Davis graduated at 16 from Lubbock High School in Lubbock, Texas. He spent his childhood years with his sister Linda, living and working at the former College Courts, an efficiency apartment complex owned by his father, T. J. Davis, located at the intersection of College Avenue and 5th Street. Davis describes his father, who was divorced from Davis's mother, as "very religious, very strict, and very stubborn." Though Davis was physically small, he had a penchant for getting into fistfights. "In those days, it was all about football, rodeo, and fistfights. Oh, man, I got beat up so much while I was growing up in Lubbock," Davis said in a March 2, 2008, interview with the Lubbock Avalanche-Journal newspaper. "I was 5 feet, 9 inches, and weighed 125 pounds. I joined Golden Gloves, but didn't do good even in my (own) division." After he finished high school, Davis moved to Atlanta, Georgia, where his mother lived, to get out of Lubbock.
Once he was settled in Atlanta, he organized a rock and roll group called the Zots, and made two singles for OEK Records, managed and promoted by OEK owner Oscar Kilgo. Davis also worked for the Vee Jay record company (home to such R&B stars as Gene Chandler, Jerry Butler, and Dee Clark) as a regional manager, and later also served as a regional manager for Liberty Records.
Davis became famous as a songwriter and got his start as an employee of Nancy Sinatra's company, Boots Enterprises, Inc. Davis was with Boots for several years in the late 1960s. During his time there, he played on many of Sinatra's recordings, and she worked him into her stage shows. Boots Enterprises also acted as Davis's publishing company, publishing songs such as "In the Ghetto", "Friend, Lover, Woman, Wife", "Home", "It's Such a Lonely Time of Year", and "Memories", which were recorded by Elvis Presley, Nancy Sinatra, B. J. Thomas, and many others. Davis left Boots Enterprises in 1970 to sign with Columbia Records, taking all of his songs with him.
One of the songs he wrote in 1968, called "A Little Less Conversation", was recorded by Elvis Presley (and would become a posthumous success for Presley years later). Presley recorded "In the Ghetto" in sessions in Memphis. According to maverick record producer Jimmy Bowen, "Ghetto" was originally pitched to Sammy Davis, Jr. Mac, guitar in hand, played the song in a studio, with onlookers such as Rev. Jesse Jackson and other members of the black activist community. Mac Davis, the only white man in the room at the time, eventually told Bowen, "I don't know whether to thank ya, or to kill ya." Mac Davis eventually recorded the tune after Presley's version became a success, and was released in a Ronco In Concert compilation in 1975. It was later released on a campy Rhino Records Golden Throats compilation in 1991. The song became a success for Presley and he continued to record more of Davis's material, such as "Memories", "Don't Cry Daddy", and "Clean Up Your Own Backyard". Bobby Goldsboro also recorded some of Davis's songs, including "Watching Scotty Grow", which became a #1 Adult Contemporary success for Goldsboro in 1971. Other artists who recorded his material included Vikki Carr, O.C. Smith, and Kenny Rogers and The First Edition. "I Believe in Music", often considered to be Davis's signature song, was recorded by several artists (including Marian Love, B.J. Thomas, Louis Jordan, Perry Como, Helen Reddy, and Davis himself) before it finally became a success in 1972 for the group Gallery.
Later, he also became known as a country singer. During the 1970s, many of his songs "crossed over", successfully scoring on both the country and popular music charts, including "Baby, Don't Get Hooked on Me" (a number one Grammy-nominated success), "One Hell of a Woman" (pop no. 11), and "Stop and Smell the Roses" (a no. 9 pop hit). Also, during the 1970s, he was very active as an actor, appearing in several movies, as well as hosting a successful variety show.
Davis soon decided to pursue a career of his own in country music; he was signed to Columbia Records in 1970. After several years of enriching the repertoires of other artists, his big success came two years after signing with Columbia. He topped the Country and Pop charts with the song "Baby Don't Get Hooked on Me". It sold over one million copies and was awarded a gold disc by the Recording Industry Association of America in September 1972.
Some of Davis's lyrics invoked overtly sexual relationships. In the song "Baby Don't Get Hooked on Me", he pleads with a woman not to become too enamored with him, because he does not want to commit to a full-time relationship. Other successful songs, such as "Naughty Girl" and "Baby Spread Your Love on Me", contained similar lyrics.
