There are at least seven artists with this name:
1) Low is a German indu… Read Full Bio ↴There are at least seven artists with this name:
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is an American indie rock/slowcore band from Duluth.
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is a slowcore band formed in Duluth, Minnesota, United States in 1993, by Alan Sparhawk (guitar and vocals), Mimi Parker (drums and vocals) and original bassist John Nichols (bass guitar). Zak Sally replaced Nichols after Low's first album and tour. In 2005, Sally quit the band; Matt Livingston replaced him shortly thereafter. In 2008 Steve Garrington took over on bass creating the current lineup of Sparhawk, Parker and Garrington.
Their music is commonly described as "slowcore," a subgenre characterised by slow tempos and minimalist arrangements. They are one of the earlier bands to adopt and popularize the style, making them considerable contributors to the slowcore movement. (It is worth noting that the band dislikes this label. In an interview Alan Sparhawk says of descriptions of their music: "What's the cheesiest? Slow-core. I hate that word. The most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that") Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element.
History
The band formed in the spring of 1993. Sparhawk had been playing in the Duluth, Minnesota, band Zen Identity. That band needed a new bassist, and Nichols was recruited. At that time, Nichols was a senior at Superior Senior High School in nearby Superior, Wisconsin, and bassist in the band Lorenzo's Tractor. Sparhawk was called upon to teach Zen Identity songs to Nichols. During practices, the two started improvising with some very modest, quiet themes. As a joke, they wondered what would happen if they played such quiet music in front of Duluth crowds, which at that point focused around the loud, grunge, "post-punk" sound. Soon, the joke became a serious thought. Sparhawk disbanded Zen Identity, and he and Nichols recruited Sparhawk's wife Mimi Parker to play a very modest drum kit composed of a single cymbal and a single floor tom. She used brushes almost exclusively.
Low's debut album, I Could Live in Hope, was released on Virgin Records' Vernon Yard imprint in 1994. It featured Nichols on bass, though he was replaced by Sally, who joined for the recording of the band's next album Long Division. Long Division and its similar follow-up, 1996's The Curtain Hits the Cast, established the band as critical darlings; extensive touring helped them to develop a highly devoted fan base. "Over the Ocean," a single drawn from The Curtain Hits the Cast, also became something of a hit on college radio.
Low experienced considerable difficulties during their tenure with Vernon Yard, and by the time of their next full-length (1999's Secret Name) they had moved to the influential independent label Kranky. In between, they released several singles and EPs. In 1999, Low joined forces with Dirty Three to record an In The Fishtank session for Konkurrent records. All Music Guide called the six-song disc "some of the best material either unit has produced." Of particular note is the disc's lengthy cover of Neil Young's "Down by the River." 2001 saw the release of Things We Lost in the Fire.
The following year saw the release of the band's final full-length on Kranky, Trust. All three of the band's full-length releases on Kranky featured superstar producers: Secret Name and Things We Lost in the Fire feature the work of "recordist" Steve Albini (best known for producing abrasive noise rock and punk groups), who proved surprisingly sympathetic to capturing the band's strengths; while Trust was recorded with Duluth engineer Eric Swanson and mixed by Tchad Blake.
In April 2003, Peter S. Scholtes of the Twin Cities weekly paper City Pages posted in his weblog that Sally had left Low. The following month, the band posted an update to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with Radiohead, Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label Sub Pop. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.
Beginning with Secret Name, the band have diversified their sound. The band use subtle electronic music touches to augment their sound, reflective of their tenure with Kranky and their exposure to the Midwest's post-rock scene. Adding a more overt rock element to their aesthetic, the band has used fuzz bass from Things We Lost on the Fire onward, and began using distorted lead guitar on Trust. The band's latest album, The Great Destroyer, nods even further in the direction of rock. Recorded with producer Dave Fridmann and released by Sub Pop in January 2005, The Great Destroyer has received mostly positive reviews; the Village Voice described the record's "comparatively thunderous verve." One notable exception to the critical applause is Pitchfork Media, which rated the album 5.5 out of 10 and panned its lead single "California."
Low cancelled the second leg of their extensive tour in support of The Great Destroyer in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former Red House Painters frontman Mark Kozelek. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.
Performance
Low are known for their impressive live performances. Rock club audiences typically watch the band while seated on the floor (due to the difficulty of standing for long periods while listening to such slow and quiet music). During their early career, the band often faced unsympathetic and inattentive audiences in bars and clubs, to which they responded by bucking rock protocol and turning their volume down.
