Mark David Hollis (4 January 1955 – 25 February 2019) was an English musici… Read Full Bio ↴Mark David Hollis (4 January 1955 – 25 February 2019) was an English musician and singer-songwriter. He achieved commercial success and critical acclaim in the 1980s and 1990s as the co-founder, lead singer and principal songwriter of the band Talk Talk. Hollis wrote or co-wrote most of Talk Talk's music—including hits like "It's My Life" and "Life's What You Make It"—and in later works developed an experimental, contemplative style.
Beginning in 1981 as a synth-pop group with a New Romantic image, Talk Talk's sound became increasingly adventurous under Hollis's direction. For their third album, The Colour of Spring (1986), Talk Talk adopted an art pop sound that won critical and commercial favor; it remains their biggest commercial success. The band's final two albums, Spirit of Eden (1988) and Laughing Stock (1991), were radical departures from their early work, taking influence from jazz, folk, classical and experimental music. While they were commercial failures in their own time, these albums have come to be seen as early landmarks of post-rock music.
After Talk Talk disbanded in 1992, Hollis returned to music in 1998 with a self-titled solo album, which continued the direction of Talk Talk's sound but in a more minimal, spare, acoustic style. Following the release of his only solo album, Hollis largely retired from the recording industry.
Hollis died, aged 64, in February 2019.
Biography - early life (1955–1977):
Hollis was born on 4 January 1955 in Tottenham, London. He had two brothers, one elder and one younger. Little is known about his early life as Hollis was a reluctant interviewee throughout his career. He attended Tollington School, a now-defunct grammar school in Muswell Hill, London. In one interview, he claimed to have quit pursuing an education before he had completed his A-levels; in another, he said he had taken a course in child psychology at the University of Sussex but dropped out after a year and a half. Between school and the launch of his music career, he worked in factories and as a laboratory technician. Reflecting on this period in his life, he later said, "I could never wait to get home and start writing songs and lyrics. All day long I'd be jotting ideas down on bits of paper and just waiting for the moment when I could put it all down on tape!"
The Reaction (1977–1979)
Ed Hollis, Mark's older brother, mentored Mark and introduced him to the music industry. Ed was a disc jockey, producer and manager of several bands, including the pub-rock group Eddie and the Hot Rods. With Ed's encouragement and assistance, Mark formed his first band, The Reaction. Emerging in the post-punk era, the Reaction's sound reflected Hollis's interest in early garage rock as found on the compilation 1972 Nuggets. In a later interview, Hollis said, "Up until punk there's no way I could have imagined I could get a record deal because I didn't think I could play, but punk said, 'If you think you can play you can play.'"
In 1977, The Reaction recorded a demo for Island Records. A song from the demo, "Talk Talk Talk Talk," featured on the punk compilation Streets, released by the record-store chain and fledgling label Beggars Banquet. Written by Hollis, "Talk Talk Talk Talk" is an early version of Talk Talk's 1982 debut single, "Talk Talk." George Gimarc noted the Reaction's rendition of the song is about twice as fast and has "a completely different feel" than the 1982 version. Island released the Reaction's only single, "I Can't Resist", in 1978. George Gimarc likened "I Can't Resist" to early works by the Hollies and the Who. The Reaction disbanded the following year.
Around this time, Hollis's musical outlook broadened considerably. He began to listen to progressive rock like King Crimson and Pink Floyd, which were considered unfashionable in the punk era. His brother Ed introduced him to a wider range of music including jazz, particularly John Coltrane and Ornette Coleman. Miles Davis's collaborations with arranger Gil Evans on Porgy and Bess (1959) and Sketches of Spain (1960) had a lasting impact on Hollis; he later said Davis and Evans's work together "has space, tight arrangement and technique but it also has movement within it" and said those two albums "were extremely important albums to me then and they still are, because the values they work with are faultless."
Main article: Talk Talk
Hollis is best known for being the lead singer and primary songwriter of the band Talk Talk between 1981 and 1991. He was praised for his "always remarkable voice" and, along with Talk Talk's producer Tim Friese-Greene, took the lead in evolving the band's style from New Romantic into the more experimental and contemplative style that later became known as post-rock. Hollis has been credited with saying: "Before you play two notes, learn how to play one note. And don't play one note unless you've got a reason to play it." He also commented: "The silence is above everything, and I would rather hear one note than I would two, and I would rather hear silence than I would one note." In 1982, he cited his greatest influences as Burt Bacharach and William Burroughs.
