Beyond their highly sought after 1978 album Festa Para Um Novo Rei - home … Read Full Bio ↴Beyond their highly sought after 1978 album Festa Para Um Novo Rei - home to the mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular Brasileira Contemporanea series (MPBC) - little is known about Marcos Resende & Index, even to aficionados of obscure Brazilian music. Far Out Recordings is immensely proud to present their previously unreleased self-titled debut album from 1976, contributing a crucial missing work from the glory days of progressive Brazilian instrumental music.
Born in Cachoeiro de Itapemirim, Brazil in 1947, Marcos Resende was a prodigious child who learned to play the accordion at the age of two, and the piano aged six. In spite of his immense musical potential, he travelled to Lisbon in the 60s to study medicine. Yet continuing to explore his musical passion on the side, he formed a trio which went on to open for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz Messengers, but in spite of their relative live success they have no known recordings.
Now established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974. Inspired by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende & Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende & Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.
At the time of recording, Resende had hoped to release the album on the famed CTI Records, and although a deal with the label almost came to fruition, it fell through and the album was shelved by Marcos who had other priorities working with the likes of Gilberto Gil, Edu Lobo, Gal Costa and Carlos Dafé, as well as making music for TV and film.
Thankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018, but only after 25 years of Joe pleading to hear them. Marcos has worked closely with Far Out towards restoring these recordings over the last two years, but tragically passed away after a battle with stomach cancer on 12th November 2020 at the age of 73, only a matter of weeks before the album was due to be unveiled to the world.
Born in Cachoeiro de Itapemirim, Brazil in 1947, Marcos Resende was a prodigious child who learned to play the accordion at the age of two, and the piano aged six. In spite of his immense musical potential, he travelled to Lisbon in the 60s to study medicine. Yet continuing to explore his musical passion on the side, he formed a trio which went on to open for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz Messengers, but in spite of their relative live success they have no known recordings.
Now established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974. Inspired by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende & Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende & Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.
At the time of recording, Resende had hoped to release the album on the famed CTI Records, and although a deal with the label almost came to fruition, it fell through and the album was shelved by Marcos who had other priorities working with the likes of Gilberto Gil, Edu Lobo, Gal Costa and Carlos Dafé, as well as making music for TV and film.
Thankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018, but only after 25 years of Joe pleading to hear them. Marcos has worked closely with Far Out towards restoring these recordings over the last two years, but tragically passed away after a battle with stomach cancer on 12th November 2020 at the age of 73, only a matter of weeks before the album was due to be unveiled to the world.
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Marcos Resende & Index Lyrics
We have lyrics for these tracks by Index:
A Song About It's a song about friendship, people, love In space... It's …
Como el Águila En tu bello camino mi cristo voy si guiendo tu denda…
Faith in Motion A silhouette of stolen dreams Heaven is not what it seems …
Give Me A Sign Ever since I met you You've been playing childish games…
Glory of Love Tonight it's very clear, as we're both standing here, there'…
Marfil de Piano Encontré en un piano Un refugio contra la nostalgia de domin…
Of Punk Is dat noch Punk? Fragst du dich. Is dat noch Punk? Is doch…
Paradive Cognitive dissonance Blue walls and synthetic skies Supers…
Radio Am I just fooling myself That I could live without you Emoti…
Sovereign Glow stop-motion devotion and i'm drifting alone in the ersat…
The Glory of Love Tonight it's very clear, as we're both standing here, there'…
Where Something keeps the thought alive, the capacity to return to…
World Warhead Broadcasting Human Penetration From the concrete Cuts deeper into Mothe…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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the Jazzbeat
one of the best albums the label released
Jonas Amaral Bachega
Como descrever o indescritivel com esse album....how describe the indescribable with this album,I had a ineffable magic exp while listening to this masterpiece....wonderful....peace and love!!!
Danilo
Bom demais!
Carlos Eduardo Barbosa Corrêa
Absurdo de bom.
Endres Schwarz
❤❤❤
Jota Ortiz
🔥🔥🔥🔥
Marinus Visser
👍👍👍👍
gustavo pagador
lueko loko louco!!
GubDM
slightly out of time high hats on the Behind the Moon are wild
isaac
unreal