Early years
Bridges began his music career as a radio personality and DJ as Chris Lova Lova on Hot 97, an urban radio station in Atlanta, Georgia. He made his recorded debut on "Phat Rabbit," a track from Timbaland's 1998 album Tim's Bio: Life from the Basement. Although both Timbaland and Jermaine Dupri showed interest in signing Ludacris, he decided to release the album "Incognegro" independently in 1999. The album sold over 50,000 copies through the Atlanta based independent music distributor, Southern Music Distribution. The same year, he recorded the theme to the video game Madden NFL 2000. Scarface, an original member of the Geto Boys, signed Ludacris in 2000 to Def Jam Recordings, and created a new imprint, Def Jam South, around him.
Back for the First Time
Ludacris released his major label debut, Back for the First Time, in October 2000. The album reached as high as #4 on the charts, and was a major success. Ludacris made his mark on the industry with singles such as "Southern Hospitality" and "What's Your Fantasy", along with his first ever single "Phat Rabbit", from 2 years prior. Back for the First Time was the beginning of Ludacris's explosion to the top of the rap world.
Word of Mouf
Ludacris promptly completed his next album, Word Of Mouf and released it at the end of 2001. Its lead single, "Rollout (My Business)" was boycotted in many American video stations. Despite the controversy, the video was nominated for a 2003 VMA, and Luda performed it live at the awards' pre-show. Ludacris also toured with Papa Roach in 2002 after the release of their sophomore album lovehatetragedy. Ludacris reached a new level of notoriety when TV's Bill O'Reilly expressed outrage that Pepsi had hired Ludacris as a spokesman. O'Reilly repeatedly attacked Ludacris's foul language and called for a nation-wide boycott of Pepsi, who then fired Ludacris and hired Ozzy Osbourne's family instead.
Chicken-N-Beer
During the spring of 2003, Ludacris returned to the music scene after a brief hiatus with a new single, "Act A Fool" from the 2 Fast 2 Furious soundtrack. At around the same time, he released the lead single from his upcoming album, Chicken & Beer, called "P-Poppin" (short for "Pussy Poppin'"). Neither of his new singles were as well-received by either the urban or pop audiences as his previous songs had been, and both music videos received only limited airplay. Chicken & Beer opened strongly, but without a popular single, the album fell quickly.
However, in the fall of 2003, Ludacris rebounded with his next single, "Stand Up", which appeared on both Chicken & Beer as well as the soundtrack for the teen hip-hop/dance movie, Honey. Produced by Kanye West, "Stand Up" went on to become Ludacris' biggest mainstream hit to date, hitting the top spot on the Billboard Hot 100 and garnering heavy airplay on mainstream pop, rhythmic, and urban radio stations, as well as on MTV, MTV2, and BET.
The album's next single, "Splash Waterfalls", was released in early 2004. Though not a pop hit, it became a success at urban radio and BET. It was Ludacris' most sexual video yet and an R&B remix that featured Raphael Saadiq and sampled Tony! Toni! Tone!'s "Whatever You Want". Luda next released "Blow It Out", a gritty song that had a heavily low-budget, gritty, and urban-looking music video, which was a huge departure from the colorful, sensual, R&B leanings depicted in "Splash Waterfalls". "Blow It Out" acted both as a scathing response to the aforementioned criticism levied by Bill O'Reilly and an expression of disgust at Pepsi's cowardice in the affair:
Shout out to Bill O'Reilly, I'm'a throw you a curve
You mad cause I'm a thief and got away with words
I'm'a start my own beverage, it'll calm your nerves
Pepsi's the New Generation?—Blow it out cha ass!
* On 1 June 2006, a federal jury found that "Stand Up" did not infringe on the copyright of a song called "Straight Like That" by a New Jersey group known as I.O.F. "I hope the plaintiffs enjoyed their 15 minutes of fame," Ludacris said after the verdict. "This whole experience is proof to me of why I will always fight for what I believe in."