Solo work and retirement:
Talk Talk disbanded in 1991. In 1998, Hollis released an eponymous solo debut album, Mark Hollis. In an interview at the time, he said: "To me the ultimate ambition is to make music that doesn't have a use by date, that goes beyond your own time." He also said: "Technique has never been an important thing to me. Feeling always has been, and always will be, above technique."
According to a 2008 article in The Guardian, he then largely retired from making music. He stated about his decision to retire from performing, "I choose for my family. Maybe others are capable of doing it, but I can't go on tour and be a good dad at the same time." Despite Hollis' absence from the public eye, he continued to be mentioned in the music press as an example of an artist who refused to sacrifice his artistic ambition for commercial success, and as a yardstick for current artists. His withdrawal from the public continued to fascinate music critics. By the time his solo album was released, Hollis had moved back from the countryside to London in order to provide his two sons with a more cosmopolitan environment.
He participated in occasional musical projects, including playing melodica and bass guitar on Anja Garbarek's 2001 album Smiling & Waving, as well as producing two tracks on it. In 2004, Hollis resurfaced briefly to receive a Broadcast Music Inc. Award for having written "It's My Life." In 2012, a piece of specially commissioned music by Hollis entitled "ARB Section 1," was used in the television series Boss.
Collaborations:
Hollis performed the solo track "Piano" on the 1998 minimalist album AV 1, by Phill Brown and Dave Allinson, under the pseudonym John Cope. This was later included on the 2001 Talk Talk compilation album Missing Pieces. He played piano on and co-wrote the track "Chaos" on the 1998 trip hop album Psyence Fiction by Unkle, later asking for his name to be removed from the album credits. He also co-produced and arranged two tracks ("The Gown" and "Big Mouth") on Anja Garbarek's 2001 album Smiling & Waving.
Personal life:
As of 1998, Hollis lived in Wimbledon, London with his wife (a teacher) and his two children. Hollis's desire to spend more time with his family was a major reason that Talk Talk stopped touring after 1986, and his reason for retiring from the music industry in 1998.
Death:
It was first reported on social media on 24 February 2019, and more widely the next day, that Mark Hollis had died, aged 64. Initial reports included a tweet from his cousin-in-law, the paediatrician Anthony Costello, and a tribute by Talk Talk’s bassist Paul Webb. Hollis's death, after "a short illness from which he never recovered," was confirmed by his former manager on 26 February.
Further tributes to Hollis included Duran Duran, Depeche Mode, The The, Steven Wilson, Alexis Taylor, Andy Kim, Charlotte Church, Flea, Roland Orzabal, Robin Pecknold, Peter Gabriel, Ryley Walker, Peter Hammill, Orchestral Manoeuvres in the Dark, Marc Almond, Elijah Wood, Chris Baio and Broken Social Scene.
Beginning in 1981 as a synth-pop group with a New Romantic image, Talk Talk's sound became increasingly adventurous under Hollis's direction. For their third album, The Colour of Spring (1986), Talk Talk adopted an art pop sound that won critical and commercial favor; it remains their biggest commercial success. The band's final two albums, Spirit of Eden (1988) and Laughing Stock (1991), were radical departures from their early work, taking influence from jazz, folk, classical and experimental music. While they were commercial failures in their own time, these albums have come to be seen as early landmarks of post-rock music.
After Talk Talk disbanded in 1992, Hollis returned to music in 1998 with a self-titled solo album, which continued the direction of Talk Talk's sound but in a more minimal, spare, acoustic style. Following the release of his only solo album, Hollis largely retired from the recording industry.
Hollis died, aged 64, in February 2019.
Biography - early life (1955–1977):
Hollis was born on 4 January 1955 in Tottenham, London. He had two brothers, one elder and one younger. Little is known about his early life as Hollis was a reluctant interviewee throughout his career. He attended Tollington School, a now-defunct grammar school in Muswell Hill, London. In one interview, he claimed to have quit pursuing an education before he had completed his A-levels; in another, he said he had taken a course in child psychology at the University of Sussex but dropped out after a year and a half. Between school and the launch of his music career, he worked in factories and as a laboratory technician. Reflecting on this period in his life, he later said, "I could never wait to get home and start writing songs and lyrics. All day long I'd be jotting ideas down on bits of paper and just waiting for the moment when I could put it all down on tape!"
The Reaction (1977–1979)
Ed Hollis, Mark's older brother, mentored Mark and introduced him to the music industry. Ed was a disc jockey, producer and manager of several bands, including the pub-rock group Eddie and the Hot Rods. With Ed's encouragement and assistance, Mark formed his first band, The Reaction. Emerging in the post-punk era, the Reaction's sound reflected Hollis's interest in early garage rock as found on the compilation 1972 Nuggets. In a later interview, Hollis said, "Up until punk there's no way I could have imagined I could get a record deal because I didn't think I could play, but punk said, 'If you think you can play you can play.'"
