The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion" (from Tolkien's book) with heavy influences from classic Genesis but went on to develop their own distinctive sound. The band was formed in 1979 by Mick Pointer (drums), Steve Rothery (guitar), Doug 'Rastus' Irvine (bass), and others, soon adding vocalist Fish (real name Derek W. Dick), Diz Minitt (bass), and Brian Jelliman. By the time of their first album, 1983's Script for a Jester's Tear, the bass position had been taken over by Pete Trewavas and keyboards by Mark Kelly.
The studio albums Fugazi (1984), Misplaced Childhood (1985), and Clutching at Straws (1987), as well as the 1984 live album Real to Reel all sold respectably, and the band scored a hit single in Britain with Kayleigh in 1985.
When Fish left the band in 1988 after four albums he was replaced by Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new energy to the band.
Across a further ten albums, Hogarth – along with existing members Rothery, Kelly, Trewavas, and Mosley – have reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of hit charts or radio playlists.
After the release of 1999’s marillion.com the band freed themselves from record company pressure once and for all by launching their own record label, the Intact imprint.
Thanks to their pioneering embrace of the Internet through their website http://marillion.com, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.
In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 release Marbles, but this time the money was channelled into a campaign fund to promote its launch. The success of singles Don't Hurt Yourself and You're Gone – the latter making it all the way to number 7 – vindicated the band's independent strategy.
Their 2007 album Somewhere Else reached number 24 in the UK album chart with their most recent single Thankyou Whoever You Are hitting the UK singles chart at number 15. The band shows no signs of fading away after more than 25 years of activity.
Their 15th album, "Happiness is the road", was physically released in October 2008 but was originally available exclusively from the band's website. It was released with little promotion and a deluxe pre-order package was made available as with Marbles. 'Happiness is the Road' is the second studio double album of a long career (2004's Marbles was the other). A UK and European tour followed the album's release, and the band is taking special effort to record every show in the "Happiness on the Road" tour, making the recordings available from the band's website.
Waterhole
Marillion Lyrics
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Funeral hearses court the death of virginity
Was it paradise lost or paradise found?
Did we gain respect or were we holding ground?
You had found true love, or so you believed
And the wide boys tattooed your hearts upon their sleeves
So when you think it's time to go
When you think it's time to go
And the patter merchants selling false impressions
Tipping eyes at the waitress with American expressions
Tie angels to the bar with sweet Martini's and their charms
They're lying on every word and every arm
They're turning down their noses to the best lines
And the cheap wines
And the wide boys
They wear their love bites for their crimes
The lyrics of the Marillion song "Waterhole" describe a scene of disillusionment and disappointment in a social atmosphere that promises fulfillment. The first verse describes a gathering of taxis and funeral hearses, imbuing an air of mock solemnity to a world that seems at odds with sincerity or true feeling. The lyrics then move on to describe the experience of love and the consequences of falling for the wrong person, with the singer asking if it was paradise lost or paradise found. The wide boys, or playboys, are mentioned as possessing a certain kind of charm that allows them to get away with the crimes they commit against the hearts of others, a bitter lesson learned by the singer.
The second verse introduces a cast of characters that are similarly shallow and insincere. These "patter merchants" employ false impressions and American expressions to make a sale in a world that prizes surface impressions over depth of feeling. Even the angels are susceptible to the lure of the bar, and are easily led astray by the sweet Martini's and the charms of the other patrons. The final line once again returns to the wide boys, who wear their love bites like medals, proud of the crimes they have committed against the hearts of the vulnerable. In this way, "Waterhole" paints a bleak picture of a society where surface appearances are more important than true love or genuine empathy.
Line by Line Meaning
When the taxis gather in mock Solemnity
As taxis pull together in a symbolic show of respect, it's clear that such an act is simply done to create an air of solemnity rather than to honor anything noteworthy.
Funeral hearses court the death of virginity
Just as funeral processions commemorate someone's life after it has ended, the death of one's virginity might be marked by the display of hearses, but ultimately, it's still the end of something.
Was it paradise lost or paradise found?
Whether the discovery of something was a blessing or a curse depends on what one has uncovered and whether or not they are happy about it.
Did we gain respect or were we holding ground?
When we strive for respect or just try not to lose face, it can be difficult to know whether we have truly grown or just kept from losing what we already had.
You had found true love, or so you believed
Despite sincerely and fervently feeling like it, the artist suggests that one can still be mistaken about finding true love.
And the wide boys tattooed your hearts upon their sleeves
The charming men who sweep others off their feet and into their good graces might be wearing their hearts on their sleeves as a show of vulnerability, but ultimately they're revealing how little they really care about the love they inspire.
So when you think it's time to go
When the moment comes to leave a place or a relationship behind, the singer suggests that it might be better to do so and move on rather than holding onto false hopes and wishes.
Don't be surprised, the heroes never show
Even if one was hoping for a savior or a better outcome, the artist points out that such dreams may not come true and it's best not to count on anyone else but oneself for salvation.
And the patter merchants selling false impressions
People who flatter and peddle illusions to others might seem charming and persuasive, but in reality their words are often empty or dishonest.
Tipping eyes at the waitress with American expressions
Even wait staff and service people put on a show by pretending to be more friendly or accommodating than they really feel, especially when serving or receiving tips from American customers who might be more generous than others.
Tie angels to the bar with sweet Martini's and their charms
People try to sweeten up situations and themselves with strong drinks (like bar patrons trying to pick up dates with cocktails) but in reality, what they're doing is trying to tie their own hands and become helpless or hopeless.
They're lying on every word and every arm
Those who try to win affection or favor by being charming tend to be disingenuous and insincere, using every means possible to get what they want, even if it means betraying others and losing credibility.
They're turning down their noses to the best lines
Even those who think they are too smart or too refined for everyone else might miss out on the best things life has to offer, simply because they're too busy looking down on others and not appreciating what they have.
And the cheap wines
Just as some sophisticates miss out on the best things in life, so too might those who are too judgmental or picky about the things they enjoy, even if they are cheap or easily accessible.
And the wide boys
These charming but manipulative men are back again, showing how their false flattery, persuasive ways, and overall bad behavior ruin things for others and themselves.
They wear their love bites for their crimes
Even if they have won the hearts of others, the artist suggests that the price of such victories might not be worth it, as they leave behind only injuries and regrets.
Lyrics © O/B/O APRA AMCOS
Written by: DEREK WILLIAM DICK, IAN MOSLEY, MARK KELLY, PETER TREWAVAS, STEVE ROTHERY
Lyrics Licensed & Provided by LyricFind