Born in Hampstead, London, Faithfull began her career in 1964 after attending a Rolling Stones party, where she was discovered by Andrew Loog Oldham. Her debut album Marianne Faithfull (released simultaneously with her album Come My Way on April 15, 1965) was a commercial success followed by a number of albums on Decca Records. From 1966 to 1970, she had a highly publicised romantic relationship with Mick Jagger. Her popularity was further enhanced by her film roles, such as those in I'll Never Forget What's'isname (1967), The Girl on a Motorcycle (1968), and Hamlet (1969). However, her popularity was overshadowed by personal problems in the 1970s. During that time she was anorexic, homeless and a heroin addict.
Noted for her distinctive voice, Faithfull's previously melodic and higher-registered vocals (which were prevalent throughout her career in the 1960s) were affected by severe laryngitis, coupled with persistent drug abuse during the 1970s, permanently altering her voice, leaving it raspy, cracked and lower in pitch. This new sound was praised as "whisky soaked" by some critics and seen as having helped to capture the raw emotions expressed in Faithfull's music.
After a long commercial absence, Faithfull made a comeback with the 1979 release of her critically acclaimed album Broken English. The album was a commercial success and marked a resurgence of her musical career. Broken English earned Faithfull a nomination for the Grammy Award for Best Female Rock Vocal Performance and is often regarded as her "definitive recording". She followed this with a series of albums, including Dangerous Acquaintances (1981), A Child's Adventure (1983) and Strange Weather (1987). Faithfull also wrote three books about her life: Faithfull: An Autobiography (1994), Memories, Dreams & Reflections (2007) and Marianne Faithfull: A Life on Record (2014).
Faithfull is listed on VH1's "100 Greatest Women of Rock and Roll" list. She received the World Lifetime Achievement Award at the 2009 Women's World Awards and was made a Commandeur of the Ordre des Arts et des Lettres by the government of France.
Mad About the Boy
Marianne Faithfull Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He was rather over-hearty and ridiculous
But as I'd seen him on the screen he cast a certain spell.
I'd basked in his attraction
For a couple of hours or so.
His manners were a fraction too meticulous,
If he was real or not, I couldn't tell,
But like a silly fool I fell
Mad about the boy,
I know it's stupid
To be mad about the boy.
I'm so ashamed of it
But must admit
The sleepless nights
I've had about the boy.
On the silver screen
He melts my foolish heart
In every single scene.
Although I'm quite aware
That here and there
Are traces of that cared about the boy.
Lord knows I'm not a fool girl,
I really shouldn't care.
Lord knows I'm not a schoolgirl
In the flurry of her first affair.
Will it ever cloy
This odd diversity of misery and joy
I'm feeling quite insane
And young again
And all because
I'm mad about the boy.
It seems a little silly
For a girl of my age and weight
To walk down piccadilly in a haze of light.
It ought to take her a good deal more
To take a bad girl down.
I should've been exempt for my particular kind of fate
As taught me such contempt for every phase of love
And now I've been and spent my love torn crown
To weep about a painted clown.
Mad about the boy,
It's pretty funny
But I'm mad about the boy.
He has a gay appeal that makes me feel
There's maybe something sad about the boy.
Walking down the street
His eyes look out at me from people that I meet.
I can't believe it's true,
But when I'm blue, in some strange way
I'm glad about the boy.
I'm hardly sentimental,
Love isn't so sublime.
I have to pay my rental
And I can't afford to waste much time.
If I could employ a little magic
That would finally destroy
This dream that pains me and it shames me
But I can't because I'm mad about the boy.
In Marianne Faithfull's Mad About the Boy, the singer is exploring the theme of unrequited love. She meets a man at a party who initially appears ridiculous, but when she recognizes him as a famous actor, she is immediately attracted to him. Despite realizing that it's foolish to be so infatuated with someone she barely knows, she can't help feeling "mad about the boy." The singer describes feeling both joy and misery as a result of her attachment. She acknowledges feeling "quite insane" and "young again" as she obsesses over the object of her desire. She also acknowledges the shame she feels over the situation.
Line by Line Meaning
I met him at a party just a couple of years ago,
I first saw him at a gathering quite recently
He was rather over-hearty and ridiculous
His attitude was overly friendly and absurd
But as I'd seen him on the screen he cast a certain spell.
