Mark David Hollis (4 January 1955 – 25 February 2019) was an English musici… Read Full Bio ↴Mark David Hollis (4 January 1955 – 25 February 2019) was an English musician and singer-songwriter. He achieved commercial success and critical acclaim in the 1980s and 1990s as the co-founder, lead singer and principal songwriter of the band Talk Talk. Hollis wrote or co-wrote most of Talk Talk's music—including hits like "It's My Life" and "Life's What You Make It"—and in later works developed an experimental, contemplative style.
Beginning in 1981 as a synth-pop group with a New Romantic image, Talk Talk's sound became increasingly adventurous under Hollis's direction. For their third album, The Colour of Spring (1986), Talk Talk adopted an art pop sound that won critical and commercial favor; it remains their biggest commercial success. The band's final two albums, Spirit of Eden (1988) and Laughing Stock (1991), were radical departures from their early work, taking influence from jazz, folk, classical and experimental music. While they were commercial failures in their own time, these albums have come to be seen as early landmarks of post-rock music.
After Talk Talk disbanded in 1992, Hollis returned to music in 1998 with a self-titled solo album, which continued the direction of Talk Talk's sound but in a more minimal, spare, acoustic style. Following the release of his only solo album, Hollis largely retired from the recording industry.
Hollis died, aged 64, in February 2019.
Biography - early life (1955–1977):
Hollis was born on 4 January 1955 in Tottenham, London. He had two brothers, one elder and one younger. Little is known about his early life as Hollis was a reluctant interviewee throughout his career. He attended Tollington School, a now-defunct grammar school in Muswell Hill, London. In one interview, he claimed to have quit pursuing an education before he had completed his A-levels; in another, he said he had taken a course in child psychology at the University of Sussex but dropped out after a year and a half. Between school and the launch of his music career, he worked in factories and as a laboratory technician. Reflecting on this period in his life, he later said, "I could never wait to get home and start writing songs and lyrics. All day long I'd be jotting ideas down on bits of paper and just waiting for the moment when I could put it all down on tape!"
The Reaction (1977–1979)
Ed Hollis, Mark's older brother, mentored Mark and introduced him to the music industry. Ed was a disc jockey, producer and manager of several bands, including the pub-rock group Eddie and the Hot Rods. With Ed's encouragement and assistance, Mark formed his first band, The Reaction. Emerging in the post-punk era, the Reaction's sound reflected Hollis's interest in early garage rock as found on the compilation 1972 Nuggets. In a later interview, Hollis said, "Up until punk there's no way I could have imagined I could get a record deal because I didn't think I could play, but punk said, 'If you think you can play you can play.'"
In 1977, The Reaction recorded a demo for Island Records. A song from the demo, "Talk Talk Talk Talk," featured on the punk compilation Streets, released by the record-store chain and fledgling label Beggars Banquet. Written by Hollis, "Talk Talk Talk Talk" is an early version of Talk Talk's 1982 debut single, "Talk Talk." George Gimarc noted the Reaction's rendition of the song is about twice as fast and has "a completely different feel" than the 1982 version. Island released the Reaction's only single, "I Can't Resist", in 1978. George Gimarc likened "I Can't Resist" to early works by the Hollies and the Who. The Reaction disbanded the following year.
Around this time, Hollis's musical outlook broadened considerably. He began to listen to progressive rock like King Crimson and Pink Floyd, which were considered unfashionable in the punk era. His brother Ed introduced him to a wider range of music including jazz, particularly John Coltrane and Ornette Coleman. Miles Davis's collaborations with arranger Gil Evans on Porgy and Bess (1959) and Sketches of Spain (1960) had a lasting impact on Hollis; he later said Davis and Evans's work together "has space, tight arrangement and technique but it also has movement within it" and said those two albums "were extremely important albums to me then and they still are, because the values they work with are faultless."
Main article: Talk Talk
Hollis is best known for being the lead singer and primary songwriter of the band Talk Talk between 1981 and 1991. He was praised for his "always remarkable voice" and, along with Talk Talk's producer Tim Friese-Greene, took the lead in evolving the band's style from New Romantic into the more experimental and contemplative style that later became known as post-rock. Hollis has been credited with saying: "Before you play two notes, learn how to play one note. And don't play one note unless you've got a reason to play it." He also commented: "The silence is above everything, and I would rather hear one note than I would two, and I would rather hear silence than I would one note." In 1982, he cited his greatest influences as Burt Bacharach and William Burroughs.