Their shows often feature drastically reinterpreted cover versions of famous songs by the likes of Joy Division and The Smiths, in addition to their own original material. Live, Low shows a sense of humor not necessarily found on their recordings; a tour in early 2004 featured a cover of OutKast's hit song "Hey Ya." At a gig in Los Angeles on Halloween 1998, the band took the stage as a Misfits tribute act, complete with corpse paint and black clothing.
Commercial success
The band's mainstream exposure has been limited: their best-known song is arguably a hymnal version of "The Little Drummer Boy," which was featured in a Gap television ad that depicted a snowball fight in slow-motion to match the song's glacial tempo. A remix of their "Halflight" was featured in the Mothman Prophecies motion picture.
However, because of their minimal overhead expenses (the band makes very little use of professional recording facilities), Low have managed to develop a reasonably comfortable career.
Personal lives
Sparhawk and Parker are married, have two children, and are practicing members of the Mormon faith. (Sparhawk was born into an LDS family in Seattle, and for some time lived in Utah before moving to Minnesota at age nine; he also briefly attended Brigham Young University. Parker is a convert.)
Lyrical references: Christianity and Mormonism
Low are hardly a Christian rock group, however, at least in the usual sense: neither Sally's religious affiliation (or lack thereof) nor Parker and Sparhawk's faith is mentioned in their latest press kit. Low have often toured with other "Christian, not Christian rock" acts such as Pedro the Lion and the Danielson Famile.
However, there are occasional lyrical references (usually subtle and/or indirect) to Parker and Sparhawk's religion. Sometimes these references are traditional Christian themes. The song "If You Were Born Today," on both the live album One More Reason to Forget and on the Christmas album, quietly suggests what might happen if Jesus were born in contemporary times. On Things We Lost in the Fire, the song "Whore" includes Parker's haunting chorus "you will get your reward", while Sparhawk asks "is it so wrong to think there's more?" Disc one of A Lifetime of Temporary Relief includes the song "David & Jude," while disc two includes two versions of "Joan of Arc" and the Spacemen 3 cover "Lord, Can You Hear Me?" Many references draw specifically on themes from the Church of Jesus Christ of Latter-day Saints. These include "Weight of Water" and "Missouri" on Secret Name, whose title itself refers to an LDS naming ritual; this album also contains the song "Lion/Lamb." The Trust track "The Lamb," at least partially concerns the death of Joseph Smith.
The Christmas album's religious content is generally more direct, including in addition to "If you were born today" an original song about the Three Wise Men's subversion of Herod to protect Jesus ("Long way around the sea"), as well as traditionals ("Silent night," "Little drummer boy," the Elvis song "Blue Christmas") and original secular, seasonal songs ("Just Like Christmas," "Taking down the tree," "One special gift,").
Lyrical references: Duluth, Minnesota, and elsewhere
Low lyrics also subtly and indirectly reference geography. Very often, these geographic references center on their home in Duluth, Minnesota. Sparhawk has said that the song "Sea," from I Could Live in Hope, is about Duluth. The lyrics say, "The sea is a long, long way / from me . . . I'd go there if I had the time / but lying here will do just fine." To any Duluthian, this inevitably summons up Lake Superior, the largest of the Great Lakes, at whose western tip Duluth rests. Lake Superior is not salt water, but it is a very, very large body of water, certainly as large as many bodies of water that are called "seas." In fact, Lake Superior is sometimes called "the Inland Sea." The EP Songs for a Dead Pilot, was reportedly dedicated to a pilot who crashed near Duluth in the late 1990s. On Things We Lost in the Fire, the song "Sunflower" may refer to a notorious murder up the North Shore of Lake Superior some time in the late 70s or early 80s. On Trust, cold Minnesota winters emerge in the lyrics, "when we were young / we wanted to die / but the sound of a drum / and the words of a child / brought different light / now no one can tell / the winter was nice... the ground was so hard / the nights were so long / but we suffered the dark / and we wrote all those songs / still i was a fool / i covered my ears / no i would not face the last snowstorm of the year." (These lyrics also of course indulge both Low's repeating, dark, self-destructive / murderous / suicidal theme as well as their theme about having children.)
