Early years
Bridges began his music career as a radio personality and DJ as Chris Lova Lova on Hot 97, an urban radio station in Atlanta, Georgia. He made his recorded debut on "Phat Rabbit," a track from Timbaland's 1998 album Tim's Bio: Life from the Basement. Although both Timbaland and Jermaine Dupri showed interest in signing Ludacris, he decided to release the album "Incognegro" independently in 1999. The album sold over 50,000 copies through the Atlanta based independent music distributor, Southern Music Distribution. The same year, he recorded the theme to the video game Madden NFL 2000. Scarface, an original member of the Geto Boys, signed Ludacris in 2000 to Def Jam Recordings, and created a new imprint, Def Jam South, around him.
Back for the First Time
Ludacris released his major label debut, Back for the First Time, in October 2000. The album reached as high as #4 on the charts, and was a major success. Ludacris made his mark on the industry with singles such as "Southern Hospitality" and "What's Your Fantasy", along with his first ever single "Phat Rabbit", from 2 years prior. Back for the First Time was the beginning of Ludacris's explosion to the top of the rap world.
Word of Mouf
Ludacris promptly completed his next album, Word Of Mouf and released it at the end of 2001. Its lead single, "Rollout (My Business)" was boycotted in many American video stations. Despite the controversy, the video was nominated for a 2003 VMA, and Luda performed it live at the awards' pre-show. Ludacris also toured with Papa Roach in 2002 after the release of their sophomore album lovehatetragedy. Ludacris reached a new level of notoriety when TV's Bill O'Reilly expressed outrage that Pepsi had hired Ludacris as a spokesman. O'Reilly repeatedly attacked Ludacris's foul language and called for a nation-wide boycott of Pepsi, who then fired Ludacris and hired Ozzy Osbourne's family instead.
Chicken-N-Beer
During the spring of 2003, Ludacris returned to the music scene after a brief hiatus with a new single, "Act A Fool" from the 2 Fast 2 Furious soundtrack. At around the same time, he released the lead single from his upcoming album, Chicken & Beer, called "P-Poppin" (short for "Pussy Poppin'"). Neither of his new singles were as well-received by either the urban or pop audiences as his previous songs had been, and both music videos received only limited airplay. Chicken & Beer opened strongly, but without a popular single, the album fell quickly.
However, in the fall of 2003, Ludacris rebounded with his next single, "Stand Up", which appeared on both Chicken & Beer as well as the soundtrack for the teen hip-hop/dance movie, Honey. Produced by Kanye West, "Stand Up" went on to become Ludacris' biggest mainstream hit to date, hitting the top spot on the Billboard Hot 100 and garnering heavy airplay on mainstream pop, rhythmic, and urban radio stations, as well as on MTV, MTV2, and BET.
The album's next single, "Splash Waterfalls", was released in early 2004. Though not a pop hit, it became a success at urban radio and BET. It was Ludacris' most sexual video yet and an R&B remix that featured Raphael Saadiq and sampled Tony! Toni! Tone!'s "Whatever You Want". Luda next released "Blow It Out", a gritty song that had a heavily low-budget, gritty, and urban-looking music video, which was a huge departure from the colorful, sensual, R&B leanings depicted in "Splash Waterfalls". "Blow It Out" acted both as a scathing response to the aforementioned criticism levied by Bill O'Reilly and an expression of disgust at Pepsi's cowardice in the affair:
Shout out to Bill O'Reilly, I'm'a throw you a curve
You mad cause I'm a thief and got away with words
I'm'a start my own beverage, it'll calm your nerves
Pepsi's the New Generation?—Blow it out cha ass!
* On 1 June 2006, a federal jury found that "Stand Up" did not infringe on the copyright of a song called "Straight Like That" by a New Jersey group known as I.O.F. "I hope the plaintiffs enjoyed their 15 minutes of fame," Ludacris said after the verdict. "This whole experience is proof to me of why I will always fight for what I believe in."
