" ... Rastafari livity means to tolerate and to live side by side with thos… Read Full Bio ↴" ... Rastafari livity means to tolerate and to live side by side with those of other faiths no matter which race, no matter which class. The purpose of Haile Selassie is to see that we become one in unity and love ... and that is my purpose." Lutan Fyah
Much, much more than a deejay, much more than a singer and more than a chanter too Lutan Fyah also plays guitar, keyboards and the kette drum. He holds strong beliefs in originality at all times and so he is a songwriter too and, as the New Millennium has progressed, he has developed his very own idiosyncratic and unique vocal styling. He embraced the Rastafarian religion at the age of sixteen but his songs are not always strictly Rasta. As a "living man with work to do" he ranges over all subjects and everything and anything can inspire him to write, to play, to chant, to sing and to deejay. Preaching to the converted can prove to be a fairly easy task but to take the same message all around the world is a totally different ball game.
Born Anthony Martin in Thompson Pen, Spanish Town in the parish of St. Catherine, Jamaica his formative years were spent in an environment where music was omnipresent. His grandfather ran a Sound System and artists such as Lt. Stitchie, Papa San and Lady G would gather in the family's yard to practise and perfect their skills on the microphone.
"I grew up around a Sound System. Music flows through my bones ..." Lutan Fyah
Music proved to be an incredible influence on young Anthony but sport, and football in particular, proved to be another and he started playing as a midfielder, a position where he excelled, in teams in his local community. He graduated to his school team, St. Andrew Technical High School, and eventually made the grade as a professional in Jamaican Premier League clubs De la Vega and Constant Spring; but the call of music proved too strong to resist and in 1999 he hung up his football boots and took the first steps towards a musical career.
Like so many others before and after Anthony Martin trod that same dispiriting round of Kingston's studios and record producers where he was met with indifference and at times ignorance. However there was a different reception at Mark Myrie's Aksum Studios where the young chanter's promise was immediately recognised and he passed his audition with flying colours. The man now known as Lutan Fyah spent what he terms his 'internship' at Gargamel where he recorded over sixteen songs for Buju Banton while also freelancing for other producers. His debut release was actually for the Crazy Hate label and 'Ambassador' signalled the arrival of a significant new talent in Kingston's musical maelstrom.
The resurgence of the Rastafarian influence and the Bobo Dread phenomenon in reggae music was an indicator of serious times in Jamaica as a new generation of singers and deejays came to the conclusion that the only credible solution to the current malaise was to "love the word of God and thy neighbour as thyself". Others, who shall remain nameless, were not slow to realise that this presented a heaven sent opportunity to jump aboard the bandwagon for a handy ride on the fast track to fame and money. Many futile attempts were made to hitch a ride to stardom and the words of God were readily mouthed by tongues that had previously been wrapped around the more worldly concerns of the dance hall. But artists such as Lutan Fyah were there for the long run for "the race is not to the swift" and his music was at all times driven by his deep beliefs. His devotion to the Rastafarian religion has meant that he has stayed the course while so many pretenders have fallen by the wayside.
Much, much more than a deejay, much more than a singer and more than a chanter too Lutan Fyah also plays guitar, keyboards and the kette drum. He holds strong beliefs in originality at all times and so he is a songwriter too and, as the New Millennium has progressed, he has developed his very own idiosyncratic and unique vocal styling. He embraced the Rastafarian religion at the age of sixteen but his songs are not always strictly Rasta. As a "living man with work to do" he ranges over all subjects and everything and anything can inspire him to write, to play, to chant, to sing and to deejay. Preaching to the converted can prove to be a fairly easy task but to take the same message all around the world is a totally different ball game.
Born Anthony Martin in Thompson Pen, Spanish Town in the parish of St. Catherine, Jamaica his formative years were spent in an environment where music was omnipresent. His grandfather ran a Sound System and artists such as Lt. Stitchie, Papa San and Lady G would gather in the family's yard to practise and perfect their skills on the microphone.
"I grew up around a Sound System. Music flows through my bones ..." Lutan Fyah
Music proved to be an incredible influence on young Anthony but sport, and football in particular, proved to be another and he started playing as a midfielder, a position where he excelled, in teams in his local community. He graduated to his school team, St. Andrew Technical High School, and eventually made the grade as a professional in Jamaican Premier League clubs De la Vega and Constant Spring; but the call of music proved too strong to resist and in 1999 he hung up his football boots and took the first steps towards a musical career.