Other lyrics have referred elsewhere. Secret Name includes the song "Missouri," which may refer to the LDS community's travels westward. Songs for a Dead Pilot's last track is "Hey Chicago," which says "Hey Chicago, I'm leaving." On Trust, the song "Canada," says "you can't take that stuff to Canada," which inescapably suggests advice to people attempting to take drugs across the border from the U.S. to Canada. (As Minnesota sits along the border of Ontario and Manitoba, this can also be seen as a reference to Minnesota.) Songs on The Great Destroyer frequently reference geography. "California," says "Though it breaks your heart / We had to sell the farm / Back to California where it's warm." This possibly refers to Sparhawk's own mother selling the family farm upon which Sparhawk had grown up (compare the lyrics for "Mom says" on The Curtain Hits the Cast: "mom says / a farm's the best place to call home / but I don't know.") "Broadway (so many people)" refers very specifically to the intersection of Broadway and East 4th Street in New York City: "Last night just north of Houston / Broadway so many people / Through your third story window / I see my favorite record store [most likely Other Music on 4th, a noted independent record store]. At a February 2004 show at "Dante's" in Portland, Ore., Sparhawk told the crowd that the song "Walk into the Sea" was about "a guy who used to live here that we got know pretty well. He's gone now..." in what many fans believe was a reference to Academy Award-nominated singer-songwriter Elliott Smith, a long-time Portland resident. Smith had died just months earlier in October 2003. On the Murderer EP is the song, "From Your Place on Sunset," which refers to many locations in the Los Angeles area.
Side projects
Low owns a record label, Chairkickers' Union, which releases material by other musicians such as Rivulets and Haley Bonar, as well as some of their own material. Sparhawk is notably active in Duluth's small but vibrant independent music scene; he operates a recording studio in the town, in a deconsecrated church that naturally provides the lush reverb characteristic of Low's sound. The Chairkickers label offers another outlet for Duluth musicians, as most groups on the label are from that city, or at least from Minnesota and surrounding areas.
Sally has toured as a bassist with Dirty Three, and Sparhawk has devoted considerable time and energy to his Black Eyed Snakes project, a blues-rock revival band quite far removed from the Low aesthetic. Recently Sparhawk has also been seen with a new side project called The Retribution Gospel Choir. Matt Livingston, who became Low's new bassist in late 2005, played in The Retribution Gospel Choir until early 2008 at which time Steve Garrington became the bassist for both this band and Low. On Retribution's first tour (fall 2005), they played the Low song "From Your Place on Sunset." (Similarly, Low and the Black-Eyed Snakes have played some overlapping songs, such as "Lordy".)
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
1) Low is a German indu… Read Full Bio ↴There are at least seven artists with this name:
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is an American indie rock/slowcore band from Duluth.
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
1) Low is a German industrial punk rock band from Berlin.
2) Low is a Danish rapper.
3) Low is a Spanish hip hop artist.
4) low is a doujin artist.
5) Low is a slowcore band formed in Duluth, Minnesota, United States in 1993, by Alan Sparhawk (guitar and vocals), Mimi Parker (drums and vocals) and original bassist John Nichols (bass guitar). Zak Sally replaced Nichols after Low's first album and tour. In 2005, Sally quit the band; Matt Livingston replaced him shortly thereafter. In 2008 Steve Garrington took over on bass creating the current lineup of Sparhawk, Parker and Garrington.
Their music is commonly described as "slowcore," a subgenre characterised by slow tempos and minimalist arrangements. They are one of the earlier bands to adopt and popularize the style, making them considerable contributors to the slowcore movement. (It is worth noting that the band dislikes this label. In an interview Alan Sparhawk says of descriptions of their music: "What's the cheesiest? Slow-core. I hate that word. The most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that") Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element.
History
The band formed in the spring of 1993. Sparhawk had been playing in the Duluth, Minnesota, band Zen Identity. That band needed a new bassist, and Nichols was recruited. At that time, Nichols was a senior at Superior Senior High School in nearby Superior, Wisconsin, and bassist in the band Lorenzo's Tractor. Sparhawk was called upon to teach Zen Identity songs to Nichols. During practices, the two started improvising with some very modest, quiet themes. As a joke, they wondered what would happen if they played such quiet music in front of Duluth crowds, which at that point focused around the loud, grunge, "post-punk" sound. Soon, the joke became a serious thought. Sparhawk disbanded Zen Identity, and he and Nichols recruited Sparhawk's wife Mimi Parker to play a very modest drum kit composed of a single cymbal and a single floor tom. She used brushes almost exclusively.
