Formed in 1988 by ex-DETROIT, DAMIEN and VIVA vocalist Andy Pyke, the original line-up featured Pyke on vocals and drums together with ex-CHINAWHITE and SHADOWLANDS guitarist Dave Martin, bassist Nigel and guitarist Darren Horton. Pre-MARSHALL LAW Martin had also been involved with ELECTRIC WARRIOR, an act that featured latter day ASYLUM vocalist Stan and his sister drummer Yola, as well as STARFIGHTERS and briefly UFO guitarist Rik Sandford. MARSHALL LAW added drummer Alan Kelly, who ultimately left to join SHY. Horton also left to later form SIAM and was replaced by former REALM and IVORY guitarist Andy Southwell. Bassist Nigel also departed, later to join Progressive Rock outfit ARK, and was superseded by Malcolm Gould. This line-up recorded the demo 'Future Shock' in 1988.
Despite their efforts the media and major record companies remained unmoved, with the British Rock press refusing to see the band as anything more than pretenders to the throne of JUDAS PRIEST. Undeterred, MARSHALL LAW recorded their first album, Marshall Law, for local label FM Revolver, but in doing so, lost most of their finest songs to what many regarded as a lacklustre production by REDBEARDS members Ian Allen and Dave Keates.
It was decided at this point to sack their bassist- the official excuse being that he was too short! The allegedly diminutive Malcolm Gould promptly formed LOVE AND WAR. The somewhat taller benefactor of the vacant bass position was Roger Davis, previously with ROULETTE, and the band still continued to gig hard.
Another record for FM Revolver followed, the mini album 'Power Crazy', which debuted new drummer Lee Morris. Pyke meantime was to contribute guest vocals to CEREBRAL FIX's version of JUDAS PRIEST's hit 'Living After Midnight'.
A change of management to the same organisation that handled MAGNUM saw a period of inactivity whilst a major deal was searched for, but in vain. MARSHALL LAW recorded a third album, 'Powergame', with production by ROBIN GEORGE, but this only saw sporadic releases in Japan, where it reached number 6 in the national Rock chart proving a huge seller, and Spain. A thousand copies were also pressed up on the band's own System X Records for sale at gigs. A live album was recorded, but was to remain unreleased for some time, and the group would choose to disband, playing their last gig at Nottingham Rock City in September 1992 and subsequently folded around December.
Martin reunited with original drummer Mick Donovan in a new project, Southwell formed an acoustic act with his girlfriend whilst Davies found employment with erstwhile LITTLE ANGELS vocalist TOBY JEPSON. Meantime Lee Morris joined high profile Gothic Rock act PARADISE LOST in 1995.
Directly due to unceasing fan pressure MARSHALL LAW duly reformed in late 1995 to issue the well received live album on Neat Metal Records. Much to the surprise of the band the label's press release for 'Law In The Raw' mistakenly attributed these recordings to a support to JUDAS PRIEST, although the concert was in fact taken from a headline gig. Still essentially a studio project at this stage, the band did manage a brace of local gigs utilising the rhythm section from NOISEGATE, although the 1997 studio album 'Metal Detector' actually finds credited drummer Glen Viner being in reality a drum machine! (Spuriously the band later claimed 'Glen Viner' had fallen overboard on his holiday yacht and had been devoured by a shark…)
'Metal Detector' once more pulled in worthy reviews with increased sales in Germany and Japan. The band recorded the follow up 'Warning From History' in early 1999. The album included guest contributors Steve Grimmett of GRIM REAPER and LIONSHEART and MAGNUM's Tony Clarkin. Once again Neat Records put a major error into the press release for this album, claiming NOISEGATE's Chris Green had performed studio drums. In fact, all of the drums were programmed by bassist Roger Davis.
This outing saw the band's first release in South America with Rock Brigade Records in Brazil, Chile and Argentina. Shortly after recording the band dispensed with their existing rhythm section pulling in ex-RECKLESS DAUGHTER, SHOCK TACTICS and SIAM bassist Andy Faulkner and former BENEDICTION and WHITE TRASH drummer Paul Brookes. To promote the album MARSHALL LAW put in a show at the 'Bang Your Head' Festival in southern Germany sharing a bill with DEEP PURPLE, W.A.S.P. and MOTÖRHEAD as well as a performance at the Wacken Festival playing to over 30,000 people.
During 2000 the band recorded a version of SLADE's 'We'll Bring The House Down' with a guesting Bev Bevan of BLACK SABBATH on drums. Although the track was produced by the esteemed Terry Thomas, of BAD COMPANY repute, it would remain consigned to the vaults until it emerged as a bonus track on the 2002 Sanctuary Records compilation 'Power Crazy - The Best Of Marshall Law'.
Ex-MARSHALL LAW members Roy Davis and Andy Faulkner would gain production credits on the 2000 RICOCHET album 'The Singles'. Davis would also be found to be active with TOBY JEPSON once again, appearing on the 2002 'Refresh' EP. He would also feature in the blockbuster Russell Crowe movie 'Gladiator' as a barbarian extra. In downtime Andy Pyke hooked up with former MARSHALL LAW and present day PARADISE LOST drummer Lee Morris, EXCALIBUR and HARDWARE guitarist Paul Solynskyj and ex-SLAMMER guitarist Milo Zavenic to tour Holland in a METALLICA tribute band DAMAGE INC. Some of Pyke's earlier recordings also surfaced with the release of a vintage live DAMIEN album.
