Early years
Bridges began his music career as a radio personality and DJ as Chris Lova Lova on Hot 97, an urban radio station in Atlanta, Georgia. He made his recorded debut on "Phat Rabbit," a track from Timbaland's 1998 album Tim's Bio: Life from the Basement. Although both Timbaland and Jermaine Dupri showed interest in signing Ludacris, he decided to release the album "Incognegro" independently in 1999. The album sold over 50,000 copies through the Atlanta based independent music distributor, Southern Music Distribution. The same year, he recorded the theme to the video game Madden NFL 2000. Scarface, an original member of the Geto Boys, signed Ludacris in 2000 to Def Jam Recordings, and created a new imprint, Def Jam South, around him.
Back for the First Time
Ludacris released his major label debut, Back for the First Time, in October 2000. The album reached as high as #4 on the charts, and was a major success. Ludacris made his mark on the industry with singles such as "Southern Hospitality" and "What's Your Fantasy", along with his first ever single "Phat Rabbit", from 2 years prior. Back for the First Time was the beginning of Ludacris's explosion to the top of the rap world.
Word of Mouf
Ludacris promptly completed his next album, Word Of Mouf and released it at the end of 2001. Its lead single, "Rollout (My Business)" was boycotted in many American video stations. Despite the controversy, the video was nominated for a 2003 VMA, and Luda performed it live at the awards' pre-show. Ludacris also toured with Papa Roach in 2002 after the release of their sophomore album lovehatetragedy. Ludacris reached a new level of notoriety when TV's Bill O'Reilly expressed outrage that Pepsi had hired Ludacris as a spokesman. O'Reilly repeatedly attacked Ludacris's foul language and called for a nation-wide boycott of Pepsi, who then fired Ludacris and hired Ozzy Osbourne's family instead.
Chicken-N-Beer
During the spring of 2003, Ludacris returned to the music scene after a brief hiatus with a new single, "Act A Fool" from the 2 Fast 2 Furious soundtrack. At around the same time, he released the lead single from his upcoming album, Chicken & Beer, called "P-Poppin" (short for "Pussy Poppin'"). Neither of his new singles were as well-received by either the urban or pop audiences as his previous songs had been, and both music videos received only limited airplay. Chicken & Beer opened strongly, but without a popular single, the album fell quickly.
However, in the fall of 2003, Ludacris rebounded with his next single, "Stand Up", which appeared on both Chicken & Beer as well as the soundtrack for the teen hip-hop/dance movie, Honey. Produced by Kanye West, "Stand Up" went on to become Ludacris' biggest mainstream hit to date, hitting the top spot on the Billboard Hot 100 and garnering heavy airplay on mainstream pop, rhythmic, and urban radio stations, as well as on MTV, MTV2, and BET.
The album's next single, "Splash Waterfalls", was released in early 2004. Though not a pop hit, it became a success at urban radio and BET. It was Ludacris' most sexual video yet and an R&B remix that featured Raphael Saadiq and sampled Tony! Toni! Tone!'s "Whatever You Want". Luda next released "Blow It Out", a gritty song that had a heavily low-budget, gritty, and urban-looking music video, which was a huge departure from the colorful, sensual, R&B leanings depicted in "Splash Waterfalls". "Blow It Out" acted both as a scathing response to the aforementioned criticism levied by Bill O'Reilly and an expression of disgust at Pepsi's cowardice in the affair:
Shout out to Bill O'Reilly, I'm'a throw you a curve
You mad cause I'm a thief and got away with words
I'm'a start my own beverage, it'll calm your nerves
Pepsi's the New Generation?βBlow it out cha ass!
* On 1 June 2006, a federal jury found that "Stand Up" did not infringe on the copyright of a song called "Straight Like That" by a New Jersey group known as I.O.F. "I hope the plaintiffs enjoyed their 15 minutes of fame," Ludacris said after the verdict. "This whole experience is proof to me of why I will always fight for what I believe in."
