The Ballad Of Butter Beans
Man Man Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Butter beans, I’m gonna get you
I’m gonna stick you I’m gonna take you down
And then romp; I’m goin' to hell, you're riding shot gun


(Butter beans, I’m gonna get you,
I’m gonna get you, I’m gonna get you)

Butter beans, I know she wants you
That you’ll make a lovely headdress or
A double breasted suit of skin

(Butter beans, I’m gonna get you,
I’m gonna get you, I’m gonna get you)

Cause Butter beans, you better stay sharp
Cause I’m gonna freeze out life blood from that black heart
I’m gonna fry I’m gonna fry with a smile on my face

(Butter beans, I’m gonna get you, I’m gonna get you,
I’m gonna get you)

You think you’re so slick
I seen her lipstick 'cross your dillsnick
You think you’re so slick
I seen a lipstick cross you're dillsnick

Butter beans, you go and try and hide
In the swamp grass I got swamp eyes
And I’ll track you down like a bloodhound
It’s your time to die

(Butter beans I’m gonna get you, I’m gonna get you,
I’m gonna get you)

Butter beans, you’ve gotten so fat
I can barely carry your weight across my tiny back
Taught me singing and aim and I'll sin when you say my name

(Butter beans, I’m gonna get you, I’m gonna get you,
I’m gonna get you)

Real thick black magic can't stop the tragedy
From happening
Pig’s feet and snake piss
Crow tongue and cat face
Horse tail and bone bits
Bird’s nest and grave dust





All of it won’t keep the tragedy from happening
So run

Overall Meaning

The Ballad of Butter Beans by Man Man is an eccentric ode to a character called Butter Beans, who is depicted as an object of desire and rivalry between the singer and another person. The song's lyrics use a macabre and surreal imagery to describe the singer's intentions to "get" Butter Beans, who will "make a lovely headdress" or "double breasted suit of skin." The singer's obsession with Butter Beans is portrayed as a twisted and violent relationship that will ultimately lead them both to hell. The repeated refrain, "Butter beans, I'm gonna get you," adds to the song's ominous tone.


The lyrics are open to interpretation, but they seem to suggest themes of jealousy, possessiveness, and the destructive nature of desire. The line, "You think you're so slick, I seen her lipstick 'cross your dillsnick," indicates that Butter Beans has maybe taken the singer's love interest away, sparking a desire for revenge. The use of symbols associated with black magic and the supernatural, such as "crow tongue" and "grave dust," adds to a haunting and mysterious atmosphere.


Line by Line Meaning

Butter beans, I’m gonna get you, I’m gonna stick you I’m gonna take you down And then romp; I’m goin' to hell, you're riding shot gun
The singer is planning to harm and enjoy torturing the subject, with the belief that they will eventually go to hell while the subject will be his partner in crime.


Butter beans, I know she wants you That you’ll make a lovely headdress or A double breasted suit of skin
The singer is aware that someone else desires the subject for their own purposes, and that the subject would be a good fit for their desired outcome (either as a decoration or clothing).


Cause Butter beans, you better stay sharp Cause I’m gonna freeze out life blood from that black heart I’m gonna fry I’m gonna fry with a smile on my face
The singer plans to harm the subject emotionally or mentally, believing that they have a wicked nature and that doing so will bring them joy.


You think you’re so slick I seen her lipstick 'cross your dillsnick You think you’re so slick I seen a lipstick cross you're dillsnick
The artist is accusing the subject of being deceptive and cheating on someone who wears lipstick, while also calling attention to the subject's genitals.


Butter beans, you go and try and hide In the swamp grass I got swamp eyes And I’ll track you down like a bloodhound It’s your time to die
The artist is threatening to find and kill the subject, using their exceptional abilities to track them down.


Butter beans, you’ve gotten so fat I can barely carry your weight across my tiny back Taught me singing and aim and I'll sin when you say my name
The singer believes the subject is physically burdensome, but taught them useful skills in exchange for their support; the singer is willing to act immorally at the subject's request.


Real thick black magic can't stop the tragedy From happening Pig’s feet and snake piss Crow tongue and cat face Horse tail and bone bits Bird’s nest and grave dust All of it won’t keep the tragedy from happening So run
The singer has tried to use magic to avoid an inevitable tragedy, but it hasn't worked; the singer advises the subject to escape to avoid the same fate.




Contributed by Joshua P. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it

Genre not found
Artist not found
Album not found
Song not found
Comments from YouTube:

Kimberly Muse

They can do no wrong. Simply Brilliant that Man Man.

Sambie

this band is so amazingly odd 

DeBaun Art

Love this song. Do Zebra next!

Anthony Rodriguez

Punk rock meets orchestration music . Synthetic bases created a spine tingling momentum anymore the Squirrel Zip Zippers could bend the Jazz root into develop symphonies. Would love to dismiss the Man Man contributions on the tablet but its only shutting away another door .

Dan Collins

This song reminds me so much of World/Inferno Friendship Society. Awesome stuff.

blew skidoo

one of the first times i ever smoked my friend played this fucking song and i was so fucking confused.

benjamin mcfarlane

I used to be that kind of friend.

CezrDaPleazr

The trippiest shit ever!

Sara Rose

BUTTER BEANNNNNNNNNNNNNNSSSSSSSSSSSS

Sharon Adams

Supreme!....

More Comments

More Versions