With an ear for the tunes and an innate understanding of what works on the … Read Full Bio ↴With an ear for the tunes and an innate understanding of what works on the dancefloor M.A.N.D.Y. are on a seemingly never-ending circuit of the globe with their in-demand DJ sets. From their first meeting as 15-year-olds on a tennis court, the 2 young men who dreamed of making a career of music, parties and having fun have come a long way, and are now well & truly at the top of their game.
2008 has been the penultimate year for M.A.N.D.Y culminating in 2 of their most memorable DJ sessions: one at the helm of UK club Fabric’s esteemed mix CD series, and the other at the rain-drenched Love Parade in Germany, where they played live for 500,000 music lovers who refused to run for cover from the wet and continued dancing in the streets for the awestruck M.A.N.D.Y. boys.
In between these gigs and their residencies with Monza in Ibiza and Berlin’s Watergate club M.A.N.D.Y. also managed to fit in extensive tours of North & South America, and a new track with Booka Shade for Get Physical’s GPM100 release, plus working on a new remix for Felix Da Housecat and long-awaited new M.A.N.D.Y. material with Lopazz in Iceland, and launching Get Physical sister labels Kindisch and Get Digital to accommodate the sheer amount of great records they want to release.
Patrick Bodmer & Phillip Jung have carved out a unique niche for themselves in electronic music off the back of excellent productions, in-demand remixes, top-notch mixing skills, and a knack for signing some of the best electronic producers alongside their friends DJ T and Booka Shade for their label Get Physical Music, and it’s a story that has been 20 years in the making!
After being introduced to the sounds of early acid house in the late 80's in Saarbruken, Germany, Patrick & Phillip’s lifelong obsessive love for electronic music began; they threw themselves into the music, buying records, driving to Frankfurt’s parties and raves, and DJing at friends’ afterparties.
After going to university in separate cities Phillip & Patrick had both moved to Frankfurt by the mid 90s, where their DJ dreams were reignited, but with the major hurdle that nobody wanted to book them. Philip & Patrick overcame rose to the challenge by starting their own club night. It was a memorable and liberating time for the pair, and their guests - Ata, Ricardo Villalobos, etc - were talented unknowns at the time who only contributed to the fresh & spontaneous vibe of the club.
To keep the money rolling in to fuel their nighttime pursuits, Patrick had established himself in a successful painting career and Philipp worked for Logic Records, label of italo-house outfit Snap. After taking up a new job in A&R with Jive Records, Philip signed tracks by longtime producer friends Walter Merziger and Arno Kammermeier, who produced under a variety of aliases and would eventually become best known as Booka Shade. Walter and Arno taught Philipp and Patrick a few tips in the studio, and the four began producing what they now admit were a string of dire hard trance releases under a name they refuse to divulge!
The next chapter of the story was set in motion at a Bread & Butter fashion show in Cologne where M.A.N.D.Y.’s DJ set caught the interested ears of Monza club’s Patrik Dechent and DJ T, also the founder/editor of the highly influential German music magazine Groove. They could hardly miss M.A.N.D.Y.’s enthusiasm, or their extremely ‘physical’ presence on the dancefloor, stamping their feet and tearing at their clothes in sheer delight about the music. DJ T and MANDY took an instant liking to each other and T invited them to be a resident at Monza, playing sets alongside fellow residents Tobi Neumann, Ricardo Villalobos, Tiefschwarz and Steve Bug.
After M.A.N.D.Y. & Booka Shade both relocated to Berlin in 2002, forming a record label seemed like the natural next step for the 5 friends (including DJ T), as the crucial pieces of the puzzle had fit themselves together: Philipp's record label and A&R experience, Arno & Walter's production talents and fully-equipped studio, Patrick's creativity and artwork, T's envious contacts book and wealth of press knowledge.
So the label was born, and they christened it Get Physical in tribute to the dancefloor,. What began as a hobby for the 5 people behind Get Physical quickly gathered steam after the label’s first release, M.A.N.D.Y’s Put Put Put 12”: the following year their track ‘Tonite’ blew up in the UK when Pete Tong selected it as the Essential tune of the week three times in a row for his BBC Radio 1 show.
