Early years
Bridges began his music career as a radio personality and DJ as Chris Lova Lova on Hot 97, an urban radio station in Atlanta, Georgia. He made his recorded debut on "Phat Rabbit," a track from Timbaland's 1998 album Tim's Bio: Life from the Basement. Although both Timbaland and Jermaine Dupri showed interest in signing Ludacris, he decided to release the album "Incognegro" independently in 1999. The album sold over 50,000 copies through the Atlanta based independent music distributor, Southern Music Distribution. The same year, he recorded the theme to the video game Madden NFL 2000. Scarface, an original member of the Geto Boys, signed Ludacris in 2000 to Def Jam Recordings, and created a new imprint, Def Jam South, around him.
Back for the First Time
Ludacris released his major label debut, Back for the First Time, in October 2000. The album reached as high as #4 on the charts, and was a major success. Ludacris made his mark on the industry with singles such as "Southern Hospitality" and "What's Your Fantasy", along with his first ever single "Phat Rabbit", from 2 years prior. Back for the First Time was the beginning of Ludacris's explosion to the top of the rap world.
Word of Mouf
Ludacris promptly completed his next album, Word Of Mouf and released it at the end of 2001. Its lead single, "Rollout (My Business)" was boycotted in many American video stations. Despite the controversy, the video was nominated for a 2003 VMA, and Luda performed it live at the awards' pre-show. Ludacris also toured with Papa Roach in 2002 after the release of their sophomore album lovehatetragedy. Ludacris reached a new level of notoriety when TV's Bill O'Reilly expressed outrage that Pepsi had hired Ludacris as a spokesman. O'Reilly repeatedly attacked Ludacris's foul language and called for a nation-wide boycott of Pepsi, who then fired Ludacris and hired Ozzy Osbourne's family instead.
Chicken-N-Beer
During the spring of 2003, Ludacris returned to the music scene after a brief hiatus with a new single, "Act A Fool" from the 2 Fast 2 Furious soundtrack. At around the same time, he released the lead single from his upcoming album, Chicken & Beer, called "P-Poppin" (short for "Pussy Poppin'"). Neither of his new singles were as well-received by either the urban or pop audiences as his previous songs had been, and both music videos received only limited airplay. Chicken & Beer opened strongly, but without a popular single, the album fell quickly.
However, in the fall of 2003, Ludacris rebounded with his next single, "Stand Up", which appeared on both Chicken & Beer as well as the soundtrack for the teen hip-hop/dance movie, Honey. Produced by Kanye West, "Stand Up" went on to become Ludacris' biggest mainstream hit to date, hitting the top spot on the Billboard Hot 100 and garnering heavy airplay on mainstream pop, rhythmic, and urban radio stations, as well as on MTV, MTV2, and BET.
The album's next single, "Splash Waterfalls", was released in early 2004. Though not a pop hit, it became a success at urban radio and BET. It was Ludacris' most sexual video yet and an R&B remix that featured Raphael Saadiq and sampled Tony! Toni! Tone!'s "Whatever You Want". Luda next released "Blow It Out", a gritty song that had a heavily low-budget, gritty, and urban-looking music video, which was a huge departure from the colorful, sensual, R&B leanings depicted in "Splash Waterfalls". "Blow It Out" acted both as a scathing response to the aforementioned criticism levied by Bill O'Reilly and an expression of disgust at Pepsi's cowardice in the affair:
Shout out to Bill O'Reilly, I'm'a throw you a curve
You mad cause I'm a thief and got away with words
I'm'a start my own beverage, it'll calm your nerves
Pepsi's the New Generation?—Blow it out cha ass!
* On 1 June 2006, a federal jury found that "Stand Up" did not infringe on the copyright of a song called "Straight Like That" by a New Jersey group known as I.O.F. "I hope the plaintiffs enjoyed their 15 minutes of fame," Ludacris said after the verdict. "This whole experience is proof to me of why I will always fight for what I believe in."