The Red Light District
The fourth studio album from Ludacris. Although entirely different from the usual antics of the previous albums, Ludacris had taken a more mature approach to his album. Ludacris openly boasted that he may be the only rapper able to keep the Def Jam label afloat. Ludacris had recently filmed and recorded the single "Get Back" in which he was featured a muscle-bounded hulk who was being annoyed by the media and warned his critics to leave him alone. He also was featured on Saturday Night Live playing his song Get Back with Sum 41. The follow-up single was the Austin Powers-inspired "The Number One Spot". It was produced by New York City's Hot 97 personality DJ Green Lantern. It used the Quincy Jones sample of "Soul Bossa Nova" and sped it up to the tempo of Ludacris' rap flow. Ludacris also filmed the video in which he pokes fun at O'Reilly's problems with Andrea Mackris (Hi Mr. O'Reilly / Hope all is well kiss the plaintiff and the wifey). Production credits come also from veteran producers Timbaland, Lil' Jon, The Medicine Men and legendary rapper Doug E. Fresh. Featured artists on the album include Nas, DJ Quik, DMX, Trick Daddy, and Disturbing Tha Peace newcomers Bobby Valentino (of Mista fame) and Dolla Boi and Small World. The album debuted at number one on the Billboard charts. And most recently the rapper had used his opportunity to start his own foundation. The Ludacris Foundation started by Ludacris and Chaka Zulu is an organization that helps young middle and high school students motivate themselves in creative arts. Ludacris also has a daughter by the name of Karma. Ludacris had also participated at the Super Bowl and is the spokesman for the Boost Mobile Phone ad-campaign. Ludacris also received his first Grammy Award with Usher and Lil Jon for their hit single "Yeah"
Release Therapy
In a recent issue of XXL, a hip-hop based magazine, Ludacris was placed in the number nine spot for the most anticipated albums of 2006, for Release Therapy. The album Release Therapy was released on September 26, 2006. Ludacris is going to format the cd to have two sides, a Release side and a Therapy side. With the Release side having songs that allow him to get everything off his chest and the Therapy side being just feel-good music. A song titled "War With God" is one of the confirmed tracks from the upcoming album. The first single, "Money Maker", which features Pharrell, was released to U.S. radio outlets on July 17. Others songs will be : "Tell It Like It Is" (Produced by Elaborate Musik Workshop), "Runaway Love" (Feat. Mary J. Blige) and Woozy (Feat. R. Kelly)[1] "Money Maker" reached number one on the BET 106 & Park Countdown for the first time on September 15, 2006. The album recently reached number 1 on the Billboard 200 album charts with sales of more than 300,000 in its first week.
To promote the album, Ludacris will be hosting and performing on Saturday Night Live 18 November. Ludacris is the second and only rapper to host and perform on the same episode (MC Hammer hosted and performed in 1991, on different episodes ).
Theater of the Mind
Ludacris's 6th album, Theater of the Mind was released on November 24, 2008 it includes the singles "What them Girls Like" Co-Starring Chris Brown and Sean Garrett , "One More Drink" Co-Starring T-Pain, and "Nasty Girl" Co-Starring Piles. The New album peaked at 1 on U.S. Billboard Top Rap Albums and peaked at 5 on U.S. Billboard 200.
Acting career
Ludacris has been acting in film since The Wash in 2001, but his big break came in 2005, where he received critical praise for his roles in the Oscar-winning films Hustle & Flow and Crash. Crash includes an ironic sequence where Ludacris's character is dismissive of hip-hop music. Interestingly, in both films, he is physically beaten by characters played by Terrence Howard. He is occasionally credited as "Chris 'Ludacris' Bridges".
On January 29, 2006 he was awarded with a Screen Actors Guild Award for Best Cast in a Motion Picture for his work in the film Crash. Ludacris also starred in 2 Fast 2 Furious.Ludacris narrated the 2006 Ward Serrill basketball documentary "Heart of the Game." Ludacris recently cut his trademark braids off to project a new image for his upcoming album, Release Therapy.
He recently appeared in the 28 March 2006 episode of Law & Order: Special Victims Unit. Ludacris portrayed Darius Randall, the nephew of Detective Fin Tutuola, portrayed by Ice T.
