The band released their second studio album on February 24, 2009 entitled Masterpiece Theatre.
It takes some real cojones to include the word 'Masterpiece' in your album title, but Josh Ramsay isn't too worried. "I suppose I could be digging myself into a hole calling the record Masterpiece Theatre," he chuckles, "but it's tongue-in-cheek. And I'm not the kind of person that people would assume as being an egomaniac. I hope not, anyway."
Given his feverish imagination and comprehensive musical gifts, Ramsay could probably get away with a little egomania. And with the release of Masterpiece Theatre, the frontman of Vancouver's Marianas Trench makes a iron-clad case for a prodigious set of talents - both his own and those of his bandmates, guitarist Matt Webb, bassist Mike Ayley, and drummer Ian Casselman.
Marianas Trench had already elevated itself above the rest of the pack with a 2006 debut, Fix Me, that showcased a knack for colouring outside the lines of factory-issue millenial punk, shrewdly-built pop, and super-adrenalized modern rock. The single and in particular the video "Shake Tramp" was enough to demonstrate these qualities, coupled with Ramsay's uninhibited urge to be the complete song-and-dance man.
But with both the industry and the fans beating down the door for a quick second album, the Trench decided to put on the brakes. "All of a sudden you have six months to do your next record," Ramsay sighs. "So I really had to just put my foot down and say, 'No, I need the time to do this.' I was not interested in putting something out for the sake of putting something out."
Two years later, Marianas Trench has re-emerged with Masterpiece Theatre. And not surprisingly, it's a work of soaring ambition and decisive technical prowess – that easily might not have happened. "It's one thing when you're Chad Kroeger and you just finished writing 'How You Remind Me'," Ramsay states. "I didn't have some mega-platinum song to back up my argument with, so I was lucky that the band and the label trusted me enough to do it."
By "it", Ramsay means he was allowed to indulge a high-concept fantasy for the band's sophomore album, which is built, for starters, around a song called "Masterpiece Theatre". Adopting Brian Wilson's notion of the 'pocket symphony' and then running with it, the three distinct versions of “Masterpiece Theatre” dotted across the record feature an almost perfect balance between the vocal theatrics of Queen and the more hymnal qualities of the Beach Boys.
By the time “Masterpiece Theatre” is reprised for a final, climactic time, every other song on the album is quoted and incorporated into an intricately constructed dramatic revue that swings from pristine pop, to propulsive riff rock, to quasi-doo wop, to robotic new wave, and finally into a wholly satisfying thematic payoff.
"You know in the climax of a musical, there's always that medley at the end, and I thought that would be cool on a rock record," explains Ramsay, "but it turned out to be a lot harder than I thought it would be. I wrote it in the studio as we recorded it, and it took about three weeks."
After a beat, he adds, "But really it took me two years because it draws from all the songs on the whole album."
Bassist Mike Ayley readily admits, "I don't think any of the three ‘Masterpiece Theatre’ songs could have gone on Fix Me had they been written at the time. ‘Masterpiece’ 2 and 3 in particular are amazing songs that really explore the potential of Josh's writing. You really have to hear them to get it. It's like trying to explain ‘Bohemian Rhapsody’ to somebody who has only heard Kanye West and Katy Perry."
Ramsay agrees. "I really wanted to have a 'Good Vibrations'/'Bohemian Rhapsody’ style song on the first record,” he says, “but I don't think I was a mature enough writer to have written it yet, and I still feel like I was in over-my-head when we did this one, and I just barely made it."
Ramsay is unnecessarily modest; the whole of Masterpiece Theatre demonstrates a startling compositional maturity compared to the Marianas Trench of two years ago.
"Beside You" is a panoramic exercise in big emotions, with a dash of the Dream Academy's "Life In a Northern Town”. "Acadia" begins with a clipped, bright acoustic guitar, and blossoms into something like the Who reconsidered by U2, reimagined for the net generation. In the crunchy "All to Myself", the power ballad "Lover Dearest", and the strident "Good to You" (in which he duets with Kate Voegele), Ramsay pulls out the kind of honeyed vocals more attuned to modern RnB than white, adolescent rock.
"I always had that aspect in my voice but the first record just didn't have songs that were conducive to me singing that way," he states. "I think it's from growing up listening to a lot of Michael Jackson. With these songs, it made sense to stretch out a little more."
On "Cross My Heart" and "Celebrity Status", the band conjures up a kind of perfect pop crossover. Producer Dave 'Rave' Ogilvie was responsible for the latter track, which cops a move he used on Marilyn Manson's "Beautiful People" with three drummers (Casselman, Ramsay and Shane Wilson) playing at once - much to Ramsay's delight. "He's just worked with so many great artists which makes his well of tricks and ideas so vast," he says.
True to Ramsay's quest for "more diversity on this album" - not to mention the indulgence of his record label - Rave was just one of four prominent guest producers eventually roped into Masterpiece Theatre. Their collective resume includes Nine Inch Nails, Sum 41, Iggy Pop, Avril Lavigne, and Hedley among others.
"I feel really fortunate to have worked with all those guys," Ramsay says, "coz they all bring really unique things. Dave Genn and I have a really good working relationship with each other, and he has such a unique style with arrangement and stuff. Greig Nori was a really pleasant surprise. As far as I can tell, he wanted to work with us because he liked our video. The whole time he was just trying to get me to dance around like an idiot. And Raine Maida, man? Raine's a trip!"
Bassist Ayley also credits Maida for encouraging the band to “find a personality-identity that wasn't as evident when we started the production process," while also praising Ramsay for his production efforts. Ramsay took charge of four songs on the finished record. “Josh is really about capturing the emotion and power which isn't surprising considering all the feeling in the writing,” he says.