With the release of the first Get Physical compilation Body Language Vol 1 in 2005, M.A.N.D.Y. raised the bar high for house and techno lovers, and cemented their reputation as world-class selectors. They joined the dots between electro-influenced house, disco and minimal techno for a release that was crowned DJ Magazine’s Mix CD of the Year.
However it was the joint effort of MANDY and Booka Shade that pushed both their artist names and the Get Physical label into the international dance music consciousness: the track “Body Language” quickly became a bonafide hit, the undisputed anthem of the year and ubiquitous on dancefloors, in charts and in record boxes for months after its release. “Body Language” was named Ibiza’s Track of the Season, DJ Magazine’s Track of the Year, and was licensed to over 100 compilations. The staggering success of “Body Language” led to Get Physical receiving the accolade of Best Label for 2005 from DJ Magazine.
This was followed up in 2006 with At The Controls, a double CD mix for Resist Music which picked up a host of awards, including Mix CD of the Year from Resident Advisor, BBC Essential Mix and Mixmag.
Philipp and Patrick’s reputation as remixers grew, working with artists as diverse as The Knife, Tiefschwarz, Sugababes, Lindstrom, Joakim, Royksopp and Fischerspooner, The Klaxons, Mathew Dear, Rex The Dog, Royksopp, Roxy Music, and Rocker's Hi-Fi; a reputation solidified with the 12 Great Remixes for 11 Great Artists collection of 2007 that brought together some of their finest efforts onto one disc.
Through all the parties, the ladies, the extensive traveling, M.A.N.D.Y. nonetheless treasure the family vibe that influenced them as artists and DJs and that continues to support them in Berlin. For M.A.N.D.Y. this isn’t a job and it isn’t about success; it’s about partnership and friendship, good music, and those five things which bonded them in the first place: collecting records, throwing parties, meeting girls, making friends and laughing…
www.myspace.com/getmandy
2008 has been the penultimate year for M.A.N.D.Y culminating in 2 of their most memorable DJ sessions: one at the helm of UK club Fabric’s esteemed mix CD series, and the other at the rain-drenched Love Parade in Germany, where they played live for 500,000 music lovers who refused to run for cover from the wet and continued dancing in the streets for the awestruck M.A.N.D.Y. boys.
In between these gigs and their residencies with Monza in Ibiza and Berlin’s Watergate club M.A.N.D.Y. also managed to fit in extensive tours of North & South America, and a new track with Booka Shade for Get Physical’s GPM100 release, plus working on a new remix for Felix Da Housecat and long-awaited new M.A.N.D.Y. material with Lopazz in Iceland, and launching Get Physical sister labels Kindisch and Get Digital to accommodate the sheer amount of great records they want to release.
Patrick Bodmer & Phillip Jung have carved out a unique niche for themselves in electronic music off the back of excellent productions, in-demand remixes, top-notch mixing skills, and a knack for signing some of the best electronic producers alongside their friends DJ T and Booka Shade for their label Get Physical Music, and it’s a story that has been 20 years in the making!
After being introduced to the sounds of early acid house in the late 80's in Saarbruken, Germany, Patrick & Phillip’s lifelong obsessive love for electronic music began; they threw themselves into the music, buying records, driving to Frankfurt’s parties and raves, and DJing at friends’ afterparties.
After going to university in separate cities Phillip & Patrick had both moved to Frankfurt by the mid 90s, where their DJ dreams were reignited, but with the major hurdle that nobody wanted to book them. Philip & Patrick overcame rose to the challenge by starting their own club night. It was a memorable and liberating time for the pair, and their guests - Ata, Ricardo Villalobos, etc - were talented unknowns at the time who only contributed to the fresh & spontaneous vibe of the club.
