His first teacher was his father, Isidro Sanlúcar, a baker and old style guitarist, who frequently came home with people who were fond of cante and playing; from his childhood he was exceptionally skilled to follow in his steps. His brothers also decided on the same vocation and, among them, Isidro.
He soon began to research, aware that the guitar had infinite possibilities that had hardly been explored. The most ambitious of his contributions to the art is his constant striving to integrate flamenco in symphonic music. Several works of the greatest interest which have placed his name among the great composers of our time, encourage this concern by the creator: Fantasía para guitarra y orquesta, Trebujena, Medea and Soleá - that toured the world as a ballet -, Tauromagia or Aljibe. Some of them were recorded. The guitarist explained his guiding intentions: "I wish the experts in universal music to understand that they may approach flamenco, so they do not consider it something tribal and topical, so they see a branch of music in flamenco that allows very profound musical analysis and has extraordinary poetic and musical quality". Going into the same problem, he declared on another occasion: "Flamenco is a philosophy, the way of thinking and feeling of a whole people and its historical tradition. That is why I feel the need to tell more things about flamenco with other sounds and I take to the orchestra and try to get the orchestra to play siguiriyas, but take note, not for the orchestra to accompany siguiriyas and a singer, but for the orchestra to take on the feeling of the flamenco and, as if it were a sole instrument, to tell that spirit and magic sound of flamenco". Manolo Sanlúcar also composed a sort of flamenco opera on an idea by Lebrijano, to be played on the stage, although it has not yet been produced: Ven y sígueme. He has performed in some films.
Most important records are Tauromagia (1988), Locura de Brisa y Trino (2000)
Caballo Negro
Manolo Sanlucar Lyrics
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Guitar Playing
Solo Guitar
Instrumental
Guitar Playing
Solo Guitar
Instrumental
Guitar Playing
Guitar Playing
Instrumental
Guitar Playing
Instrumental
Guitar Playing
Instrumental
Guitar Playing
Manolo Sanlucar's "Caballo Negro" is an instrumental guitar piece that showcases the virtuosity of the artist. The song is characterized by mesmerizing guitar playing throughout, with various solos interspersed that capture the listener's attention. The lack of lyrics in the song allows the listener to appreciate the beauty and complexity of the guitar melodies without distraction.
The repetitive nature of the instrumental sections creates a sense of rhythm and builds tension, evoking the powerful image of a black horse. The guitar playing is precise and emotive, conveying a sense of urgency and raw energy. With each instrument interlude, the song progresses in intensity, captivating the listener and keeping them engaged.
Line by Line Meaning
Instrumental
The absence of lyrics allows the emotions to be conveyed solely through the music.
Guitar Playing
The skillful manipulation of the guitar strings creates a soothing and melodious sound.
Solo Guitar
The guitar takes the center stage, showcasing its virtuosity and command over the music.
Instrumental
Once again, the absence of lyrics emphasizes the expressive power of the instrumental music.
Guitar Playing
The expertly executed guitar techniques produce enchanting melodies and intricate harmonies.
Solo Guitar
The guitar becomes the sole voice, conveying a range of emotions through its rich tones and heartfelt playing.
Instrumental
With no words, the music allows the listener to explore their own interpretations and connect with the piece on a personal level.
Guitar Playing
The guitar strings are skillfully plucked and strummed, creating a mesmerizing rhythm that captivates the audience.
Instrumental
The absence of lyrics encourages the listener to focus on the music itself, paying attention to each nuanced note and delicate variation.
Guitar Playing
The guitar resonates with warmth and depth, evoking emotions that words alone could not express.
Instrumental
By relying solely on the power of the music, the composition transcends language barriers and speaks to the universal human experience.
Guitar Playing
The masterful guitar playing creates a captivating ambiance, transporting the listener to a realm of beauty and tranquility.
Instrumental
The absence of lyrics leaves space for the listener's imagination to run wild, crafting their own narrative within the music.
Guitar Playing
The guitar strings reverberate with passion and intensity, telling a powerful story through their vibrant and emotive sound.
Instrumental
Without the constraints of words, the music flows freely, allowing for a dynamic exploration of musical possibilities.
Guitar Playing
The nimble fingers dance across the guitar, sculpting each note with precision and finesse, creating a mesmerizing tapestry of sound.
Contributed by Jacob A. Suggest a correction in the comments below.
Joan Claveria
Acabo de leer la noticia del fallecimiento de Manolo Sanlucar. Volver a escuchar esta canción es mi forma de recordarlo. Hasta siempre!!
Juan Ramos
Por eso, cuando me he enterado he venido a oir esta pieza.
antonio saiz
También la escuche ayer me supo mal. Van todos, poco a poco haciéndose mayores y...
Yo y punto.
Manolo Sanlúcar, D.E.P. maestro " esa música , caballo negro " se me pone la piel de gallina escuchándola.
Oscar Gmz
Escuché caballo negro de niño. Ya tengo 62 y siento la misma fascinación. Grandioso Manolo
Jose David Melero Suso
Descanse en paz, maestro.
Daniel Cristancho
Para mí, el mejor tema de guitarra acústica que se haya hecho, gracias Manolo por darnos tu gran talento
Mario Mendoza Ramírez
Hermosa guitarra acústica. Elegante, firme, virtuosa, creativa y española!!!
kppresent
One of the best guiatrist's ever!! Wonderful song. Thank you for sharing this great music.
Elias Manuel Robles Ramos
Manolo Sanlucar en los años 70 era, junto a PACO DE LUCÍA todo un astro de la guitarra. CABALLO NEGRO era su toque estrella al igual que "Entre dos aguas" de PACO.