Oddly enough, Ramsay also wanted Disney's in-house genius Alan (Little Mermaid) Mencken to twiddle the knobs for the climactic version of "Masterpiece Theatre", but admits, "it's a pretty tall order to get an Academy Award winner to come and work on your record."
Still, the album is certainly not diminished by the few things Ramsay didn't get. And once the world gets a load of this Masterpiece, Mencken, Pharrell Williams, Phil Spector... you name it. They'll probably be lining up.
Masterpiece Theatre II
Marianas Trench Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In this broken beautiful mess I've made
And in the dead and quiet I will slowly fade
In this masterpiece I made
I'll burn out and slip away
And this just a part I portray
You're beautiful, can I hide in you and stay here?
Making mostly to themselves
Hush now they'll hurt you till your heart melts
They know you're lonely
And they will only break your heart
And this masterpiece will tear you apart
I'll burn out and slip away
And this just a part I portray
You're beautiful,
Can I hide in you and stay here?
First it comes alive, creeping quiet
And this is just a part I portray
You're beautiful, can I hide in you
And stay here all night?
Well, oh I will pull away
I portray
I'll wreck this if I have to
Tell me what good would that do?
I'll wreck this if I have to
Tell me what good would that do?
I'll wreck this if I have to
Tell me what good would that do?
The lyrics of Masterpiece Theatre II by Marianas Trench explore the themes of self-destruction, isolation, and the desire to escape reality through love. The song starts with the singer pulling away from a situation that they have created, acknowledging that they are in a "broken beautiful mess". They want to slowly fade away, and they have created a masterpiece that will tear them apart. They ask if they can hide in someone else's beauty and stay there, seeking refuge from their own pain.
The second verse introduces the idea of other people hurting the singer until their heart melts, acknowledging that they are lonely and vulnerable. The bridge further emphasizes this vulnerability, as the singer tries to hide in someone else and portray a part that is not truly them. They want to stay there all night, but they know they have to pull away and wreck themselves if necessary. The repetition of "I'll wreck this if I have to/Tell me what good would that do?" highlights the sense of hopelessness and desperation in the singer's emotions.
Overall, the song portrays the struggle of trying to escape one's own pain through others and the inevitable realization that it is not a sustainable solution. The haunting melody and the contrasting upbeat chorus add to the complexity of emotions being portrayed.
Line by Line Meaning
I will softly pull away
I will slowly remove myself from this situation without causing any harm.
In this broken beautiful mess I've made
Despite the mess I've created, I still find beauty within it.
And in the dead and quiet I will slowly fade
I will make a quiet departure from this place without leaving a trace.
In this masterpiece I made
Despite its flaws and imperfections, I consider this creation my masterpiece.
I'll burn out and slip away
I will exhaust myself and disappear without a trace.
And this just a part I portray
This is just a role I play, it's not my true self.
You're beautiful, can I hide in you and stay here?
I find you beautiful and I want to hide in your comforting presence.
Making mostly to themselves
They speak to themselves, not to me.
Hush now they'll hurt you till your heart melts
Be quiet, they will hurt you so badly that you will feel like you're melting inside.
They know you're lonely
They are aware that you are lonely and vulnerable.
And they will only break your heart
Their intentions are to hurt you emotionally.
And this masterpiece will tear you apart
My creation, which I consider a masterpiece, will emotionally destroy you.
First it comes alive, creeping quiet
My creation comes to life slowly and quietly.
And this is just a part I portray
This is only a role I play.
You're beautiful, can I hide in you
I find you beautiful and I want to take shelter in your beauty.
And stay here all night?
Can I stay in your presence forever?
Well, oh I will pull away
I will retreat from this situation.
I portray
I play a role.
I'll wreck this if I have to
I will destroy my creation if necessary.
Tell me what good would that do?
What benefit would destroying my creation bring?
I'll wreck this if I have to
I will destroy my creation if necessary.
Tell me what good would that do?
What benefit would destroying my creation bring?
I'll wreck this if I have to
I will destroy my creation if necessary.
Tell me what good would that do?
What benefit would destroying my creation bring?
Contributed by Reagan M. Suggest a correction in the comments below.
Kaomiki Uchiha
"You're beautiful, can I hide in you and stay here?" Is one of the most meaningful lyrics I've heard. Providing comfort for the ones I love comes naturally to me. Actually hearing these words coming from the mouth of someone needing comfort makes my heart ache. It really struck me when I heard this song. I hope MT keeps making songs that react to other's hearts.
Hubert Cross
Im privileged to know josh personally (i appear a few times in the 'shaketramp' video ... I carry a ladder that josh runs into) he produced a demo an old band and i did a few years back. Let me tell all you fans that hes the really resl deal: a hilarious, super. Cool dude, and maybe most importqntly, a fucking singing GENIUS. Seriously, there is no hype hes breathtakingly good, no effects, no tuning, no accompaniments, even.
doudouismybaby
I've been listening to Marianas Trench since their first song came out. They always had a song that got me through the rough times. I've been a fan from the start, and I'll be one til the end. <3
Krombopulous M
Even though this song is old i love all the masterpieces. I really love his voice and I wish I could meet him in person
Amallia
OhBubbles same j love they're songs
Sherry Guo
can i just say i LOVE the way his voice goes from 0:58 to 1:02 it always makes me happy :)
Sara
their harmanies are just so beautiful! <3
Bianca
the melody transition from 1:25 to 1:35 gives me shivers. simply beautiful song.
BrookexMT
they are sooooo amazing and not many ppl are good live but they are great! :)
Debluh DeGasparini
THIS is the song that helped me get through the days that i just wanted to give up.