MC Lyte (born Lana Michele Moorer on October 11, 1971 in Brooklyn, New York… Read Full Bio ↴MC Lyte (born Lana Michele Moorer on October 11, 1971 in Brooklyn, New York) is a female rap artist. She was the first female rapper commonly acknowledged to be as hard as the men: she loves to curse, and she's got that fierce working-class Brooklyn voice and no-nonsense demeanor. But she's also written some of the most fearlessly honest and introspective lyrics in modern music. Also, the first rapper ever to perform in Carnegie Hall and the Arsenio Hall show. A few years back she became the first rap artist to tour for the USO, performing for troops stationed in Italy, Greece, Sicily, and Sardinia -- an audience she intends to reach out to again in the near future.

Lil Paul
MC Lyte Lyrics

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Hey, yo
Bust the move when shit get type critical
Fuck all of that gettin' sentimental
Yeh we fucked and you didn't even call
But that's all right
'Cause I'm doin' your boy Paul
In and out
Scoop troop, yo, he rocked it

He could have put my pumpum in his pocket
That's how dope shit was
You need to give him a buzz
Learn somethin' 'cause
Not sayin' that you didn't hit it 'cause you did it
But shit was so wack
I might as well forget it
But 'Lil Paul, he did me off so well
I couldn't wait to call just to tell
How he did the poka poke with the long strokes
I guess that's only meant for the strong folks
Two can play at that game
That's how you wanna act
Now that I came right, fuck it I ain't coming back

Yeah, we did it
You didn't call
That's all right
I'm doin' your boy Paul
Yeah, we did it
You didn't call
That's all right
I'm doin' your boy Paul
Yeah, we did it
You didn't call
He did the poka poke with the long strokes

It's for sure
Paul, he ain't no amateur
Cold freaked my cheeks from the bed to the kitchen floor
I thought it would be hard doin' your friend in the sack
But now I got the knack and guess what he calls back
Now me and Paul, we been buttin' it all the time
Don't know his last name, don't give a fuck about his sign
Me and him, we got this OPP thing
It's just a fling
He ain't tryin' to push up a ring
On my finger 'cause that shit is dead
Have you heard what I said?
If not, ask the dread
When you talk of marriage, honey, you just ruin it
I'm not goin' to be able to do it
They say 'Lil Paul is small
That's not true at all
In fact, as I recall
Paul is quite tall
What's sad and also the downfall
Is you, my brother, was the smallest one of all

Yeah, we did it
You didn't call
That's all right
I'm doin' your boy Paul
Yeah, we did it
You didn't call
That's all right
I'm doin' your boy Paul
Yeah, we did it
You didn't call
He did the poka poke with the long strokes

I've said only bad things, here goes another
I was too through with you, I was ready to do your brother
He's so young, he ain't dumb, but he's cute though
But in the end, my friend, I decided to take this route so
Never ask Paul where he's going Friday
'Cause nine times out of ten he's comin' around my way
Even though Paul and I remain friends
Every now and then he'll come and spend the weekend
Forgive me if it seems I'm rubbin' it in your face
Far be it from me to put you back in your place
You shouldn't have tried to play me 'cause I'm not like any other
Come home from work and I'll be doin' your little brother
Shame it had to happen like this, we had to part
But you did me like that, now I got no heart

Overall Meaning

In the lyrics of MC Lyte's song "Lil Paul," the singer addresses a situation where she is involved with someone who did not call her back after they had been intimate. Instead of becoming sentimental or dwelling on the lack of communication, she confidently moves on to engage with the person's friend, named Paul. The lyrics convey a sense of empowerment and bravado as she details her experiences with Paul, emphasizing the satisfying and fulfilling nature of their interactions.

The lyrics suggest that the singer found Paul to be a skilled and attentive partner, contrasting him favorably with the previous person. She describes the physical intimacy between them in vivid terms, highlighting the passion and pleasure they shared. Through her narrative, she asserts her agency and independence, choosing to pursue her desires without hesitation and without concern for societal expectations or judgments.

As the story unfolds, it becomes apparent that the singer and Paul establish a casual and enjoyable relationship based on mutual attraction and physical pleasure. The lyrics indicate a sense of liberation and liberation as the singer revels in the freedom to explore her desires without being constrained by conventional norms or expectations. The mention of a potential emotional attachment or commitment is dismissed, emphasizing the temporary and carefree nature of their connection.

In the final verses, the singer adds a provocative twist to the narrative by suggesting she is willing to pursue a relationship with the person's younger brother, further asserting her independence and disregard for conventional relationship norms. The bold and unapologetic tone of the lyrics conveys a sense of empowerment and defiance, as the singer refuses to be constrained by societal expectations or traditional notions of fidelity and loyalty. Ultimately, the song celebrates the singer's agency, freedom, and resilience in the face of romantic disappointments, showcasing her boldness and willingness to embrace her desires on her own terms.

Line by Line Meaning

Bust the move when shit get type critical
React quickly when things get serious

Fuck all of that gettin' sentimental
Disregard getting emotional

Yeh we fucked and you didn't even call
We had sex and you didn't reach out afterwards

But that's all right
But that's okay

'Cause I'm doin' your boy Paul
Because I am involved with your friend Paul

In and out
Briefly

Scoop troop, yo, he rocked it
Paul performed well

He could have put my pumpum in his pocket
He satisfied me

That's how dope shit was
That's how great it was

You need to give him a buzz
You should talk to him

Learn somethin' 'cause
Take note