Gumbo
Mac Dre & Da Unda Dogg Lyrics

[Da Unda Dogg]
Da Unda Dogg speaks up to ask what Mac Dre is doing and what he's referring to as 'ghetto gumbo.'

[Mac Dre]
Mac Dre responds, saying that he is just sitting there and explaining that 'ghetto gumbo' is a term he uses to describe something special and unique.

[Da Unda Dogg]
Da Unda Dogg expresses surprise and disbelief at Mac Dre's claim of making 'ghetto gumbo.'

[Mac Dre]
Mac Dre confidently confirms that he is indeed making 'ghetto gumbo' and explains that it is a standout, extraordinary creation.

[Da Unda Dogg]
Da Unda Dogg seeks further clarification and asks if it's really as impressive as Mac Dre claims.

[Mac Dre]
Mac Dre confidently assures Da Unda Dogg that he has assembled a group of talented individuals who will deliver something truly special and unique.

Verse1(Mac Dre)
Mac Dre begins the verse by stating his intention to introduce something impactful that will captivate and influence the listener.

As I get to bustin'
Mac Dre starts his presentation by unleashing his talent and creative energy.

This introduction
He refers to this display as an introduction to his style and music.

Of mind corruption
Mac Dre aims to stimulate the listener's mind with thought-provoking and influential lyrics.

And rhyme seduction
He uses his captivating rhymes and flow to entice and captivate the audience.

I steal and fill brains
Mac Dre takes ownership of his ability to capture the audience's attention and leave a lasting impression.

With game and mo' thangs
He provides valuable knowledge and experiences through his lyrics and offers more than just entertainment.

Like them dope thangs
Mac Dre draws parallels between his music and the addictive nature of drugs.

And what that hoe brang
He references the impact and allure that women bring to his lifestyle.

Creep on Crest streets
Mac Dre describes his activities of moving discreetly through the streets of Crest, a neighborhood known for its challenging environment.

Speak on fresh beats
He emphasizes the importance of expressing himself over new and innovative beats.

Hit the motel, and freak on fresh sheets
Mac Dre talks about engaging in sexual activities with women in motel rooms, enjoying the experience on clean and fresh bed linens.

And wet sheets, is the end result
He highlights the pleasurable and intimate encounters he has, resulting in wet bed sheets.

Been killing long cock since ten years old
Mac Dre boasts about his sexual prowess, claiming that he has been skilled in this area since a young age.

See I blend this old-game with this new
He combines traditional knowledge and experiences with modern elements.

And ain't no telling what a bitch will do
Mac Dre suggests that women can be unpredictable and capable of anything.

Now picture you
He challenges the listener to imagine themselves in his position.

In my position
Mac Dre refers to his current role and standing in the music industry.

Steady getting sweated by the opposition
He constantly faces scrutiny and pressure from his rivals and haters.

Could you handle
He poses the question of whether the listener would be able to cope with the challenges he faces.

All this scandal
Mac Dre acknowledges the controversies and rumors that surround his life and career.

And keep on stepping like boots and sandals
He emphasizes the importance of maintaining composure and perseverance despite the difficulties.

My handle, is young Mac Dre
Mac Dre introduces himself as 'young Mac Dre,' emphasizing his youth and talent as a rapper.

Silky slim, is my A.K.A
He reveals his alternate stage name, 'Silky Slim,' adding to his persona.

And you know that bay is my rompin' grounds
Mac Dre claims the Bay Area as his territory where he finds joy and excitement.

I mean stompin' grounds
He emphasizes his dominance and presence in the Bay Area.

But I like the way Rompin' sounds
Mac Dre enjoys the term 'Rompin'' and decides to use it to describe his Bay Area connections and activities.

So I'ma keep it
He decides to stick with the term 'Rompin'' to describe his Bay Area experiences.

Romp related
Mac Dre emphasizes the connection between his music and the Bay Area lifestyle.

And if it ain't down with the romp, I hate it
He expresses his disdain for anything or anyone that doesn't align with the Bay Area culture he represents.

Verse2(JT the Bigga Figga)
JT the Bigga Figga takes over the verse and begins by stating his intention to join the conversation and contribute to the 'gumbo.'

Well let me jump into the pot with all the hustlers and players
JT the Bigga Figga compares the collaboration and creation process to being immersed in a pot with other talented individuals.

Chop potatoes with Phillie faders
He references the production process, using the metaphor of chopping potatoes with professional DJs known as Phillie faders.

Knocking niggas with Tre Eights
JT the Bigga Figga mentions the use of powerful firearms called Tre Eights to deal with adversaries.

But now I
He transitions to discussing his current situation.

See my niggas at the spot with the session
JT the Bigga Figga notes that his friends are present and ready to collaborate in the studio session.

Illegal product
He acknowledges the involvement of illegal substances in their activities.

Then people plotted, rotted with no confessions
JT the Bigga Figga refers to the presence of individuals engaging in criminal activities without confessing or revealing information.

Smith and Wessons
He references the use of Smith & Wesson firearms.

Demonstrations with Fully Autos, actin'
JT the Bigga Figga describes the use of fully automatic weapons during confrontations.

