Maria de Medeiros (born August 19, 1965 in Lisbon) is a Portuguese actress,… Read Full Bio ↴Maria de Medeiros (born August 19, 1965 in Lisbon) is a Portuguese actress, director and singer who has been involved in both European and American film productions.
Maria de Medeiros was born into a family of intellectuals. Her mother is a journalist, her father a pianist, composer, conductor and music historian.
She spent her childhood in Vienna, in Austria, and then followed her parents to Lisbon, after the “Carnation Revolution” in 1974. Both in Austria and in Portugal she went to the French School.
At fifteen, she performed her first leading role in a movie, Silvestre, by João César Monteiro. Still a teenager, she started to act in classical theatre plays, directed by Philippe Fridman.
At eighteen, she moved by herself to Paris where she started to study philosophy before she entered a National Theatre School (Ecole Nationale Supérieure des Arts et Techniques du Théâtre).
Two years later, she became a pupil at the prestigious Conservatoire National Supérieur d'Art Dramatique de Paris. She studied with Michel Bouquet and Jean-Pierre Vincent. Simultaneously, she played Elvire, Jouvet 40, directed by Brigitte Jaques at the Athénée Theatre. This play was performed in Paris for three years and was shown in many countries all over the world.
Later, Maria acted in numerous plays and films both in France and abroad. She played Corneille, Lorca, Mairet and Calderón, with directors such as Brigitte Jaques, Jorge Lavelli, Jean-Marie Villégier and José Luis Gomez, in important National Theatres like Chaillot, Théâtre de la Colline and Théâtre de l’Odéon.
She performed in France in films by Chantal Ackerman, Christine Laurent, Suzanne Schiffman, Jean-Charles Tacchella, Serge Moati, Didier Le Pécheur, Bernard Rapp, Christian de Challonges, Gérard Pullicino, John Lvoff, Patrick Braoudé and Richard Berry amongst others.
In the United States, Maria starred in big productions such as Henry & June by Philip Kaufman and Quentin Tarantino’s Pulp Fiction. But she also acted in a few independent films.
Maria remained very faithful to Portuguese cinema. She worked with Manoel de Oliveira, Teresa Villaverde, Luis Galvão Telles and Joaquim Leitão.
She also performed in Spanish films like Golden balls (Huevos de Oro) by Bigas Luna, The detective and Death, by Gonzalo Suarez or Airbag by Juanma Bajo Ulloa. She worked with directors from England, Canada, Italy, Germany, Austria, Japan, and Brazil… English, Canadian, Italian, German, Austrian, Japanese and Brazilian productions.
In France, she starred in a few TV movies, by directors such as Joyce Buñuel, Robert Enrico or Miguel Courtois. Recently, she played one of the leading roles in the successful series by Tonie Marshall Venus and Apollo.
Simultaneously to her career as an actress, Maria started at the age of twenty to direct short and medium length films, such as Fragment II, based on the play by Samuel Beckett, and Death of the Prince, based on the play by Fernando Pessoa.
In 1999, she directed her first feature film, April Captains (Official Selection at Cannes 2000) about the “Carnation Revolution” in Portugal. The film won the Grand Prix at the International São Paulo Film Festival in Brazil, the Golden Globe for the best film in Portugal and several public awards in France.
Later, she directed a documentary, Je t’aime, moi non plus – Artists and critics, on the relationship between artists and critics. She also directed a few shorts such as “Alguma coisa acontece”, which is part of a feature film commemorating the city of São Paulo’s 450 years, together with many internationally renowned film makers.
As an actress, she was given the Prix Gérard Philippe in 1990 and several Best Actress awards in international film festivals. She was awarded the Copa Volpi for Best Actress at the Venice International Film Festival in 1994 for the film Two Brothers, my sister by Teresa Villaverde. She also received two Portuguese Golden Globes for Best Actress for Adam and Eve and April Captains.
Maria often sang in her career as an actress, in theatre musicals such as Zazou by Jérôme Savary, or more recently, in Guy Maddin’s film The saddest music in the world.
Maria de Medeiros was born into a family of intellectuals. Her mother is a journalist, her father a pianist, composer, conductor and music historian.
She spent her childhood in Vienna, in Austria, and then followed her parents to Lisbon, after the “Carnation Revolution” in 1974. Both in Austria and in Portugal she went to the French School.
At fifteen, she performed her first leading role in a movie, Silvestre, by João César Monteiro. Still a teenager, she started to act in classical theatre plays, directed by Philippe Fridman.