Disputes
Furthering the controversy, in response to the signing of the Osbourne family, popular music hip-hop mogul, Russell Simmons, organized a boycott against the company. Simmons demanded an apology from Pepsi to Ludacris and a 5 million dollar donation to one of Ludacris' charities. Eventually Simmons and Pepsi settled on an agreement to stop the boycott, right before it was to officially begin-- while Pepsi did not formally apologize to Ludacris, they did agree to donate millions of dollars over years to Russel Simmon Hip-Hop Summit Action Network.
Ludacris' song "Blow It Out" (from the Chicken & Beer album), acted as a scathing response to his critics, namely O'Reilly.
In another song, "Hoes in My Room", he tells a story about anonymous prostitutes being left in his room, and at the end of the last verse he says:
Then it got to my head and Somethin' remind me
I know who let 'em in, it was Bill O'Reilly.
Then, in 2004, in "Number 1 Spot"
Respected highly, Hi Mr. O'Reilly.
Hope all is well, kiss the plaintiff and the wifey.
In a 2006 interview with GQ magazine, Ludacris criticized Oprah Winfrey about his appearance on her show with the cast of the film Crash. During the interview, the conversation veered from the movie and Winfrey chose to speak on Ludacris' lyrical content, which he felt was unfair as he was visiting her show in the capacity of an actor and not a rapper. Also, Ludacris was upset that some of his responses were later edited from the show's airing. He was later joined by other rappers such as 50 Cent, Ice Cube and Killer Mike who argued that Winfrey had an anti-hip hop bias.
Winfrey responded by saying that she's opposed to rap lyrics that "marginalize women," but enjoys some artists, including Kanye West, who appeared on her show. She said she spoke with Ludacris backstage after his appearance to explain her position and said she understood that his music was for entertainment purposes, but that some of his listeners might take it literally. Ludacris later said the media had blown his comments out of proportion and said he respects Winfrey and considers her "a great individual."
In 2004, before the release of his debut album Straight Outta Ca$hville, Nashville, Tennessee native and G-Unit member Young Buck would enlist the services of fellow Atlanta emcee T.I., also known as T.I.P. in his native Bankhead neighborhood of westside Atlanta. They would create a track entitled "Stomp" amid growing tension between Buck's good friend Ludacris and T.I. On the track, T.I. takes subliminal shots at Ludacris including the line "me gettin' beat down, that's ludicrous." Buck, immediately sensing the tension, decided before releasing the track to notify Ludacris that T.I. had mentioned him since he didn't want to position himself as encouraging T.I.'s actions. Ludacris hears the track and asks Buck if he can add his own verse to which Buck agrees. The results end up being costly for T.I. as he is berated throughout Ludacris' verse and called out by name in his last line. Representatives from T.I. notify Buck that T.I.'s vocals will not be cleared for the album unless T.I. is allowed to change his verse, and also have Ludacris change his. Buck refuses this offer and T.I. prohibits his vocals from being used. Buck has hypeman and fellow rapper D-Tay replace T.I. on the song and D-Tay himself is eventually replaced by The Game on the official release.
Although T.I. was removed, the street cut featuring him and Ludacris had already been leaked to DJs in Atlanta and New York. T.I. was unable to stop the track's distribution throughout the streets of the nation at this point. It is widely accepted that T.I. "lost" this battle with Ludacris easily being the victor. The beef between Ludacris and T.I. was then put to an end behind closed doors as T.I. said that the problems between them have ceased.
In 2006 however, T.I. would release his highly anticipated fourth solo album entitled KING. In his Just Blaze produced track titled "I'm Talkin To You," T.I. lyrically attacks one or more unknown targets who have widely been speculated to be either Ludacris, New Orleans emcee Lil Wayne, or Houston rapper Lil' Flip (whom T.I. also had beef with but has since ended their animosity behind closed doors) or a combination of all three. It is still unknown whether or not T.I. was in fact battling Ludacris again or anyone else for that matter at all. A closer listen to the song, however proves that T.I. isnt dissing Ludacris. In one of T.I.s lines he quotes "had it out with 'Cris, but he still my nigga...sat down civilized talked about it like niggas", alluding to the sit down that he and Ludacris had to end their beef. As a matter of fact during the taping of MTV's My Block 'Atlanta', T.I. and Ludacris are shown greeting each other respectfully.