Low's debut album, I Could Live in Hope, was released on Virgin Records' Vernon Yard imprint in 1994. It featured Nichols on bass, though he was replaced by Sally, who joined for the recording of the band's next album Long Division. Long Division and its similar follow-up, 1996's The Curtain Hits the Cast, established the band as critical darlings; extensive touring helped them to develop a highly devoted fan base. "Over the Ocean," a single drawn from The Curtain Hits the Cast, also became something of a hit on college radio.
Low experienced considerable difficulties during their tenure with Vernon Yard, and by the time of their next full-length (1999's Secret Name) they had moved to the influential independent label Kranky. In between, they released several singles and EPs. In 1999, Low joined forces with Dirty Three to record an In The Fishtank session for Konkurrent records. All Music Guide called the six-song disc "some of the best material either unit has produced." Of particular note is the disc's lengthy cover of Neil Young's "Down by the River." 2001 saw the release of Things We Lost in the Fire.
The following year saw the release of the band's final full-length on Kranky, Trust. All three of the band's full-length releases on Kranky featured superstar producers: Secret Name and Things We Lost in the Fire feature the work of "recordist" Steve Albini (best known for producing abrasive noise rock and punk groups), who proved surprisingly sympathetic to capturing the band's strengths; while Trust was recorded with Duluth engineer Eric Swanson and mixed by Tchad Blake.
In April 2003, Peter S. Scholtes of the Twin Cities weekly paper City Pages posted in his weblog that Sally had left Low. The following month, the band posted an update to the news on their website: "We have all had to work through some personal things recently ... After sorting it out, the good news is that Zak is remaining in the band ..." In July 2003, they toured Europe with Radiohead, Sally in tow. Following a successful tour in early 2004 that vividly demonstrated the band's commitment to their fans (Parker was visibly pregnant throughout), the band signaled their intent to continue making music by signing with powerhouse indie label Sub Pop. To fulfill their contract with Kranky, Low released a three-disc rarities compilation on that label in 2004.
Beginning with Secret Name, the band have diversified their sound. The band use subtle electronic music touches to augment their sound, reflective of their tenure with Kranky and their exposure to the Midwest's post-rock scene. Adding a more overt rock element to their aesthetic, the band has used fuzz bass from Things We Lost on the Fire onward, and began using distorted lead guitar on Trust. The band's latest album, The Great Destroyer, nods even further in the direction of rock. Recorded with producer Dave Fridmann and released by Sub Pop in January 2005, The Great Destroyer has received mostly positive reviews; the Village Voice described the record's "comparatively thunderous verve." One notable exception to the critical applause is Pitchfork Media, which rated the album 5.5 out of 10 and panned its lead single "California."
Low cancelled the second leg of their extensive tour in support of The Great Destroyer in late spring of 2005. Sparhawk's informal statement, published on the band's web forum and addressed directly to fans, detailed the personal reasons behind the cancellation. In August 2005, however, Sparhawk announced his return to performance, embarking on a United States tour with fellow slowcore pioneer, former Red House Painters frontman Mark Kozelek. However, in October 2005, Sally announced his resignation. Replacing him is Matt Livingston, a longtime bassist and saxophonist in Duluth's musical scene.
Performance
Low are known for their impressive live performances. Rock club audiences typically watch the band while seated on the floor (due to the difficulty of standing for long periods while listening to such slow and quiet music). During their early career, the band often faced unsympathetic and inattentive audiences in bars and clubs, to which they responded by bucking rock protocol and turning their volume down.
Their shows often feature drastically reinterpreted cover versions of famous songs by the likes of Joy Division and The Smiths, in addition to their own original material. Live, Low shows a sense of humor not necessarily found on their recordings; a tour in early 2004 featured a cover of OutKast's hit song "Hey Ya." At a gig in Los Angeles on Halloween 1998, the band took the stage as a Misfits tribute act, complete with corpse paint and black clothing.
Commercial success
The band's mainstream exposure has been limited: their best-known song is arguably a hymnal version of "The Little Drummer Boy," which was featured in a Gap television ad that depicted a snowball fight in slow-motion to match the song's glacial tempo. A remix of their "Halflight" was featured in the Mothman Prophecies motion picture.
However, because of their minimal overhead expenses (the band makes very little use of professional recording facilities), Low have managed to develop a reasonably comfortable career.
Personal lives
Sparhawk and Parker are married, have two children, and are practicing members of the Mormon faith. (Sparhawk was born into an LDS family in Seattle, and for some time lived in Utah before moving to Minnesota at age nine; he also briefly attended Brigham Young University. Parker is a convert.)