In 1977, The Reaction recorded a demo for Island Records. A song from the demo, "Talk Talk Talk Talk," featured on the punk compilation Streets, released by the record-store chain and fledgling label Beggars Banquet. Written by Hollis, "Talk Talk Talk Talk" is an early version of Talk Talk's 1982 debut single, "Talk Talk." George Gimarc noted the Reaction's rendition of the song is about twice as fast and has "a completely different feel" than the 1982 version. Island released the Reaction's only single, "I Can't Resist", in 1978. George Gimarc likened "I Can't Resist" to early works by the Hollies and the Who. The Reaction disbanded the following year.
Around this time, Hollis's musical outlook broadened considerably. He began to listen to progressive rock like King Crimson and Pink Floyd, which were considered unfashionable in the punk era. His brother Ed introduced him to a wider range of music including jazz, particularly John Coltrane and Ornette Coleman. Miles Davis's collaborations with arranger Gil Evans on Porgy and Bess (1959) and Sketches of Spain (1960) had a lasting impact on Hollis; he later said Davis and Evans's work together "has space, tight arrangement and technique but it also has movement within it" and said those two albums "were extremely important albums to me then and they still are, because the values they work with are faultless."
Main article: Talk Talk
Hollis is best known for being the lead singer and primary songwriter of the band Talk Talk between 1981 and 1991. He was praised for his "always remarkable voice" and, along with Talk Talk's producer Tim Friese-Greene, took the lead in evolving the band's style from New Romantic into the more experimental and contemplative style that later became known as post-rock. Hollis has been credited with saying: "Before you play two notes, learn how to play one note. And don't play one note unless you've got a reason to play it." He also commented: "The silence is above everything, and I would rather hear one note than I would two, and I would rather hear silence than I would one note." In 1982, he cited his greatest influences as Burt Bacharach and William Burroughs.
Solo work and retirement:
Talk Talk disbanded in 1991. In 1998, Hollis released an eponymous solo debut album, Mark Hollis. In an interview at the time, he said: "To me the ultimate ambition is to make music that doesn't have a use by date, that goes beyond your own time." He also said: "Technique has never been an important thing to me. Feeling always has been, and always will be, above technique."
According to a 2008 article in The Guardian, he then largely retired from making music. He stated about his decision to retire from performing, "I choose for my family. Maybe others are capable of doing it, but I can't go on tour and be a good dad at the same time." Despite Hollis' absence from the public eye, he continued to be mentioned in the music press as an example of an artist who refused to sacrifice his artistic ambition for commercial success, and as a yardstick for current artists. His withdrawal from the public continued to fascinate music critics. By the time his solo album was released, Hollis had moved back from the countryside to London in order to provide his two sons with a more cosmopolitan environment.
He participated in occasional musical projects, including playing melodica and bass guitar on Anja Garbarek's 2001 album Smiling & Waving, as well as producing two tracks on it. In 2004, Hollis resurfaced briefly to receive a Broadcast Music Inc. Award for having written "It's My Life." In 2012, a piece of specially commissioned music by Hollis entitled "ARB Section 1," was used in the television series Boss.
Collaborations:
Hollis performed the solo track "Piano" on the 1998 minimalist album AV 1, by Phill Brown and Dave Allinson, under the pseudonym John Cope. This was later included on the 2001 Talk Talk compilation album Missing Pieces. He played piano on and co-wrote the track "Chaos" on the 1998 trip hop album Psyence Fiction by Unkle, later asking for his name to be removed from the album credits. He also co-produced and arranged two tracks ("The Gown" and "Big Mouth") on Anja Garbarek's 2001 album Smiling & Waving.
Personal life:
As of 1998, Hollis lived in Wimbledon, London with his wife (a teacher) and his two children. Hollis's desire to spend more time with his family was a major reason that Talk Talk stopped touring after 1986, and his reason for retiring from the music industry in 1998.
Death:
It was first reported on social media on 24 February 2019, and more widely the next day, that Mark Hollis had died, aged 64. Initial reports included a tweet from his cousin-in-law, the paediatrician Anthony Costello, and a tribute by Talk Talk’s bassist Paul Webb. Hollis's death, after "a short illness from which he never recovered," was confirmed by his former manager on 26 February.
Further tributes to Hollis included Duran Duran, Depeche Mode, The The, Steven Wilson, Alexis Taylor, Andy Kim, Charlotte Church, Flea, Roland Orzabal, Robin Pecknold, Peter Gabriel, Ryley Walker, Peter Hammill, Orchestral Manoeuvres in the Dark, Marc Almond, Elijah Wood, Chris Baio and Broken Social Scene.