To keep the money rolling in to fuel their nighttime pursuits, Patrick had established himself in a successful painting career and Philipp worked for Logic Records, label of italo-house outfit Snap. After taking up a new job in A&R with Jive Records, Philip signed tracks by longtime producer friends Walter Merziger and Arno Kammermeier, who produced under a variety of aliases and would eventually become best known as Booka Shade. Walter and Arno taught Philipp and Patrick a few tips in the studio, and the four began producing what they now admit were a string of dire hard trance releases under a name they refuse to divulge!
The next chapter of the story was set in motion at a Bread & Butter fashion show in Cologne where M.A.N.D.Y.’s DJ set caught the interested ears of Monza club’s Patrik Dechent and DJ T, also the founder/editor of the highly influential German music magazine Groove. They could hardly miss M.A.N.D.Y.’s enthusiasm, or their extremely ‘physical’ presence on the dancefloor, stamping their feet and tearing at their clothes in sheer delight about the music. DJ T and MANDY took an instant liking to each other and T invited them to be a resident at Monza, playing sets alongside fellow residents Tobi Neumann, Ricardo Villalobos, Tiefschwarz and Steve Bug.
After M.A.N.D.Y. & Booka Shade both relocated to Berlin in 2002, forming a record label seemed like the natural next step for the 5 friends (including DJ T), as the crucial pieces of the puzzle had fit themselves together: Philipp's record label and A&R experience, Arno & Walter's production talents and fully-equipped studio, Patrick's creativity and artwork, T's envious contacts book and wealth of press knowledge.
So the label was born, and they christened it Get Physical in tribute to the dancefloor,. What began as a hobby for the 5 people behind Get Physical quickly gathered steam after the label’s first release, M.A.N.D.Y’s Put Put Put 12”: the following year their track ‘Tonite’ blew up in the UK when Pete Tong selected it as the Essential tune of the week three times in a row for his BBC Radio 1 show.
With the release of the first Get Physical compilation Body Language Vol 1 in 2005, M.A.N.D.Y. raised the bar high for house and techno lovers, and cemented their reputation as world-class selectors. They joined the dots between electro-influenced house, disco and minimal techno for a release that was crowned DJ Magazine’s Mix CD of the Year.
However it was the joint effort of MANDY and Booka Shade that pushed both their artist names and the Get Physical label into the international dance music consciousness: the track “Body Language” quickly became a bonafide hit, the undisputed anthem of the year and ubiquitous on dancefloors, in charts and in record boxes for months after its release. “Body Language” was named Ibiza’s Track of the Season, DJ Magazine’s Track of the Year, and was licensed to over 100 compilations. The staggering success of “Body Language” led to Get Physical receiving the accolade of Best Label for 2005 from DJ Magazine.
This was followed up in 2006 with At The Controls, a double CD mix for Resist Music which picked up a host of awards, including Mix CD of the Year from Resident Advisor, BBC Essential Mix and Mixmag.
Philipp and Patrick’s reputation as remixers grew, working with artists as diverse as The Knife, Tiefschwarz, Sugababes, Lindstrom, Joakim, Royksopp and Fischerspooner, The Klaxons, Mathew Dear, Rex The Dog, Royksopp, Roxy Music, and Rocker's Hi-Fi; a reputation solidified with the 12 Great Remixes for 11 Great Artists collection of 2007 that brought together some of their finest efforts onto one disc.