Like so many others before and after Anthony Martin trod that same dispiriting round of Kingston's studios and record producers where he was met with indifference and at times ignorance. However there was a different reception at Mark Myrie's Aksum Studios where the young chanter's promise was immediately recognised and he passed his audition with flying colours. The man now known as Lutan Fyah spent what he terms his 'internship' at Gargamel where he recorded over sixteen songs for Buju Banton while also freelancing for other producers. His debut release was actually for the Crazy Hate label and 'Ambassador' signalled the arrival of a significant new talent in Kingston's musical maelstrom.
The resurgence of the Rastafarian influence and the Bobo Dread phenomenon in reggae music was an indicator of serious times in Jamaica as a new generation of singers and deejays came to the conclusion that the only credible solution to the current malaise was to "love the word of God and thy neighbour as thyself". Others, who shall remain nameless, were not slow to realise that this presented a heaven sent opportunity to jump aboard the bandwagon for a handy ride on the fast track to fame and money. Many futile attempts were made to hitch a ride to stardom and the words of God were readily mouthed by tongues that had previously been wrapped around the more worldly concerns of the dance hall. But artists such as Lutan Fyah were there for the long run for "the race is not to the swift" and his music was at all times driven by his deep beliefs. His devotion to the Rastafarian religion has meant that he has stayed the course while so many pretenders have fallen by the wayside.
Desire To Get Higher
Lutan Fyah Lyrics
We have lyrics for these tracks by Lutan Fyah:
Africa What a big question for you and me When will cfrica…
All For You I got it all for you (Chorus) I wanna give you what…
Boss Man Want a piece o' dis Yeh yeah yes Want a piece o…
Come Over I Wanna To Be Wrapped Up Tangled Up Holding You In…
Crystal Clear Haile Haile emannuel i selassie i jah rastafari i We a ste…
Cyaaan Do We Nothing I walk through the valley, The valley of the shadow, Never f…
Eden ŠŃŠ»Šø Š½Š° ŃŠ¾Š“Š½ŃŠµ Š·ŠµŠ¼Š»Šø Š²Š½Š¾Š²Ń Š½Š°ŠŗŠ»ŠøŃŠµŃ Š²ŃŠ°Š³ Š±ŠµŠ“Ń Š¢Š¾ ŠæŠ¾Š“Š½ŠøŠ¼ŠµŃŃŃ…
Falling For You I got it all for you (Chorus) I wanna give you what…
Give It Away I'll give it all for your love I'm addicted to your…
Knife In My Back Honey I knew it Darling I knew it You say this love…
Let Me Be Selassie I say don't trust dem, even if me buss…
Lonesome Soldier Babe Your Love Is More Than What Iam Bogging For Feeling Ins…
Lutan Fyah We all seem lost at times So much confusion in our…
Mama So much so much love So much So tell me can you…
Mi a Nuh Idiot It has been a long time Since we been together You tell…
Never Stop Hail Rastafari Then I'll never stop hail Rastafari Thy kingdom come! Everli…
No Selfie Cha man, too much waste man We don't want that right…
Perfect Storm Just tell me that you want me Yeah, say it to…
Please Yes JAH give thanks And i have seen many homeless walk…
Rasta Still Deh Bout Most love RASTAFARI Lutan Fyah long-side Josie Mel Babylon d…
Riches You see me hear say If I no love I no…
Run To Where you gonna run, where you gonna run When you got…
Screaming For The Poor Yes JAH give thanks And i have seen many homeless walk…
Show Love If them naw show love Them a go end up like…
Tangled up Feeling Lonely Girl Youā²ve Been So Near Yet So Far I Wanna…
These Days These are my better days cll them suffering hey long gone…
Ungrateful āDonāt be ungrateful Jah love for you is kind Live and be…
Want It All I'll give it all for your love I'm addicted to your…
What You Need I got it all for you (Chorus) I wanna give you what…
When Mi Rise It I donā²t know if you know this but I have…
Woman A Stress Me Me Canā²t Sleep At Night Sick A Dem A Crazy Phone…
You Got Me [Intro:] No, no, no Woo no Hey, It's been... Oh no, no,…
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