The Red Light District
The fourth studio album from Ludacris. Although entirely different from the usual antics of the previous albums, Ludacris had taken a more mature approach to his album. Ludacris openly boasted that he may be the only rapper able to keep the Def Jam label afloat. Ludacris had recently filmed and recorded the single "Get Back" in which he was featured a muscle-bounded hulk who was being annoyed by the media and warned his critics to leave him alone. He also was featured on Saturday Night Live playing his song Get Back with Sum 41. The follow-up single was the Austin Powers-inspired "The Number One Spot". It was produced by New York City's Hot 97 personality DJ Green Lantern. It used the Quincy Jones sample of "Soul Bossa Nova" and sped it up to the tempo of Ludacris' rap flow. Ludacris also filmed the video in which he pokes fun at O'Reilly's problems with Andrea Mackris (Hi Mr. O'Reilly / Hope all is well kiss the plaintiff and the wifey). Production credits come also from veteran producers Timbaland, Lil' Jon, The Medicine Men and legendary rapper Doug E. Fresh. Featured artists on the album include Nas, DJ Quik, DMX, Trick Daddy, and Disturbing Tha Peace newcomers Bobby Valentino (of Mista fame) and Dolla Boi and Small World. The album debuted at number one on the Billboard charts. And most recently the rapper had used his opportunity to start his own foundation. The Ludacris Foundation started by Ludacris and Chaka Zulu is an organization that helps young middle and high school students motivate themselves in creative arts. Ludacris also has a daughter by the name of Karma. Ludacris had also participated at the Super Bowl and is the spokesman for the Boost Mobile Phone ad-campaign. Ludacris also received his first Grammy Award with Usher and Lil Jon for their hit single "Yeah"
Release Therapy
In a recent issue of XXL, a hip-hop based magazine, Ludacris was placed in the number nine spot for the most anticipated albums of 2006, for Release Therapy. The album Release Therapy was released on September 26, 2006. Ludacris is going to format the cd to have two sides, a Release side and a Therapy side. With the Release side having songs that allow him to get everything off his chest and the Therapy side being just feel-good music. A song titled "War With God" is one of the confirmed tracks from the upcoming album. The first single, "Money Maker", which features Pharrell, was released to U.S. radio outlets on July 17. Others songs will be : "Tell It Like It Is" (Produced by Elaborate Musik Workshop), "Runaway Love" (Feat. Mary J. Blige) and Woozy (Feat. R. Kelly)[1] "Money Maker" reached number one on the BET 106 & Park Countdown for the first time on September 15, 2006. The album recently reached number 1 on the Billboard 200 album charts with sales of more than 300,000 in its first week.
To promote the album, Ludacris will be hosting and performing on Saturday Night Live 18 November. Ludacris is the second and only rapper to host and perform on the same episode (MC Hammer hosted and performed in 1991, on different episodes ).
Theater of the Mind
Ludacris's 6th album, Theater of the Mind was released on November 24, 2008 it includes the singles "What them Girls Like" Co-Starring Chris Brown and Sean Garrett , "One More Drink" Co-Starring T-Pain, and "Nasty Girl" Co-Starring Piles. The New album peaked at 1 on U.S. Billboard Top Rap Albums and peaked at 5 on U.S. Billboard 200.
Acting career
Ludacris has been acting in film since The Wash in 2001, but his big break came in 2005, where he received critical praise for his roles in the Oscar-winning films Hustle & Flow and Crash. Crash includes an ironic sequence where Ludacris's character is dismissive of hip-hop music. Interestingly, in both films, he is physically beaten by characters played by Terrence Howard. He is occasionally credited as "Chris 'Ludacris' Bridges".
On January 29, 2006 he was awarded with a Screen Actors Guild Award for Best Cast in a Motion Picture for his work in the film Crash. Ludacris also starred in 2 Fast 2 Furious.Ludacris narrated the 2006 Ward Serrill basketball documentary "Heart of the Game." Ludacris recently cut his trademark braids off to project a new image for his upcoming album, Release Therapy.
He recently appeared in the 28 March 2006 episode of Law & Order: Special Victims Unit. Ludacris portrayed Darius Randall, the nephew of Detective Fin Tutuola, portrayed by Ice T.
Disputes
Furthering the controversy, in response to the signing of the Osbourne family, popular music hip-hop mogul, Russell Simmons, organized a boycott against the company. Simmons demanded an apology from Pepsi to Ludacris and a 5 million dollar donation to one of Ludacris' charities. Eventually Simmons and Pepsi settled on an agreement to stop the boycott, right before it was to officially begin-- while Pepsi did not formally apologize to Ludacris, they did agree to donate millions of dollars over years to Russel Simmon Hip-Hop Summit Action Network.
Ludacris' song "Blow It Out" (from the Chicken & Beer album), acted as a scathing response to his critics, namely O'Reilly.
