Mario Lanza (31 January 1921 – 7 October 1959) was an American operatic ten… Read Full Bio ↴Mario Lanza (31 January 1921 – 7 October 1959) was an American operatic tenor and Hollywood movie star who enjoyed success in the 1950s. His voice was considered by many to rival that of Enrico Caruso, whom Lanza portrayed in the 1951 film The Great Caruso. Lanza was able to sing all types of music. While his highly emotional style was not universally praised by critics, he was immensely popular and his many recordings are still prized today.
Operatic career:
Born Alfredo Arnold Cocozza in Philadelphia, Pennsylvania, he was exposed to opera and singing at a young age, and by the age of 16 his vocal talent became apparent. Starting out in local operatic productions in Philadelphia, he later came to the attention of conductor Serge Koussevitzky, who provided young Cocozza with a full student scholarship to the Berkshire Music Festival at Tanglewood in Massachusetts. Koussevitzky would later tell Lanza that, "Yours is a voice such as is heard once in a hundred years."
His operatic debut, as Fenton in Otto Nicolai's The Merry Wives of Windsor, was at Tanglewood on August 7, 1942, after just six weeks of study with conductors Boris Goldovsky and Leonard Bernstein. It was here that Cocozza adopted his stage name from his mother Maria's maiden name of Lanza. His performances at Tanglewood won him critical acclaim, with Noel Straus of The New York Times hailing the 21-year-old tenor as having "few equals among tenors of the day in terms of quality, warmth, and power."
His operatic career was interrupted by World War II, when he was assigned to Special Services in the U.S. Army Air Corps. He appeared on the wartime shows On the Beam and Winged Victory while in the Air Corps.
He resumed his singing career in October 1945 on the CBS radio program Great Moments in Music, where he made six appearances singing various operatic selections. He later studied under Enrico Rosati for fifteen months, then embarked on an 86-concert tour of the United States, Canada and Mexico between July 1947 and May 1948 with George London and Frances Yeend. In April 1948, he sang Pinkerton in the New Orleans Opera's Madama Butterfly. A concert at the Hollywood Bowl brought Lanza to the attention of MGM's Louis B. Mayer, who signed Lanza to a seven-year film contract with Metro Goldwyn Mayer. This would prove to be a turning point in the young singer's career.
Film career:
MGM's contract with Lanza required him to commit to the studio for six months, and at first Lanza was able to combine his film career with his operatic one, singing two acclaimed performances as Pinkerton in Madama Butterfly for the New Orleans Opera Association in April 1948. He also continued to perform in concert, both in solo appearances and as part of the Bel Canto Trio with George London and Frances Yeend. In May 1949, he made his first commercial recordings with RCA Victor. However, his first two films, That Midnight Kiss and The Toast of New Orleans, were very successful, as was his recording career, and Lanza's fame increased dramatically.
In 1951, Lanza portrayed Enrico Caruso in The Great Caruso, which proved to be an astonishing success. At the same time, his popularity exposed Lanza to intense criticism by music critics, including those who had praised his work years earlier.
In 1954, Lanza was dismissed by MGM after he had pre-recorded the songs for The Student Prince. The film was subsequently made with actor Edmund Purdom miming to Lanza's vocals. During this period Lanza came very close to bankruptcy as a result of poor investment decisions made by his former manager. Owing about $250,000 in back taxes to the IRS, Lanza withdrew from the public eye for a time.
Mario Lanza at home.He returned to an active film career in 1956 in Serenade; despite its strong musical content, it was not as successful as his previous films. Lanza then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome and returned to live performing in a series of acclaimed concerts throughout Britain, Ireland and the European Continent. In early 1958, he auditioned for the management of La Scala in Milan, and was immediately offered a minimum two-year contract to sing at that theatre. The opera initially discussed was Puccini's Tosca. Later that year, Lanza also agreed to open the 1960/61 season at the Rome Opera as Canio in Pagliacci. At the same time, however, his health began to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. The following year, in April 1959, Lanza suffered a minor heart attack, followed by double pneumonia in August. He died in Rome in October of that year at the age of 38 from a pulmonary embolism. His widow moved back to Hollywood with their four children and died of a drug overdose five months later; the younger of their two sons died of a heart attack at the age of 37. When Lanza died rumors spread that the notorious mob boss Lucky Luciano (Salvatore Luciano) had had him killed after he refused to perform for him but those rumors quickly died down because they simply were not true. Soprano Maria Callas would later say of him, "My biggest regret is not to have had the opportunity to sing with the greatest tenor voice I've ever heard."
Lanza's short career covered opera, radio, concerts, recordings, and motion pictures. He was the first artist for RCA Victor Red Seal to receive a gold disc. He was also the first artist to sell two and half million albums. A highly influential artist, Lanza has been credited with inspiring the careers of successive generations of opera singers, including Plácido Domingo, Luciano Pavarotti, Leo Nucci and Jose Carreras, as well as those of singers with seemingly different backgrounds, and influences, his RCA Victor label-mate Elvis Presley being the most notable example. In 1994, tenor José Carreras paid tribute to Lanza in a worldwide concert tour, saying of him, "If I'm an opera singer, it's thanks to Mario Lanza."
