Dancing in the Streets
Martha and The Vandellas Lyrics
Calling out around the world
Are you ready for a brand new beat?
Summer's here and the time is right
For dancing in the street
They're dancing in Chicago (dancing in the street)
Down in New Orleans (dancing in the street)
In New York City (dancing in the street)
All we need is music, sweet music
There'll be swinging, swaying, and records playing
Dancing in the street
Oh, it doesn't matter what you wear
Just as long as you are there
So come on, every guy, grab a girl
Everywhere around the world
They'll be dancing (dancing in the street)
They're dancing in the street (dancing in the street)
It's an invitation across the nation
A chance for folks to meet
There'll be laughing, singing, and music swinging
Dancing in the street
Philadelphia, PA (dancing in the street)
Baltimore and D.C. now (dancing in the street)
Can't forget the Motor City (dancing in the street)
All we need is music, sweet music (sweet music)
There'll be music everywhere (everywhere)
There'll be swinging, swaying, and records playing
Dancing in the street
Oh, it doesn't matter what you wear
Just as long as you are there
So come on, every guy, grab a girl
Everywhere around the world
They're dancing
They're dancing in the street (dancing in the street)
Way down in L.A. (dancing in the street)
Every day, they're dancing in the street (dancing in the street)
Let's form a big, strong line (dancing in the street)
Get in time, we're dancing in the street (dancing in the street)
Across the ocean blue (dancing in the street)
Me and you, we're dancing in the street (dancing in the street)
Lyrics © Sony/ATV Music Publishing LLC
Written by: Marvin Gaye, William Stevenson, Ivy Hunter
Lyrics Licensed & Provided by LyricFind
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Martha and the Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to 1972, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves and the Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha and the Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to 1972, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves and the Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelly replacing Annette Beard (now Beard-Sterling). In 1967, Kelly was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. It was right about this time that the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.
The story of the group did not end completely with their split-up in 1972, however. While Tilley and Williams (both now deceased) eventually retired, the others continued with their individual career pursuits: Lois sang with the group Quiet Elegance and also sang background for Al Green; Reeves reunited with original Vandellas Ashford and Beard-Sterling for a 1978 benefit concert in Los Angeles; and in 1983, Reeves performed solo at Motown 25, which partly helped her and the Vandellas gain a new audience. In particular, Reeves herself is still known to sing with her sisters Lois and Delphine, often performing as a solo artist under the bill, "Martha Reeves of Martha Reeves and the Vandellas", and still performs all over the world.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves and the Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha and the Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to 1972, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves and the Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelly replacing Annette Beard (now Beard-Sterling). In 1967, Kelly was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. It was right about this time that the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972.
The story of the group did not end completely with their split-up in 1972, however. While Tilley and Williams (both now deceased) eventually retired, the others continued with their individual career pursuits: Lois sang with the group Quiet Elegance and also sang background for Al Green; Reeves reunited with original Vandellas Ashford and Beard-Sterling for a 1978 benefit concert in Los Angeles; and in 1983, Reeves performed solo at Motown 25, which partly helped her and the Vandellas gain a new audience. In particular, Reeves herself is still known to sing with her sisters Lois and Delphine, often performing as a solo artist under the bill, "Martha Reeves of Martha Reeves and the Vandellas", and still performs all over the world.
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Baddie Mauve
[Verse 1]
Calling out around the world
Are you ready for a brand new beat
Summer's here
And the time is right
For dancing in the street
They're dancing in Chicago
Down in New Orleans
Up in New York City
[Hook]
All we need is music
Sweet music
There'll be music everywhere
There'll be swinging
Swaying
And records playing
Dancing in the street
[Chorus]
Oh
It doesn't matter what you wear
Just as long
As you are there
So come on
Every guy
Grab a girl
Everywhere around the world
They'll be dancing
They're dancing in the street
[Verse 2]
It's just an invitation
Across the nation
A chance for folks to meet
There'll be laughing
Singing
Music swinging
Dancing in the street
Philadelphia, PA
Baltimore and D.C. now
Can't forget the Motor City
[Hook]
All we need is music
Sweet music
There'll be music everywhere
There'll be swinging
Swaying
And records playing
Dancing in the street
[Chorus]
Oh
It doesn't matter what you wear
Just as long
As you are there
So, come on
Every guy
Grab a girl
Everywhere
Around the world
Dancing
They're dancing in the street
Way down in L.A
Every day
(Dancing in the street)
Across the ocean blue
Me and you
We're dancing in the street
(Dancing in the street)
SilverBreeze22
Calling out around the world
Are you ready for a brand new beat
Summer’s here and the time is right
For dancing in the street
They’re dancing in Chicago (dancing in the street)
Down in New Orleans (dancing in the street)
In New York City (dancing in the street)
All we need is music, sweet music
(sweet, sweet, sweet, sweet music)
There’ll be music everywhere (music everywhere)
There’ll be swinging, swaying, and records playing
Dancing in the street
Oh, it doesn’t matter what you wear
Just as long as you are there
So come on, every guy, grab a girl
Everywhere around the world
They’ll be dancing (dancing in the street)
They’re dancing in the street (dancing in the street)
It’s an invitation across the nation
A chance for folks to meet
There’ll be laughing, singing, and music swinging
Dancing in the street
Philadelphia, P.A. (dancing in the street)
Baltimore and D.C. now (dancing in the street)
Can’t forget the Motor City (dancing in the street)
All we need is music, sweet music
(sweet, sweet, sweet, sweet music)
There’ll be music everywhere (music everywhere)
There’ll be swinging, swaying, and records playing
Dancing in the street
Oh, it doesn’t matter what you wear
Just as long as you are there
So come on, every guy, grab a girl
Everywhere around the world
They’re dancing
They’re dancing in the street (dancing in the street)
Way down in L.A. (dancing in the street)
Every day, they’re dancing in the street (dancing in the street)
Let’s form a big, strong line (dancing in the street)
Get in time, we’re dancing in the street (dancing in the street)
Across the ocean blue (dancing in the street)
Me and you, we’re dancing in the street (dancing in the street)
Yeah …
John1965
2022 and this song is still awesome from the 1960s...
Don Mullins Insurance Agency
They were getting all the major dances from the mid ‘60s in at the beginning. Awesome!
Zora Kusar
Not from 1964 but still amazing
Vonnie Truitt
Yes!!! 🤗
Xavi Rayuela
So many years later...it still almost brings you to tears...they're way good!
Hans G
It's hard to exaggerate how much influence the Motown sound has had on American pop music. Great stuff to listen to a thousand years from now.
SilentKnight43
And to think this classic has been covered over the years by Van Halen, Bowie/Jagger and The Struts. Ageless - never gets old.
Joel Roher
I was so lucky to attend a concert a few years back, with Martha Reeves and the Vandellas the opening act. They sang this very song. Martha was into her seventies by this time.....and she could still do it! There were about 40,000 people attending the Motown event and everyone started dancing in the city hall square as this infectious song was performed. It was an unforgettable moment. Smokey Robinson was the next act to follow. An exciting evening to be sure. Smokey, also in his seventies, appeared in a kind of Elvis, one piece white lounge suit, skin tight. Smokey was swiveling away as he sang and he too was totally convincing as the huge audience went wild with delight!
Joel Roher
@Di I wish you were there as well, Di.
Di
Wish I knew about this. As a little girl growing up my father picked me up on a Friday night playing the radio to keep from falling asleep tuned to Motown music.