In another song, "Hoes in My Room", he tells a story about anonymous prostitutes being left in his room, and at the end of the last verse he says:
Then it got to my head and Somethin' remind me
I know who let 'em in, it was Bill O'Reilly.
Then, in 2004, in "Number 1 Spot"
Respected highly, Hi Mr. O'Reilly.
Hope all is well, kiss the plaintiff and the wifey.
In a 2006 interview with GQ magazine, Ludacris criticized Oprah Winfrey about his appearance on her show with the cast of the film Crash. During the interview, the conversation veered from the movie and Winfrey chose to speak on Ludacris' lyrical content, which he felt was unfair as he was visiting her show in the capacity of an actor and not a rapper. Also, Ludacris was upset that some of his responses were later edited from the show's airing. He was later joined by other rappers such as 50 Cent, Ice Cube and Killer Mike who argued that Winfrey had an anti-hip hop bias.
Winfrey responded by saying that she's opposed to rap lyrics that "marginalize women," but enjoys some artists, including Kanye West, who appeared on her show. She said she spoke with Ludacris backstage after his appearance to explain her position and said she understood that his music was for entertainment purposes, but that some of his listeners might take it literally. Ludacris later said the media had blown his comments out of proportion and said he respects Winfrey and considers her "a great individual."
In 2004, before the release of his debut album Straight Outta Ca$hville, Nashville, Tennessee native and G-Unit member Young Buck would enlist the services of fellow Atlanta emcee T.I., also known as T.I.P. in his native Bankhead neighborhood of westside Atlanta. They would create a track entitled "Stomp" amid growing tension between Buck's good friend Ludacris and T.I. On the track, T.I. takes subliminal shots at Ludacris including the line "me gettin' beat down, that's ludicrous." Buck, immediately sensing the tension, decided before releasing the track to notify Ludacris that T.I. had mentioned him since he didn't want to position himself as encouraging T.I.'s actions. Ludacris hears the track and asks Buck if he can add his own verse to which Buck agrees. The results end up being costly for T.I. as he is berated throughout Ludacris' verse and called out by name in his last line. Representatives from T.I. notify Buck that T.I.'s vocals will not be cleared for the album unless T.I. is allowed to change his verse, and also have Ludacris change his. Buck refuses this offer and T.I. prohibits his vocals from being used. Buck has hypeman and fellow rapper D-Tay replace T.I. on the song and D-Tay himself is eventually replaced by The Game on the official release.
Although T.I. was removed, the street cut featuring him and Ludacris had already been leaked to DJs in Atlanta and New York. T.I. was unable to stop the track's distribution throughout the streets of the nation at this point. It is widely accepted that T.I. "lost" this battle with Ludacris easily being the victor. The beef between Ludacris and T.I. was then put to an end behind closed doors as T.I. said that the problems between them have ceased.
In 2006 however, T.I. would release his highly anticipated fourth solo album entitled KING. In his Just Blaze produced track titled "I'm Talkin To You," T.I. lyrically attacks one or more unknown targets who have widely been speculated to be either Ludacris, New Orleans emcee Lil Wayne, or Houston rapper Lil' Flip (whom T.I. also had beef with but has since ended their animosity behind closed doors) or a combination of all three. It is still unknown whether or not T.I. was in fact battling Ludacris again or anyone else for that matter at all. A closer listen to the song, however proves that T.I. isnt dissing Ludacris. In one of T.I.s lines he quotes "had it out with 'Cris, but he still my nigga...sat down civilized talked about it like niggas", alluding to the sit down that he and Ludacris had to end their beef. As a matter of fact during the taping of MTV's My Block 'Atlanta', T.I. and Ludacris are shown greeting each other respectfully.
In July of 2006, a track entitled "War with God" would see Ludacris return after some time off in movies. In the track, Ludacris goes on the offensive against an unknown rapper who has sold drugs, and makes repeated references to shooting guns in his songs, isn't as rich as he (Ludacris) and likes to give himself titles - all very well known characteristics and facts directly relating to T.I and Young Jeezy (or countless other less popular rappers) or the newcoming rappers Yung Joc and Young Dro. In this instance it also unknown whether or not Ludacris is indeed aiming his disses at Young Jeezy, T.I. or if the track is even a song recorded recently. Ludacris recently stated that the song was deeper than just a diss, and the song is more about him than anyone else, it's showing that he isn't just the 'cartoon entertainer' type rapper that he has always been portrayed as, when asked about who specific rhymes were aimed at he said "The guilty will speak". The track has been confirmed to be a selection from Ludacris' upcoming album Release Therapy this September. The song is not aimed at Young Jeezy as he features on the latest album. "War with God" uses a beat written by Don Cheegro and Dirty Harry. Hardship took over ludacris and he was under alot of stress by the end of that album.
