Spoons
Macklemore & Ryan Lewis feat. Ryan Bedard Lyrics

And she's like, can you undo my bra strap?
The singer's partner asks him to help her take off her bra.

I try to play it cool, in my head I'm like, aw yeah
The singer attempts to remain calm and collected despite feeling excited about the situation.

Then she's like I'm tired and I'm like aw, man
The singer's partner expresses her fatigue, causing him to feel disappointed.

I was 'bout to crush the coochie like a tall can (yeah)
The artist was feeling sexually aroused and eager to engage in sexual activity with his partner.

'Cause my girl's thick (thick), she got a booty mane / And a big old belly looking like Gucci Mane / I keep my jewelry on, she love my dookie chain / 'Cause guess what (what?) / That's my boo boo thang (who?) / My boo boo thang (who?) / My boo boo thang
The artist describes his attraction to his partner's physical features, including her thick figure and belly, and how he likes to wear his jewelry for her. He also refers to her affectionately as his 'boo boo thang.'

She get too comfortable, bathroom door open when she boo boo-ing / I whisper in her ear, are you awake? / Kissed her on her neck, said good night, you my babe
The singer's partner becomes very comfortable around him, even leaving the bathroom door open when using the restroom. The singer whispers affectionately to her and kisses her on the neck before saying good night.

Every time I go to sleep / I wish that you were next to me / Two people that were meant to be / Under the sheets / I'm spooning you, you're spooning
The singer expresses his desire for physical closeness with his partner, wanting to be side by side with her for comfort and intimacy.

Me and you, let's get lost in these bed sheets / At the very least press my D against your left cheek / She said Fifty Shades of Grey was the best read / I'm more of a Giving Tree type of guy, Shel Silverstein (he's awesome)
The artist suggests to his partner that they get intimate in bed together. He references the book Fifty Shades of Grey, but suggests he prefers the classic children's book The Giving Tree by Shel Silverstein.

She keeps talking, might as well be in a seminar / I'm stuck, completely numb in my left arm / Her knees are bony, I need my homies / And that sounds weird, but I need my homies (yup)
The artist's partner talks too much, causing him to lose interest in the conversation and feel physically uncomfortable. He also mentions wanting his friends around for support and laughs at how that may sound strange.

You watched ahead on the fourth season of Game of Thrones? (aw hell nah) / I hold that against you (hmm mm) / I want to forgive you, but inside I'm resentful / With your lame claims that we had different schedules (we didn't) / I've seen your Netflix queues, you're busted / Can I even trust you, do you even know what love is?
The artist becomes upset that his partner watched Game of Thrones without him, and mentions feeling resentful towards her. He also questions her honesty, wondering if he can trust her, and if she really knows what love is.

She put her hand on my D and started to rub it / All a sudden I succumb, say fuck it and then busted (sleep tight)
The singer's partner begins to stimulate him sexually, leading to him giving into the temptation and ejaculating. He then tells her to sleep well.

Don't trip girl, you know I got you / Let's take it all off, no costumes / See I'm a man, but every now and then in bed I know when to say / Alright, it's my turn to be the small spoon / But tonight, I put my hands around your waist / Feel those little prickly hairs that you missed shaving your legs and say / Good night my love, it's been one hell of a day / And you reply, I'm sleeping
The artist assures his partner that he has her best interests in mind and invites her to be intimate with him without costumes. He then suggests that he will be the 'small spoon' for the night, and cuddles with his partner before saying good night.

(Space) every time I go to sleep / I wish that you were next to me / Two people that were meant to be / Under the sheets / I'm spooning you, you're spooning me / Spoon me / Two-thousand-fifteen
The song concludes with a repetition of the chorus expressing the singer's desire for physical intimacy with his partner through spooning.