Clair de lune
Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German pianis… Read Full Bio ↴Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German pianist and composer of the transitional period between the late Classical and early Romantic eras. He is often regarded as one of the most brilliant, prolific and influential composers of all time.
Beethoven is widely regarded as a master of musical construction, sometimes sketching the architecture of a movement before he had decided upon the subject matter. He was one of the first composers to systematically and consistently use interlocking thematic devices, or 'germ-motives', to achieve unity between movements in long compositions. (Some insight into the meaning of the germ-motive device is given at the end of this bio.) Equally remarkable was his use of source-motives', which recurred in many different compositions and lent some unity to his life’s work. He made innovations in almost every form of music he touched. For example, he diversified even the well-crystallised form of the rondo, making it more elastic and spacious, which brought it closer to sonata form. He was mostly inspired by the natural course of nature, and liked to write songs describing nature.
Beethoven composed in a great variety of genres, including symphonies, concerti, piano sonatas, other instrumental sonatas (including for violin), string quartets and other chamber music, masses, lieder, and one opera.
Beethoven's compositional career is usually divided into Early, Middle, and Late periods:
In the Early (Classical) period, he is seen as emulating his great predecessors Haydn and Mozart, while concurrently exploring new directions and gradually expanding the scope and ambition of his work. Some important pieces from the Early period are the first and second symphonies, the first six string quartets, the first three piano concertos, and the first twenty piano sonatas, including the famous "Pathétique" and "Moonlight" sonatas.
The Middle (Heroic) period began shortly after Beethoven's personal crisis centering around his encroaching deafness. The period is noted for large-scale works expressing heroism and struggle; these include many of the most famous works of classical music. Middle period works include six symphonies (numbers 3 to 8), the fourth and fifth piano concertos, the triple concerto and violin concerto, five string quartets (numbers 7 to 11), the next seven piano sonatas (including the "Waldstein" and the "Appassionata"), and Beethoven's only opera, Fidelio.
Beethoven's Late (Romantic) period began around 1816. The Late-period works are characterised by intellectual depth, intense and highly personal expression, and formal innovation (for example, the Op. 131 string quartet has seven linked movements, and the Ninth Symphony adds choral forces to the orchestra in the last movement). Works of this period also include the Missa Solemnis, the last five string quartets, and the last five piano sonatas.
Deconstructing the sonata form, both in the overall schema (movements, tempos) and in the micro-form, Beethoven began to use germinal ideas propelling the whole melodic, harmonic, and rhythmic progression. In the first quartet of the group (E flat major, Op.127 – February 1825), the Adagio has five variations (in this case, a source-theme becomes the backbone of the tempo). That same year, in July, Quartet in A minor, Op.132, features a first movement with the traditional two themes, but without contrast; they display and disseminate sub-sections and ‘germs’ in a circular frame, interlocking with each other. Beethoven's germ-motive is like a Bach choral, summoning the other voices around itself.
The last quartet, Op. 135 in F major, was composed in a downplayed form, going back to a more traditional four-tempo structure. But internally one finds the same frozen micro-structure: the first movement is harmonically ambiguous, whereas the scherzo sounds like Bartók, and in the finale, the canon ‘Es muss sein’ plays a joyful role. A terrible grave comes in afterward, to dissolve into a soft pizzicato: adieu music, adieu life . It was never heard by the now deaf Beethoven, and he died shortly afterward.
Beethoven is widely regarded as a master of musical construction, sometimes sketching the architecture of a movement before he had decided upon the subject matter. He was one of the first composers to systematically and consistently use interlocking thematic devices, or 'germ-motives', to achieve unity between movements in long compositions. (Some insight into the meaning of the germ-motive device is given at the end of this bio.) Equally remarkable was his use of source-motives', which recurred in many different compositions and lent some unity to his life’s work. He made innovations in almost every form of music he touched. For example, he diversified even the well-crystallised form of the rondo, making it more elastic and spacious, which brought it closer to sonata form. He was mostly inspired by the natural course of nature, and liked to write songs describing nature.
Beethoven composed in a great variety of genres, including symphonies, concerti, piano sonatas, other instrumental sonatas (including for violin), string quartets and other chamber music, masses, lieder, and one opera.
Beethoven's compositional career is usually divided into Early, Middle, and Late periods:
In the Early (Classical) period, he is seen as emulating his great predecessors Haydn and Mozart, while concurrently exploring new directions and gradually expanding the scope and ambition of his work. Some important pieces from the Early period are the first and second symphonies, the first six string quartets, the first three piano concertos, and the first twenty piano sonatas, including the famous "Pathétique" and "Moonlight" sonatas.
The Middle (Heroic) period began shortly after Beethoven's personal crisis centering around his encroaching deafness. The period is noted for large-scale works expressing heroism and struggle; these include many of the most famous works of classical music. Middle period works include six symphonies (numbers 3 to 8), the fourth and fifth piano concertos, the triple concerto and violin concerto, five string quartets (numbers 7 to 11), the next seven piano sonatas (including the "Waldstein" and the "Appassionata"), and Beethoven's only opera, Fidelio.