At eighteen, she moved by herself to Paris where she started to study philosophy before she entered a National Theatre School (Ecole Nationale Supérieure des Arts et Techniques du Théâtre).
Two years later, she became a pupil at the prestigious Conservatoire National Supérieur d'Art Dramatique de Paris. She studied with Michel Bouquet and Jean-Pierre Vincent. Simultaneously, she played Elvire, Jouvet 40, directed by Brigitte Jaques at the Athénée Theatre. This play was performed in Paris for three years and was shown in many countries all over the world.
Later, Maria acted in numerous plays and films both in France and abroad. She played Corneille, Lorca, Mairet and Calderón, with directors such as Brigitte Jaques, Jorge Lavelli, Jean-Marie Villégier and José Luis Gomez, in important National Theatres like Chaillot, Théâtre de la Colline and Théâtre de l’Odéon.
She performed in France in films by Chantal Ackerman, Christine Laurent, Suzanne Schiffman, Jean-Charles Tacchella, Serge Moati, Didier Le Pécheur, Bernard Rapp, Christian de Challonges, Gérard Pullicino, John Lvoff, Patrick Braoudé and Richard Berry amongst others.
In the United States, Maria starred in big productions such as Henry & June by Philip Kaufman and Quentin Tarantino’s Pulp Fiction. But she also acted in a few independent films.
Maria remained very faithful to Portuguese cinema. She worked with Manoel de Oliveira, Teresa Villaverde, Luis Galvão Telles and Joaquim Leitão.
She also performed in Spanish films like Golden balls (Huevos de Oro) by Bigas Luna, The detective and Death, by Gonzalo Suarez or Airbag by Juanma Bajo Ulloa. She worked with directors from England, Canada, Italy, Germany, Austria, Japan, and Brazil… English, Canadian, Italian, German, Austrian, Japanese and Brazilian productions.
In France, she starred in a few TV movies, by directors such as Joyce Buñuel, Robert Enrico or Miguel Courtois. Recently, she played one of the leading roles in the successful series by Tonie Marshall Venus and Apollo.
Simultaneously to her career as an actress, Maria started at the age of twenty to direct short and medium length films, such as Fragment II, based on the play by Samuel Beckett, and Death of the Prince, based on the play by Fernando Pessoa.
In 1999, she directed her first feature film, April Captains (Official Selection at Cannes 2000) about the “Carnation Revolution” in Portugal. The film won the Grand Prix at the International São Paulo Film Festival in Brazil, the Golden Globe for the best film in Portugal and several public awards in France.
Later, she directed a documentary, Je t’aime, moi non plus – Artists and critics, on the relationship between artists and critics. She also directed a few shorts such as “Alguma coisa acontece”, which is part of a feature film commemorating the city of São Paulo’s 450 years, together with many internationally renowned film makers.
As an actress, she was given the Prix Gérard Philippe in 1990 and several Best Actress awards in international film festivals. She was awarded the Copa Volpi for Best Actress at the Venice International Film Festival in 1994 for the film Two Brothers, my sister by Teresa Villaverde. She also received two Portuguese Golden Globes for Best Actress for Adam and Eve and April Captains.
Maria often sang in her career as an actress, in theatre musicals such as Zazou by Jérôme Savary, or more recently, in Guy Maddin’s film The saddest music in the world.
Zed's Dead Baby
Maria de Medeiros Lyrics
Instrumental
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@kahlildozier1397
tfw "sorry baby I had to crash that honda" is an acceptable response that merits no further discussion
@awaken77
1st gen Honda Civic became a famous to be crashed in the movies. First was "Police Academy" , where Mahoney stole that car for Hightower's driving lesson, and crashed it in the process
@Neildo430ci
She got off of Jackie Brown a few years back. That was her home girl back when she did dirt.
@Capcoor
Neil Dohi Huh?
@mrincodi
She’s definitely a keeper, but that’s because Bruce is alpha af.
@fixt100
@@mrincodi i was gonna say thats what happens when 5 star trim interacts with hero level alpha, neither one of them is going to question much.
@schwarzerritter5724
Butch is the closest thing the movie has to a good guy.
@manosmanjoy9885
He punched a boxer to death tho
@kaczynskis5721
A film magazine made the same point although it added that he is a bit stupid - going back to risk everything because of the watch - and he has a nasty temper - his moment of rage when he finds she forgot the watch.
@kaczynskis5721
@@manosmanjoy9885 Not deliberately. He tells Esmeralda he does not feel bad about the death of his opponent, and says the same on the phone to Scotty, but he has a nightmare in the motel, possibly he is not so armour-plated as all that.