A Life
Mark Hollis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Uniform
Dream cites freedom
Avow
Relent
Such suffering
Few certain
And here I lay
And here I lay
Here I lay now
Dream cites freedom
Avow
Relent
Such suffering
Few certain
And here I lay
And here I lay
Here I lay now
The lyrics of A Life (1895-1915) by Mark Hollis seem to be a reflection on the sacrifices made by soldiers who put on a uniform and fought for their countries in the First World War. The opening line, "Uniform", refers to the military dress that soldiers are made to wear. The second line, "Dream cites freedom", could suggest that soldiers may have originally felt they were fighting for freedom, but found themselves trapped in the brutal reality of war. "Avow" and "Relent" could refer to the soldiers' sense of duty and determination, despite the difficulties encountered during fighting. "Such suffering" likely reflects the harrowing experiences soldiers faced during the war.
The repetition of "And here I lay" at the end highlights the ultimate sacrifice many soldiers made, laying down their lives on the battlefield. The use of the word "lay" suggests a final resting place, perhaps in a grave, further emphasizing the permanence of their sacrifice. Overall, the lyrics seem to be a poignant tribute to the soldiers who fought and died in the First World War.
Line by Line Meaning
Uniform
Conformity and lack of individuality are often forced upon us.
Dream cites freedom
We often pursue the freedom we dream of, but it may not always be attainable.
Avow
We declare and affirm our beliefs and values, even in the face of opposition.
Relent
Sometimes, despite our best efforts, we must accept defeat and surrender our goals.
Such suffering
Life can bring immense pain and heartache, which we must face head-on.
Few certain
Very little in life is certain or guaranteed, making it all the more precious.
And here I lay
The singer is reflecting on their own mortality, and the fleeting nature of human existence.
And here I lay
The repetition of this line reinforces the inevitability of death, and the need to make the most of our time while we can.
Here I lay now
The artist acknowledges their current state of being, and hints at the finality of death.
Writer(s): Riccardo Tesini, Andrea Montorsi, Luca Antolini
Contributed by Josiah P. Suggest a correction in the comments below.
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Ri Ri
Cette chanson, je ne sais pas pourquoi ? Me fait penser au poème de Rimbaud , le dormeur du val :
C'est un trou de verdure où chante une rivière
Accrochant follement aux herbes des haillons
D'argent ; où le soleil, de la montagne fière,
Luit : c'est un petit val qui mousse de rayons.
Un soldat jeune, bouche ouverte, tête nue,
Et la nuque baignant dans le frais cresson bleu,
Dort ; il est étendu dans l'herbe sous la nue,
Pâle dans son lit vert où la lumière pleut.
Les pieds dans les glaïeuls, il dort. Souriant comme
Sourirait un enfant malade, il fait un somme :
Nature, berce-le chaudement : il a froid.
Les parfums ne font pas frissonner sa narine ;
Il dort dans le soleil, la main sur sa poitrine
Tranquille. Il a deux trous rouges au côté droit.
Tobias Meißner
I never met Mark Hollis, never saw him live (because when I "discovered" Talk Talk for me with SPIRIT OF EDEN, they wouldn't perform live anymore), never got any opportunity to thank him. But I want to state here that Mark Hollis had a greater influence on my life and my own work (as a novelist) than any other artist, be it writer, musician or painter. Not only through his outstanding, timeless, inspired and inspiring music, but also through his attitude regarding the industry. I believe he rests in peace, because he already teached us how to live in peace.
Lisa Bunnie
Please keep Mark alive in your beautiful poetry .
Tobias Meißner
@Lisa Bunnie His music keeps him alive, he put his spirit in it. But I really think there should be a Mark Hollis Academy of sorts, where artists of all kinds could gather and listen and talk.
Steve O'
I was late to this album but it has now become one of my go to Sunday morning records , the silence in the tracks are as important as the music , hard too believe he's been gone over 2 yrs
soundtrack1991
This is the crowning achievement of his solo album. It is so haunting and so beautiful
Hexagon Harry
Discovering this album is like finding a buried treasure.... Mark's music is transcendent . Thanks for your beautiful art and rest in peace.
Sweepers
RIP Mark. Thank you for the beautiful quietness of this record <3
Giacomo Schmitt
RIP, Mark Hollis, genius.
kaini
mark hollis has a direct line to my soul.
Lanser87
Its amazing how well Mark Hollis draws you into such a elaborate world of sound. I just can't stop listening to his stuff, especially his later work.