U Got A Problem?
Ludacris Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come see this ol' light-skinned motherfucker
I seen him and I'm addicted
Disturbing tha Peace is the clique
Please tell these fake-ass niggas who you are
I be that nigga named Luda
Alert! alert! it's the ATLien intruder
I Jam 'til they Def, they call me Slick Dick the Ruler
Women, indeed! Keep yo' eyes closed
'Bow blows, come on out them clothes, hoes
Low-pros, low blows, watch out for the po-pos
And I chose to be that number-one contender
Southern offender, fucking up your whole agenda
When I walk, you try to run, when I run, you try to hide
You skate at the snap of my fingers, call me Golden Glide
It's you and I, do or die, who am I?
I got a pocket full of family stones, cats think I'm Sly
Oh, why try? You one of them niggas that like to cheat death
And I'm one of them niggas
That rip out Excursions 'til there's no seats left
You shit out wheat Chex, and fart out deep breaths
While we toss darts at the bottom of y'all V-necks
Who, that nigga 'Cris?
Aww, that nigga's aight
That nigga can't fuck with me, though!
Let me get on the mic
Nigga, who the fuck are you, nigga?
I be that nigga Bronze Bridges
Players wanna ball but go on strike 'cause of my pitches
They think I want they bitches
But I don't want no pigeons, yeah, pigeons can scrub my dishes
And y'all don't want no scrubs 'til y'all pull out y'all extensions
Y'all in school detention and'll never come out
Man, I'll cut your achilles tendon and put a sock in your mouth
'Cause we the shit in the South, Fate know what I'm talking about
You see we Jack and we Daniel, y'all Earl and Ralph
4-Ize, twirl it out, lick it dry and tend it to flames
Not even Joshua can come to war with these games
These bitch niggas is lame and comin' down with the rain
You all wet behind the ears but it's a drought in your brain
And that's the simple and plain mayne, three-W dot, shhhh...
Man, that dude Luder's got some hotter-than-hot shhh...
Well sh-sh-sh-shut the fuck up
Before you get cu-cu-cut-cut the fuck up
Hold on man, hold on, lil buddy
Y'all talkin 'bout shorty, man?
Shorty up at the radio station, man?
Shorty be popping, man!
I'm saying, let the name be known!
Who y'all talmbout?
I be that nigga the Lova-Lova
I'm nastier than thinking about your parents sex each other
No glove, no love, better tell your dick to run for cover
So when lightning strikes, you'll be safe on a few rubbers
If you know what I mean!
Not everybody's Mr. and Mrs. Clean
Some get burnt like Freddy Krueger, sweet dreams
Girls "backin' they ass up," now they 400 Degreez, ha
Hot girl, trying to give to niggas up on the block, girl
Have you screaming, "Stop, girl!"
I rock worlds with my nine inch Louisville slugger
Still wonder why they call me Lova-Lova?
Self-explanitor-ium, ass valedictorian
I bring 'em Back to the Future like a '85 Delorean
The Luda drug emporium on the counter prescriptions
You like my diction and my doctor/nurse convention
I place the stethoscope quite close to your titty
And have your buttcheeks red, man, like Uncle Quilly
See me
See me, hahahaha
CEO, DTP
Infamous 2-0, Fate Forrester
4-Eezy
Shondreezy on da beat
Playaz Circle,Tity Boi
College Park, nigga
Virgo, nigga, what-what
Ahh, ahh-ahh, ahh
Ahh, ahh-ahh, ahh
The lyrics of Ludacris's song U Got A Problem portray a notorious image of the rapper, with his confident and audacious delivery. In the beginning, he boasts about his fame and popularity, introducing himself as Luda, the ATLlien intruder. He claims to be the number one contender, a southern offender who can mess up anyone's agenda with his presence, and people try to hide and run to save themselves from him. With his charismatic and slick persona, he can quickly manipulate women, and he jokes about it through his lyrics when he says "Women indeed, keep ya eyes closed, keep yo' eyes closed, 'bow blows, come on out dem clothes hos."
