Griffiths has been one of the most successful female reggae artist in the world with songs like "Young, Gifted And Black" (1970), "Feel Like Jumping" (1978) and "Steppin' Out Of Babylon" (1979), and "Electric Boogie (1990) . She cooperated with Bob Marley on all his LP albums for Island Records and in all tours until his death.
Griffiths began her early career with Bob Andy in the duo Bob and Marcia, who delivered hit songs like "Young, Gifted And Black" (1970) and "The Pied Piper" (1971). She was already an international star and more known than Bob Marley in 1973 where she contributed to the group's first LP on Island Records – Catch A Fire – by running in songs like "No More Trouble". In 1974, she joined Bob Marley & The Wailers as one of the permanent members of the I-Threes – the vocal trio that also included Judy Mowatt and Rita Marley, who lifted and reinforced Bob Marley's messages on the stage and studio albums.
Solo she delivered heavy love songs like "The First Time I Saw Your Face" and "Sweet Bitter Love" (1974) on the album Play Me Sweet And Niceand immortal roots reggae classic "Steppin' Out Of Babylon" on the album Steppin'. In between, she released the album Naturally, where she sang Bunny Wailer classic rastafarian song "Dreamland", Bob Marley's "Lonesome Feeling" and her own hit songs, "Feel Like Jumping" , "Truly" and "Melody Life" - songs that are still played by radio stations worldwide.
With some help from Bunny Wailer 1990 she hit the Billboard chart with “Electric Boogie” ( Carousell) and created a world class dance, the Electric Slide. This super star has been recording and performing ceaselessly.
At a reggae concert in South Florida, Griffiths displayed, in combination with Reggae rapper Cutty Ranks, on their duet of “Fire Burning”, all the zeal and elements that go into dancehall music. Griffiths exhibited the same exuberance when performing her international crossove hit “Electric Boogie.”
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Griffiths recalls “I started singing professionally as a vocalist in 1964, for Byron Lee and the Dragonaires band.” Her recording years started soon after, at Coxsone Dodd - Studio One where she recorded her first hit “Feel Like Jumping."
It was while recording at Studio One that Griffiths teamed up with Bob Andy on ‘Really Together," the first of many duets that the two would record. “Luckily for me, Bob Andy was always a strong and wise person”, says Griffiths. “He was there for me in the early days and that gave me confidence”. Then the pair moved to the Harry J Label, hitting the British, as well as the International charts with “Young Gifted and Black” and “The Pied Piper,” recording two albums of the same titles.
Following that duet success, she went solo again on the High Note label with Reggae's sole established female producer - Sonia Pottinger - hitting with several songs including her own original “Stepping Out of Babylon.” and releasing two albums “Naturally” and “Stepping”. When asked to express her opinion on female reggae vocalists, Marcia said “Its been a rough, tough job standing up as a woman in this business, that’s why my album before “Land of Love” I chose to call “Indomitable”, which means not easily discouraged or defeated. My views on women in reggae are positive; most of the new or upcoming female singers in reggae started out singing my songs before doing their own originals. I feel very good about that; to know that I have influenced my people positively.”
In 1974, Griffiths united with Judy Mowatt and Rita Marley to form the I-Threes as an important part of the Bob Marley entourage. “Words are not enough to express my experience with the I-Threes and Bob Marley and the Wailers”, says Marcia. “What a blessing to be so privileged.....to have shared this experience”.
Griffiths gained solo international recognition with her monster hit “Electric Boogie.” This song was first recorded in 1982 and went to the #1 spot on the Jamaican charts. Sales continued over the years and in 1989, a Washington, DC Disc Jockey started playing it regularly and in no time, it caught on and hit the station’s regular rotation list.
A new dance, the Electric Slide, was created from the “Electric Boogie” song and as a result, sales soared and the “Electric Slide” became popular all over the U.S. The song and dance have been featured on the Oprah Winfrey and Phil Donahue shows, and the video has been aired many times on the Black Entertainment TV (BET) and other nationwide music networks.
Marcia Llyneth Griffiths was born on November 23, 1949 to Joseph and Beatrice Griffiths. The family hailed from a poor section of West Kingston, but as bad as things were, Marcia considered those days glorious, because there was always one thing in abundance - one thing that made them the wealthiest family in the world - one thing that no one could take from them... Love.
Marcia as a teenager attended Kingston Senior School, and was a zealous member of her church choir. In fact, she was always taking part in some school concert or play. She loved to hang out and sing with friends, often times sneaking out of the house after her parents had gone to bed. It was during one such nightly excursion, that the slim fifteen year old beauty managed to get herself discovered.
Philip “Boasie” James lead singer of the Blues Busters vocal duo was visiting his girlfriend, who lived next door to Marcia, and heard this lovely voice floating through the air. He could not believe his ears, and subsequently took Marcia straight away to Byron Lee and insisted that this song-bird be included on the upcoming talent show to be held at the Carib Theater in Kingston. Marcia remembers that Byron was upset with “Boasie” for coming to interrupt his well planned program schedule and insisting that this "nobody" go on his show.
Marcia remembers she performed a Carla Thomas original,“No Time To Lose” to phenomenal response from the audience. They demanded an encore, but to no avail, as she had only rehearsed one song with the band. As much as she wanted to, she could not do any more performances that day.
The attention Marcia received after this auspicious debut was overwhelming. Everyone wanted to manage her, including Byron Lee’s manager Ronnie Nasralla. That same night he took her to the studios of JBC where Marcia made her first television debut. All in one day were the ingredients of an overnight success story which no one realized was about to happen. The rest is history, for the girl who became first the queen, the matriarch of Reggae Music. Marcia L. Griffiths OD., a great contributor to Reggae Music, is most fitting for the royal, prestigious, and respectful title of Reggae Empress.