The Red Light District
The fourth studio album from Ludacris. Although entirely different from the usual antics of the previous albums, Ludacris had taken a more mature approach to his album. Ludacris openly boasted that he may be the only rapper able to keep the Def Jam label afloat. Ludacris had recently filmed and recorded the single "Get Back" in which he was featured a muscle-bounded hulk who was being annoyed by the media and warned his critics to leave him alone. He also was featured on Saturday Night Live playing his song Get Back with Sum 41. The follow-up single was the Austin Powers-inspired "The Number One Spot". It was produced by New York City's Hot 97 personality DJ Green Lantern. It used the Quincy Jones sample of "Soul Bossa Nova" and sped it up to the tempo of Ludacris' rap flow. Ludacris also filmed the video in which he pokes fun at O'Reilly's problems with Andrea Mackris (Hi Mr. O'Reilly / Hope all is well kiss the plaintiff and the wifey). Production credits come also from veteran producers Timbaland, Lil' Jon, The Medicine Men and legendary rapper Doug E. Fresh. Featured artists on the album include Nas, DJ Quik, DMX, Trick Daddy, and Disturbing Tha Peace newcomers Bobby Valentino (of Mista fame) and Dolla Boi and Small World. The album debuted at number one on the Billboard charts. And most recently the rapper had used his opportunity to start his own foundation. The Ludacris Foundation started by Ludacris and Chaka Zulu is an organization that helps young middle and high school students motivate themselves in creative arts. Ludacris also has a daughter by the name of Karma. Ludacris had also participated at the Super Bowl and is the spokesman for the Boost Mobile Phone ad-campaign. Ludacris also received his first Grammy Award with Usher and Lil Jon for their hit single "Yeah"
Release Therapy
In a recent issue of XXL, a hip-hop based magazine, Ludacris was placed in the number nine spot for the most anticipated albums of 2006, for Release Therapy. The album Release Therapy was released on September 26, 2006. Ludacris is going to format the cd to have two sides, a Release side and a Therapy side. With the Release side having songs that allow him to get everything off his chest and the Therapy side being just feel-good music. A song titled "War With God" is one of the confirmed tracks from the upcoming album. The first single, "Money Maker", which features Pharrell, was released to U.S. radio outlets on July 17. Others songs will be : "Tell It Like It Is" (Produced by Elaborate Musik Workshop), "Runaway Love" (Feat. Mary J. Blige) and Woozy (Feat. R. Kelly)[1] "Money Maker" reached number one on the BET 106 & Park Countdown for the first time on September 15, 2006. The album recently reached number 1 on the Billboard 200 album charts with sales of more than 300,000 in its first week.
To promote the album, Ludacris will be hosting and performing on Saturday Night Live 18 November. Ludacris is the second and only rapper to host and perform on the same episode (MC Hammer hosted and performed in 1991, on different episodes ).
Theater of the Mind
Ludacris's 6th album, Theater of the Mind was released on November 24, 2008 it includes the singles "What them Girls Like" Co-Starring Chris Brown and Sean Garrett , "One More Drink" Co-Starring T-Pain, and "Nasty Girl" Co-Starring Piles. The New album peaked at 1 on U.S. Billboard Top Rap Albums and peaked at 5 on U.S. Billboard 200.
Acting career
Ludacris has been acting in film since The Wash in 2001, but his big break came in 2005, where he received critical praise for his roles in the Oscar-winning films Hustle & Flow and Crash. Crash includes an ironic sequence where Ludacris's character is dismissive of hip-hop music. Interestingly, in both films, he is physically beaten by characters played by Terrence Howard. He is occasionally credited as "Chris 'Ludacris' Bridges".
On January 29, 2006 he was awarded with a Screen Actors Guild Award for Best Cast in a Motion Picture for his work in the film Crash. Ludacris also starred in 2 Fast 2 Furious.Ludacris narrated the 2006 Ward Serrill basketball documentary "Heart of the Game." Ludacris recently cut his trademark braids off to project a new image for his upcoming album, Release Therapy.
He recently appeared in the 28 March 2006 episode of Law & Order: Special Victims Unit. Ludacris portrayed Darius Randall, the nephew of Detective Fin Tutuola, portrayed by Ice T.
Disputes
Furthering the controversy, in response to the signing of the Osbourne family, popular music hip-hop mogul, Russell Simmons, organized a boycott against the company. Simmons demanded an apology from Pepsi to Ludacris and a 5 million dollar donation to one of Ludacris' charities. Eventually Simmons and Pepsi settled on an agreement to stop the boycott, right before it was to officially begin-- while Pepsi did not formally apologize to Ludacris, they did agree to donate millions of dollars over years to Russel Simmon Hip-Hop Summit Action Network.
Ludacris' song "Blow It Out" (from the Chicken & Beer album), acted as a scathing response to his critics, namely O'Reilly.
In another song, "Hoes in My Room", he tells a story about anonymous prostitutes being left in his room, and at the end of the last verse he says:
Then it got to my head and Somethin' remind me
I know who let 'em in, it was Bill O'Reilly.
