Piano Sonata No. 6 in D Major, K. 284: I. Allegro
Maria João Pires (born in Lisbon, Portugal, July 23, 1944) is a renowned Po… Read Full Bio ↴Maria João Pires (born in Lisbon, Portugal, July 23, 1944) is a renowned Portuguese pianist who currently lives in Brazil.
Her first recital was at age five, and at age seven she was already playing Mozart Piano Concertos publicly. Two years later, she received Portugal's top prize for young musicians. In the following years, she studied with Professor Campos Coelho at the Lisbon Conservatory, taking courses in composition, theory, and history of music. She continued her studies in Germany, first in the Musikakademie of Munich with Rosl Schmidt and then in Hanover with Karl Engel.
International fame came in 1970, when she won the Beethoven Bicentennial Competition in Brussels. She has since then regularly performed with major orchestras throughout the world, interpreting works by Bach, Beethoven, Schumann, Schubert, Mozart, Brahms, Chopin and many other classical and romantic composers. She appears regularly with major world orchestras in Europe, America, Canada, Israel and Japan.
She appears as a solo artist and in chamber music: her many successful recordings include Moonlight, featuring Beethoven sonatas, Le Voyage Magnifique, the complete Impromptus of Schubert, Nocturnes and other works by Chopin, and Mozart Trios with Augustin Dumay (violin) and Jiang Wang (cello).
She won the Pessoa Prize in 1989. She also founded the Belgais Centre for Study of the Arts.
Gramophone (magazine) selected her recordings of the Chopin Nocturnes as the best version available: "I have no hesitation in declaring Maria Joao Pires – a pianist without a trace of narcissism – among the most eloquent master-musicians of our time" (Bryce Morrison).
In 2006 she moved to Lauro de Freitas—a town near Salvador, Brazil—and continues performing. At the time of her move, she commented that she had suffered much in Portugal due to her Belgais Centre project.
Her first recital was at age five, and at age seven she was already playing Mozart Piano Concertos publicly. Two years later, she received Portugal's top prize for young musicians. In the following years, she studied with Professor Campos Coelho at the Lisbon Conservatory, taking courses in composition, theory, and history of music. She continued her studies in Germany, first in the Musikakademie of Munich with Rosl Schmidt and then in Hanover with Karl Engel.
International fame came in 1970, when she won the Beethoven Bicentennial Competition in Brussels. She has since then regularly performed with major orchestras throughout the world, interpreting works by Bach, Beethoven, Schumann, Schubert, Mozart, Brahms, Chopin and many other classical and romantic composers. She appears regularly with major world orchestras in Europe, America, Canada, Israel and Japan.
She appears as a solo artist and in chamber music: her many successful recordings include Moonlight, featuring Beethoven sonatas, Le Voyage Magnifique, the complete Impromptus of Schubert, Nocturnes and other works by Chopin, and Mozart Trios with Augustin Dumay (violin) and Jiang Wang (cello).
She won the Pessoa Prize in 1989. She also founded the Belgais Centre for Study of the Arts.
Gramophone (magazine) selected her recordings of the Chopin Nocturnes as the best version available: "I have no hesitation in declaring Maria Joao Pires – a pianist without a trace of narcissism – among the most eloquent master-musicians of our time" (Bryce Morrison).
In 2006 she moved to Lauro de Freitas—a town near Salvador, Brazil—and continues performing. At the time of her move, she commented that she had suffered much in Portugal due to her Belgais Centre project.
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Piano Sonata No. 6 in D Major K. 284: I. Allegro
Maria João Pires Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@aaronjorgefridman5662
Un Mozart para oír con el alma. Una interpretación magnífica
@Kzweitausand
1. Allegro
2. Rondo en Polonaise 7:39
3. Tema con variazione 13:10
@miamargareta9997
Most amazing Mozart ever played ❤
@carbideblue
Maria João Pires deserves a place in the canon of great Mozarteans! This piece (especially the first movement) requires tremendous pianistic maturity as it contains very "catchy" musical morsels that do not lay on the keyboard very comfortably. In the face of this challenge, Ms. Pires delivers a reading with the ideal intersection of refinement and vigor where the musical "hooks" truly come to life. Attention to detail and contrast in phrasing serve to remind us of what a stylistically and harmonically innovative composer Mozart really was. Such a dynamic and detailed interpretation prevents the music from ever sounding trite, as it sometimes can in the hands of lesser performers. Her tonal palette is sweet and smooth like marzipan, yet she maintains a considerable dynamic range reminiscent of Beethoven or Schubert without sounding metallic or strident. Mozart said "It should flow like oil," and it certainly does so here!
@dvdgrog
Mozart and Maria Joao Pires....perfect together ❤
@idroj6566
Suprema simbiosis entre compositor e intérprete. Una versión que pertenece al cielo!
@anrimesmer
Это самое лучшее исполнение этой сонаты! И, главное, все репризы на месте, которые почему-то, все игнорируют... Браво!!!
@velisercanbahtiyar2579
Nenhum comentário melhor. Bravo!
@enricofermi2093
My auditory cortex and limbic system will never be the same.
@nelsongustavodeoliveirales9488
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