Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz s… Read Full Bio ↴Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based in New York. He was known for his use of vocalese and vocal improvisations with both melody and lyrics. He was the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers jazz poll for Best Male Vocalist of the Year and also the recipient of six Grammy award nominations for Best Vocal Jazz Performance. He wrote original lyrics to the jazz tunes "Stolen Moments" and "Red Clay".

Born in Syracuse, New York, in 1932, Murphy was raised in a musical family, his parents having met as members of the local Methodist Church choir. He grew up in the nearby small town of Fulton, New York, where his grandmother and then his aunt were the church organists. Opera was also a presence in the Murphy home. He started piano lessons at the age of seven.

Murphy joined his brother's jazz dance band as the singer when a teenager, citing influences from Nat "King" Cole, June Christy, Anita O'Day, and Ella Fitzgerald. The Jazz pianist Art Tatum was also an influence.

Murphy graduated from Syracuse University in 1953, majoring in Music and Drama. University life included performing on campus and also in a club – playing piano and singing.

In 1954, Murphy moved to New York City, working part-time as an actor and singer. He appeared in productions for the Gilbert and Sullivan Light Opera Company and a musical version for television of Casey at the Bat. Also, he twice took second place at the Apollo Theatre amateur contests.

Murphy was eventually introduced to record producer Milt Gabler, who was an artist and repertoire director (A & R) for Decca. His resulting debut recording was Meet Mark Murphy (1956), followed closely by Let Yourself Go (1957).

In 1958 Murphy moved to Los Angeles and recorded for Capitol, but returned to New York in the early '60s and recorded the album Rah! (1961) on Riverside Records, performing "Angel Eyes", a version of Horace Silver's "Doodlin'", and "Green Dolphin Street", featuring Bill Evans, Clark Terry, Urbie Green, Blue Mitchell and Wynton Kelly as accompanists. His favorite recording to date, That's How I Love the Blues, soon followed. In 1963, Murphy hit the charts across the country with his single of "Fly Me to the Moon" and was voted New Star of the Year in Down Beat Magazine's Reader's Poll.[citation needed]

In the late 1960s Murphy moved to London, England, where he worked primarily as an actor. He continued however, to cultivate his jazz audiences in Europe. He returned to the States in 1972 and began recording an average of an album a year for more than fourteen years on the Muse label. These projects - including the albums Nat King Cole Songbook Vol. I and II, Bop for Kerouac, Kerouac Then And Now, Living Room, Satisfaction Guaranteed, Beauty And the Beast and, Stolen Moments - gained numerous Grammy nominations.[citation needed] This last album contains Oliver Nelson's "Stolen Moments" with lyrics by Murphy.

In 1984 together with Viva Brasil he recorded the album Brazil Song (Cancões do Brasil), which featured original material written by Brazilian songwriters including work by Antonio Carlos Jobim and Milton Nascimento.

In 1987, Murphy recorded Night Mood, an album of songs by Brazilian composer Ivan Lins, followed by the Grammy-nominated September Ballads on Milestone Records. Murphy has also appeared on U.F.O.'s last two releases (for Polydor Records), in which he wrote and rapped lyrics on songs composed with the group. This collaboration opened up further new audiences in the acid-jazz and hip-hop genres, demonstrating jazz's timelessness while transcending generations and styles.

In August 1997, BMG/RCA Victor released Song For The Geese, for which he has received his sixth Grammy nomination. Also in August 1997, the 32 Records label Joel Dorn and Michael Bourne released a double CD anthology Stolen and Other Moments, which features some of his recordings for the now defunct Muse label. The CD features material from the two "Kerouac" albums and a selection of "the best of Mark Murphy".

Murphy’s release Once to Every Heart (2005), on the Verve label, features sensuous ballads, where the listener can capture him singing in top form, with superb musicians and sounding better than ever. In 2007 Love is What Stays was released on Verve. Both albums were produced by German trumpeter Till Brönner.

Murphy has also collaborated with Five Corners Quintet, a modern Finnish jazz band. He appears on their albums Chasin' the Jazz Gone By (2005) and Hot Corner (2008).

In 2010 he released the independently produced CD, Never Let Me Go, on which he is supported by pianist Misha Piatigorsky, bassist Danton Boller and drummer Chris Wabich. A limited edition EP/MP3, "Beautiful Friendship: Remembering Shirley Horn" on Gearbox Records was released in 2013.

Murphy continued to tour internationally into his 80s, appearing at festivals, concerts, in jazz clubs and on television programs, throughout the U.S., Europe, Australia and Japan, as well as other places. John Bush at AllMusic.com described Murphy as "a major name in vocal jazz." A longtime resident of the Lillian Booth Actors Home in Englewood, New Jersey, he died there on October 22, 2015.

I Don't Want to Cry Anymore
Mark Murphy Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Young and foolish
Why is it wrong to be
Young and foolish
We haven't long to be

Soon enough the carefree days
The sunlit days go by
Soon enough the bluebird has to fly

We were foolish
One day we fell in love
Now we wonder
What were we dreaming of

Smiling in the sunlight
Laughing in the rain
I wish that we were
Young and foolish again

Smiling in the sunlight
Laughing in the rain

I wish that we were
Young and foolish again

Overall Meaning

The song "I Don't Want to Cry Anymore" by Mark Murphy is a sad yet nostalgic ballad about wanting to return to a time when life was simpler and carefree. The lyrics talk about being young and foolish, and how it's not wrong to be that way. The singer longs to go back to a time when they were carefree, but they know that time has passed. They sing about how soon enough, the carefree days will be gone, the bluebird will have to fly, and life will become more serious.

The singer talks about how they fell in love when they were young and foolish, but now they wonder what they were dreaming of. They remember smiling in the sunlight and laughing in the rain, and they wish they could go back to being young and foolish again. The song is a reminder that life is short, and we should cherish the time we have while we have it.

Overall, the lyrics of "I Don't Want to Cry Anymore" are about wanting to relive a time when life was simpler, happier, and carefree. It's a poignant reminder that life is fleeting, and we should make the most of it while we can.

Line by Line Meaning

Young and foolish
Being youthful and naive

Why is it wrong to be
Asking why being young and naive is considered bad.

Young and foolish
Being youthful and naive

We haven't long to be
There isn't much time to be young and naive.

Soon enough the carefree days
The days of being carefree will be gone soon.

The sunlit days go by
The happy times pass by quickly.

Soon enough the bluebird has to fly
All good things must come to an end.

We were foolish
We were young and naive.

One day we fell in love
We fell in love.

Now we wonder
Now we question.

What were we dreaming of
What were we thinking?