Then, in 2004, in "Number 1 Spot"
Respected highly, Hi Mr. O'Reilly.
Hope all is well, kiss the plaintiff and the wifey.
In a 2006 interview with GQ magazine, Ludacris criticized Oprah Winfrey about his appearance on her show with the cast of the film Crash. During the interview, the conversation veered from the movie and Winfrey chose to speak on Ludacris' lyrical content, which he felt was unfair as he was visiting her show in the capacity of an actor and not a rapper. Also, Ludacris was upset that some of his responses were later edited from the show's airing. He was later joined by other rappers such as 50 Cent, Ice Cube and Killer Mike who argued that Winfrey had an anti-hip hop bias.
Winfrey responded by saying that she's opposed to rap lyrics that "marginalize women," but enjoys some artists, including Kanye West, who appeared on her show. She said she spoke with Ludacris backstage after his appearance to explain her position and said she understood that his music was for entertainment purposes, but that some of his listeners might take it literally. Ludacris later said the media had blown his comments out of proportion and said he respects Winfrey and considers her "a great individual."
In 2004, before the release of his debut album Straight Outta Ca$hville, Nashville, Tennessee native and G-Unit member Young Buck would enlist the services of fellow Atlanta emcee T.I., also known as T.I.P. in his native Bankhead neighborhood of westside Atlanta. They would create a track entitled "Stomp" amid growing tension between Buck's good friend Ludacris and T.I. On the track, T.I. takes subliminal shots at Ludacris including the line "me gettin' beat down, that's ludicrous." Buck, immediately sensing the tension, decided before releasing the track to notify Ludacris that T.I. had mentioned him since he didn't want to position himself as encouraging T.I.'s actions. Ludacris hears the track and asks Buck if he can add his own verse to which Buck agrees. The results end up being costly for T.I. as he is berated throughout Ludacris' verse and called out by name in his last line. Representatives from T.I. notify Buck that T.I.'s vocals will not be cleared for the album unless T.I. is allowed to change his verse, and also have Ludacris change his. Buck refuses this offer and T.I. prohibits his vocals from being used. Buck has hypeman and fellow rapper D-Tay replace T.I. on the song and D-Tay himself is eventually replaced by The Game on the official release.
Although T.I. was removed, the street cut featuring him and Ludacris had already been leaked to DJs in Atlanta and New York. T.I. was unable to stop the track's distribution throughout the streets of the nation at this point. It is widely accepted that T.I. "lost" this battle with Ludacris easily being the victor. The beef between Ludacris and T.I. was then put to an end behind closed doors as T.I. said that the problems between them have ceased.
In 2006 however, T.I. would release his highly anticipated fourth solo album entitled KING. In his Just Blaze produced track titled "I'm Talkin To You," T.I. lyrically attacks one or more unknown targets who have widely been speculated to be either Ludacris, New Orleans emcee Lil Wayne, or Houston rapper Lil' Flip (whom T.I. also had beef with but has since ended their animosity behind closed doors) or a combination of all three. It is still unknown whether or not T.I. was in fact battling Ludacris again or anyone else for that matter at all. A closer listen to the song, however proves that T.I. isnt dissing Ludacris. In one of T.I.s lines he quotes "had it out with 'Cris, but he still my nigga...sat down civilized talked about it like niggas", alluding to the sit down that he and Ludacris had to end their beef. As a matter of fact during the taping of MTV's My Block 'Atlanta', T.I. and Ludacris are shown greeting each other respectfully.
In July of 2006, a track entitled "War with God" would see Ludacris return after some time off in movies. In the track, Ludacris goes on the offensive against an unknown rapper who has sold drugs, and makes repeated references to shooting guns in his songs, isn't as rich as he (Ludacris) and likes to give himself titles - all very well known characteristics and facts directly relating to T.I and Young Jeezy (or countless other less popular rappers) or the newcoming rappers Yung Joc and Young Dro. In this instance it also unknown whether or not Ludacris is indeed aiming his disses at Young Jeezy, T.I. or if the track is even a song recorded recently. Ludacris recently stated that the song was deeper than just a diss, and the song is more about him than anyone else, it's showing that he isn't just the 'cartoon entertainer' type rapper that he has always been portrayed as, when asked about who specific rhymes were aimed at he said "The guilty will speak". The track has been confirmed to be a selection from Ludacris' upcoming album Release Therapy this September. The song is not aimed at Young Jeezy as he features on the latest album. "War with God" uses a beat written by Don Cheegro and Dirty Harry. Hardship took over ludacris and he was under alot of stress by the end of that album.