Next, he passes the mic to Bronze Bridges, who identifies himself as a player who can make others go on strike because of his pitches. He further boasts about his masculinity and how women who act as players (pigeons) can scrub his dishes but should stay away from him. The next verse is of Lova Lova, who shows off his sexual prowess and claims to be nastier than thinking about one's parents having sex with each other. He emphasizes the importance of using protection while having sex and later ends his verse with sexual innuendos.
Overall, the song is a symbol of the gangsta rap style of the 1990s and 2000s, which focuses on boasting, sexual fantasies, and flexing about one's power and masculinity.
Line by Line Meaning
Yeah come see this nigga
Introducing someone worth seeing.
come see this ol' light-skinned motherfucker
The singer is boasting about how good he looks.
I seen him and I'm addicted
The singer has seen this person and is now infatuated.
Disturbin Tha Piece is the click
Disturbing the peace is the artist's group or crew.
Please tell these fake-ass niggaz who you are
Asking the person he's introducing to tell people who he is and not to pretend to be someone else.
I be dat nigga named Luda'
The singer's nickname is Luda'.
Alert Alert! It's the ATLlien intruder
The singer is from Atlanta and describes himself as an intruder.
College Park waterboy, spit in the c-cooler
The artist is from College Park, Atlanta and worked as a waterboy. He also describes himself as a rapper.
I Jam till they Def, they call me Slick Dick Da Ruler
The artist's rapping style is so good that people call him Slick Dick Da Ruler.
Women indeed, keep ya eyes closed
The artist suggests that ladies should keep their eyes closed, implying he's attractive.
Keep yo' eyes closed, 'bow blows, come on out dem clothes hos
As above, the singer suggests women should strip.
Low pros, low bows, watch out for the po-po
The artist is warning his crew to keep a low profile and watch out for the police.
And I chose, to be dat numba one contender
The singer believes he's the top rapper and will challenge anyone for that top spot.
Southern offender, fuckin up ya whole agenda
The singer from the Southern states is offending someone and ruining their plan.
When I walk you try to run, when I run you try to hide
People are scared of the singer.
You skate at the snap of my fingers call me Golden Glide
People follow the artist's lead with ease.
Its you and I, Do or Die, who am I?
A call to action to determine who among them deserves to be called a true rapper.
I got a pocket full of Family Stone, cats think I'm Sly
The singer has much influence and power.
Ohh why try? You one of dem niggaz that like to cheat death
The singer advises someone who enjoys taking risks.
And I'm one of dem niggaz that rip out Excursions til there's no seats left
The artist is aggressive and destructive.
You shit out wheat chex, and fart out deep breaths
The person being addressed is unimpressive or lacking in skill.
While we toss darts at the bottom of y'all v-necks
The artist is physically attacking someone.
Who, that nigga 'Cris?
Someone is inquiring about Ludacris.
Aw dat nigga is aight
The artist is underwhelmed by Ludacris.
Dat nigga can't fuck wit me though!
The singer is confident in their superiority to Ludacris.
Let me get on the mic
The singer wants a turn to rap.
Nigga, who the fuck are you nigga?
The singer questions someone's identity.
I be dat nigga Bronze Bridges
The person is introduced as Bronze Bridges.
Playaz wanna ball but go on strike cause of my pitches
The artist is boasting about their ability to throw curveballs.
They think I want they be-itches
People assume that the singer wants their girlfriends.
But I don't want no pigeons yet pigeons can scrub my dishes
The singer doesn't want unattractive women, but would use them for cooking and cleaning.
And y'all don't want no scrubs til y'all pull out y'all extensions
The artist is describing how people hide their true selves.
Y'all in school detention that'll neva come out
The artist is saying that the people he's addressing are stuck in a rut and won't get out anytime soon.
Man I'll cut yo achilles tendon and put a sock in yo' mouth
The artist threatens to physically harm someone.
Cause we da shit in the South, they know what I'm talkin bout
The singer is claiming that he and his crew are the best in the South.
You see we Jack and we Daniels, y'all Earl and Ralph
The artist and his friends are cool and suave while the people he's speaking to are not.
4-Ize twirl it out, lick it dry and tend it to flames
One of the rapper's friends is bragging about their ability with a microphone.
Not even Joshua can come to War wit dese Games
The singer is tough competition and is referencing the biblical story of Joshua.
