Jimmy Mack
Martha Reeves & The Vandellas Lyrics
Jimmy Mack Jimmy
Oh, Jimmy Mack when are you comin' back
Jimmy Mack Jimmy,
Oh, Jimmy Mack when are you comin' back
My arms are missing you,
My lips feel the same way too
I tried so hard to be true, like I promised to do
But this guy keeps comin' around
He's tryin' to wear my resistance down
Hey, Jimmy, Jimmy
Oh, Jimmy Mack, when are you comin' back
Jimmy, Jimmy, oh, Jimmy Mack, you better hurry back
Now he calls me on the phone about three times a day
Now my heart doesn't listen to, what he has to say
But this loneliness I have within
Reaching out to be his friend
Hey, Jimmy, Jimmy
Oh, Jimmy Mack, when are you comin' back
Jimmy, Jimmy, oh, Jimmy Mack, you better hurry back
I just need your loving, need your loving, yeah, yeah
I wanna say I'm not getting any stronger
I can't hold out very much longer
Trying hard, to be true
But Jimmy, he talks just as sweet as you
Hey, Jimmy, Jimmy
Oh, Jimmy Mack, when are you comin' back
Jimmy, can't you hear me, Jimmy
Oh, Jimmy Mack, you better hurry back
I just need your loving, need your loving
Hey, oh, Jimmy Mack, when are you coming back
Hey, Jimmy Mack, you better hurry back
Oh, I'm not getting any stronger, I can't hold out very much longer
Lyrics © Sony/ATV Music Publishing LLC
Written by: Brian Holland, Eddie Holland, Lamont Dozier
Lyrics Licensed & Provided by LyricFind
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Martha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelley replacing Sterling. In 1967, Kelley was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972., however, Reeves still performs with sister Lois and another Reeves sister, Delphine.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelley replacing Sterling. In 1967, Kelley was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972., however, Reeves still performs with sister Lois and another Reeves sister, Delphine.
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lindsey lefrois
The background vocals on this song are absolutely angelic .... that's the only word I can think of to describe them.
Lenard Shaw
Beautiful💝🔥
Zennor_man
Ha....I try to sing along with Rosalind, Annette/Betty when I hear this great song. Always go wrong somewhere tho..
shadowbeam asmr
DOO DODO DOODOO
K Moore
Yes! Rosalind and Betty gelled well together. Of course not to take anything away from Annette. I think this was Betty’s last hit with them before she left the group. And to be honest, I don’t even think Betty is on this because it was originally recorded in ‘64
Tim Shelmerdine
Zźz.zź
robert monkhouse
Never let old skool music die..
John Sanchez
Agreed
cajayson8301
Amazing, underrated song. Wish they still played this on radio today...such a classic dance hit
monmixer
I saw this group tonight working. in their 70's..unreal, beautiful and very good still. Yes..they are still alive and well. all of them and performing.