Area Codes
Ludacris Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've got hoes
In different area codes (area)
Area codes (codes)
Hoes, hoes, hoes
In different area codes (area)
Area codes (codes)
I'm worldwide, bitch, act like y'all don't know
It's the abominable ho man
Globe-trot international postman
Neighbor-dick dope man
7-1-8's, 2-0-2's
I send small cities and states I-O-U's
9-0-1, matter fact 3-0-5
I'll jump off the G4, we can meet outside
So control your hormones and keep your drawers on
'Til I close the door and I'm jumping your bones
3-1-2, 3-1-3 (oh), 2-1-5, 8-0-tree's (oh)
Read your horoscope and eat some hors d'oeuvres
Ten on pump one, these hoes is self serve
7-5-7, 4-1-0's, my cell phone just overloads
I've got hoes
I've got hoes
In different area codes (area)
Area codes (codes)
Hoes, hoes, hoes
In different area codes (area)
Area codes (codes, I've got hoes)
Now every day is a ho-liday
So stop the violence and put the .44 away, skeet, shoot a ho today
5-0-4, 9-7-2
7-1-tree, what you gon' do?
You checking out the scene, I'm checking a ho tonight
With perpendicular vehicular homicide
3-1-4, 2-0-1 (hey)
Too much green, too much fun (hey)
I bang cock in Bangkok
Can't stop, I turn and hit the same spot
Think not, I'm the Thrilla in Manilla
Schlong in Hong Kong
Pimp 'em like Bishop, Magic, Don Juan
Man, after Henny with a coke and a smile
I just pick up the motherfucking phone and dial
I got my condoms in a big ass sack
I'm slangin' this dick like a New Jack, biatch
Is it 'cause they like my gangsta walk? (Gangsta walk)
Is it 'cause they like my gangsta talk? (Gangsta talk)
Is it 'cause they like my handsome face? (Handsome face)
Is it 'cause they like my gangsta ways? (Gangsta ways, ooh)
Whatever it is, they love it
And they just won't let me be (won't let me be)
I handle my biz, don't rush me (area)
Just relax and let me be free (codes)
Whenever I call (I call), come running
2-1-2 or 2-1-3
You know that I ball (I ball), stop fronting (area)
Or I'll call my substitute freak (codes)
I've got hoes
I've got hoes
In different area codes (area)
Area codes (codes)
Hoes, hoes, hoes
In different area codes (area)
Area codes (codes)
I've got (uh) hoes
9-1-6, 4-1-5, 7-0-4
Shout out to the 2-0-6
Everybody in the 8-0-8
Ha, ah, 2-1-6, 7-0-2, 4-1-4
3-1-7, 2-1-4's and the 2-8-1's
3-3-4, 2-0-5, I see y'all
Uh, uh, 3-1-8 and the 6-0-1's, 2-0-tree
8-0-4, 4-0-2, 3-0-1
9-0-4, 4-0-7, 8-5-0
7-0-8, 5-0-2
Hoes in different area codes, know that
Southern Hoes-pitality, Norther Exhoes-ure
Haha, ho ridin' on the West Coast
Hey, dude, over here
In the song "Area Codes," Ludacris talks about having "hoes" (a derogatory word for women) in different area codes. He starts by stating that he has women in different area codes, and that he's worldwide. He mentions various area codes all over the US and even Bangkok, and boasts about his sexual prowess. He seems to have a lot of confidence in himself, and thinks that the women he hooks up with are just drawn to his gangsta status.
The lyrics of "Area Codes" can be interpreted as being misogynistic, as Ludacris objectifies women and reduces them to sexual objects. The song reinforces gender stereotypes, where women are seen as disposable and easily replaceable. Ludacris is also perpetuating the idea that men should be promiscuous, which can be harmful to public health by perpetuating the spread of sexually transmitted infections. Overall, the song can be seen as promoting toxic masculinity and sexism.
Line by Line Meaning
I've got hoes
Ludacris claims to have multiple female sexual partners
In different area codes (area)
These sexual partners are located in various geographical areas, identified by area codes
Area codes (codes)
Repetition of the phrase 'area codes' to emphasize the importance of geographic location in Ludacris' relationships
Hoes, hoes, hoes
Repetition of the word 'hoes' to further emphasize the theme of the song
Area codes (codes, hoes)
Reiteration of the importance of location in Ludacris' relationships and how they are defined by the presence of these women
Now you thought I was just 7-7-0 and 4-0-4?
