaya çalışıyorduk, ta ki bir yere kadar.
Zamanla bağlar aşınmıştı, mesafe, iletişim ve çevre değişikliği derken epey uzaklaşmıştık birbirimizden.
İşte o dönem onun dayanılmaz yokluğundan yararlanarak güzel bir yetenek keşfettim, söz yazabiliyordum..
Özlem bilincim çok gelişmişti, ki; edebiyata olan ilgim ile de çok üst raddeye çıkarmayı başarmıştım bunu.
Yazmış olduğum her kıta, her beyit, her mısra yalnız O'na ithafendi artık.
Aradaki mesafe devam ediyordu, sadece o bana yazdığında onunla konuşuyordum.
Her neyse, Lise 2'nin sonlarında ona hislerim hakkında uzunca bir mektup yazıp gönderme kararı aldım..
(Bu olaydan sonrası ve gelişimi fazlasıyla karışık ilerlediği için es geçiyorum, ne yazmaya ne de okumaya değer.)
Bu olaydan 14 ay geçtikten sonra ise mesaj atmıştı bana..
Zamanında benimle aynı duyguları paylaştığını ama söylemeye çekindiği için saklamaya karar verdiği yazıyordu mesajda.
Uzun bir süre konuştuktan sonra, sevgili olduk.
Koca 5 sene boyunca yalnızca O'nu bekleyen kalbim ilk kez hayaline kavuşmuştu..
Hayalimin gerçeğe bürünmesinden yaklaşık 2 hafta kadar sonra ise; tecavüze uğradığını öğrendim.
Şuan bunları yazabilme cesaretini gösterebilmek bile boğazıma binlerce düğüm atıyor.
Onu bir an için bırakmak aklımın ucundan bile geçmemişti..
Düşündükçe, babamın ben daha dünyada bile yokken bana ve anneme attığı o tekme defalarca aklımda canlanıyordu.
Sonra onun gibi olmamaya yemin ettim, kim olursa olsun düşenin uzattığı ele vurup üstüne bir tekme de ben atmayacaktım.
Kaldı ki, onun da anne babası ayrıydı. Tek farkımız; sanırım onun ikisini de sevmiyor olmasıydı.
O'na her şeyden daha yakın olabilmek için elimden geleni yaptım.
Ağır depresyonlar, onlarca intihar girişimi, halüsinasyonlar, bipolar bozukluk..
Önüne çıkan her engebenin, hayatın onda açtığı her türlü yaranın üstesinden ellerini tutarak gelebileceğimizin garantisini verdim ve onu tüm sevgimle kucakladım.
Sadece o daha iyi hissetsin diye gecem gündüze, gündüzüm geceye meylederken, 2. Ayımızın ortasında saçma sapan bir bahaneyle beni terk etti.. :)
Artık son sınıftaydık ve hâliyle Üniversite için gereğinden de sıkı çalışmamız gerekiyordu.
Lâkin ben okulumun da bilip haberdar olduğu birkaç engel yüzünden eğitimimi belirli bir süre dondurmak zorunda kalmıştım.
Ne yazık ki dershane konusu da şimdilik mümkün görünmüyordu, anlamışsınızdır.
O ise gerçeklik motifli yalanlarının yükünü ortadan kaldırmak adına görmekten yorulduğu beni silerek yeni yollara baş koymuştu artık, nafileydi her şey.
Zaten ne zaman öyle olmamıştı ki..
Ne tür bir ihanet ile karşılaştığımı anladınız işte.
Canımsa hala yanıyor, şimdilerde artakalan gücümün son kırıntılarıyla silmeye çalışıyorum onu.
Hâlâ gelecek adına hayallerim var ve bir yerlere gelebileceğime de inanıyorum.
En çok da buna seviniyorum, hayallerimi, gelecek adına yeşerttiğim onlarca umudumu onun saçma intikamı uğruna çöpe atmayışıma.
Sanırım, benim için yalnızca zaman gerekiyor.
O yüzden, Allah'a bıraktım.
Ona kızmıyorum, yalnızca böyle bir şeyi hak etmediğim düşüncesi aklımı kemirip duruyor ve bu oldukça acı verici.
Onu çok sevip önemsemekten başka hiçbir şey yapmamıştım ben oysa.
Hep iyiliğini gözetmeye çalışıp usulca tebessümünü seyretmekten başka bir şey istememiştim..
Buraya kadar okuyup zaman ayıran kim varsa her birinize büyük bir teşekkürü borç bilirim, çünkü hayatımda ilk kez insanlara karşı içimi açmayı denedim.
Parçanın atmosferi müthişti, ben de bunu fırsat bildim. :)
En başında da dediğim gibi, ne kimseler beni, ne de ben kimseleri tanıyorum burada.
Bu sebeple yazarken elimden geldiğince rahat olmaya özen gösterdim, bir nebze de olsa rahatlamak için.
Hiçbirinizi tanımasam da, sizleri seviyorum, nedensizce hepinizi çok seviyorum.
Diğer yorumları okudukça kendimi gördüğüm onlarca insan var ve hepsi bana yalnız olmadığımı hatırlatıyor.
Aynı uzay içinde, farklı zamanlarda kayboluşumuzu..
Tekrardan elveda, Irmak.
21.11.2021
@izbirakilanlar
Bu şarkı 31 mayıs 2009 da yüklenmiş.Bu tarz tarihleri gördüğümde o günlerde ne yaptığımı hatırlamaya çalışıyorum. Tam da şarkının yüklendiği zamanlarda...düşündükçe o zamanlar ne kadar mutlu olduğumu hatırlıyorum. Ne kadar mutlu ne kadar masum ne kadar huzurlu... bir de şimdi .. geçtim aynanın karşısına bakamıyorum bile kendime. Ne oldu diyorum içimden ne oldu da bu hale geldin?
@live3512
31.05 это мой день рождения 🎉
@marquiso4615
@@live3512 Ich auch. Liebe Grüße und langes Leben wünsch ich dir! 💪
@luix1971
Yo lo que no entiendo es el daño y lo cabrona que he debido de ser en la vida ( y no me he enterado) para que la vida te golpee con tanta fuerza que me hundo y ya no tengo fuerzas para levantarme y salir de este agujero tóxico , triste y solitario.
Por qué cuanto más quieres dar menos recibes?
Por qué a quien yo he perdonado no es capaz de ponerse en mi lugar y perdonar, joder que a una hermana le de igual lo que te pase...no entiendo.
Creo que este es el infierno y quizas lo que viene después de morir sea por ejemplo ese mundo plasmado en la última etapa de las letras de este grupo, que tanto me ayuda a conseguir un poco de paz.😘
@melissa3620
gerçekten de ne oldu?
@bitchesarebitches9988
@@melissa3620 bilmiyorum ne oldu gerçekten bizlere
@nefisedogangun
Bu şarkı insanı ağlatamıyor. Boğazda kalan düğüm gibi. İniyor, yükseliyor, durgunlaşıyor, mırıldanıyor, hiddetleniyor ve sonra pes ediyor.
@hiphiphoogray
breathtaking words
@Merve_cekic
Böylesine güzel bi yorumu ,bir türkün buraya yazması gerçekten zevklisin kardeşim :)
@awalludinlubis6309
Lovely words