Operatic career:
Born Alfredo Arnold Cocozza in Philadelphia, Pennsylvania, he was exposed to opera and singing at a young age, and by the age of 16 his vocal talent became apparent. Starting out in local operatic productions in Philadelphia, he later came to the attention of conductor Serge Koussevitzky, who provided young Cocozza with a full student scholarship to the Berkshire Music Festival at Tanglewood in Massachusetts. Koussevitzky would later tell Lanza that, "Yours is a voice such as is heard once in a hundred years."
His operatic debut, as Fenton in Otto Nicolai's The Merry Wives of Windsor, was at Tanglewood on August 7, 1942, after just six weeks of study with conductors Boris Goldovsky and Leonard Bernstein. It was here that Cocozza adopted his stage name from his mother Maria's maiden name of Lanza. His performances at Tanglewood won him critical acclaim, with Noel Straus of The New York Times hailing the 21-year-old tenor as having "few equals among tenors of the day in terms of quality, warmth, and power."
His operatic career was interrupted by World War II, when he was assigned to Special Services in the U.S. Army Air Corps. He appeared on the wartime shows On the Beam and Winged Victory while in the Air Corps.
He resumed his singing career in October 1945 on the CBS radio program Great Moments in Music, where he made six appearances singing various operatic selections. He later studied under Enrico Rosati for fifteen months, then embarked on an 86-concert tour of the United States, Canada and Mexico between July 1947 and May 1948 with George London and Frances Yeend. In April 1948, he sang Pinkerton in the New Orleans Opera's Madama Butterfly. A concert at the Hollywood Bowl brought Lanza to the attention of MGM's Louis B. Mayer, who signed Lanza to a seven-year film contract with Metro Goldwyn Mayer. This would prove to be a turning point in the young singer's career.
Film career:
MGM's contract with Lanza required him to commit to the studio for six months, and at first Lanza was able to combine his film career with his operatic one, singing two acclaimed performances as Pinkerton in Madama Butterfly for the New Orleans Opera Association in April 1948. He also continued to perform in concert, both in solo appearances and as part of the Bel Canto Trio with George London and Frances Yeend. In May 1949, he made his first commercial recordings with RCA Victor. However, his first two films, That Midnight Kiss and The Toast of New Orleans, were very successful, as was his recording career, and Lanza's fame increased dramatically.
In 1951, Lanza portrayed Enrico Caruso in The Great Caruso, which proved to be an astonishing success. At the same time, his popularity exposed Lanza to intense criticism by music critics, including those who had praised his work years earlier.
In 1954, Lanza was dismissed by MGM after he had pre-recorded the songs for The Student Prince. The film was subsequently made with actor Edmund Purdom miming to Lanza's vocals. During this period Lanza came very close to bankruptcy as a result of poor investment decisions made by his former manager. Owing about $250,000 in back taxes to the IRS, Lanza withdrew from the public eye for a time.
Mario Lanza at home.He returned to an active film career in 1956 in Serenade; despite its strong musical content, it was not as successful as his previous films. Lanza then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome and returned to live performing in a series of acclaimed concerts throughout Britain, Ireland and the European Continent. In early 1958, he auditioned for the management of La Scala in Milan, and was immediately offered a minimum two-year contract to sing at that theatre. The opera initially discussed was Puccini's Tosca. Later that year, Lanza also agreed to open the 1960/61 season at the Rome Opera as Canio in Pagliacci. At the same time, however, his health began to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. The following year, in April 1959, Lanza suffered a minor heart attack, followed by double pneumonia in August. He died in Rome in October of that year at the age of 38 from a pulmonary embolism. His widow moved back to Hollywood with their four children and died of a drug overdose five months later; the younger of their two sons died of a heart attack at the age of 37. When Lanza died rumors spread that the notorious mob boss Lucky Luciano (Salvatore Luciano) had had him killed after he refused to perform for him but those rumors quickly died down because they simply were not true. Soprano Maria Callas would later say of him, "My biggest regret is not to have had the opportunity to sing with the greatest tenor voice I've ever heard."
Lanza's short career covered opera, radio, concerts, recordings, and motion pictures. He was the first artist for RCA Victor Red Seal to receive a gold disc. He was also the first artist to sell two and half million albums. A highly influential artist, Lanza has been credited with inspiring the careers of successive generations of opera singers, including Plácido Domingo, Luciano Pavarotti, Leo Nucci and Jose Carreras, as well as those of singers with seemingly different backgrounds, and influences, his RCA Victor label-mate Elvis Presley being the most notable example. In 1994, tenor José Carreras paid tribute to Lanza in a worldwide concert tour, saying of him, "If I'm an opera singer, it's thanks to Mario Lanza."