I was mesmerized by him while watching him in a movie
I'd basked in his attraction
I was enamored by his charm
For a couple of hours or so.
For a short period of time
His manners were a fraction too meticulous,
He was too exacting in his behavior
If he was real or not, I couldn't tell,
I couldn't determine whether he was genuine or not
But like a silly fool I fell
But I still foolishly fell for him
Mad about the boy,
Obsessed with him,
I know it's stupid
I'm aware that it's foolish
To be mad about the boy.
To be so infatuated with him
I'm so ashamed of it
I feel embarrassed about it
But must admit
I have to acknowledge
The sleepless nights
The nights I can't sleep
I've had about the boy.
Due to my feelings for him
On the silver screen
In the movies
He melts my foolish heart
He makes me swoon
In every single scene.
In every moment he appears
Although I'm quite aware
Even though I understand
That here and there
That occasionally
Are traces of that cared about the boy.
There are signs that he isn't worth caring about.
Lord knows I'm not a fool girl,
I'm not a naive girl
I really shouldn't care.
I shouldn't be so concerned
Lord knows I'm not a schoolgirl
I'm not a teenager
In the flurry of her first affair.
With the excitement of her first love.
Will it ever cloy
Will I ever tire of it
This odd diversity of misery and joy
This strange mix of sadness and happiness
I'm feeling quite insane
I feel crazy
And young again
And youthful once more
And all because
All due to
I'm mad about the boy.
My obsession with the boy
It seems a little silly
It appears a bit absurd
For a girl of my age and weight
For a woman of my years and size
To walk down piccadilly in a haze of light.
To stroll down a street in a daze
It ought to take her a good deal more
It should require a lot more effort on her part
To take a bad girl down.
To lead a sinful woman astray.
I should've been exempt for my particular kind of fate
I should have been immune based on my experiences
As taught me such contempt for every phase of love
Because I've learned to have a deep disdain for all aspects of love
And now I've been and spent my love torn crown
And now I've devoted myself to someone who's unworthy of my affections
To weep about a painted clown.
To cry for a phony person.
It's pretty funny
It's quite humorous
But I'm mad about the boy.
But I'm still enamored with him.
He has a gay appeal that makes me feel
He possesses a lively charm that causes me to feel
There's maybe something sad about the boy.
Perhaps there's something melancholic about him.
Walking down the street
While walking in public
His eyes look out at me from people that I meet.
I think I see him in the individuals I encounter.
I can't believe it's true,
I can't accept it as reality
But when I'm blue, in some strange way
But in some peculiar manner when I'm feeling sad
I'm glad about the boy.
He somehow makes me happy despite everything.
I'm hardly sentimental,
I'm not usually emotional
Love isn't so sublime.
Love isn't as extraordinary as people claim.
I have to pay my rental
I have responsibilities to tend to
And I can't afford to waste much time.
And I don't have much time to spare.
If I could employ a little magic
If only I could use some magic
That would finally destroy
That could ultimately obliterate
This dream that pains me and it shames me
This obsession that hurts me, making me feel embarrassed
But I can't because I'm mad about the boy.
But I can't because I'm still so obsessed with him.
Lyrics © Warner Chappell Music, Inc.
Written by: Noel Coward
Lyrics Licensed & Provided by LyricFind
lemorab1
I've never heard Marianne Faithfull sing this and she's so perfect for it! I've also never heard the introduction and these extra verses. I wish singers would start singing the introductions to these classic songs! I mainly listen to Judy Collins over Jo Stafford singing "I'll Be Seeing You" because she sings the intro and Jo doesn't! Thank you, thank you for posting this!
SandViolet
This is the best modern recording of this beautiful classic.
J.C. B
I've always loved this by Dinah. This is even better. 😍
Lillian2167
Wonderful version of this song! :)
Yogasanas Budapest
how beautiful...and can't get this out of my brain...
Elk Paz
I love Marianne but Noel 's version is the most perfect.
Maxime Jacoby
delirious...love it
Musik HQCH
tres beau !!
Higbby
Thank you.. Thank you !! wonderful !
J.C. B
Love how she slips into Cockney (sp?) accent at just the right time.