Through all the parties, the ladies, the extensive traveling, M.A.N.D.Y. nonetheless treasure the family vibe that influenced them as artists and DJs and that continues to support them in Berlin. For M.A.N.D.Y. this isn’t a job and it isn’t about success; it’s about partnership and friendship, good music, and those five things which bonded them in the first place: collecting records, throwing parties, meeting girls, making friends and laughing…
www.myspace.com/getmandy
Really Love Ya
M.A.N.D.Y. Lyrics
When you call my name
When you love me gently
When you're walking near me
Doo doo wah I'm in really love with you, I'm in really love with you
When you look at me
I open up instantly
I fall in love so quickly
Doo doo wah I'm in really love with you, doo doo wah I'm in really love with you
I'm in really love with you
All night beside you I'd lay
I love you deep when you come to my bed
Doo doo wah, I'm in really love with you
Ooh wah, I'm in really love with you
When you touch me there
When you make me tingle
When our nectars mingle
Doo doo wah I'm in really love with you, I'm in really love
I'm not an easy man, to overstand, you feel me
But girl your patient with me
Doo doo wah, I'm in really love with you, I'm in really love with you
All night I wish for you here
Lay your head beside my hip
Doo doo wah, I'm in really love with you
I'm in really love with you
Doo doo wah, I'm in really love with you
I'm in really love with you
Oh how I love the little things you do
I'm in really love with you
When you love me gently
When you're walking near me
Doo doo wah I'm in really love with you, I'm in really love with you
When you look at me
I open up instantly
I fall in love so quickly
Doo doo wah I'm in really love with you, doo doo wah I'm in really love with you
I'm in really love with you
All night beside you I'd lay
I love you deep when you come to my bed
Doo doo wah, I'm in really love with you
Ooh wah, I'm in really love with you
When you touch me there
When you make me tingle
When our nectars mingle
Doo doo wah I'm in really love with you, I'm in really love
I'm not an easy man, to overstand, you feel me
But girl your patient with me
Doo doo wah, I'm in really love with you, I'm in really love with you
All night I wish for you here
Lay your head beside my hip
Doo doo wah, I'm in really love with you
I'm in really love with you
Doo doo wah, I'm in really love with you
I'm in really love with you
Oh how I love the little things you do
I'm in really love with you
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Michael D'Angelo Archer, Curtis Mayfield, Kendra Foster, Gina Marie Figueroa
Lyrics Licensed & Provided by LyricFind
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—💌 Erin •
I literally felt so bad for Mandy because she deserved so much! she was literally one of the best milkovich’s by far.
Lip should’ve treated Mandy better because she really did give a whole lot about him :(.
Rhea Garg
@Mai lol I never said that lip owed her. And yes lip was into Karen as it’s a habit of him to fall for girls who don’t care bout him. Another example is that professor. Mandy really wasn’t controlling. Whenever lip acted like a dick to her she left him all by himself. She cared bout him unlike Karen. And my point here is that Karen and lip’s relationship wasn’t good, not that lip wasn’t into Karen.
Mai
@Rhea Garg Mandy was controlling and possessive. Lip didn't owe her shit. It was her own choice what she decided to do with her time. It's like y'all can't stand the fact that Lip was into Karen, yet expect him to feel obligated to Mandy because of favours she herself chose to do for him.
Rhea Garg
@kingfish1999 she really wasn't
kingfish1999
@Rhea Gargyeah but Karen was enjoyable
Valeria Perez
I think people forget the Mickey use to beat people black and blue bc they messed with Ian why is anyone suprised she did that to Karen. She a milkovich at the end and their violent.
Fangslut
Lol but completely running someone over with ur car hoping they would die and causing them memory loss is quite different from beating someone up in my opinion but yea her whole family is violent
Afra Z.
That's the difference between Lip and Ian. One's a narcissistic drunk ass, the other can at least recognize why a bad behaviour path can show love
Jasmine Martinez
They always say you never forget who you lose your virginity to and I'm assuming Lip lost his virginity to Karen. In my opinion, that's why he was always thinking about her. Karen met Jody and thought she was in love with him so she cut off Lip completely. She then got annoyed with Jody because he only liked doing one sex position and she started to miss Lip. Once Lip got cut off by Karen, he started seeing Mandy. Karen found out and wanted him back but Mandy didn't give in too easily. Lip started messing around Mandy's back with Karen. But then Mandy put some common sense into Lip and he cut off Karen. Karen got upset and called Mandy threatening to purposely come out with Lip's baby. Mandy got pissed off, texted Karen with Lip's phone to meet her at the park and once Karen received the text thinking it was from Lip, she headed to the park and got ran over by Mandy. Damn that's harsh.
itzhope
No there was a scene when he found out about Kash and Ian he said he was having sex with a 14 year old at 14 I think Karen was the only one that sex was meaningful