In July of 2006, a track entitled "War with God" would see Ludacris return after some time off in movies. In the track, Ludacris goes on the offensive against an unknown rapper who has sold drugs, and makes repeated references to shooting guns in his songs, isn't as rich as he (Ludacris) and likes to give himself titles - all very well known characteristics and facts directly relating to T.I and Young Jeezy (or countless other less popular rappers) or the newcoming rappers Yung Joc and Young Dro. In this instance it also unknown whether or not Ludacris is indeed aiming his disses at Young Jeezy, T.I. or if the track is even a song recorded recently. Ludacris recently stated that the song was deeper than just a diss, and the song is more about him than anyone else, it's showing that he isn't just the 'cartoon entertainer' type rapper that he has always been portrayed as, when asked about who specific rhymes were aimed at he said "The guilty will speak". The track has been confirmed to be a selection from Ludacris' upcoming album Release Therapy this September. The song is not aimed at Young Jeezy as he features on the latest album. "War with God" uses a beat written by Don Cheegro and Dirty Harry. Hardship took over ludacris and he was under alot of stress by the end of that album.
P-Poppin'
Ludacris Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
On a handstand
On my American bandstands
Summer-salts, cartwheels bitch just keep on dancing
And feel this dick-dick getting out of control-trol
Oh no keep going till a nigga like me say stop
Let it kiss the sky and then make it drop
Tuck and twist if you don't like it, you're fuckin' Cris
I'm rubbing clits so stay and catch don't try to duck and miss
Do your stretches don't pull no hamstrings
You got me moving, in fact you doing the damn thing
Stronger muscles exercise every part of your body hurts
Let's do this sweating, thank God your bath and body works
I like a woman that makes her own doe, don't need a lot of help
But your heart'll melt if I put a thousand in your garder belt
Lip gloss traces, your pierced in 11 places
And your lips downtown just made some familiar faces like whoa!
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
Add a chapter to this pussy popping legacy
Trying ta be that bitch, can't no bitch come fuck wit me
When I pop that Cris I'm only business and bubbly
When I'm in the 6 wit 20's spinning I'm luxury
'Cause I got that head game
Fuckin' up that bed frame
But don't get me wrong, shawty gon' let that lead aim
Better learn that game shawty
Better get your man shawty
'Fore he end up tamed and be gone all in the brain shawty
This here be futuristic
This business so explicit
The way I break it down for you bitches, it's so explicit
Let it go now front, back, watch me drop it like that
Show me where the money at
Boy come wit them hunnid stacks
Breakin' wit that pussy popping
That pussy dropping to the flo'
And got these niggas slobbin'
He wantin' mo', without that dope, papi can't nothin' happen
'Cause that's fo' sho, I'm from the GOAT, you gettin' that pussy poppin'
Stopping that pussy dropping gone
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
Every time we hit the club
We at least 50 deep
Smokin' purple, potent, green shit got everybody geeked
In the club 7 days a week, find DTP up in this beesh
That ho popping, dropping, Goddamn shawty who is this?
Redbone wit a Scorpio tatted on her tummy
I'm sitting slouched back in the chair, stunting, waving money
And shawty star, zig zagging her derriere for me
A bowlegged thoroughbred and said her name was "Strawberry"
Up her pussy, shawty pushed in a whole bottle of Moe'
Reached in my pocket grabbed a G and then threw it on the flo'
"Here, you deserve this doe. Now jump on stage and work a pole"
Face down, ass up hoe, hands on poles
Now pop that coochie, you know the procedure
If you want this cash, gotta make that ass shake like a seizure
Either magic or please us
Find me spending cheese up
Maxing out my visa
Tricking on strip teasers
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy pussy popping
Head down, pussy popping on a handstand
The lyrics to Ludacris's song P-Poppin describe a raunchy, highly sexualized party atmosphere. The first verse talks about women engaging in acrobatic and highly suggestive dancing, doing "Chinese splits" while sliding "on down that pole." Ludacris urges the women to keep going until he says stop and describes his own engagement in sexual activities with a woman, including "rubbing clits" and the use of explicit language. The second verse is from the perspective of a female rapper, who talks about her own sexual prowess and her ability to make men do whatever she wants, as long as she's satisfied first. The final verses describe a highly debauched and hedonistic party scene, with Ludacris throwing money at strippers and indulging in a lifestyle of excess and pleasure.
