Luiz Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist a… Read Full Bio ↴Luiz Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the compositions he penned for the film Black Orpheus.

Luiz Floriano Bonfá was born in Rio de Janeiro. He began teaching himself to play guitar as a child. He studied in Rio with Uruguayan classical guitarist Isaías Sávio from the age of 12. These weekly lessons entailed a long, harsh commute by rail and on foot from his family home in the western rural outskirts of Rio de Janeiro to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons.

Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his compositions were recorded and performed by Brazilian crooner Dick Farney in the 1950s. It was through Farney that Bonfá was introduced to Antônio Carlos Jobim and Vinicius de Moraes, the leading songwriting team behind the worldwide explosion of Brazilian jazz/pop music in the late 1950s and 1960s. Bonfá collaborated with them and with other prominent Brazilian musicians and artists in productions of de Moraes' anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus' film Black Orpheus (Orfeu Negro in Portuguese). In the burgeoning days of Rio de Janeiro's thriving jazz scene, it was commonplace for musicians, artists, and dramatists to collaborate in such theatrical presentations. Bonfá wrote some of the original music featured in the film, including the numbers "Samba de Orfeu" and his most famous composition, "Manhã de Carnaval" (of which Carl Sigman later wrote a different set of English lyrics titled "A Day in the Life of a Fool"), which has been among the top ten standards played worldwide, according to The Guinness Book of World Records.

As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção style that predated the arrival of João Gilberto's more refined and subdued bossa nova style. Jobim, João Donato, Dorival Caymmi, and other contemporaries were also essentially samba-canção musicians until the sudden, massive popularity of the young Gilberto's unique style of guitar playing and expressively muted vocals transformed the music of the day into the music of the future. Camus' film and Gilberto's and Jobim's collaborations with American jazzmen such as Stan Getz and Charlie Byrd did much to bring Brazilian popular music to the attention of the world, and Bonfá became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York's Carnegie Hall.

Bonfá worked with American musicians such as Quincy Jones, George Benson, Stan Getz, and Frank Sinatra, recording several albums while in United States. Elvis Presley sang a Bonfá composition, "Almost in Love", in the 1968 MGM film Live a Little, Love a Little. Also of note is his "The Gentle Rain".

Bonfá died in Rio de Janeiro on January 12, 2001. He was 78 years old.

Legacy
In 2005, Smithsonian Folkways Recordings released an album of Bonfá's work, entitled, Solo in Rio 1959, which included previously unreleased material from the original recording session.

In 2008, Universal Music France released a coffee table book containing two CDs which included previously unreleased material of Black Orpheus soundtrack, and a DVD. Also in 2008, Universal Music released The Brazilian Scene, Braziliana and Black Orpheus celebrating the 50th anniversary of the bossa nova.

Bonfá's major legacy continues to be his compositions from the Black Orpheus soundtrack, most notably the instantly recognizable bossa nova classic "Manhã de Carnaval". But Bonfá's discography also attests to his uniquely inventive mastery of Brazilian jazz guitar. Bonfá's guitar style was brassier and more penetrating than that of his major contemporary, João Gilberto, and Bonfá was a frequent and adept soloist whereas Gilberto plays his own suave, intricate brand of rhythm guitar almost exclusively. Bonfá often played solo guitar in a polyphonic style, harmonizing melody lines in a manner similar to that made famous by Wes Montgomery in the USA, or playing lead and rhythm parts simultaneously. As a composer and as a guitarist, Bonfá played a pivotal role in bridging the incumbent samba-canção style with the innovations of the bossa nova movement.

Bonfá's "Seville" was sampled by Gotye for his 2011 hit single release "Somebody That I Used to Know". This created the guitar hook, and foundations of a song which reached the 10 top in over 30 countries.

Samba De Duas Notas
Luiz Bonfá Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Uma nota si uma nota dó
Vêm como canção
Voz do coração
Que me faz dizer "gosto de você"
A escala vem, é tão bom ouvir
Dó buscar o si
E o si repetir, repetir

Sei que é ilusão mas, eu vou cantar
Sempre esta canção
Como a escala vem o amor, também
É só repetir
Dó buscar o si
Si buscar o mi
É só repetir
E o mi, o amor e a canção
Coração
Duas notas só só você e eu amor

Uma nota si uma nota dó
Vêm como canção
Voz do coração
Que me faz dizer "gosto de você"
A escala vem, é tão bom ouvir
Dó buscar o si
E o si repetir, repetir

Sei que é ilusão mas, eu vou cantar
Sempre esta canção
Como a escala vem o amor, também
É só repetir
Dó buscar o si
Si buscar o mi
É só repetir
E o mi, o amor e a canção
Coração
Duas notas só só você e eu amor

Duas notas só só você e eu amor
Duas notas só só você e eu amor

Overall Meaning

The lyrics of "Samba De Orfeu" by Luiz Bonfa and Maria Toledo are a beautiful ode to the power of music and love. The first two lines of the song, "Uma nota si uma nota dó / Vêm como canção" which translate to "One note B one note C / Come as a song" set the tone for the rest of the composition. The lyrics suggest that even a simple melody, made up of just two notes, can convey powerful emotions straight from the heart.

The next line, "Voz do coração / Que me faz dizer 'gosto de você'" which translates to "Voice of the heart / That makes me say 'I love you'" further underlines the message of the song. The singer continues to sing about the pleasure of hearing the notes of the scale, and how it is similar to experiencing love. They suggest that love can also be a simple melody that repeats over and over again.

Despite knowing that their feelings may be an illusion, the singer is determined to keep singing. The final lines, "Duas notas só só você e eu amor" meaning "Just two notes, just you and me, love," sums up the song's message - that true love can be found in the simplest of things, and that music can be a powerful tool to express it.

Line by Line Meaning

Uma nota si uma nota dó
The melody starts with just two simple notes - B and C - which come together to form a beautiful song.

Vêm como canção
The notes come together to create a song that is pleasing to the ear.

Voz do coração
The song comes from the heart, and expresses the singer's feelings.

Que me faz dizer "gosto de você"
The song is so beautiful that it makes the singer say, "I love you."

A escala vem, é tão bom ouvir
As the melody continues, it is wonderful to hear how the notes flow together in harmony.

Dó buscar o si
The melody moves from the note C up to the note B.

E o si repetir, repetir
The note B is repeated again and again, adding to the beauty of the melody.

Sei que é ilusão mas, eu vou cantar
Although the singer knows that the love they feel may be just an illusion, they will still sing about it and enjoy the moment.

Sempre esta canção
The singer will always return to this song, even if the love they feel is not real.

Como a escala vem o amor, também
Just as the notes of the melody come together, so do the feelings of love.

Si buscar o mi
The melody continues to move upwards, from the note B up to the note E.

E o mi, o amor e a canção
The note E represents the culmination of the melody, the love the singer feels, and the song they are singing.

Coração
This all comes from the heart.

Duas notas só só você e eu amor
This beautiful melody is made up of just two notes, but it expresses the love that exists between the singer and the object of their affection.

Duas notas só só você e eu amor
This melody is all about the love that exists between the singer and their loved one.

Duas notas só só você e eu amor
This simple melody expresses the depth of feeling that exists between two people in love.

Lyrics © Universal Music Publishing Group
Written by: Luiz Bonfa

Lyrics Licensed & Provided by LyricFind

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