Long Ago and Far Away
Mario Lanza Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Long ago and far away
I dreamed a dream one day
And now that dream is here beside me
Long the skies were overcast
But now the clouds have passed
You're here at last
Chills run up and down my spine
Aladdin's lamp is mine
The dream I dreamed was not denied me
Just one look and then I knew
That all I longed for long ago was you
Long ago and far away
I dreamed a dream one day
And now that dream is here beside me
Long the skies were overcast
But now the clouds have passed
You're here at last
Chills run up and down my spine
Aladdin's lamp is mine
The dream I dreamed was not denied me
Just one look and then I knew
That all I longed for long ago was you
Just one look and then I knew
(Him, with her humming along)
That all I longed for long ago
Was you
I dreamed a dream one day
And now that dream is here beside me
Long the skies were overcast
But now the clouds have passed
You're here at last
Chills run up and down my spine
Aladdin's lamp is mine
Just one look and then I knew
That all I longed for long ago was you
Long ago and far away
I dreamed a dream one day
And now that dream is here beside me
Long the skies were overcast
But now the clouds have passed
You're here at last
Chills run up and down my spine
Aladdin's lamp is mine
The dream I dreamed was not denied me
Just one look and then I knew
That all I longed for long ago was you
Just one look and then I knew
(Him, with her humming along)
That all I longed for long ago
Was you
In these lyrics, Mario Lanza is singing about a dream that he had long ago and how it has now become a reality, as he is finally with the person he has longed for. He mentions that the skies were once overcast, but now the clouds have passed and this person is finally with him, causing chills to run up and down his spine. The reference to Aladdin's lamp suggests that his dream has come true magically, as if he has been granted three wishes. He sings that just one look at this person and he knew that all he has ever longed for was them.
This dream-like romanticism is a classic trope in love songs, with the lyrics describing Lanza's ultimate romantic fantasy. The use of the phrase "long ago and far away" suggests a sense of distance and time, as if this person was unreachable, but now they are finally together. The lyrics imply that Lanza has waited a long time for this moment and all his dreams have come true now that he is with the person he has longed for.
Line by Line Meaning
Long ago and far away
In the distant past, when things felt out of reach
I dreamed a dream one day
I had a longing and an aspiration
And now that dream is here beside me
Now my aspiration has become a reality
Long the skies were overcast
For a long time, my life felt full of gloom and uncertainty
But now the clouds have passed
But now that has all cleared up
You're here at last
I finally have what I've been waiting for
Chills run up and down my spine
I'm filled with strong emotions and sensations of excitement and anticipation
Aladdin's lamp is mine
I feel as though I have my own magical tool that grants wishes
The dream I dreamed was not denied me
My wishful thinking became a reality
Just one look and then I knew
As soon as I saw you, I understood
That all I longed for long ago was you
You were the missing piece I needed for so long
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: IRA GERSHWIN, JEROME KERN
Lyrics Licensed & Provided by LyricFind
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Palmarola2012
This is one of Mario's most beautiful songs. It captures the emotion, feeling and sensation of a love searched for and now found. No one can sing it this way. I never get tired of listening to Mario Lanza. Fans will love a new book, "A Kid from Philadelphia, Mario Lanza, the Voice of the Poets." It brings out all that he was and is lovely in its style and expressing his charisma and talent.
Annamaria
La voce di Mario ha un timbro inconfondibile e si riconosce immediatamente. Poi la dolcezza del canto si accompagna alla potenza e non la lascia mai fino alla fine e questo è unico per lo stile dei tenori perché tutti gli altri quando salgono di tono diventano monocordi e pensano solo ai decibel dei loro "acuti"! Insomma, la voce di Mario oltre ad essere d'oro si potrebbe definire anche di velluto!
Margaret Lepeska
I totally agree. magnificent voice...
ian kaye
The Opera critics refused to rate Mario with the Tenors who appeared on stage live in Opera houses.They acknowledged his potential,but short on achievement.If he would have lived longer in good health,there is almost universal opinion that he would have been the greatest Opera performer of all time.Considering his career was only about twelve years he should be admired for what he accomplished with his incredible gift.
Ian Kaye
Susan Rochford
Mario Lanza had a amazing powerful voice, he sang with passion in his heart! Mario Foreverx
Perry Weiner
Almost universal?
Palmarola2012
MY FAVORITE MARIO LANZA SONG!! This performance is a wonderful example of the fantastic talent of Mario
Lanza. He was amazing. He was simultaneously a great tenor, a
marvelous recording artist, a global movie star and a highly sought
after concert performer. A splendid book captures his talent, passion
and love of his art: A KID FROM PHILADELPHIA, MARIO LANZA, THE VOICE OF
THE POETS. It is a beautiful homage and should be read while listening
to Mario sing.
aliceband2
I loved Marios singing when I was a kid, now I'm an old geezer it sounds as wonderful as ever. Magnificent.
Nita Harris
Same here!
Ivan Dyer
One of the most beautiful songs ever written sung so magnificently by Mario Lanza