The Red Light District
The fourth studio album from Ludacris. Although entirely different from the usual antics of the previous albums, Ludacris had taken a more mature approach to his album. Ludacris openly boasted that he may be the only rapper able to keep the Def Jam label afloat. Ludacris had recently filmed and recorded the single "Get Back" in which he was featured a muscle-bounded hulk who was being annoyed by the media and warned his critics to leave him alone. He also was featured on Saturday Night Live playing his song Get Back with Sum 41. The follow-up single was the Austin Powers-inspired "The Number One Spot". It was produced by New York City's Hot 97 personality DJ Green Lantern. It used the Quincy Jones sample of "Soul Bossa Nova" and sped it up to the tempo of Ludacris' rap flow. Ludacris also filmed the video in which he pokes fun at O'Reilly's problems with Andrea Mackris (Hi Mr. O'Reilly / Hope all is well kiss the plaintiff and the wifey). Production credits come also from veteran producers Timbaland, Lil' Jon, The Medicine Men and legendary rapper Doug E. Fresh. Featured artists on the album include Nas, DJ Quik, DMX, Trick Daddy, and Disturbing Tha Peace newcomers Bobby Valentino (of Mista fame) and Dolla Boi and Small World. The album debuted at number one on the Billboard charts. And most recently the rapper had used his opportunity to start his own foundation. The Ludacris Foundation started by Ludacris and Chaka Zulu is an organization that helps young middle and high school students motivate themselves in creative arts. Ludacris also has a daughter by the name of Karma. Ludacris had also participated at the Super Bowl and is the spokesman for the Boost Mobile Phone ad-campaign. Ludacris also received his first Grammy Award with Usher and Lil Jon for their hit single "Yeah"
Release Therapy
In a recent issue of XXL, a hip-hop based magazine, Ludacris was placed in the number nine spot for the most anticipated albums of 2006, for Release Therapy. The album Release Therapy was released on September 26, 2006. Ludacris is going to format the cd to have two sides, a Release side and a Therapy side. With the Release side having songs that allow him to get everything off his chest and the Therapy side being just feel-good music. A song titled "War With God" is one of the confirmed tracks from the upcoming album. The first single, "Money Maker", which features Pharrell, was released to U.S. radio outlets on July 17. Others songs will be : "Tell It Like It Is" (Produced by Elaborate Musik Workshop), "Runaway Love" (Feat. Mary J. Blige) and Woozy (Feat. R. Kelly)[1] "Money Maker" reached number one on the BET 106 & Park Countdown for the first time on September 15, 2006. The album recently reached number 1 on the Billboard 200 album charts with sales of more than 300,000 in its first week.
To promote the album, Ludacris will be hosting and performing on Saturday Night Live 18 November. Ludacris is the second and only rapper to host and perform on the same episode (MC Hammer hosted and performed in 1991, on different episodes ).
Theater of the Mind
Ludacris's 6th album, Theater of the Mind was released on November 24, 2008 it includes the singles "What them Girls Like" Co-Starring Chris Brown and Sean Garrett , "One More Drink" Co-Starring T-Pain, and "Nasty Girl" Co-Starring Piles. The New album peaked at 1 on U.S. Billboard Top Rap Albums and peaked at 5 on U.S. Billboard 200.
Acting career
Ludacris has been acting in film since The Wash in 2001, but his big break came in 2005, where he received critical praise for his roles in the Oscar-winning films Hustle & Flow and Crash. Crash includes an ironic sequence where Ludacris's character is dismissive of hip-hop music. Interestingly, in both films, he is physically beaten by characters played by Terrence Howard. He is occasionally credited as "Chris 'Ludacris' Bridges".
On January 29, 2006 he was awarded with a Screen Actors Guild Award for Best Cast in a Motion Picture for his work in the film Crash. Ludacris also starred in 2 Fast 2 Furious.Ludacris narrated the 2006 Ward Serrill basketball documentary "Heart of the Game." Ludacris recently cut his trademark braids off to project a new image for his upcoming album, Release Therapy.
He recently appeared in the 28 March 2006 episode of Law & Order: Special Victims Unit. Ludacris portrayed Darius Randall, the nephew of Detective Fin Tutuola, portrayed by Ice T.
Disputes
Furthering the controversy, in response to the signing of the Osbourne family, popular music hip-hop mogul, Russell Simmons, organized a boycott against the company. Simmons demanded an apology from Pepsi to Ludacris and a 5 million dollar donation to one of Ludacris' charities. Eventually Simmons and Pepsi settled on an agreement to stop the boycott, right before it was to officially begin-- while Pepsi did not formally apologize to Ludacris, they did agree to donate millions of dollars over years to Russel Simmon Hip-Hop Summit Action Network.
Ludacris' song "Blow It Out" (from the Chicken & Beer album), acted as a scathing response to his critics, namely O'Reilly.