Reports surfaced that the Pyke / Southwell / Martin axis was gearing up for a new MARSHALL LAW album. It would be learned in June of 2003 that these sessions were to include former MARSHALL LAW, and present PARADISE LOST, drummer Lee Morris. Early 2004 confirmed the recording of a brand new album 'Axis Of Power' as a remastered version of 'Powergame', remixed by ROBIN GEORGE, was also readied for release. That same year ex-bassist Andy Faulkner gained production credits on the SHY 'Sunset & Vine' album. In early 2005 Faulkner also scored the role of producer for BOLT THROWER.
The early part of 2005 also saw the induction of bassist Tom Dwyer, a scene veteran holding credentials with BARDICHE, HEAT, SCREAMING DEMON and IRON SKULL. Ex-MARSHALL LAW drummer Lee Morris joined the ranks of AOR outfit TEN in September 2005. By the following month MARSHALL LAW announced they had mixed 'Axis Of Power'. New drummer Peter Hunt, a veteran of DRAGONFORCE and GEARED 4, joined the fold in February 2006. The band suffered a major blow in mid-March though, when Long-time guitarist Andy Southwell departed in 2006 after he badly injured his hand and was forced to stop playing music for several years. He was briefly replaced by the veteran American guitarist Jack Frost, who departed after only a few months due to unforeseen scheduling conflicts.
Andy Pyke split with Marshall Law in 2010. The rest of the band eventually decided to split-up an uncertain amount of time later.
Compilation appearances:
- "Rock the Nation" and "Under the Hammer" on Heavy Metal Heroes Vol. III (Heavy Metal, 1990)
- "Twisted This" on EMP Metal-Detector Vol. 1 (EMP, 1998)
- "Twisted This" on All Fired Up ~July 1998 (Pony Canyon, 1998)
- "Twisted This" on Knuckletracks VIII (Brave Words & Bloody Knuckles, 1998)
- "Remember Forever" on Hard Roxx Taster Vol.11 (Hard Roxx, 1999)
- "Addicted to Pain" on The Flame Burns On: The Best of Neat Records (Castle, 2002)
Another Generation
Marshall Law Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hear their cries of sadness
Now they're fighting in the streets tonight
Some say its racial hatred
More like some great injustice
It's black and white can't you read the signs
I say we have ignored
All this just can't be right
This theft on the streets of life
Another generation suffers
I've heard it's evolution
Just look outside as the fires burn bright
War zones of deep frustration
Against the degradation
Discrimination is the real crime
Just like some awful dream
There's nothing left but madness and great
All this just can't be right
Violence in the streets of life
Terror in our eyes
How Will we survive
Another generation suffers
Were heading for confrontation
There's no respect and we'll pay the price
The lack of education
Breeds a racist nation
Were all the same so lets get it right
The lyrics of Marshall Law's song ANOTHER GENERATION describe a current struggle faced by the marginalized and oppressed communities. The song talks about the ongoing racial hatred and injustice that is leading to the suffering of the future generations. The cries of sadness and the fighting in the streets tonight represent the struggle faced by the people who are not being heard and are pushed to the corner. The sign of black and white shows how color is still a matter of concern and is shaping the socio-political structure of several nations.
The songwriter highlights that the poverty and inequality faced by the generation cannot be ignored anymore. The bitter scorm of poverty has affected their lives, and the singer demands that this situation cannot be justified. The violence and frustration resulting from discrimination have become a crime against humanity itself. The idea that there is nothing left but madness and great emphasizes the despair and bleakness faced by the generation. The song's theme is a message to acknowledge the suffering and take action to change the present and the future of society for the better.
Line by Line Meaning
Another generation suffers
The life of another generation is filled with suffering
Hear their cries of sadness
The sad cries of this generation can be heard
Now they're fighting in the streets tonight
They're engaging in street fights tonight
Some say its racial hatred
There are those who say it's due to racial hatred
More like some great injustice
Rather, it's more like a grave injustice
It's black and white can't you read the signs
The signs make it clear that it's a matter of race
I say we have ignored
In my opinion, we've disregarded
Their poverty's bitter scorm
The painful scourge of poverty they face
All this just can't be right
It's impossible for all of this to be right
This theft on the streets of life
Their lives are being robbed on the streets
I've heard it's evolution
I've been told it's the natural progression of things
Just look outside as the fires burn bright
Take a look outside where bright fires burn
War zones of deep frustration
There are areas of conflict that are filled with deep frustration
Against the degradation
They're fighting against the act of degrading them
Discrimination is the real crime
The true criminal act is discrimination
Just like some awful dream
It feels like a terrible nightmare
There's nothing left but madness and great
All that remains is chaos and great confusion
Violence in the streets of life
There's violence on the streets of their daily lives
Terror in our eyes
We're filled with fear
How Will we survive
We're uncertain how we'll make it through
Were heading for confrontation
We're headed towards a clash
There's no respect and we'll pay the price
The lack of respect will come with a cost
The lack of education
The absence of education
Breeds a racist nation
Results in a country that fosters racism
Were all the same so lets get it right
We're all similar, so we should strive for fairness
Contributed by Adalyn V. Suggest a correction in the comments below.