In 1974, Davis was awarded the Academy of Country Music's Entertainer of the Year award. Some of Davis's other successes include the songs "Stop and Smell the Roses" (a number one Adult Contemporary success in 1974) (pop no. 9), "One Hell of a Woman" (pop no. 11), "Rock'n'Roll (I Gave You The Best Years Of My Life)" (pop no. 15), and "Burnin' Thing" (pop no. 53). At the end of the 1970s, he moved to Casablanca Records, which was best known at the time for its successes with disco star Donna Summer and rock'n'roll band Kiss. His first success for the company in 1980 was the novelty song "It's Hard To Be Humble", a light-hearted look at how popularity and good looks could go to one's head. The song became his first Country music top 10 and a rare top 30 hit in the UK. (It was translated into Dutch as "Het is moeilijk bescheiden te blijven" and became a hit for the Dutch singer Peter Blanker in 1981). Later that year, he also had another top 10 song with "Let's Keep It That Way". In November, "Rock'n'Roll (I Gave You The Best Years Of My Life)" was played by KHJ in Los Angeles as its last song before it switched from Top 40 to Country music. He achieved other successful songs, such as "Texas In My Rear View Mirror" and "Hooked on Music", which became his biggest Country music success in 1981, going to no. 2. In 1985, he recorded his last top 10 country music success with the song "I Never Made Love (Till I Made Love With You)".
On January 19, 1985, Davis performed "God Bless the USA" at the 50th Presidential Inaugural Gala, held the day before the second inauguration of Ronald Reagan.
Davis was inducted into the Nashville Songwriters Hall of Fame in 2000.
Something's Burning
Mac Davis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I hear your warm and rhythmic breathing
I take your hand and hold it tightly
Listen
Can you not hear our young hearts beating
I kiss the sleep from your eyes
Your smile is sweeter than the morning
Can't you feel it Baby
Can't you feel it
Here comes
Feel it
Feel it
Fire
Fire
Something's Burning
Something's Burning
Something's Burning
Something's Burning I think it's love
I believe it's love
And now the sun is burning brightly
We lie in love so close together
I get the feeling deep inside me
My love for you will burn forever
I cup my hands to touch your face
Once again I feel your fire
Here it comes
Can't you feel it Baby
Can't you feel it
Here comes
Feel it
Feel it
Fire
Fire
Something's Burning
Something's Burning
Something's Burning
Something's Burning I think it's love
I believe it's love
I believe it's love
I believe it's love
I believe it's love
I believe it's love
The lyrics of Mac Davis's song "Something's Burning" describe the intense feelings of love and passion that the singer is experiencing while lying next to his partner. The song begins as the singer watches his partner sleep, marveling at her warm and rhythmic breathing. He takes her hand and holds it tightly, feeling the beating of their young hearts together. The singer then kisses the sleep from her eyes and notices how her smile is sweeter than the morning.
As the song progresses, the intensity of the singer's feelings for his partner continue to grow. He begins to feel a fire burning inside him, something that he believes is love. The reference to fire becomes a recurring motif throughout the song, further emphasizing the passionate nature of their love. The singer describes how the sun is burning brightly as they lay together, and how he gets a feeling deep inside him that his love for her will last forever. He cups his hands to touch her face, feeling her fire once again. The song ends with the singer professing his love, stating that he believes it is love.
Overall, the lyrics of "Something's Burning" express the intense passion and fire of a deep and abiding love between two people. It speaks to the all-consuming nature of infatuation and how it can only grow stronger over time.
Line by Line Meaning
You lie in gentle sleep beside me
The singer is describing the person lying next to them and drawing attention to the calming effect that their presence has on them.
I hear your warm and rhythmic breathing
The singer is paying attention to the sound of the other person's breathing as they sleep, which is therapeutic for the singer.
I take your hand and hold it tightly
The singer is holding the other person's hand in a gesture of affection and closeness.
Listen
The artist is drawing the other person's attention to something that they believe is important.
Can you not hear our young hearts beating
The artist is asking the other person to pay attention to their own heartbeat, which symbolizes the love and passion they share.
I kiss the sleep from your eyes
The singer is waking the other person up in a gentle, loving way.
Your smile is sweeter than the morning
The singer is admiring the other person's smile, which makes their day even better.
Here it comes
The artist is anticipating something exciting or significant, and is asking the other person to pay attention to it too.
Can't you feel it Baby
The artist is urging the other person to become aware of the strong emotions that are being felt by both of them.
Fire
The word 'fire' is repeatedly used to represent the passion and intensity of the love they share.
Something's Burning
The singer is acknowledging that something important and powerful is happening between them.
I think it's love
The artist is recognizing that the burning sensation they feel is love.
I believe it's love
The singer is expressing their confident belief that what they feel is truly love.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Mac Davis
Lyrics Licensed & Provided by LyricFind
Gregg Gregory
on Me 'n Fat Boy
I worked along side Bill Pruitt aka "fat boy" as an electrician in 1990 in NYC. Nicest guy yay ever wanted to meet ! And he wasn't fat anymore!