You've Been In Love Too Long
Martha Reeves & The Vandellas Lyrics
Girls, you've been in love too long
(You're a fool for your baby)
Don't you know, girls
You've been in love too long
(You're a fool for your baby)
When just his smile takes all your pain away
And you find yourself believing whatever he may say
Now when he keeps you cryin'
But your heart tells you, Girl, keep right on tryin'
(You're a fool for your baby)
Don't you know, girls? You've been in love too long
(You're a fool for your baby)
When you accept his wrongs just to share his kiss
And even though lonely nights are filled with happiness
Now girl, you're in trouble; you know your heart is seein' double
When your head tells you to run
But your heart says he's your only one
Girls, you've been in love too long
You're a fool for your baby)
(Girl, you've been in love too long)
You're a fool
'Cause when a week of loneliness
Can be erased with just one sweet caress
Girls, you've been in love too long
(You're a fool for your baby)
I say girls, oh yeah, you're a fool
When his wrong looks right 'cause he always treats you bad
When you find little excuses for all the sadness & abuses
Don't you know, girls, you're in love
You're just a fool for your baby
Girls, you've been in love too long
You're just a fool
Lyrics ยฉ Sony/ATV Music Publishing LLC
Written by: CLARENCE O. PAUL, IVY JO HUNTER, WILLIAM STEVENSON
Lyrics Licensed & Provided by LyricFind
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Martha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelley replacing Sterling. In 1967, Kelley was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972., however, Reeves still performs with sister Lois and another Reeves sister, Delphine.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelley replacing Sterling. In 1967, Kelley was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972., however, Reeves still performs with sister Lois and another Reeves sister, Delphine.
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WAYNE HAZZARD
Go Martha!!! Sounds like she dad theses tracks last night. Vocally, the natural beauty of her voice to me is more alive and soulfully pretty than any of the Motown Queens. She pulls you in and wears you out. Levi Stubbs does it from Motown's male stable.
Christopher Bawson
My FAV by the girls, a true Motown gem. Dancin in the streets ain't bad either but this is it!!! The flip side interrupted this from being much bigger.
dvlaries
The no-bullshit intro is almost menacing, then and now, and Martha's exasperation with whoever she's addressing -daughter or sister or friend- is palpable. This isn't just a singer, but an ACTRESS too. And she's a great one. This should have been a much bigger chart hit, but Vandellas fans never forget it anyway. The record's anger was perfect for the hot summertime of '65. Love you, Martha; I'm your prisoner for the rest of my life.
someone else
That intro is heavy
Leatherbro 1000
This group should have went more further than what it did. This group often played the fall girls to the Supremes who were of less talent and capability. Martha Reeves and the Vandellas were far more "naturally talented" than what the Supremes could have ever been. More time and money got devoted to the Supremes and less time and money went to Martha Reeves and the Vandellas.
Patrick Walton
Songs like this will ALWAYS live on. Unlike the music now it tells a true story.
DonnyPiano
Patrick Walton I agree! ๐
Robert Velez
If you listen to the words to this song very carefully, you could swear that it is a message song! An absolute classic!
Leatherbro 1000
This song should be an anthem for women who have been in abusive relationships.
mildred fitts
I Love This Song Thank You For Sharing, This Is A True Song.