In another song, "Hoes in My Room", he tells a story about anonymous prostitutes being left in his room, and at the end of the last verse he says:
Then it got to my head and Somethin' remind me
I know who let 'em in, it was Bill O'Reilly.
Then, in 2004, in "Number 1 Spot"
Respected highly, Hi Mr. O'Reilly.
Hope all is well, kiss the plaintiff and the wifey.
In a 2006 interview with GQ magazine, Ludacris criticized Oprah Winfrey about his appearance on her show with the cast of the film Crash. During the interview, the conversation veered from the movie and Winfrey chose to speak on Ludacris' lyrical content, which he felt was unfair as he was visiting her show in the capacity of an actor and not a rapper. Also, Ludacris was upset that some of his responses were later edited from the show's airing. He was later joined by other rappers such as 50 Cent, Ice Cube and Killer Mike who argued that Winfrey had an anti-hip hop bias.
Winfrey responded by saying that she's opposed to rap lyrics that "marginalize women," but enjoys some artists, including Kanye West, who appeared on her show. She said she spoke with Ludacris backstage after his appearance to explain her position and said she understood that his music was for entertainment purposes, but that some of his listeners might take it literally. Ludacris later said the media had blown his comments out of proportion and said he respects Winfrey and considers her "a great individual."
In 2004, before the release of his debut album Straight Outta Ca$hville, Nashville, Tennessee native and G-Unit member Young Buck would enlist the services of fellow Atlanta emcee T.I., also known as T.I.P. in his native Bankhead neighborhood of westside Atlanta. They would create a track entitled "Stomp" amid growing tension between Buck's good friend Ludacris and T.I. On the track, T.I. takes subliminal shots at Ludacris including the line "me gettin' beat down, that's ludicrous." Buck, immediately sensing the tension, decided before releasing the track to notify Ludacris that T.I. had mentioned him since he didn't want to position himself as encouraging T.I.'s actions. Ludacris hears the track and asks Buck if he can add his own verse to which Buck agrees. The results end up being costly for T.I. as he is berated throughout Ludacris' verse and called out by name in his last line. Representatives from T.I. notify Buck that T.I.'s vocals will not be cleared for the album unless T.I. is allowed to change his verse, and also have Ludacris change his. Buck refuses this offer and T.I. prohibits his vocals from being used. Buck has hypeman and fellow rapper D-Tay replace T.I. on the song and D-Tay himself is eventually replaced by The Game on the official release.
Although T.I. was removed, the street cut featuring him and Ludacris had already been leaked to DJs in Atlanta and New York. T.I. was unable to stop the track's distribution throughout the streets of the nation at this point. It is widely accepted that T.I. "lost" this battle with Ludacris easily being the victor. The beef between Ludacris and T.I. was then put to an end behind closed doors as T.I. said that the problems between them have ceased.
In 2006 however, T.I. would release his highly anticipated fourth solo album entitled KING. In his Just Blaze produced track titled "I'm Talkin To You," T.I. lyrically attacks one or more unknown targets who have widely been speculated to be either Ludacris, New Orleans emcee Lil Wayne, or Houston rapper Lil' Flip (whom T.I. also had beef with but has since ended their animosity behind closed doors) or a combination of all three. It is still unknown whether or not T.I. was in fact battling Ludacris again or anyone else for that matter at all. A closer listen to the song, however proves that T.I. isnt dissing Ludacris. In one of T.I.s lines he quotes "had it out with 'Cris, but he still my nigga...sat down civilized talked about it like niggas", alluding to the sit down that he and Ludacris had to end their beef. As a matter of fact during the taping of MTV's My Block 'Atlanta', T.I. and Ludacris are shown greeting each other respectfully.
In July of 2006, a track entitled "War with God" would see Ludacris return after some time off in movies. In the track, Ludacris goes on the offensive against an unknown rapper who has sold drugs, and makes repeated references to shooting guns in his songs, isn't as rich as he (Ludacris) and likes to give himself titles - all very well known characteristics and facts directly relating to T.I and Young Jeezy (or countless other less popular rappers) or the newcoming rappers Yung Joc and Young Dro. In this instance it also unknown whether or not Ludacris is indeed aiming his disses at Young Jeezy, T.I. or if the track is even a song recorded recently. Ludacris recently stated that the song was deeper than just a diss, and the song is more about him than anyone else, it's showing that he isn't just the 'cartoon entertainer' type rapper that he has always been portrayed as, when asked about who specific rhymes were aimed at he said "The guilty will speak". The track has been confirmed to be a selection from Ludacris' upcoming album Release Therapy this September. The song is not aimed at Young Jeezy as he features on the latest album. "War with God" uses a beat written by Don Cheegro and Dirty Harry. Hardship took over ludacris and he was under alot of stress by the end of that album.