In 2004 at the dawning of the 21st century, the most influential female artist in Jamaican popular music, Marcia Griffiths OD is briskly fanning the flames of Reggae Music. Working in the studio, releasing records and touring. Marcia continues her mission of spreading the message in the music into the new millennium.
In between studio sessions, Marcia has been on the road. In the past two years she has enjoyed a successful tour of the USA with Beres Hammond and Freddie Mcgregor. Traveling to England with Beres Hammond they performed an extensive tour with the same overwhelming results. Forward on a yard, Marcia shared the stage with Boyz II Men at the massive Spring Break concert for MTV in Negril Jamaica. Returning to the US, she performed in Orlando, Florida, (Disney World) Universal Studio, at the opening of the Bob Marley Museum. Sharing the bill were the I-Threes, Ziggy Marley and Inner Circle. Moving on up to New York, Marcia displayed two memorable shows with Beres Hammond and Buju Banton at Carnegie Hall and Madison Square Garden. Going further north Marcia worked in Toronto and Montreal with John Holt and Ken Boothe. Again in the USA with Bob Andy as the Legendary duo, they performed at the Bob Marley Day Celebration in Los Angeles, before heading down south to perform at the historic Reggae meets Rocksteady showcase in Miami. Next Marcia toured with the legendary Wailers Band. Then the I-Threes were off for shows in Italy, Europe and South Africa. Returning to Jamaica, the I-Threes shared the stage for two shows with R&B legends Gladys Knight and Patti LaBelle. In November 2002, along with John Holt, Ken Boothe and Mikey Spice, Marcia produced an historical performance with the Royal Philharmonic Concert Orchestra at the Wembley Arena, Birmingham and Aston Vill Leisure Centre, Middlesex. Since then Marcia has performed in New York, Toronto, Atlanta, Miami and Jamaica.
The driving force of the Reggae Empress is fueled by her inner desire to serve the people of the world with sweet reggae music. She said “ Music alone shall live, and it’s not only for the money, but the satisfaction I get from doing the work that I love, that is what really keeps me going everyday”.
Gypsy Man
Marcia Griffiths Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Round the campfire light
A lovely woman in motion
With hair as dark as night
Her eyes were like that of a cat in the dark
That hypnotized me with love
She was a gypsy woman
She danced around and round
To a guitar melody
From the fire her face was aglow
How she enchanted me
Oh how I'd like to hold her near
And kiss and forever whisper in her ear
I love you gypsy woman
I love you gypsy woman
All through the caravan
She was dancing with all the men
Waiting for the rising sun
Everyone was having fun
I hate to see the lady go
Knowing she will never know
That I love her
That I love her
Gypsy woman
She was gypsy woman
Gypsy woman
Gypsy woman
All through the caravan
She was dancing with all the men
Waiting for the rising sun
Everyone was having fun
I hate to see the lady go
Knowing she will never know
That I love her
I love her
Gypsy woman
Gypsy woman
She was gypsy woman
Gypsy woman
She was gypsy woman
She was gypsy woman
The song "Gypsy Man" by Marcia Griffiths is a reflective ballad about the singer falling in love with a gypsy woman. The woman is described as beautiful and enchanting, with dark hair and cat-like eyes that "hypnotized" the singer with love. As the woman dances around a campfire to a guitar melody, the singer is fascinated and yearns to hold her close and declare his love. However, he knows that she will soon depart with the rest of the caravan, and he will likely never see her again. The song closes with the repetition of the title, "Gypsy Woman," emphasizing the lasting impact the woman has had on the singer.
Overall, the song presents a romanticized view of the mysterious and exotic "gypsy" lifestyle, with its emphasis on dance, music, and community. Although the singer is clearly infatuated with the woman, there is a bittersweet quality to the lyrics, as he acknowledges the fleeting nature of their interaction and the inevitable separation to come.
Line by Line Meaning
From nowhere through the caravan
Suddenly appearing out of nowhere, she entered the circle of travelers
Round the campfire light
The firelight illuminated her movement as she danced
A lovely woman in motion
She was beautiful and graceful in her dancing
With hair as dark as night
Her hair was very dark, almost the same shade as the night sky
Her eyes were like that of a cat in the dark
Her eyes shone in the darkness like a cat's eyes do
That hypnotized me with love
Her eyes had a powerful effect on me, making me fall in love
She was a gypsy woman
She was a traveler, part of an exotic and mysterious culture
She danced around and round
She moved in circles, joyfully expressing herself through dance
To a guitar melody
The music she danced to was played on the guitar
From the fire her face was aglow
Her face was illuminated by the warmth and light of the fire
How she enchanted me
I was completely captivated by her beauty and movement
Oh how I'd like to hold her near
I longed to embrace her closely
And kiss and forever whisper in her ear
I wished to kiss her and whisper sweet nothings to her for eternity
I love you gypsy woman
I am in love with this charming and mysterious traveler
All through the caravan
Throughout the group of travelers
She was dancing with all the men
She danced with all the men present, enjoying their company as part of the communal celebration
Waiting for the rising sun
Looking forward to the next day's adventures and journeys
Everyone was having fun
All were enjoying themselves, lost in the moment and their surroundings
I hate to see the lady go
I feel sad at the thought of her leaving
Knowing she will never know
Realizing that she may never know of my love for her
That I love her
That my heart is full of love for her
Gypsy woman
A woman of the Romani people, full of mystery and enchantment
She was gypsy woman
She truly embodied the spirit and essence of being a traveler and part of the Romani culture
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Written by: Curtis L Mayfield
Lyrics Licensed & Provided by LyricFind
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