Since their first collaboration on Dzihan & Kamien’s 2002 album ‘Gran Riser… Read Full Bio ↴Since their first collaboration on Dzihan & Kamien’s 2002 album ‘Gran Riserva’, vocalist / songwriter Madita and multi-instrumentalist / producer Vlado Dzihan have forged an ongoing partnership in music as well as in life. This debut self-titled album from Madita through Dzihan & Kamien’s Couch label represents the latest fruits of their labours, with Dzihan responsible for all of the instruments and production throughout. Occupying similar downbeat / nu-jazz terrain to D & K’s previous album releases, but anchored more around a chanteuse-tinged female vocal and lyrical presence, much of the broken-beat infused material here veers towards the end of the spectrum typified by the likes of Lamb and Zero 7, with perhaps more of a vintage instrumental soul vibe in the vein of Alice Russell tangibly present throughout.

Opening track ‘Ceylon’ slides open from crackling, glitchy beats and elegant piano into one of this album’s strongest downbeat moments, a tangible hiphop pulse wandering its way beneath echoing electronics, synthetic bass and a hint of feathery flamenco guitar fretwork, as Madita’s spectacular voice rings out, under and through the lush elements in a manner that suggests G-Stone sent soaring into vocal territory. One particular strength that has to be mentioned that really adds to this record is the fact that Madita has the confidence to sing in her own ‘voice’, and while her stylings certainly indicate a familiarity with the likes of Ella Fitzgerald, Billie Holliday and Bjork, the delivery here sits worlds apart from the legions of similar nu-jazz tinged vocalists subsumed by their influences to near-pastiche level. ‘Monotony’ swings with buzzing synthetic basslines making their way alongside jazzy pianos and samba-infused live drum rhythms as Madita purrs, scats and howls over the fluid live beats in a manner that suggests a particularly smoky jazz club, while ‘Mood’ descends into swooning downbeat soul, Madita’s smooth multitracked vocals battling for space with a stinging retro guitar solo over glimmering Philly Strings-tinged synthetic textures and fluid jazzy piano runs.

‘Has To Be’ tosses in some spooky distant theremin howls amidst flurries of sampled orchestration and wandering live drums that call to mind an Ennio Morricone score, whilst also featuring the most surreal, yet emotively sung lyric on offer here ("sometimes my leg hurts me"), before ‘To The Moon And Back’ brings the glitchy electronics back to the forefront, Madita’s vocals gliding alongside airy accordians as Dzihan gets complex with the broken-beat programming, sending tumbling synthetic bleeps and stuttering hi-hats echoing through the mix. The spectral, brooding ‘Pushing’ layers vast sweeping movie score orchestration beneath crashing live drums and epic cello swells as Madita’s delicate yearning vocal beautifully counterpoints the lush instrumental atmospheres, angular double-bass runs peaking through as track builds into a flaming crescendo of crashing cymbals, while ‘June’ pares things down to just a minimal fluttering electronic pulse, elegant pianos and muted horns slowly swirling in a manner that calls to mind Bjork’s ‘Vespertine’ album as Madita’s delayed-out vocals ring out over the discrete rhythms. Finally, ‘Intime’ closes proceedings on a downtempo jazz-samba tinged note, flowing live piano runs sliding back and forth as a disco-funk bassline makes its way beneath twinkling xylophones and Brazilian percussion, Madita’s latin-meets-Euro vocal inflections calling to mind Bebel Gilberto.

Easily one of the most capable and consistently interesting releases in the female vocal soul / nujazz vein that I’ve encountered so far this year, this self-titled debut from Madita maintains the high standards already set by Couch’s backcatalogue and also captures the fusion of Dzihan’s production prowess and Madita’s considerable vocal abilities in a fashion that meshes beautifully, with not a duff moment on offer here. Fans of Dzihan & Kamien will definitely want to pick this up – and those into the likes of Alice Russell, Hanne Hukkelberg and Bebel Gilberto should definitely investigate Madita.