Growing Pains
Ludacris Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
High rights, low lefts, even stevens and fades
Troops, Lottos, and BKs, those was the days
Hi-tec boots spray painted witcha names
T-shirts airbrushed that read the same
Thick herringbone chain, one gold with yo' initial
Harris Photos, group shots, can you remember?
Barry him told his bitch go to the prom and die
When she disobeyed, had North Clayton crazed
Just to reiterate dog those was the days
Fo' the invasions of haters, man crews from all around
Used to get down at True Flavas, bumpin Key Lo
Rockin Damage, Cross Colour and Paco
While playboys stepped in talent shows
Prom night, tux and Kangol was so cool
Fuck them new model cars we ridin' old school (old school)
We were tryin so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
In 3 months we stayed in Jamestown
Hamwood and Diplomats
Played with Transformers, G.I. Joe's and Thundercats
We was lovin' that
Before they started jackin' jacks
For notes from Red Oaks had folks scared to come through
College Park after dark, Crown Victorias police unmarked cars
Be aware, Wayne Williams was out there, but we ain't care
Kids was gettin' stabbed and ditched out there too busy playin'
Double dare ya touch shorty on the ass, that's a bet
Want your Kool-Aid and sugar, smack your hands and say "sweat"
It's mine now place it in my Louis Vuitton pouch
Thump a nigga on his knuckles make him say ouch
Slouch socks, box Chevy Caprice
Hot Niss, cut da whole Disturbin' Tha Peace
Wit no conscience, broke niggas call 'em non cents
No comments, it's Lil' Fate payin' homage to College Park
We were tryin' so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
I had a Long John but no Silver, no gold or plat
I was simply red from the years I been holdin' back
With two sides to a book I lick stamps and light matches
And set fires in garbage pails and cabbage patches
A child of the corn been wild since I was born
Climbin' over barbed wire, clothes got torn
Shoes got muddy and my clique turned cruddy
Wherever I go they went they my buddies
I brush teeth, brush naps and calm streets
Dreamin' of Cadillacs, wood wheels and plush seats
Cats with gold teeth and raps with such beats
Macks with no grief and some sacks of green leaf
When I loaded my cap gun I was ready for action
Starin' at beer cans and a moment to crack one
Wanna hang with the big boys and play with the big toys
And be with the people makin' all that got damn noise, man
We were tryin' so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
We were tryin' so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
The song "Growing Pains" specifically talks about the experiences that Ludacris had growing up as a kid in the 1980s. The song is a reminiscence of his childhood, where he tells the story of how he and his friends wore hi-tec boots, T-shirts airbrushed can you remember? Thick herring-bone chains, and so on. Ludacris describes how they rode "old school," lowrider cars, which upstaged the newer models but, the lyrics highlight the activities of the youths who were always busy and having fun. They used to play with toys like Thundercats, G.I. Joe's, and Transformers. Even with all of this, life during the 80s was tough, and people had to stay strong and survive no matter what they went through.
The lyrics also touch on the issue of violence and crime as a part of that era. Despite the horrifying events happening, people were still trying to have fun and live their lives to the fullest. They had to go through uncertain situations, just like the death of Boom's friend, who killed himself because his girlfriend didn't adhere to instructions on going to the prom. There were also frequent stabbings, Wayne Williams' killings in College Park, and others that put a scare to the locals. Through all of this, Ludacris and his crew had to stick together as they navigated these challenging times.
Overall, the song's lyrics are nostalgic and sentimental, and they paint a picture of how life was like in the 80s for an aspiring rapper and his friends. It shows their resilience and ability to survive amidst difficulties and challenging circumstances.
Line by Line Meaning
Okay, I remember the days
I recall the old times
High rights, low lefts, even stevens and fades
Different types of haircuts were in fashion
Troops, Lottos, and BKs, those was the days
Popular shoe brands during that time
Hi-tec boots spray painted witcha names
Shoes customized with spray paint
T-shirts airbrushed that read the same
Matching customized shirts
Thick herringbone chain, one gold with yo' initial
Gold necklace with personalization
Harris Photos, group shots, can you remember?