Lyrical references: Christianity and Mormonism
Low are hardly a Christian rock group, however, at least in the usual sense: neither Sally's religious affiliation (or lack thereof) nor Parker and Sparhawk's faith is mentioned in their latest press kit. Low have often toured with other "Christian, not Christian rock" acts such as Pedro the Lion and the Danielson Famile.
However, there are occasional lyrical references (usually subtle and/or indirect) to Parker and Sparhawk's religion. Sometimes these references are traditional Christian themes. The song "If You Were Born Today," on both the live album One More Reason to Forget and on the Christmas album, quietly suggests what might happen if Jesus were born in contemporary times. On Things We Lost in the Fire, the song "Whore" includes Parker's haunting chorus "you will get your reward", while Sparhawk asks "is it so wrong to think there's more?" Disc one of A Lifetime of Temporary Relief includes the song "David & Jude," while disc two includes two versions of "Joan of Arc" and the Spacemen 3 cover "Lord, Can You Hear Me?" Many references draw specifically on themes from the Church of Jesus Christ of Latter-day Saints. These include "Weight of Water" and "Missouri" on Secret Name, whose title itself refers to an LDS naming ritual; this album also contains the song "Lion/Lamb." The Trust track "The Lamb," at least partially concerns the death of Joseph Smith.
The Christmas album's religious content is generally more direct, including in addition to "If you were born today" an original song about the Three Wise Men's subversion of Herod to protect Jesus ("Long way around the sea"), as well as traditionals ("Silent night," "Little drummer boy," the Elvis song "Blue Christmas") and original secular, seasonal songs ("Just Like Christmas," "Taking down the tree," "One special gift,").
Lyrical references: Duluth, Minnesota, and elsewhere
Low lyrics also subtly and indirectly reference geography. Very often, these geographic references center on their home in Duluth, Minnesota. Sparhawk has said that the song "Sea," from I Could Live in Hope, is about Duluth. The lyrics say, "The sea is a long, long way / from me . . . I'd go there if I had the time / but lying here will do just fine." To any Duluthian, this inevitably summons up Lake Superior, the largest of the Great Lakes, at whose western tip Duluth rests. Lake Superior is not salt water, but it is a very, very large body of water, certainly as large as many bodies of water that are called "seas." In fact, Lake Superior is sometimes called "the Inland Sea." The EP Songs for a Dead Pilot, was reportedly dedicated to a pilot who crashed near Duluth in the late 1990s. On Things We Lost in the Fire, the song "Sunflower" may refer to a notorious murder up the North Shore of Lake Superior some time in the late 70s or early 80s. On Trust, cold Minnesota winters emerge in the lyrics, "when we were young / we wanted to die / but the sound of a drum / and the words of a child / brought different light / now no one can tell / the winter was nice... the ground was so hard / the nights were so long / but we suffered the dark / and we wrote all those songs / still i was a fool / i covered my ears / no i would not face the last snowstorm of the year." (These lyrics also of course indulge both Low's repeating, dark, self-destructive / murderous / suicidal theme as well as their theme about having children.)
Other lyrics have referred elsewhere. Secret Name includes the song "Missouri," which may refer to the LDS community's travels westward. Songs for a Dead Pilot's last track is "Hey Chicago," which says "Hey Chicago, I'm leaving." On Trust, the song "Canada," says "you can't take that stuff to Canada," which inescapably suggests advice to people attempting to take drugs across the border from the U.S. to Canada. (As Minnesota sits along the border of Ontario and Manitoba, this can also be seen as a reference to Minnesota.) Songs on The Great Destroyer frequently reference geography. "California," says "Though it breaks your heart / We had to sell the farm / Back to California where it's warm." This possibly refers to Sparhawk's own mother selling the family farm upon which Sparhawk had grown up (compare the lyrics for "Mom says" on The Curtain Hits the Cast: "mom says / a farm's the best place to call home / but I don't know.") "Broadway (so many people)" refers very specifically to the intersection of Broadway and East 4th Street in New York City: "Last night just north of Houston / Broadway so many people / Through your third story window / I see my favorite record store [most likely Other Music on 4th, a noted independent record store]. At a February 2004 show at "Dante's" in Portland, Ore., Sparhawk told the crowd that the song "Walk into the Sea" was about "a guy who used to live here that we got know pretty well. He's gone now..." in what many fans believe was a reference to Academy Award-nominated singer-songwriter Elliott Smith, a long-time Portland resident. Smith had died just months earlier in October 2003. On the Murderer EP is the song, "From Your Place on Sunset," which refers to many locations in the Los Angeles area.