Beethoven's Late (Romantic) period began around 1816. The Late-period works are characterised by intellectual depth, intense and highly personal expression, and formal innovation (for example, the Op. 131 string quartet has seven linked movements, and the Ninth Symphony adds choral forces to the orchestra in the last movement). Works of this period also include the Missa Solemnis, the last five string quartets, and the last five piano sonatas.
Deconstructing the sonata form, both in the overall schema (movements, tempos) and in the micro-form, Beethoven began to use germinal ideas propelling the whole melodic, harmonic, and rhythmic progression. In the first quartet of the group (E flat major, Op.127 – February 1825), the Adagio has five variations (in this case, a source-theme becomes the backbone of the tempo). That same year, in July, Quartet in A minor, Op.132, features a first movement with the traditional two themes, but without contrast; they display and disseminate sub-sections and ‘germs’ in a circular frame, interlocking with each other. Beethoven's germ-motive is like a Bach choral, summoning the other voices around itself.
The last quartet, Op. 135 in F major, was composed in a downplayed form, going back to a more traditional four-tempo structure. But internally one finds the same frozen micro-structure: the first movement is harmonically ambiguous, whereas the scherzo sounds like Bartók, and in the finale, the canon ‘Es muss sein’ plays a joyful role. A terrible grave comes in afterward, to dissolve into a soft pizzicato: adieu music, adieu life . It was never heard by the now deaf Beethoven, and he died shortly afterward.
Clair de lune
Ludwig van Beethoven Lyrics
We have lyrics for 'Clair de lune' by these artists:
...And You Will Know Us by the Trail of Dead Well the mood settled down Once the movie hit town You know…
12. Dame Moura Lympany Debussy: Clair De Lune "Votre âme est un paysage choisi Que vont charmant masques e…
A-P-M Productions Au clair de la lune, Mon ami Pierrot, Prête-moi ta plume Pou…
Amiel The year comes as the sun sets my eyes swell with…
André Kostelanetz And His Orchestra Lune de miel Nunca sabré cómo tu alma ha encendido…
Arkadis Qui cherche à comprendre ma solitude On préfère condamner me…
B.J. Cole Il fait nuit dans ma tête Le bonheur du mal-être Courir au…
Billy Vaughn and His Orchestra Lune de miel Nunca sabré cómo tu alma ha encendido…
Christine Hoberg If I would know you, would you know me, If I…
E. Oks Brilhou Sob o clarão da lua Ao som de um cantar Oh musa…
Flight Facilities If I would know you, would you know me, If I…
Flight Facilities (Feat. Christine Hoberg) If I would know you, would you know me, If I…
Flight Facilities & Adventure Club If I would know you, would you know me, If I…
Flight Facilities feat. Christ If I would know you, would you know me, If I…
Flight Facilities feat. Christine Hoberg If I would know you, would you know me, If I…
Flight Facilities/Christine Hoberg If I would know you, would you know me, If I…
Flight Facilities/Owl Eyes If I would know you, would you know me, If I…
Gabriel Fauré Votre âme est un paysage choisi Que vont charmant masques et…
HOYO-MiX a van más de tres botellas que bebo en tu…
Jean-Francois Lapointe Le vieil homme danse avec sa mémoire Sous la grande roue…
Léo Ferré Poème de paul Verlaine (1869) Votre âme est un paysage ch…
Merry Ellen Kirk You there, pearly white Can you see the stars in my…
Nana Mouskouri Clair de lune A Schönbrunn L'histoire S'endort Clair de lune…
OperaBabes Sugerencia: Buscar solo resultados en español . Puedes espec…
Phil Woods/Michel Legrand And His Orchestra Lune de miel Nunca sabré cómo tu alma ha encendido…
Pitou I′m leaving, little one Now don't go grieving, little one T…
Reg Tilsley And His Orchestra Lune de miel Nunca sabré cómo tu alma ha encendido…
Sagrado Coração da Terra Acorda, é o luar Que nos convida a pasear Num mar de…
St. Martin's Orchestra Of Los Angeles Prends-toi pas la tête On nous écoutera Prends-toi pas la tê…
Thelma Plum If I would know you, would you know me? If I…
Trans-sexual TV Bien sûr qu'on s'aime. ( Bien sûr qu'on s'aime ouais.…
…And You Will Know Us By The Trail Of Dead Well the mood settled down Once the movie hit town You kno…
We have lyrics for these tracks by Ludwig van Beethoven:
"An die Hoffnung" Op. 94 LUDWIG VcN BEETHOVEN (1770-1827) cn die Hoffnung op.94 (aus…
1 Joyful, joyful, we adore You, God of glory, Lord of love; He…
9th Symphony Freude, schöner Götterfunken, Tochter aus Elysium, wir bet…
Ah perfido Ah! perfido, spergiuro, Barbaro traditor, tu parti? E son qu…
Ah! perfido! Op. 65 Ah! perfido, spergiuro, Barbaro traditor, tu parti? E son qu…
An die Hoffnung op. 32 LUDWIG V. BEETHOVEN (1770-1882) cn die Hoffnung op. 32 Tex…
An die Hoffnung op. 94 LUDWIG VcN BEETHOVEN (1770-1827) cn die Hoffnung op.94 (aus…
An die Hoffnung Op. 32 LUDWIG V. BEETHOVEN (1770-1882) cn die Hoffnung op. 32 Tex…
An die Hoffnung Op. 94 LUDWIG VcN BEETHOVEN (1770-1827) cn die Hoffnung op.94 (aus…
Joyful Joyful Joyful, joyful, we adore You, God of glory, Lord of love; He…
Moonlight Sonata Camper Van Beethoven Camper Van Beethoven We Love You All…
Presto Freude, schöner Götterfunken, Tochter aus Elysium, wir bet…
String Quartet in A major Kimi no te de kirisaite Omoi hi no kioku wo Kanashimi no…
String Quartet in A major Op. 18 No. 5: III. Andante cantabile Kimi no te de kirisaite Omoi hi no kioku wo Kanashimi no…
Symphony No. 2 in D Major I saw you standing on the corner You looked so big…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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STEPHANIE SMITH
Je ferme les yeux.