Solo work and retirement:
Talk Talk disbanded in 1991. In 1998, Hollis released an eponymous solo debut album, Mark Hollis. In an interview at the time, he said: "To me the ultimate ambition is to make music that doesn't have a use by date, that goes beyond your own time." He also said: "Technique has never been an important thing to me. Feeling always has been, and always will be, above technique."
According to a 2008 article in The Guardian, he then largely retired from making music. He stated about his decision to retire from performing, "I choose for my family. Maybe others are capable of doing it, but I can't go on tour and be a good dad at the same time." Despite Hollis' absence from the public eye, he continued to be mentioned in the music press as an example of an artist who refused to sacrifice his artistic ambition for commercial success, and as a yardstick for current artists. His withdrawal from the public continued to fascinate music critics. By the time his solo album was released, Hollis had moved back from the countryside to London in order to provide his two sons with a more cosmopolitan environment.
He participated in occasional musical projects, including playing melodica and bass guitar on Anja Garbarek's 2001 album Smiling & Waving, as well as producing two tracks on it. In 2004, Hollis resurfaced briefly to receive a Broadcast Music Inc. Award for having written "It's My Life." In 2012, a piece of specially commissioned music by Hollis entitled "ARB Section 1," was used in the television series Boss.
Collaborations:
Hollis performed the solo track "Piano" on the 1998 minimalist album AV 1, by Phill Brown and Dave Allinson, under the pseudonym John Cope. This was later included on the 2001 Talk Talk compilation album Missing Pieces. He played piano on and co-wrote the track "Chaos" on the 1998 trip hop album Psyence Fiction by Unkle, later asking for his name to be removed from the album credits. He also co-produced and arranged two tracks ("The Gown" and "Big Mouth") on Anja Garbarek's 2001 album Smiling & Waving.
Personal life:
As of 1998, Hollis lived in Wimbledon, London with his wife (a teacher) and his two children. Hollis's desire to spend more time with his family was a major reason that Talk Talk stopped touring after 1986, and his reason for retiring from the music industry in 1998.
Death:
It was first reported on social media on 24 February 2019, and more widely the next day, that Mark Hollis had died, aged 64. Initial reports included a tweet from his cousin-in-law, the paediatrician Anthony Costello, and a tribute by Talk Talk’s bassist Paul Webb. Hollis's death, after "a short illness from which he never recovered," was confirmed by his former manager on 26 February.
Further tributes to Hollis included Duran Duran, Depeche Mode, The The, Steven Wilson, Alexis Taylor, Andy Kim, Charlotte Church, Flea, Roland Orzabal, Robin Pecknold, Peter Gabriel, Ryley Walker, Peter Hammill, Orchestral Manoeuvres in the Dark, Marc Almond, Elijah Wood, Chris Baio and Broken Social Scene.
Beginning in 1981 as a synth-pop group with a New Romantic image, Talk Talk's sound became increasingly adventurous under Hollis's direction. For their third album, The Colour of Spring (1986), Talk Talk adopted an art pop sound that won critical and commercial favor; it remains their biggest commercial success. The band's final two albums, Spirit of Eden (1988) and Laughing Stock (1991), were radical departures from their early work, taking influence from jazz, folk, classical and experimental music. While they were commercial failures in their own time, these albums have come to be seen as early landmarks of post-rock music.
After Talk Talk disbanded in 1992, Hollis returned to music in 1998 with a self-titled solo album, which continued the direction of Talk Talk's sound but in a more minimal, spare, acoustic style. Following the release of his only solo album, Hollis largely retired from the recording industry.
Hollis died, aged 64, in February 2019.
Biography - early life (1955–1977):
Hollis was born on 4 January 1955 in Tottenham, London. He had two brothers, one elder and one younger. Little is known about his early life as Hollis was a reluctant interviewee throughout his career. He attended Tollington School, a now-defunct grammar school in Muswell Hill, London. In one interview, he claimed to have quit pursuing an education before he had completed his A-levels; in another, he said he had taken a course in child psychology at the University of Sussex but dropped out after a year and a half. Between school and the launch of his music career, he worked in factories and as a laboratory technician. Reflecting on this period in his life, he later said, "I could never wait to get home and start writing songs and lyrics. All day long I'd be jotting ideas down on bits of paper and just waiting for the moment when I could put it all down on tape!"
The Reaction (1977–1979)
Ed Hollis, Mark's older brother, mentored Mark and introduced him to the music industry. Ed was a disc jockey, producer and manager of several bands, including the pub-rock group Eddie and the Hot Rods. With Ed's encouragement and assistance, Mark formed his first band, The Reaction. Emerging in the post-punk era, the Reaction's sound reflected Hollis's interest in early garage rock as found on the compilation 1972 Nuggets. In a later interview, Hollis said, "Up until punk there's no way I could have imagined I could get a record deal because I didn't think I could play, but punk said, 'If you think you can play you can play.'"