These bitch niggaz is lame and come down wit da reigns
The people he's addressing are weak and uncool.
You all wet behind the ears but its a drought in ya brain
The person doesn't have much life experience, but also lacks intelligence.
and that's the simple and plain mayne, three w dot shhhh
The artist wraps up his rap with a simple statement: www.
(Man that dude Luder's got some hotter than hot shhh)
Someone is acknowledging Ludacris's talent.
Well sh-sh-sh-shut the fuck up
The dialogue between the two parties is tense.
Before you get cu-cu-cut-cut the fuck up
Someone is threatening to harm the person they're talking to.
Hold on man, hold on lil buddy
The tone is calming down a bit.
Y'all talkin bout shorty man?
The conversation may have shifted to a new topic or person.
Shorty up at da radio station?
The singer is asking if someone works at a radio station.
Shorty be poppin man?
The artist is wondering if Shorty is popular.
Let the name be known who y'all talkin bout
The singer wants to know specifically who the people he's speaking to are talking about.
I be dat nigga da Lova Lova
The person being talked about is introduced as the Lova Lova.
I'm nastier than thinkin about yo' parents sex each other
The Lova Lova is giving an example of how nasty they are.
No glove, no love, betta tell yo' dick to run for cover
The Lova Lova is saying if there's no condom, don't have sex or something bad will happen.
So when lightnin strikes, you can be safe on a few rubbers
The Lova Lova is saying condoms are necessary.
if you know what I mean!
The Lova Lova is implying he has a sexually suggestive meaning behind his lyrics.
Not everybody's Mr and Mrs. Clean
People aren't always honest or pure.
Some get burnt like Freddie Kruger, sweat dreams
Those who are dishonest are punished or crushed.
Girls 'backin dey ass up' now they 400 Degreez, ha
Girls are showing off their bodies and dance moves.
Hot girl, tryin to give to niggaz up on the block girl
A girl is trying to give herself to guys on the street.
Have you screamin "STOP GIRL!"
Someone is trying to reject the advances of the hot girl.
I rock worlds with my nine inch Louisville slugga
The Lova Lova is bragging about his sexual prowess.
Still wonder why they call me Lova Lova?
The Lova Lova is questioning why he's called by that name.
Self-explanitorium, ass-valedictorian
The Lova Lova is highlighting some of his unique traits and accomplishments.
I bring 'em "Back to the Future" like a '85 Delorean
The Lova Lova is referencing the movie Back to the Future and saying he's bringing people to the future.
The Luda drug emporium, ON the counter prescriptions
Ludacris's rap is like a drug and is readily available.
You like my diction and my doctor/nurse convention
People like the Lova Lova's sexual lines.
I place the stethoscope quite close to yo tittie
The Lova Lova is being more explicit about his sexual advances.
and have yo butt checks Red-man like Uncle Quilly
The Lova Lova is talking about anal sex and how it may cause someone's cheeks to become red, like Uncle Quilly.
See me, see me ha ha ha
A playful end to the rap song.
CEO, D.T.P.
The artist is the CEO of Disturbing tha Peace record label.
Infamous 2-0, Fate Forsta
The artist is shouting out some of his friends who helped work on the song.
4-ize-zy, Shondrez-zy on da beat
The singer is thanking some people who helped produce the song.
Playa Circle to ya boy, College Park nigga
The artist is shouting out his neighborhood and a group called Playa Circle.
Virgo nigga, what wha?
The singer is saying he's a Virgo.
ahh ahh ahh....
A playful end to the song, a call and response with the audience.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Christopher Bridges, Shondrae Crawford
Lyrics Licensed & Provided by LyricFind
A R
This album was bananas. And this intro song was by far one of my favorites of this whole era of music. I remember having a sound system and BUMPING this in my Jeep! Hardest beat and energy and wordplay!
Christopher Miller
I listened to this album every day back in 2000 going from 8th grade to ninth grade....damn, 20 years ago...I'm 34 now.
Nugs McDankerson
I swear if you told luda to do a full album of intro songs it would be the most ridiculous album of all time
TWOxTONE
Big facts
Keyshawn Brown
Mans speaking facts
Sponky Czar
so true
Craig Curry
@Nugs. FACTZ!!!!!!!!!!
gravekeepersven82
Facts!
Adam Garnes
2019 and this beat still goes hard 🔥🔥🔥🔥
James Warren III
Hell Yeah