Side projects
Low owns a record label, Chairkickers' Union, which releases material by other musicians such as Rivulets and Haley Bonar, as well as some of their own material. Sparhawk is notably active in Duluth's small but vibrant independent music scene; he operates a recording studio in the town, in a deconsecrated church that naturally provides the lush reverb characteristic of Low's sound. The Chairkickers label offers another outlet for Duluth musicians, as most groups on the label are from that city, or at least from Minnesota and surrounding areas.
Sally has toured as a bassist with Dirty Three, and Sparhawk has devoted considerable time and energy to his Black Eyed Snakes project, a blues-rock revival band quite far removed from the Low aesthetic. Recently Sparhawk has also been seen with a new side project called The Retribution Gospel Choir. Matt Livingston, who became Low's new bassist in late 2005, played in The Retribution Gospel Choir until early 2008 at which time Steve Garrington became the bassist for both this band and Low. On Retribution's first tour (fall 2005), they played the Low song "From Your Place on Sunset." (Similarly, Low and the Black-Eyed Snakes have played some overlapping songs, such as "Lordy".)
6) Low (White Leaves) is a Japanese artist.
7) Low is a member of CLOSER.
Mother
Low Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When you became my mother, there was time
You thought I'd be a daughter, but didn't mind
And as the world began to measure, and define
We had time
We had time
You gave me light and language, and a name
You held me to the fire, to the flame
Now if I could tell the future, all the same
Why would I
We have time
Deep beneath the surface of the earth
So many bodies waiting for the word
When every child and mother will return
Forever
We'll have time
You thought I'd be a daughter, but didn't mind
And as the world began to measure, and define
We had time
We had time
You gave me light and language, and a name
You held me to the fire, to the flame
Why would I
We have time
Deep beneath the surface of the earth
So many bodies waiting for the word
When every child and mother will return
Forever
We'll have time
The song "Mother" by Low is a poignant tribute to the relationship between a mother and child. The lyrics suggest that when the singer was born, there was a time when his mother had certain expectations of the kind of daughter she was going to have, but ultimately, she didn't mind when the singer turned out to be male. The song implies that this was a time when the world had not yet defined and measured people according to rigid gender roles, and there was more fluidity and acceptance of difference. Despite the fact that the singer couldn't tell the future, he is grateful for the time he has had with his mother, which has allowed them to form a close bond and to mutually shape one another's personalities and identities.
The song's bridge takes on a different tone, exploring themes of death, afterlife, and resurrection. The lyrics describe "so many bodies waiting for the word," implying that these are the bodies of the dead, waiting for a signal that it is time to return to life. It is not clear whether the singer is referring literally to a resurrection, or whether it is a metaphor for something else, such as a time when injustices will be undone and people can find closure and rest. Either way, the song ends with the reassurance that "We'll have time," suggesting that although death may seem final, there is a possibility of reunion and redemption in the future.
Line by Line Meaning
When you became my mother, there was time
When you became my mother, there was a sense of timelessness and freedom to explore the world together without worrying about the future.
You thought I'd be a daughter, but didn't mind
You may have had expectations for my gender, but you loved and accepted me nonetheless.
And as the world began to measure, and define
As society started to impose its expectations and limitations on us, we still had time to enjoy each other's company and build a strong bond.
We had time
Despite everything, we had each other and that was enough.
You gave me light and language, and a name
You provided me with the tools to communicate and express myself, and a sense of identity.
You held me to the fire, to the flame
You challenged me and encouraged me to pursue my passions, even when it was difficult.
Now if I could tell the future, all the same
Even if I could predict what lies ahead, I wouldn't change a thing about our past.
Why would I
Our time together was too precious to sacrifice for anything else.
Deep beneath the surface of the earth
Beneath the superficial things that seem to divide us, there is a deeper unity that connects all living things.
So many bodies waiting for the word
There are countless people waiting for a message of hope and love to inspire them and bring them together.
When every child and mother will return
A day will come when everyone will be reunited and no one will be alone.
Forever
This sense of unity and love will last forever.
We'll have time
We will always have the memories of our time together and the hope of a brighter future where everyone can live in peace and harmony.
Lyrics © DOMINO PUBLISHING COMPANY
Written by: GEORGE ALAN SPARHAWK
Lyrics Licensed & Provided by LyricFind
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