This song is highly controversial due to its explicit sexual content, which many view as objectifying and degrading to women. Nevertheless, it has remained popular due to its catchy beat and infectious chorus. It has also been criticized for promoting drug use and a highly materialistic lifestyle. Despite this, the song remains a classic example of Ludacris's signature style, which blends playful humor with provocative and sexually explicit lyrics.
Line by Line Meaning
Head down, pussy pussy popping
The woman is gyrating her hips and moving her body sensually.
Head down, pussy popping on a handstand
The woman is performing a sexual dance move while upside down on her hands.
On a handstand
The woman is upside down on her hands while performing a sexual dance move.
On my American bandstands
Performing a sexual dance move on a handstand, like on the American Bandstand show in the 60s.
Summer-salts, cartwheels bitch just keep on dancing
Performing acrobatic moves while still dancing sensually.
Chinese splits-splits slide on down that pole-pole
The woman is performing a dance move that involves sliding down a pole while performing a split.
And feel this dick-dick getting out of control-trol
The man is becoming sexually aroused and his penis is getting hard.
Oh no keep going till a nigga like me say stop
The man wants the woman to continue dancing until he tells her to stop.
Let it kiss the sky and then make it drop
The man wants the woman to perform a provocative move with her hips, where her buttocks drop to just above the ground.
Tuck and twist if you don't like it, you're fuckin' Cris
The man is telling the woman to change her dance move if she doesn't like it, as it's his song and his name is Cris.
I'm rubbing clits so stay and catch don't try to duck and miss
The man is sexually stimulating the woman while she dances, so she should stay close to him and not move away.
Do your stretches don't pull no hamstrings
The man is advising the woman to stretch before dancing, as she may hurt herself if she doesn't.
You got me moving, in fact you doing the damn thing
The man is pleased with the woman's dancing, as she is moving in a way that is making him excited.
Stronger muscles exercise every part of your body hurts
Dancing can be physically demanding and may make a person's muscles sore the next day.
Let's do this sweating, thank God your bath and body works
Dancing can make a person sweat, but it's okay as long as they use bath and body products to stay fresh.
I like a woman that makes her own doe, don't need a lot of help
The man is attracted to financially independent women who don't need him to support them.
But your heart'll melt if I put a thousand in your garder belt
Although the man likes independent women, he enjoys spoiling them with money and gifts.
Lip gloss traces, your pierced in 11 places
The woman has visible signs of her sexuality, including a pierced belly button and lip gloss.
And your lips downtown just made some familiar faces like whoa!
The woman has performed oral sex on people in the area and the man recognizes them.
Add a chapter to this pussy popping legacy
The man is referring to the history of sexually suggestive dancing and wants to continue that tradition.
Trying ta be that bitch, can't no bitch come fuck wit me
The man is saying that no other woman can out-dance or out-perform the one he's dancing with.
When I pop that Cris I'm only business and bubbly
The man becomes more focused and buzzed when he drinks Cristal champagne.
When I'm in the 6 wit 20's spinning I'm luxury
When the man is riding in a fancy sports car with expensive rims, he feels luxurious and powerful.
'Cause I got that head game
The man is skilled at performing oral sex on women.
Fuckin' up that bed frame
The man is having intense sex that is breaking the bed frame.
But don't get me wrong, shawty gon' let that lead aim
The woman is not just passive during sex, but also has control and power.
Better learn that game shawty
The man advises the woman to learn how to have sexual power and control.
Better get your man shawty
The man is hinting that there are other men who would appreciate the woman's sexual prowess.
'Fore he end up tamed and be gone all in the brain shawty
The man is saying that if a man doesn't properly appreciate the woman's sexual skills, he could become crazy and obsessed with her.
