Marilyn Horne (b. January 16, 1934, Bradford, Pennsylvania, United States) … Read Full Bio ↴Marilyn Horne (b. January 16, 1934, Bradford, Pennsylvania, United States) is a mezzo-soprano who is particularly associated with the music of Rossini and Handel.

Horne was born in Bradford, Pennsylvania, but moved with her parents to Long Beach, California when she was 11. She studied voice under William Vennard at the University of Southern California and participated in Lotte Lehmann's vocal masterclasses.

Horne's first major professional engagement was in 1954, when she dubbed the singing voice of Dorothy Dandridge in the film Carmen Jones. Until that point, she had worked as a background singer for several TV sitcoms, as well as recorded covers of popular songs of the early 1950s. She made an appearance on The Odd Couple as a meek and nervous would-be singer, Jackie, who develops into a full-blown diva and essays the role of Carmen with brilliant results; she also sang on The Tonight Show Starring Johnny Carson. She made her Los Angeles debut the same year when she performed the role of Hata in The Bartered Bride with the Los Angeles Guild Opera.

Her first major breakthrough came when her singing ability was recognized by Igor Stravinsky; her operatic career began when he invited her to perform in the 1956 Vienna festival. She remained in Europe for three seasons singing for the Gelsenkirchen Opera.

She was highly acclaimed for her performance as Marie in Alban Berg's Wozzeck at the inauguration of Gelsenkirchen's new opera house on May 22, 1960. In 1964, she returned to the United States to appear in Wozzeck at the San Francisco Opera.

For many years, Horne was associated with the Australian soprano Dame Joan Sutherland. They first performed together in a concert version of Vincenzo Bellini's Beatrice di Tenda at Carnegie Hall in February 1961. In 1965, they were paired again in a performance of Rossini's Semiramide with the Opera Company of Boston.

Horne made her debut at Covent Garden in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio, Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972-1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met.

Although best known for her bel canto and opera seria roles, Horne also performed much American music, both contemporary music, by composers such as William Bolcom, and traditional popular songs.

Horne was married from 1960 to 1974 to the conductor Henry Lewis, with whom she maintained a home in Echo Park for many years, and by whom she had a daughter, Angela.

In 1983 she published (with co-writer Jane Scovell) a candid autobiography, My Life, and a continuation volume, Marilyn Horne, The Song Continues, appeared in 2004.

Horne received many honors during her career. A particularly notable one was a New York Times article, penned by then editor of Opera News, Robert Jacobson, in celebration of the Met's 100th anniversary in 1983. Jacobson listed the 100 greatest singers to ever perform at the house. Horne was the only one still actively singing at that time.

Horne retired from the concert stage in 1999 with a recital at the Chicago Symphony Center. She still occasionally performs at pop concerts (most recently with cabaret star Barbara Cook), her voice undimmed by age. Horne has also established The Marilyn Horne Foundation to help preserve the art of vocal recitals. She teaches a series of annual Master Classes at the Oberlin Conservatory of Music and at the University of Oklahoma.

It was reported in January 2006, shortly after Horne's 72nd birthday, that she had been diagnosed the previous month with "localized pancreatic cancer", and that her prognosis was good. In January 2007, she appeared at a public function for her Foundation.

Joy To The World
Marilyn Horne Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Joy to the world, the Lord is come!
Let earth receive her King,
Let every heart prepare Him room,
And heaven and nature sing,
And heaven and nature sing,
And heaven, and heaven, and nature sing.

Joy to the world, the Savior reigns!

Let men their songs employ,
While fields and floods, rocks, hills and plains
Repeat the sounding joy,
Repeat the sounding joy,
Repeat, repeat, the sounding joy.

No more let sins and sorrows grow,
Nor thorns infest the ground,
He comes to make His blessings flow
Far as the curse is found,
Far as the curse is found,
Far as, far as, the curse is found.

He rules the world with truth and grace,
And makes the nations prove
The glories of His righteousness,
And wonders of His love,

And wonders of His love,
And wonders, wonders, of His love.

Overall Meaning

The hymn "Joy to the world" which Marilyn Horne sings is a beautiful celebration of the arrival of the Lord. The first verse talks about the Lord, who has come to the earth and encourages everyone to make room for him, so the whole universe joins in singing. It reflects the joy and excitement that the people have, and it's a melody of hope for the people to receive their King. Joy becomes the central theme, and as Jesus takes his place, he infuses a unique joy and peace. The world then hums with the tune that brings back the joy that was lost.

The second verse shifts to a reminder that the Savior reigns, and people should sing with joy. The mountains, hills, fields, and forests all join in, resonating with the harmonies of heaven. It becomes clear that the song is not just an invitation for men to sing and rejoice, but for all creation to celebrate. It is a reminder that God Himself has brought the joy that was lost and brought peace, and as such, everyone should participate joyfully. The third verse reminds listeners that the Lord has come to bless the earth, and every soul on it. As He comes to remove the curse that is upon the earth, he brings joy and renewal to everything, and it is left to the people to take note and rejoice.

Line by Line Meaning

Joy to the world, the Lord is come!
Rejoice, for the Lord has arrived!

Let earth receive her King,
May the earth welcome its King,

Let every heart prepare Him room,
May every heart create space for Him,

And heaven and nature sing,
Even heaven and nature come together in song,

And heaven and nature sing,
Once more, heaven and nature come together in song,

And heaven, and heaven, and nature sing.
And heaven, and heaven, and nature all come together in song.

Joy to the world, the Savior reigns!
Celebrate, for the Savior is in charge now!

Let men their songs employ,
Let everyone sing their songs of joy,

While fields and floods, rocks, hills, and plains
Even fields, floods, rocks, hills, and plains join in the chorus of sound,

Repeat the sounding joy,
Repeat the resounding joy,

Repeat, repeat, the sounding joy.
Keep repeating the resounding joy.