Ludacris suggests that people may have underestimated the extent of his sexual exploits and presence in different areas
I'm worldwide, bitch, act like y'all don't know
Ludacris asserts that he has sexual partners all over the world and demands recognition for his accomplishments
It's the abominable ho man
Ludacris proudly labels himself as a promiscuous man
Globe-trot international post man
Ludacris describes himself as traveling all over the world to deliver his 'post' (i.e. sexual pleasure) to women in various areas
Neighbor-dick dope man
Ludacris plays on the phrase 'dope man' to indicate that he is a highly sought-after sexual partner in his neighborhood
7-1-8s, 2-0-2's
Ludacris lists different area codes where he has sexual partners
I send small cities and states I-O-U's
Ludacris suggests that he travels to areas to engage in sexual activity and then leaves without paying attention to the consequences of his actions
9-0-1, matter fact 3-0-5
Ludacris appeals to women in these different area codes to engage in sexual activity
I'll jump off the G4, we can meet outside
Ludacris offers to fly to different areas to meet with his sexual partners
So control your hormones and keep your drawers on
Ludacris demands that the women he engages with must practice self-control and maintain their clothing
'Til I close the door and I'm jumping your bones
Ludacris explains that he will only engage in sexual activity after his sexual partners have met his expectations
3-1-2, 3-1-3 (oh), 2-1-5, 8-0-tree's (oh)
Ludacris continues to list different area codes where he has sexual partners
Read your horoscope and eat some hors d'oeuvres
Ludacris suggests that women can engage in sexual activity with him while still carrying out their regular activities (such as reading horoscopes and eating hors d'oeuvres)
Ten on pump one, these hoes is self serve
Ludacris compares the process of women fueling their cars to self-serving women who engage in sexual activity with him
7-5-7, 4-1-0's, my cell phone just overloads
Ludacris suggests that he is in high demand in different areas and his phone is constantly ringing because of the women who want to have sexual relationships with him
Now everyday is a ho-liday
Ludacris implies that every day is an opportunity for him to engage in sexual activity with different women
So stop the violence and put the .44 away, skeet, shoot a ho today
Ludacris ironically suggests that instead of engaging in violent behavior, individuals should resort to having sexual engagements with women
5-0-4, 9-7-2
Ludacris borrows from previous lines and continues to list different area codes where he has sexual partners
7-1-3, what you gon' do?
Ludacris challenges women in this area code to decide whether or not they will engage in sexual activity with him
You checking out the scene, I'm checking a ho tonight
Ludacris suggests that while others may be observing an area, he is focused on finding a sexual partner
With perpendicular vehicular homicide
Ludacris describes his driving as deadly (verging on homicide) as he seeks out sexual partners
3-1-4, 2-0-1 (hey)
Ludacris continues his list of area codes
Too much green, too much fun (hey)
Ludacris suggests that he has both money and pleasure, both of which enable him to engage in sexual activity with different partners
I bang cock in Bangkok
Ludacris suggests that he has sexual partners even in international cities like Bangkok
Can't stop, I turn and hit the same spot
Ludacris suggests that he has found a particular spot in which he is successful in finding sexual partners
Think not, I'm the Thrilla in Manilla
Ludacris compares himself to Muhammad Ali in his ability to win over women's affection
Schlong in Hong Kong
Ludacris uses an explicitly sexual phrase to explain his global reach in finding sexual partners
Pimp 'em like Bishop, Magic, Don Juan
Ludacris compares himself to famous pimps, known for their ability to charm and attract women
Man, after Henny with a coke and a smile
Ludacris describes his preference for drinking Hennessy
I just pick up the motherfucking phone and dial
Ludacris implies that sexual partners are readily available to him, and he simply dials a number to find one
I got my condoms in a big ass sack
Ludacris brags about carrying around a bag filled with condoms
I'm slangin' this dick like a New Jack, biatch
Ludacris compares himself to drug dealers in his ability to 'slang dick'
Is it 'cause they like my gangsta walk? (Gangsta walk)
Ludacris suggests that his confident mannerisms are appealing to women
Is it 'cause they like my gangsta talk? (Gangsta talk)
Ludacris plays on the idea that his rap style is appealing to women