Conversations at the lab to keep the trackers trackin'
He discusses having conversations in the studio to maintain their unique sound and stay ahead of law enforcement.

Double backin' to the spot where all the money filter
JT the Bigga Figga and the others return to the place where they make money and engage in their illicit activities.

Keep it on the down low
He advises them to keep their actions and operations secretive.

You never tell about your scrilla
He emphasizes the importance of not discussing or revealing the details of their financial gains.

On the reala
JT the Bigga Figga reassures the others that he is being genuine and sincere.

I breaks it down in all directions
He explains that he is capable of analyzing and understanding situations from multiple perspectives.

It's the Fillmoe players with the O and the Crest connection
JT the Bigga Figga highlights the collaboration and unity between Fillmoe and Crest neighborhood artists.

All in the session with my folks, You know they got the Dolo
He mentions being in the studio with his close friends and associates who are talented in their own right.

Hit the gateway tracks, like some fiends in a forward Volvo
JT the Bigga Figga describes their enthusiastic and focused approach to creating music, comparing it to drug addicts eagerly seeking their next fix.

Bought a Bolo
He mentions purchasing a Bolo, which is a type of machete, possibly for protection.

Seen Kelly, mashed off, and then we hollered
JT the Bigga Figga recounts a encounter with someone named Kelly, expressing excitement and acknowledgement.

Trailing Coolio and Mac Dre in a green Impala
He mentions following Coolio and Mac Dre in a green Impala, possibly indicating their quest for success.

Getting cloudy
JT the Bigga Figga suggests that there is a change in the atmosphere, perhaps due to the presence of drugs or alcohol.

The laboratorys just like a porny
He likens the studio environment to a place of excitement and pleasure, similar to a pornographic film.

Got a patient
JT the Bigga Figga suggests that there are individuals in the studio who are patiently waiting.

Cousin Quinn is making the shit get saramani
He mentions Cousin Quinn, who is responsible for creating a lively and energetic atmosphere in the studio.

Hella fetti
He refers to having a lot of money.

We ready, steady, with all the bumbles
JT the Bigga Figga emphasizes their preparedness and focus, despite any minor issues or obstacles they face.

Keeping it real
He asserts their commitment to authenticity and staying true to themselves.

With Dangerous Dame and Mac Mall in this fucking gumbo
JT the Bigga Figga acknowledges the contribution and presence of Dangerous Dame and Mac Mall in their collaborative creation.

Straight paper
He refers to having a significant amount of money.

Straight fetti
JT the Bigga Figga mentions having a large amount of cash.

Straight gumbo
He concludes by emphasizing the quality and authenticity of the 'gumbo' they have created.

Verse3(Dangerous Dame)
Dangerous Dame takes over the verse and starts by asserting his presence and influence.

Niggas we pull
He references his ability to attract attention and make an impact.

Niggas will say so
Dangerous Dame acknowledges that people will talk and have opinions.

We hit the strip from San Jose, to Vallejo
He mentions traveling along the San Jose to Vallejo strip, highlighting his reach and influence.

Make more scrilla by the mouth piece
Dangerous Dame suggests that he is capable of earning more money through his skills and persuasive abilities.

Non-talking niggas don't know shit about me
He dismisses individuals who remain silent and claims that they lack knowledge or understanding of who he truly is.

Ignore 'em like bitches
Dangerous Dame advises the listener to pay no attention to these individuals, treating them as insignificant.

Respect
He emphasizes the importance of showing respect.

There ain't a hand out
Dangerous Dame asserts that he does not rely on others for assistance or favors.

Like a sore thumb, fake niggas always stand out
He compares fake individuals to a sore thumb, meaning that they are easily noticeable and distinguishable.

Player hater prayer
Dangerous Dame mentions a derogatory term commonly used to describe individuals who envy and dislike successful individuals.

Praying that I buckle everyday
He acknowledges that some people hope for his failure and downfall.

Ain't worth five cents, or my knuckles to the face
Dangerous Dame suggests that these individuals are not worth his time or effort.

But my burners ain't feeling no flesh
He implies that his weapons will not hesitate to harm those who pose a threat to him.

If you niggas want to test
Dangerous Dame warns his adversaries that if they provoke him, there will be consequences.

Let it jump and we could put the shit to rest
He suggests that if a confrontation occurs, they are ready to resolve it swiftly and decisively.

You thinking deeply
Dangerous Dame acknowledges the intelligent and thoughtful nature of the person he is addressing.

But I be on service like a shark
He compares himself to a shark, always ready and attentive to his surroundings.

Consider me that hate, but see I serve you from the heart
Dangerous Dame suggests that his actions may be misconstrued as hate, but his intentions are rooted in genuine concern and care.

'Cause love loves me
He asserts that he attracts love and positive energy.

And hate loves me
Dangerous Dame acknowledges that hate and negativity are also drawn to him.

So what the fuck you think?
He challenges the listener to form their own opinion about him and his actions.

You can't fuck with me
Dangerous Dame asserts his dominance and superiority over anyone who tries to challenge him.

You paying dopefiends, to put 'em to work
He accuses the listener of exploiting drug addicts for their own benefit.