This here be futuristic
The man is saying that his song is ahead of its time and pushing the boundaries of sexual expression.
This business so explicit
The man is warning that the sexual content of his song may be too extreme for some listeners.
The way I break it down for you bitches, it's so explicit
The man is explaining that his song is so explicit that he has to break down the sexual content for listeners.
Let it go now front, back, watch me drop it like that
The man is instructing the woman to move her hips in different ways while he watches.
Show me where the money at
The man is asking the woman to show him her financial worth or independence.
Boy come wit them hunnid stacks
The man is saying that he has a lot of money and is looking for someone who can match him financially.
Breakin' wit that pussy popping
The woman's dance move involves provocative hip movements that are sexually suggestive.
That pussy dropping to the flo'
The woman's buttocks are moving in a suggestive way, dropping towards the ground.
And got these niggas slobbin'
The man is saying that other men are drooling over the woman's sexual moves and appearance.
He wantin' mo', without that dope, papi can't nothin' happen
The man is saying that he wants more sex from the woman, but he needs drugs to perform.
'Cause that's fo' sho, I'm from the GOAT, you gettin' that pussy poppin'
The man is saying that he is confident in his own ability to perform sexually and is getting the woman to perform sexually.
Every time we hit the club
The man and his entourage go to the club frequently.
We at least 50 deep
The man and his entourage are a large group and they travel together.
Smokin' purple, potent, green shit got everybody geeked
The man and his entourage are smoking marijuana and it's making them high and excited.
In the club 7 days a week, find DTP up in this beesh
The man and his entourage are at the club every day of the week, and everyone knows who they are (DTP).
That ho popping, dropping, Goddamn shawty who is this?
The man sees a woman dancing provocatively and is impressed, wanting to know who she is.
Redbone wit a Scorpio tatted on her tummy
The woman is biracial (a mix of Black and White) and has a tattoo of the Scorpio zodiac sign on her stomach.
I'm sitting slouched back in the chair, stunting, waving money
The man is sitting back in his chair, casually showing off his wealth by waving money around.
And shawty star, zig zagging her derriere for me
The woman is dancing provocatively and moving her buttocks in a sexually suggestive way, trying to impress the man.
A bowlegged thoroughbred and said her name was "Strawberry"
The woman has an attractive physique with shapely legs and introduced herself as "Strawberry".
Up her pussy, shawty pushed in a whole bottle of Moe'
The woman inserted a bottle of Moet & Chandon champagne into her vagina.
Reached in my pocket grabbed a G and then threw it on the flo'
The man took out $1,000 (a G) and threw it on the dance floor to impress the woman.
"Here, you deserve this doe. Now jump on stage and work a pole"
The man gave the woman money as a reward for her provocative dancing and encouraged her to dance on a pole on stage.
Face down, ass up hoe, hands on poles
The woman is dancing face down and buttocks up, holding onto a pole with her hands.
Now pop that coochie, you know the procedure
The man is encouraging the woman to continue dancing and move her hips in a suggestive way.
If you want this cash, gotta make that ass shake like a seizure
The man is saying that if the woman wants to continue receiving money, she needs to keep dancing provocatively and moving her buttocks in a rhythmic way.
Either magic or please us
The man is saying that the woman must either have magical dancing skills or be willing to please men sexually.
Find me spending cheese up
The man is saying that he spends a lot of money on women.
Maxing out my visa
The man is saying that he spends so much money on women that he has reached the limit on his credit card.
Tricking on strip teasers
The man is spending a lot of money on women who are stripping.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Warner Chappell Music, Inc.
Written by: Chad Hugo, Christopher Bridges, Zukhan Bey, Rashawna Guy, Michael L Tyler, Rb Wilson, Pharrell Williams
Lyrics Licensed & Provided by LyricFind
@goodvibestv707
Besides Tip Drill, this video right here was the best BET Uncut/ Jack Material video of all times 😂
@daaamn001
Masterpiece🔥🔥
@animelandia503
Yo estaba pequeño cuando vi ese video y me encantó,
@user-vh4ny9lf8j
🥰😘