In 1977, The Reaction recorded a demo for Island Records. A song from the demo, "Talk Talk Talk Talk," featured on the punk compilation Streets, released by the record-store chain and fledgling label Beggars Banquet. Written by Hollis, "Talk Talk Talk Talk" is an early version of Talk Talk's 1982 debut single, "Talk Talk." George Gimarc noted the Reaction's rendition of the song is about twice as fast and has "a completely different feel" than the 1982 version. Island released the Reaction's only single, "I Can't Resist", in 1978. George Gimarc likened "I Can't Resist" to early works by the Hollies and the Who. The Reaction disbanded the following year.
Around this time, Hollis's musical outlook broadened considerably. He began to listen to progressive rock like King Crimson and Pink Floyd, which were considered unfashionable in the punk era. His brother Ed introduced him to a wider range of music including jazz, particularly John Coltrane and Ornette Coleman. Miles Davis's collaborations with arranger Gil Evans on Porgy and Bess (1959) and Sketches of Spain (1960) had a lasting impact on Hollis; he later said Davis and Evans's work together "has space, tight arrangement and technique but it also has movement within it" and said those two albums "were extremely important albums to me then and they still are, because the values they work with are faultless."
Main article: Talk Talk
Hollis is best known for being the lead singer and primary songwriter of the band Talk Talk between 1981 and 1991. He was praised for his "always remarkable voice" and, along with Talk Talk's producer Tim Friese-Greene, took the lead in evolving the band's style from New Romantic into the more experimental and contemplative style that later became known as post-rock. Hollis has been credited with saying: "Before you play two notes, learn how to play one note. And don't play one note unless you've got a reason to play it." He also commented: "The silence is above everything, and I would rather hear one note than I would two, and I would rather hear silence than I would one note." In 1982, he cited his greatest influences as Burt Bacharach and William Burroughs.
Solo work and retirement:
Talk Talk disbanded in 1991. In 1998, Hollis released an eponymous solo debut album, Mark Hollis. In an interview at the time, he said: "To me the ultimate ambition is to make music that doesn't have a use by date, that goes beyond your own time." He also said: "Technique has never been an important thing to me. Feeling always has been, and always will be, above technique."
According to a 2008 article in The Guardian, he then largely retired from making music. He stated about his decision to retire from performing, "I choose for my family. Maybe others are capable of doing it, but I can't go on tour and be a good dad at the same time." Despite Hollis' absence from the public eye, he continued to be mentioned in the music press as an example of an artist who refused to sacrifice his artistic ambition for commercial success, and as a yardstick for current artists. His withdrawal from the public continued to fascinate music critics. By the time his solo album was released, Hollis had moved back from the countryside to London in order to provide his two sons with a more cosmopolitan environment.
He participated in occasional musical projects, including playing melodica and bass guitar on Anja Garbarek's 2001 album Smiling & Waving, as well as producing two tracks on it. In 2004, Hollis resurfaced briefly to receive a Broadcast Music Inc. Award for having written "It's My Life." In 2012, a piece of specially commissioned music by Hollis entitled "ARB Section 1," was used in the television series Boss.
Collaborations:
Hollis performed the solo track "Piano" on the 1998 minimalist album AV 1, by Phill Brown and Dave Allinson, under the pseudonym John Cope. This was later included on the 2001 Talk Talk compilation album Missing Pieces. He played piano on and co-wrote the track "Chaos" on the 1998 trip hop album Psyence Fiction by Unkle, later asking for his name to be removed from the album credits. He also co-produced and arranged two tracks ("The Gown" and "Big Mouth") on Anja Garbarek's 2001 album Smiling & Waving.
Personal life:
As of 1998, Hollis lived in Wimbledon, London with his wife (a teacher) and his two children. Hollis's desire to spend more time with his family was a major reason that Talk Talk stopped touring after 1986, and his reason for retiring from the music industry in 1998.
Death:
It was first reported on social media on 24 February 2019, and more widely the next day, that Mark Hollis had died, aged 64. Initial reports included a tweet from his cousin-in-law, the paediatrician Anthony Costello, and a tribute by Talk Talk’s bassist Paul Webb. Hollis's death, after "a short illness from which he never recovered," was confirmed by his former manager on 26 February.