Et c'est toi que je vois.
On s'envole tous les deux.
Vers un ailleurs où la douceur du monde nous enveloppent.
Je ferme les yeux.
Et c'est toi que j'aperçois, ton visage tout prés de moi.
Je sens ton souffle sur mon cou.
Un frisson d'amour me parcourt, comme un courant froid.
Je suis à genoux devant toi, mendiante de ta tendresse.
Sans toi qu'est-ce qu'il me reste ?
Tu es le commencement et la fin.
Tu es ma vie, mon chemin.
Je dessine ma vie dans ton sillage.
Comme on dessine sur le sable d'une plage.
Je ferme les yeux.
Et c'est nous que je vois nous envolant vers d'autres cieux.
Vers un ailleurs, vers un endroit bien meilleur.
(fanylilly Beethoven inspiration)
Projet nOOn
J'aime la douceur des nuits, l'ivresse de leur silence
La langueur de l'esprit qui respire les absences
Sa solitude sereine, dans la ville désertée
Quand la lune se promène sous la voûte bleutée
Les étoiles en profitent, en paillettes se parsèment
Une myriades de pépites, aux nuances argentées
Leur ballet scintillant qui dessine un poème
Quand la lune se promène sous la voûte bleutée
Chorégraphie céleste, immense et silencieuse
L'étincelle de la Vie dans la grande voie lactée
Eclate telle une rose, discrète et majestueuse
Quand la lune se promène sous la voûte bleutée
Elle allume et ranime les désirs d'un dément
Amoureux de la lune, j'oublie ma cécité
Moi le rêveur infime, ô moi l'infirme amant
Ivre de démesure, j'embrasse l'immensité
Un spectacle si grand que je n' saurais tout voir
Le savoir n'est-il pas d'une grande cruauté ?
Elle est comme une reine qu'on ne peut émouvoir
Quand la lune se promène sous la voûte bleutée
Tant de beauté offerte qui échappe au regard
Et les Dieux qui se marrent de mon humanité
Comme une âme esseulée sur le quai d'une gare
Quand la lune se promène sous la voûte bleutée
Que l'albédo s'éteigne, je deviens traître infâme
Je n' veux plus sa lumière indirecte, empruntée
Je sais l'astre solaire, l'impatience de sa flamme
Quand la lune me dédaigne sous la voute bleutée
Que les rayons ardents brûlent mes yeux , ma mémoire
Je n' veux plus de ténèbres, c'est trop de clarté
Et je hurle à l'aurore comme je reviens le soir
Quand la lune se promène sous la voûte bleutée
nOOn
Lozzy
C’est dommage qu’à l’école on nous parle vaguement d’artistes tels que Beethoven, Mozart, Liszt, Chopin, sans jamais nous inviter à écouter.
On peut très bien aimer les musiques « d’aujourd’hui » et celles-ci.
nico13111
Je suis entièrement d'accord avec vous.
Ana C.
au collège on nous initie à tout ca
Alastor
Why did you say sans, you want something or what?
seedbarrett
@Alastor tg
ma6tizen
bien sur qu'on peut aimer la musique de maintenant zehma le rap suprême, et des compositeurs comme celui ci
TheDebeire78
Découvert cette musique de Beethoven avec The Eminence in Shadow et bordel quel miel pour les oreilles ça me relaxe tout de suite. Merci à ce grand homme
KJdream
🤓 moi c'est l'anime detective conan l'épisode 11 c'était grandiose
N1NJASSS
Bahaha la meme
Ahran
Wesh la team eminence in the shadow