But now your money's gettin' low
Dangerous Dame suggests that the listener's financial situation is deteriorating.

While I be getting low with this wicked flow
He implies that while the listener is struggling financially, Dangerous Dame is thriving creatively.

You got at me last night
He acknowledges that the listener attempted to confront or challenge him recently.

But I wasn't asking who was bustin' the trigger
Dangerous Dame dismisses the listener's attempt to intimidate, stating that he was not interested in their actions or threats.

I'm blowing big bomb smoke, yelling 'Nothin' ass nigga'
He boasts about smoking high-quality marijuana and belittling the listener, calling them insignificant.

My pimping ain't soft
Dangerous Dame asserts that he is not weak or submissive in his interactions with others.

I'm taking no losses
He claims to be achieving success and not experiencing failure or setbacks.

So why the hell do you persist to put me in crosses?
Dangerous Dame questions why the listener continues to antagonize and bring negativity into his life.

You thought it was shackles, but then they was ropes
He suggests that the listener misunderstood his situation, perceiving it as a form of bondage when it is actually more flexible.

And now they're spider webs
Dangerous Dame refers to the current situation as intricate and complex, like spider webs.

I broke on you hoes
He claims to have overcome or defeated those who doubted or opposed him.

I know what you're doing before you do it
Dangerous Dame asserts that he is always one step ahead of his adversaries and can anticipate their actions.

Got an outside plan, but in the end you're looking stupid
He reveals that he has strategies and backup plans to ensure his success, making his adversaries appear foolish.

Huh, yeah
Dangerous Dame acknowledges and agrees with his own statements.

'Cause Dangerous Dame got 'em riding on the freeway
He boasts about his ability to influence and control others, likening it to leading them on a metaphorical journey on the freeway.

Actions speak louder
Dangerous Dame emphasizes that his actions have a greater impact and speak for themselves.

I don't fuck with he say-she say
He disregards gossip and rumors, focusing on what he knows to be true.

Think you got game?
Dangerous Dame challenges the listener's confidence and abilities.

Never could you have it
He asserts that the listener cannot possess the skill or talent he possesses.

You niggas are crying wolf, while I'll be fucking Jessica Rabbit
He dismisses the listener's claims and exaggerations, suggesting that they are deceiving themselves while Dangerous Dame enjoys the company of attractive women.

Straight trading places
He implies that the listener is being replaced or overshadowed by Dangerous Dame.

But fool this ain't no dream
He asserts that the listener's situation is not a fictional or imagined scenario.

You was happy as hell when you had me under your infra red beam
Dangerous Dame suggests that the listener used to be content and satisfied when they had power and control over him.

Once again, get low for the East O
Da Unda Dogg returns and encourages everyone to adopt a humble and respectful attitude towards their shared origin, the East Oakland neighborhood.

Add a little recipe to the gumbo
He suggests adding their unique contributions and talents to further enhance the overall 'gumbo' they are creating.

Verse4(Da Unda Dogg)
Da Unda Dogg takes over the verse and expresses his desire to be included and actively contribute to the creation of the 'gumbo.'

Add me
He requests to be included in the creative process.

Mix me up
Da Unda Dogg wants to be blended and incorporated into the collective sound they are creating.

Stir me in the pot with these niggas that fix me up
He wants to be mixed and integrated into the group of talented individuals who can enhance his own sound.

See, back in '91, Coolio was the shit
Da Unda Dogg reminisces about Coolio's popularity in 1991.

So now we cooking a batch of gumbo and it ain't gonna quit
He suggests that they are now creating something with the same level of impact and longevity as Coolio's music.

My nigga the Bigga Figga, adding that spice so fool it's saucy
Da Unda Dogg acknowledges JT the Bigga Figga's contribution to the sound, describing it as flavorful and captivating.

You bitches thinking you'll eat for free, well this shit is costly
He warns those who expect to benefit without contributing that there will be a price to pay.

So back up off me
Da Unda Dogg commands those who try to take advantage of him to step away and give him space.

And recognize the sound is poppin'
He insists that they acknowledge and appreciate the high-quality sound they are creating.

Beause we steadily droppin' dope, like the keys you coppin'
Da Unda Dogg compares their consistent release of great music to a drug dealer consistently selling illegal substances.

Mother fuckers, they get to actin' foul
He criticizes those who behave in a disrespectful or untrustworthy manner.

When they know they can't fuck with the style
Da Unda Dogg asserts his unique and unmatched style, suggesting that his rivals are unable to compete.

Smile punk mother fucker, sucka, hating bustas
He dismisses and mocks those who smile and pretend to be friendly while secretly harboring jealousy and hatred.

Ain't no friends when it comes to ends, so you can not trust us
Da Unda Dogg reminds everyone that in the pursuit of success and wealth, true friendship and trust are rare.

But trust me
He asserts that despite this lack of trust, they can rely on him.

You can not dust me, or try and bust me, dumbo
Da Unda Dogg confidently declares that no one can outdo or defeat him.

Your ass gets heated in this pot of gumbo
He suggests that those who oppose or challenge them will face the consequences and heat of their collective creativity and talent.