Madita - [2008] - Too

Part swing, part jazz and always a bit electronic, Madita's latest offering is rich in sound and beauty. The songs may be too playful for some and too frenetic for others, but for those with a sweet spot for something both eccentric and electric, Madita's latest release should not be missed. The album is available on iTunes, or at a slightly higher price for the physical release from her official Web site.

source:
http://www.couchrecords.com/
http://www.madita.com/
http://kortlink.dk/thejusticeonline/4taw
http://www.alwaysontherun.net/madita.htm

Because
Madita Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Because, because
I’m the greatest girl
I just keep on, keep on
Walking through the skirts

I always feel comfortable
And always feel free of bad sounds

You can freak out, freak out
Underneath my toes
Tongue in cheek boy, cheek boy
Tumbling on the floor

And always feel comfortable
Always feel free of bad thoughts

So I breathe, I breathe
Breathe in the smell of this breeze
Oh I keep, I keep
I keep on and force my strong will

Because, because
I am not a toy
I just keep on, keep on
Hanging out my balls

I always feel comfortable
And always feel free of bad ones

So I breathe, I breathe
Breathe in the smell of this breeze
Oh I keep, I keep
I keep on and force my strong will
Keep, just keep
Keep on your dark side for me
Oh I’ll beat, just beat
I’ll beat down the desert indeed

Oh I'll
La la la la
La la la la
Oh I'll

La la la la
Ah

Overall Meaning

The song "Because" by Madita is an anthem of self-confidence, where the artist declares her strength and independence. She starts by saying she is the greatest girl who keeps walking through the skirts, which could be interpreted as her navigating through life's challenges. She then talks about feeling comfortable and free, even when faced with bad sounds or thoughts. In the second verse, Madita asserts that she is not a toy and hangs out her balls, meaning that she takes charge of her own life and decisions. Throughout the song, she maintains a positive outlook and chooses to focus on the good things in life. The refrain of "Because, because..." reinforces her conviction that she can overcome anything.

The lyrics of the song are simple, but the message is powerful. Madita's voice is confident, and the melody is catchy, making it a feel-good song that inspires listeners. The juxtaposition of feminine clothing and masculine language is interesting and adds depth to the lyrics. The use of the phrase "beat down the desert" in the bridge could be interpreted as a metaphor for overcoming a barren, challenging environment.

Line by Line Meaning

Because, because
I have a strong belief in myself

I’m the greatest girl
I have a strong sense of self-worth

I just keep on, keep on
I persevere through obstacles

Walking through the skirts
I navigate through life with confidence

I always feel comfortable
I am at ease in my own skin

And always feel free of bad sounds
I am not affected by negative comments

You can freak out, freak out
You can be intimidated by me

Underneath my toes
In my presence

Tongue in cheek boy, cheek boy
You may make sarcastic remarks, but they don't affect me

Tumbling on the floor
You may feel inferior in comparison to me

So I breathe, I breathe
I find solace in my surroundings

Breathe in the smell of this breeze
I take in the beauty of nature

Oh I keep, I keep
I persist in my determination

I keep on and force my strong will
I use my inner strength to achieve my goals

I am not a toy
I am not to be played with

Hanging out my balls
I am unafraid to assert myself

And always feel free of bad ones
I am not burdened by negative thoughts

Keep, just keep
Persist through challenges

Keep on your dark side for me
You may have negative intentions, but they do not bother me

Oh I’ll beat, just beat
I will overcome any adversity

I’ll beat down the desert indeed
I will conquer all obstacles

Oh I'll La la la la La la la la
I am content in my determination

Oh I'll La la la la
I am unafraid to express myself

Contributed by Stella G. Suggest a correction in the comments below.

To comment on or correct specific content, highlight it

TRACKS

No Related Genres

More Genres

No Artists Found

More Artists Load All

No Albums Found

No Tracks Found

PT3M50S

Genre not found

Artist not found

Album not found

Search results not found

Song not found

Comments from YouTube:

Bing180363

16y↑2

Supersong! Ein wahnsinn das es in österreich so was gibt! MADITA hat dass zeug zu einer ganz großen karriere - Ich wünsch es ihr vom ganzen herzen!

John Woo

16y↑2

Wow, was für ein Lied! Für mich der beste Pop-Song, den ich von einer österreichischen Künstlerin je gehört habe. Das hat echt Klasse und das Zeug zum internationalen Hit. Bin fast entsetzt, dass ich das Video erst 7488 Leute angesehen haben. Das muss ich ändern! Ich habe mir gestern das Album bestellt und freue mich schon sehr darauf. Werde kräftig Werbung dafür machen! Großes Kompliment nicht nur an Madita (wunderbar gesungen) sondern auch an den Produzenten Vlado Dzihan. Einfach nur geil!

Flaubert

16y

22.2.08 WUK Vienna, Madita presents her new album! Don´t miss it!

razor293

16y↑1

also wie ich das video das erste mal gesehen hab, hätte ich mir nicht gedacht dass eine österreicherin sooooo tolle musik machen kann... dieses lied hat gar nichts mehr mit dem austropop von der stange a la christina stürmer zu tun... einfach nur klasse!!! keep on madita!