Memories of old group photos
Barry him told his bitch go to the prom and die
A story of someone committing suicide after their prom date disobeyed them
Didn't lie shot his-self in the head with the 4-5
The suicide was committed by shooting oneself in the head using a .45 caliber gun
When she disobeyed, had North Clayton crazed
The incident caused a commotion in the North Clayton area
Just to reiterate dog those was the days
Again, recalling the old times
Fo' the invasions of haters, man crews from all around
The rise of hate groups and gangs in different places
Used to get down at True Flavas, bumpin Key Lo
Going to True Flavas to dance to music by Key Lo
Rockin Damage, Cross Colour and Paco
Wearing clothing brands like Damage, Cross Colour, and Paco
While playboys stepped in talent shows
Participating in talent shows with friends
Prom night, tux and Kangol was so cool
Dressing up for prom night, wearing a tux and Kangol hat was considered cool
Fuck them new model cars we ridin' old school (old school)
Preferring older car models instead of new ones
We were tryin so hard
We were putting in a lot of effort
Hard to survive
It was difficult to make it through
'Cause even though we were young
Even though we were just kids
We had to stay strong
We needed to be resilient
No matter what we went through
Despite the hardships we faced
It was me and my crew
It was us and our group of friends that supported each other
And that's how it went
That was our experience
When we were kids
When we were younger
In 3 months we stayed in Jamestown
Relocating to a new place for a brief period
Hamwood and Diplomats
Other places we stayed in
Played with Transformers, G.I. Joe's and Thundercats
Playing with popular toys from that time
We was lovin' that
We enjoyed it
Before they started jackin' jacks
Before jacks started getting stolen
For notes from Red Oaks had folks scared to come through
People were afraid to go through Red Oaks due to incidents where currency was stolen
College Park after dark, Crown Victorias police unmarked cars
Being cautious of unmarked police cars in College Park at night
Be aware, Wayne Williams was out there, but we ain't care
Being cautious of Wayne Williams, but not letting it affect our daily life
Kids was gettin' stabbed and ditched out there too busy playin'
Although violent incidents happened, we still focused on playing
Double dare ya touch shorty on the ass, that's a bet
A dare to touch someone's behind
Want your Kool-Aid and sugar, smack your hands and say "sweat"
Demanding someone's drink and adding insult to injury
It's mine now place it in my Louis Vuitton pouch
Taking someone's possession and putting it in a luxury bag
Thump a nigga on his knuckles make him say ouch
Inflicting pain on someone by hitting their knuckles
Slouch socks, box Chevy Caprice
Wearing slouch socks and riding in a box Chevy Caprice
Hot Niss, cut da whole Disturbin' Tha Peace
Driving a Nissan and causing a disturbance
Wit no conscience, broke niggas call 'em non cents
People without morals are often referred to by poor people as worthless
No comments, it's Lil' Fate payin' homage to College Park
No further explanation, Lil' Fate is giving tribute to College Park
I had a Long John but no Silver, no gold or plat
Having long underwear but not owning any expensive metals
I was simply red from the years I been holdin' back
Feeling restricted and held back for a long time
With two sides to a book I lick stamps and light matches
Being two-faced and engaging in destructive behavior
And set fires in garbage pails and cabbage patches
Starting fires in trash cans and vegetable fields
A child of the corn been wild since I was born
Growing up in rural areas and having a wild spirit from a young age
Climbin' over barbed wire, clothes got torn
Climbing over sharp fencing and damaging clothes
Shoes got muddy and my clique turned cruddy
Shoes got dirty and our group started acting poorly
Wherever I go they went they my buddies
Wherever I went, my friends would come along
I brush teeth, brush naps and calm streets
Maintaining personal hygiene and staying out of trouble
Dreamin' of Cadillacs, wood wheels and plush seats
Aspiring to drive luxury cars with wooden wheels and comfortable seats
Cats with gold teeth and raps with such beats
Rappers with gold teeth and songs with great beats
Macks with no grief and some sacks of green leaf
Pimps with no worries and bags of marijuana
When I loaded my cap gun I was ready for action
Feeling prepared for excitement when holding a cap gun
Starin' at beer cans and a moment to crack one
Looking at beer cans and eagerly waiting to open one
Wanna hang with the big boys and play with the big toys
Wanting to be with the popular people and play with their toys
And be with the people makin' all that got damn noise, man
Being with the loud and exciting crowd
Lyrics Β© Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Christopher Brian Bridges, Arbie Wilson, William Bell, Booker T. Jones
Lyrics Licensed & Provided by LyricFind
VAW DIESEL
This song means so much to me. It makes me feel such a way , I really appreciate this song. πΆ β€οΈ Okay, I remember the days
High rights, low lefts, even stevens and fades
Troops, Lottos, and BKs, those was the days
Hi-tec boots spray painted witcha names
T-shirts airbrushed that read the same
Thick herringbone chain, one gold with yo' initial
Harris Photos, group shots, can you remember?