Further tributes to Hollis included Duran Duran, Depeche Mode, The The, Steven Wilson, Alexis Taylor, Andy Kim, Charlotte Church, Flea, Roland Orzabal, Robin Pecknold, Peter Gabriel, Ryley Walker, Peter Hammill, Orchestral Manoeuvres in the Dark, Marc Almond, Elijah Wood, Chris Baio and Broken Social Scene.
The Watershed
Mark Hollis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come my love
Kick the line
Afield lies nothing
But squalor to turn on
A song asale
Should have said so much
Makes it harder
The more you love
Gladdening eyes
Through slur
Emerge crucified
So frail
Should have said so much
Makes it harder
The more you love
A song asale, sold heart
Should have said so much
Makes it harder
The more you love
A song asale
For the good has bled to dust
Departed, the morning sun
For the good has bled to dust
Departed, the morning sun
Kick the line
Afield lies nothing
But squalor to turn on
A song asale
Should have said so much
Makes it harder
Gladdening eyes
Through slur
Emerge crucified
So frail
Should have said so much
Makes it harder
The more you love
A song asale, sold heart
Should have said so much
Makes it harder
The more you love
A song asale
For the good has bled to dust
Departed, the morning sun
For the good has bled to dust
Departed, the morning sun
The opening lines of Mark Hollis’s ‘The Watershed’ – “Come my love / Kick the line” – immediately grab the listener’s attention. The song appears to be about a relationship that has ended, and the singer is reflecting on what they should and could have said during the time they were together. Hollis uses simple but evocative language as the song progresses, painting a picture of a bleak and empty landscape: “Afield lies nothing / But squalor to turn on”. The phrase “The Watershed” refers to a turning point or a crucial moment in time, and the song seems to be about the moment when everything changed, when the love and hope that once existed was replaced by emptiness and regret.
The chorus of the song – “Should have said so much / Makes it harder / The more you love” – is particularly poignant, capturing the idea that feelings left unexpressed can lead to pain and regret. Hollis’s vocals are full of emotion, particularly on the line “A song asale, sold heart”, which suggests that the singer has sold something of themselves in the pursuit of love. The final lines of the song – “For the good has bled to dust / Departed, the morning sun” – are particularly bleak, suggesting that there is no hope left, that everything has been lost.
Line by Line Meaning
Come my love
Inviting a loved one to join them
Kick the line
Move beyond limitations and boundaries
Afield lies nothing
Expectations beyond reality
But squalor to turn on
Only negativity to come back to
A song asale
A song that's easy to sell
Should have said so much
Regret for not expressing themselves enough
Makes it harder
The lack of communication complicates things
The more you love
The stronger the emotions, the harder it is to express them
Gladdening eyes
Momentary pleasures
Through slur
Compromised by substance abuse
Emerge crucified
Victim of their own actions
So frail
Emotionally vulnerable
A song asale, sold heart
Compromised by commercial success
For the good has bled to dust
The positive aspects have been lost
Departed, the morning sun
The hope for better times is gone
For the good has bled to dust
The positive aspects have been lost
Departed, the morning sun
The hope for better times is gone
Writer(s): Mark David Hollis, Warne Livesey
Contributed by Emma H. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Paul Harris
Come my love
Kick the line
Afield lies nothing
But squalor to turn on
A song asale
Should have said so much
Makes it harder
The more you love
Gladdening eyes
Through slur
Emerge crucified
So frail
Should have said so much
Makes it harder
The more you love
A song asale, sold heart
Should have said so much
Makes it harder
The more you love
A song asale
For the good has bled to dust
Departed, the morning sun
For the good has bled to dust
Departed, the morning sun
Corey Olm
a true musical genius in every respect. every album, every song, every note was purely for the love of music - not one ounce of greed or compromise. a watershed of creative, explosive, unadulterated artistic vision being gratefully and graciously given. cherish every single moment of this man's work
MrPink
In another life, I was in the music business. I have been a fan of Mark's since TT's debut record. This record is pure genius, an absolute masterpiece. The truth is that I would give absolutely anything, pay any price, to hear more from Mark. His ability to touch one's soul is unmatched, and the muses approve. Please come back to us, Mark.
P Mc
Spot on MrPink. His vocal ping is an engaging sonic tower of absolute depth.
Have a go at the band: Lo Moon.
MrPink
@P Mc I will check this band out, thank you!!
P Mc
Shut it.
MrPink
Huh?
reepicheep66
He won't, we now know. Let's cherish the music we have from him....
J Fritz
Rest in Peace, Mark. You were a brilliant nusician.
Chimken
It deeply pains my heart that Mark stopped releasing music like this. This record truly is the greatest masterpiece.
Herman van Broekhoven
Where the hell is he?