Is it 'cause they like my handsome face? (Handsome face)
Ludacris suggests that his good looks are appealing to women
Is it 'cause they like my gangsta ways? (Gangsta ways, ooh)
Ludacris continues to play on his 'gangsta' persona and the ways in which it might appeal to women
Whatever it is, they love it
Ludacris implies that he doesn't know exactly why women are drawn to him, but he enjoys the attention
And they just won't let me be
Ludacris suggests that women are constantly pursuing him
I handle my biz, don't rush me
Ludacris asserts that he takes his time in engaging with women, and doesn't appreciate being rushed
Just relax and let me be free
Ludacris suggests that women should allow him to engage with them in whatever way he wants
Whenever I call (I call), come running
Ludacris implies that women are always eager to engage in sexual activity with him
2-1-2 or 2-1-3
Ludacris lists different area codes where he can find willing sexual partners
You know that I ball (I ball), stop fronting
Ludacris asserts that he is successful and popular, so women should not pretend not to know about him
Or I'll call my substitute freak (hoes)
Ludacris suggests that he has a backup sexual partner in case the one he intends to engage with isn't interested
9-1-6, 4-1-5, 7-0-4
Ludacris continues his list of area codes where he can find willing sexual partners
Shout out to the 2-0-6
Ludacris gives a shoutout to another area code where he can find willing sexual partners
Everybody in the 8-0-8
Ludacris addresses this specific area code, implying that there are many women there who would be interested in having sexual relationships with him
Ha, ah, 2-1-6, 7-0-2, 4-1-4
Ludacris continues to list different area codes where he can find willing sexual partners
3-1-7, 2-1-4's and the 2-8-1's
Ludacris lists yet more area codes where he can find willing sexual partners
3-3-4, 2-0-5, I see y'all
Ludacris concludes his list of area codes and implies that he is always looking for more sexual partners
Uh, uh, 3-1-8 and the 6-0-1's, 2-0-tree
Ludacris continues to list yet more area codes where he can find willing sexual partners
8-0-4, 4-0-2, 3-0-1
Ludacris concludes his list and emphasizes the multitude of area codes where he has sexual partners
Hoes in different area codes, know that
Ludacris summarizes the theme of the song and reminds his listeners that he has sexual partners in various locations
Southern Hoes-pitality, Norther Exhoes-ure
Ludacris plays on the phrases 'southern hospitality' and 'northern exposure' to describe the regional differences in his sexual partners
Haha, ho ridin' on the west coast
Ludacris suggests that even on the opposite end of the country, he has sexual partners
Ya understand what I'm saying?
Ludacris challenges his listeners to comprehend the extent of his sexual exploits
Uh, uh, hocus pocus, you the dopest
Ludacris uses wordplay to suggest that his sexual partners are top-quality
Uh, hoes to the right, hoes to the left
Ludacris playfully suggests that sexual partners are present on both sides of him
Five hoes this time (woo)
Ludacris implies that he has multiple sexual partners at once
Ho no, haha
Ludacris uses humor to describe his sexual exploits
The Hip-Hop ho-llercoaster, that's what we we on right now
Ludacris uses wordplay to suggest that his life is like a rollercoaster, filled with sexual partners
Haha, no need to get all ho-stile, yeah, woo
Ludacris uses puns to describe the potential for hostility or jealousy among his sexual partners
Def Jam South, baby, Disturbing Tha Peace
Ludacris promotes his record labels at the end of the song
Jazze Pheezy, Uncle Face
Ludacris gives credit to the producers of the song
Ludacris, uh, hoes
Ludacris concludes the song with a final reference to his sexual partners
Lyrics © CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC, THE MUSIC GOES ROUND, REACH MUSIC PUBLISHING, Warner Chappell Music, Inc.
Written by: Christopher Bridges, Billy Nichols, Nathan Hale, Phalon Alexander
Lyrics Licensed & Provided by LyricFind
@SkullstaSouthside
2024 we still here... RIP Nate dogg
@cj-s90
I used to listen to this when I was 63, and now I'm 17. This will forever be a classic 💚
@Supremeking1234
That does not make any sense
@aerokrumpfitness2316
😂😂😂
@gabrieldean4111
@@Supremeking1234you can’t do math
@rominaespinosa
@@Supremeking1234 his name is Benjamin Button
@Supremeking1234
@@rominaespinosa I don’t get it
@benjaminamegatsey3134
Luda just remembered his YouTube password, thanks.
@RockwellAccountabilitySector
Okay he's like let Walk down memory Lane, on this beautiful Friday we're my Pros🤭 💃🏽👏🏽.
@boxshoponlineradio
Bro😂