Barry him told his bitch go to the prom and die
Didn't lie shot his-self in the head with the 4-5
When she disobeyed, had North Clayton crazed
Just to reiterate dog those was the days
Fo' the invasions of haters, man crews from all around
Used to get down at True Flavas, bumpin Key Lo
Rockin Damage, Cross Colour and Paco
While playboys stepped in talent shows
Prom night, tux and Kangol was so cool
Fuck them new model cars we ridin' old school (old school)
We were tryin so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
In 3 months we stayed in Jamestown
Hamwood and Diplomats
Played with Transformers, G.I. Joe's and Thundercats
We was lovin' that
Before they started jackin' jacks
For notes from Red Oaks had folks scared to come through
College Park after dark, Crown Victorias police unmarked cars
Be aware, Wayne Williams was out there, but we ain't care
Kids was gettin' stabbed and ditched out there too busy playin'
Double dare ya touch shorty on the ass, that's a bet
Want your Kool-Aid and sugar, smack your hands and say "sweat"
It's mine now place it in my Louis Vuitton pouch
Thump a nigga on his knuckles make him say ouch
Slouch socks, box Chevy Caprice
Hot Niss, cut da whole Disturbin' Tha Peace
Wit no conscience, broke niggas call 'em non cents
No comments, it's Lil' Fate payin' homage to College Park
We were tryin' so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
I had a Long John but no Silver, no gold or plat
I was simply red from the years I been holdin' back
With two sides to a book I lick stamps and light matches
And set fires in garbage pails and cabbage patches
A child of the corn been wild since I was born
Climbin' over barbed wire, clothes got torn
Shoes got muddy and my clique turned cruddy
Wherever I go they went they my buddies
I brush teeth, brush naps and calm streets
Dreamin' of Cadillacs, wood wheels and plush seats
Cats with gold teeth and raps with such beats
Macks with no grief and some sacks of green leaf
When I loaded my cap gun I was ready for action
Starin' at beer cans and a moment to crack one
Wanna hang with the big boys and play with the big toys
And be with the people makin' all that got damn noise, man
We were tryin' so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When we were kids
We were tryin' so hard
Hard to survive
'Cause even though we were young
We had to stay strong
No matter what we went through
It was me and my crew
And that's how it went
When were kids
Zye Walker
This song use to take me to another world when I was a teenager.. now it takes me back to a world I use to know. Truly incredible record. I will never treat Ludacris like he lost relevance, got too corny, or too Hollywood. This song got me through shit
Karl H. Boee
no doubt 100% 2023, remember bumpin this CD. still do ;P
User1663
This song holds a dear spot in my heartβ€οΈ
Adh...Lemonwaffles
Iβm a country boy. βChild of the corn been wild since I was born climbing over barbed wire clothes got tornβ is most of my memories lol
Muzdok Official
One of Ludacris best. We all can relate to the lyrics. Old good days 100%
Imani Love
My brother showed me this when I was in high school. RIP big bro I love you so much. Just one of many classics you showed me
this comment is 1 year old
Just want to thank everyone for the love shown for my big bro and even some said they experienced the same and I pray that yβalls family is laying peacefully β€οΈ
Still Free
That's so sad but beautiful I'm sorry for your loss I know how it feels to lose loved ones
YGDBanks AiritOut
RIP this is da perfect song to reminisce and smoke too
David H
Your brother was showing you them real songs! I feel like he'd be hella chill R.I.P.
He's still with you through music
πΌβ€οΈπ΅β€οΈπΆ
Phil Edwards
Imani Love Stay strong. Youβll see him again. This is just temporary. Joy wouldnβt feel so good if it wasnβt for pain... this dream will be over soon.